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Relevant bibliographies by topics / Live theater

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Journal articles
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Academic literature on the topic 'Live theater'

Author: Grafiati

Published: 25 May 2024

Last updated: 31 July 2025

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Journal articles on the topic "Live theater"

1

Zehra, Shamail, Kiran Karamat, and Niza Qureshi. "THEATRE IN THE DIGITAL AGE: CHALLENGES AND AUDIENCE VIEWING EXPERIENCES." Pakistan Journal of Social Research 05, no. 01 (2023): 609–16. http://dx.doi.org/10.52567/pjsr.v5i01.1384.

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A digital native audience may find it more difficult to be captivated by a theatrical performance in the age of technology, yet theater has evolved and survived every technological advancement. The popularity of the plays in Shakespeare's day appears to have been largely dependent on audience behavior, much as it was in the times of Aristophanes and Plautus. In our local Pakistani context, the study investigates whether theater can survive in the present digital media landscape and addresses the key elements that can affect a viewer's decision to see theater in a live setting. A good play, pro

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Buckley, Jennifer. "Long “Live” Theater." Theater 46, no. 2 (2016): 35–53. http://dx.doi.org/10.1215/01610775-3547659.

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Dr, Keerty Goyal. "THEATER: A PERFORMING ART OF KNITTING EMOTIONS." International Journal of Human Resource & Industrial Research 3, no. 3 (2016): 73–78. https://doi.org/10.5281/zenodo.10699920.

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<em>Theater being and direct medium operates on human level with its audience. Though theater has always been facing upheavals and difficulties claiming for the audience but finally has a beauty of its own. The accomplishment that an artist and the director expect from the audience is only the curtain falling with a thunderous applause. Theater artists live in a world of their own and are fully passionate about their work. Theater is an art to be felt and experienced. Theater is a live medium of entertainment which engages its audience through creative expression. The artist has the inner pict

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Sprogøe, Charlotte. "Live Experiences in the Theater Gardens of Contemporary Art." Peripeti 19, no. 35 (2022): 97–108. http://dx.doi.org/10.7146/peri.v19i35.130635.

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Theatre has been a model for curatorial experiments throughout the history of experimental exhibitions. This article will look into contemporary experiments with curating exhibition formats that come alive as virtual, ‘lucid dreams’ through the uses of theatrical tropes such as Narrator, Stage, Backdrop – and through the integration of affect, living matter, organic form and worldlike backdrops into the formats, as in the historic Theater Gardens.

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Gamaliel Paulus. "Penerimaan Teknologi Gawai dalam Menonton Pertunjukan Teater Virtual di Era Pandemi Covid 19." Jurnal Netnografi Komunikasi 1, no. 1 (2022): 31–37. http://dx.doi.org/10.59408/netnografi.v1i1.5.

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The COVID-19 pandemic that has hit Indonesia since March 2020, has had a bad impact not only on the economy and health fields, but also in various fields of life. One of those is theater performing arts. The social restrictions imposed by the government have resulted in many theater groups being unable to conduct theatrical performances. People should stay at home more and use various communication technologies to interact with each other. In order to keep the theater performing arts alive, theater workers took the initiative to organize virtual theater where audience can watch theater through

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Ahmadova, Gulkhara. "WORLDLY SIGNIFICANCE OF THEATERS: IREVAN STATE AZERBAIJAN DRAMA THEATER." Scientific Journal of Polonia University 58, no. 3 (2023): 10–14. http://dx.doi.org/10.23856/5801.

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Historically and even now, the literary and cultural environment of Azerbaijan is known both in the East and in the West. As a result of the severe tragedies, deportations, and genocides inflicted on the people of Azerbaijan, scientific and educational institutions, state institutions, museums, natural monuments, and cultural centers created in our country have suffered as much as our people. Theaters were also forced to live the fate of refugees. Today Shusha Musical Drama Theater, Aghdam State Drama Theater, Fuzili State Drama Theater continue their activities in the field of refugees. All t

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Turchi, Laura B., Ann C. Christensen, and Laura B. Turchi. "Teaching Shakespeare: Live Theater Matters." English Journal 108, no. 6 (2019): 103–5. http://dx.doi.org/10.58680/ej201930217.

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Palmer, David. "Miller’s Food for Thought at Food For Thought Productions: A Talk with Susan Charlotte, 15 July 2021." Arthur Miller Journal 17, no. 1 (2022): 39–43. http://dx.doi.org/10.5325/arthmillj.17.1.0039.

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Dewi, Irma Kusuma, and Farid Farid. "Strategi Komunikasi Pemasaran Radjawali Semarang Cultural Center (RSCC) di Masa Pandemi." Kiwari 2, no. 4 (2023): 578–83. http://dx.doi.org/10.24912/ki.v2i4.27229.

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The Covid-19 pandemic, which has spread to several countries, finally entered and attacked Indonesia in March 2020. The Government's Policy to Enforce Restrictions on Community Activities (PPKM) has made the Radjawali Semarang Cultural Center (RSCC) an art building in The city of Semarang is not free in raising its name. In an increasingly sophisticated and advanced life like today, social media is able to become a place for activities that cannot be carried out during the Covid-19 pandemic. So a Live in Theater event was created which is a collaborative program between building providers, nam

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Gontarski, Stanley. "The theater is always dying." Acta Universitatis Lodziensis. Folia Litteraria Polonica 59, no. 4 (2020): 191–209. http://dx.doi.org/10.18778/1505-9057.59.11.

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The Theater Is always Dying traces the resilience of live theatrical performance in the face of competing performative forms like cinema, television and contemporary streaming services on personal, hand-held devices and focuses on theater’s ability to continue as a significant cultural, community and intellectual force in the face of such competition. To echo Beckett, we might suggest, then, that theater may be at its best at its dying since its extended demise seems self-regenerating. Whether or not you “go out of the theatre more human than when you went in”, as Ariane Mnouchkin suggests, or

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Dissertations / Theses on the topic "Live theater"

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Shrader, Angela D. "A Comparison of Audience Response to Live and Recorded Theatre Performances." Marietta College Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=marhonors1430070781.

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Torpey, Peter Alexander. "Disembodied performance : abstraction of representation in live theater." Thesis, Massachusetts Institute of Technology, 2009. http://hdl.handle.net/1721.1/55198.

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Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2009.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (p. 151-158).<br>Early in Tod Machover's opera Death and the Powers, the main character, Simon Powers, is subsumed into a technological environment of his own creation. The theatrical set comes alive in the form of robotic, visual, and sonic elements that allow the actor to extend his range and influence across the stage in unique and dynamic ways. The environment must compellingly as

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Miller, Michael R. M. Eng Massachusetts Institute of Technology. "Show design and control system for live theater." Thesis, Massachusetts Institute of Technology, 2010. http://hdl.handle.net/1721.1/65324.

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Thesis (M. Eng.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 2010.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (p. 75).<br>Tod Machover's upcoming opera Death and the Powers calls for an unprecedented integration of technology and theater. These uses of technology are at the heart of the show and include a Greek chorus of nine "Operabots"; a novel surround sound and audio processing architecture; a massive string instrument called "The Chandelier"; three 14' tall robotic stage fixtures with displays called "T

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Kastel, Thiemo [Verfasser]. "Live Performances and Broadcast Productions with Augmented Reality / Thiemo Kastel." Gernsbach : Prof.(FH) Dr. Thiemo Kastel, kastel media solutions, 2017. http://d-nb.info/1139666266/34.

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Zachry, Corinne. "CREATING PUPPETS THAT LIVE: AN EXPLORATION OF THEORIES AND TECHNIQUES IN MODERN PUPPETRY." Ohio University Honors Tutorial College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1366906448.

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Chau-Dang, Tiffanie T. "Using Optical Illusions to Enhance Projection Design for Live Performance." Kent State University Honors College / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1588376296563101.

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Thomas, Kenneth. "Who, What, Why: A Self-Reflection on the Creation and Practice of Audition Technique in the Business of Live Theatre." Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/honors/633.

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Gray, Leslie. "A Home You Can’t Live in: Performances of the Black Body and Domestic Space in Contemporary Drama." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/19318.

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Theatre is often an invitation to enter the black home subject to its violations and crisis; this thesis repositions the black home and body in contemporary American and British theatre as constructed by the narratives and transgressions of the moment they are in. I examine Suzan-Lori Parks’ In the Blood, Katori Hall’s The Mountaintop and Sabrina Mahfouz’s Chef as sites of memory, nostalgia, and trauma where what is considered “home” resists the safety of concrete walls and a white picket fence. Instead, I argue the playwrights suggest, with their black female protagonists, that home transcend

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Vandorpe, Dries. "The Archaeology of Liveness." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1430786242.

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Faigin, David A. "COMPARING LIVE AND VIDEO-TAPED THEATRICAL PERFORMANCE IN CHANGING STIGMATIZING ATTITUDES TOWARDS PEOPLE WITH SERIOUS MENTAL ILLNESS." Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1141964034.

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Books on the topic "Live theater"

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Little, Jean. Live on Broadway: A treasury of theater from A to Z. Blue Apple Books, 2009.

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Coveney, Michael. The aisle is full of noises: A vivisection of the live theatre. Nick Hern Books, 1994.

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Associates, Nicholas Clark and. Study of the professional live theatre industry in Victoria for Victorian Ministry for the Arts. The Associates, 1985.

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Maaike, Bleeker, ed. Anatomy live: Performance and the operating theatre. Amsterdam University Press, 2008.

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Maaike, Bleeker, ed. Anatomy live: Performance and the operating theatre. Amsterdam University Press, 2008.

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Nick, Kaye, ed. British live art: Essays and documentations. Harwood Academic Pub., 1994.

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Gänzl, Kurt. Musicals: The complete illustrated story of the world's most popular live entertainment. Carlton, 2001.

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Brown, Alan S., and Clayton Lord. Counting new beans: Intrinsic impact and the value of art : featuring Measuring the intrinsic impact of live theatre : the final report on the landmark two-year intrinsic impact theatre study from research firm Wolfbrown and authors Alan Brown and Rebecca Ratzkin. Theatre Bay Area, 2012.

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Tolar, Günter. So ein Theater!: Die Geschichte des Theaters an der Wien. Ueberreuter, 1991.

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Lerner, Alan Jay. The street where I live: The story of 'My Fair Lady', 'Gigi' and 'Camelot'. Columbus, 1989.

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Book chapters on the topic "Live theater"

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Burgess, Christophe. "Combining Layers of Reality. Video Game Elements in Live Performance." In Theater. transcript Verlag, 2024. https://doi.org/10.14361/9783839471739-009.

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Gagneré, Georges. "Directing Avatars in Live Performances – An Autonomy Simulacrum of Virtual Actors." In Theater. transcript Verlag, 2024. https://doi.org/10.14361/9783839471739-007.

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Dreifuss, Réjane, Simon Hagemann, and Izabella Pluta. "Live Performance and Video Games: Introduction to an Interdisciplinary Field of Research." In Theater. transcript Verlag, 2024. https://doi.org/10.14361/9783839471739-003.

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Bernard, Sacha, and Fanny Barnabé. "From Home to Stage: How Speedrunners Negotiate Performance, Relation to the Audience, and Spectacle in Live-Streaming Speedrun Marathons." In Theater. transcript Verlag, 2024. https://doi.org/10.14361/9783839471739-015.

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Ibbotson, Piers. "Live Communication: The Business of Theater." In The Illusion of Leadership. Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230202009_10.

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Ursyn, Anna. "Music Code: Live Cosmic Book Theater." In New Storytelling. Chapman and Hall/CRC, 2025. https://doi.org/10.1201/9781003592945-3.

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Liedke, Heidi Lucja. "Transmedial experience in nineteenth-century live theater broadcasting." In Transmedia Practices in the Long Nineteenth Century. Routledge, 2022. http://dx.doi.org/10.4324/9781003222941-5.

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Cheok, Adrian David. "Interactive Theater Experience with 3D Live Captured Actors and Spatial Sound." In Art and Technology of Entertainment Computing and Communication. Springer London, 2010. http://dx.doi.org/10.1007/978-1-84996-137-0_3.

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Vander Wilt, Dirk, and Morwaread Mary Farbood. "Deploying Prerecorded Audio Description for Musical Theater Using Live Performance Tracking." In Lecture Notes in Computer Science. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70210-6_13.

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Baran Durmaz, Gulbeyaz, and Nursah Gunduz Gunduz Aktas. "Children and Drama." In Child and Life. Nobel Tip Kitabevleri, 2024. http://dx.doi.org/10.69860/nobel.9786053359272.1.

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Drama can be defined as a group acting out a situation, a memory or an educational subject based on their own life experiences by using theater and drama techniques in the presence of a leader. Especially in the preschool period, drama is of great importance for children to have concrete experiences, to learn by doing and to live and to participate actively. In this period when development is of critical importance, drama studies make positive contributions to all developmental areas of children. Although it is confused with "play", which is a fun activity for children and supports their devel

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Conference papers on the topic "Live theater"

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Harry, John. "Moisture in Historic Commercial Building Walls – Approaches to Assessment and Restoration." In SSPC 2013 Greencoat. SSPC, 2013. https://doi.org/10.5006/s2013-00026.

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The City of Rocky Mount, NC has several historic brick buildings throughout downtown areas, built during the early to mid 1900’s. These buildings were constructed during times when segregation was rampant in the southern states and African-Americans were treated unequally. African-Americans faced race-inspired violence and harsh treatment causing them to live a different type of lifestyle from the rest of society. Many were barred from classrooms, bathrooms, theaters and other public facilities during this era. The City of Rocky Mount wanted to restore 6 of their historic buildings that were l

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Pavel, Tal. "CYBER STUDIES IN ROMANIA." In 11th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscss.2024/s02/08.

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There are many issues in cyberspace that have an impact on people and society overall in different ways, affecting all industries and nations. Part of what makes cyberspace so unique is how creatively it uses modern technologies. The research emphasises the need for a proliferation of cyber studies among academic institutions in Romania: The cyber domain is related to every area of our modern lives and affects them in an immediate and far-reaching way, being a space based on technology. Cyber programs should focus on Bachelor�s degrees to enable a broad and well-trained cyber Master students.

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Wilt, Dirk Vander, and Morwaread Mary Farbood. "Automating Audio Description for Live Theater." In AM'19: Audio Mostly. ACM, 2019. http://dx.doi.org/10.1145/3356590.3356603.

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Frank, Whitton Anne, and Brendan Andolsek Bradley. "Creating Intimacy and Connection Through Live Theater in VR." In SA '22: SIGGRAPH Asia 2022 Real-Time Live! ACM, 2022. http://dx.doi.org/10.1145/3550453.3586017.

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Tsoupikova, Daria, Jo Cattell, Andrew Johnson, Lance Long, Arthur Nishimoto, and Sai Priya Jyothula. "Hummingbird: A Collaborative Live Theater and Virtual Reality Adventure." In SIGGRAPH '22: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2022. http://dx.doi.org/10.1145/3532834.3536213.

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Santos, Maria Lucina Anonas De, and Magdalena De Leon. "Can Virtual Theater Fulfill the Function of Live Theater in COVID–19 for Tertiary Level Dance Program Stakeholders?" In The Asian Conference on Arts and Humanities 2023. The International Academic Forum(IAFOR), 2023. http://dx.doi.org/10.22492/issn.2186-229x.2023.5.

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Tsoupikova, Daria, Sai Priya Jyothula, Arthur Nishimoto, Jo Cattell, Andrew Johnson, and Lance Long. "Hummingbird: Live Theater Adventure Empowering Collaboration in Virtual Reality." In VINCI '24: The 17th International Symposium on Visual Information Communication and Interaction. ACM, 2024. http://dx.doi.org/10.1145/3678698.3687178.

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He, Ziyi, Xiao Yan, and Hanxi Wang. "Necessity of Establishing the Stage Technical Standards for Outdoor Live Performance Theater." In 2021 International Conference on Culture-oriented Science & Technology (ICCST). IEEE, 2021. http://dx.doi.org/10.1109/iccst53801.2021.00084.

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Oosthuizen, Patrick H. "A Numerical Study of the Effect of Inlet Vent Position and Size on the Velocity and Temperature Distributions in a Smaller Naturally Ventilated Theater in Canada." In ASME 2014 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/imece2014-36781.

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Many smaller churches and similar buildings in Canada have been converted into small theaters. Such theatres are often not fitted with an air-conditioning system. For performances in the fall these theaters sometimes rely on buoyancy driven natural ventilation to moderate the indoor air temperature. Such ventilation systems usually involve near floor inlet vents and a roof level air discharge system. A preliminary numerical study of the effect of inlet vent position and size on the performance of such a system has been undertaken. A simple model of a typical theater building of the type consid

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Yan, Xiao, and Hanxi Wang. "Comparison of Technical Systems between Outdoor Live Performance Stage and Indoor Theater Stage." In 2021 International Conference on Culture-oriented Science & Technology (ICCST). IEEE, 2021. http://dx.doi.org/10.1109/iccst53801.2021.00059.

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Reports on the topic "Live theater"

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Ingram, Charlie, Sarah Whatley, Nick Henry, and Susanne Foellmer. Innovatory Methods in Policymaking: Introducing the Use of Verbatim Theatre. Coventry University, 2022. http://dx.doi.org/10.18552/cdare/2024/0002.

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This report introduces Headphone Verbatim Theatre (HVT), a method of data gathering that involves a performance created solely from the words spoken by interview participants. HVT responds to the challenges faced by policymakers around incorporating citizen experiences in policy design and evaluation. After identifying the problem policymakers currently face in capturing the voices of citizens, the report outlines the method of HVT and summarises its key benefits. Through embedded video clips, the report gives examples of where the method has been used and further, how dissemination in a live

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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Albury-Wodonga. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206966.

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Albury-Wodonga, situated in Wiradjuri country, sits astride the Murray River and has benefitted in many ways from its almost equidistance from Sydney and Melbourne. It has found strength in the earlier push for decentralisation begun in early 1970s. A number of State and Federal agencies have ensured middle class professionals now call this region home. Light industry is a feature of Wodonga while Albury maintains the traditions and culture of its former life as part of the agricultural squattocracy. Both Local Councils are keen to work cooperatively to ensure the region is an attractive place

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Ilgenfritz, Pedro. Guide Me Without Touching My Hand: Reflections on the Dramaturgical Development of the Devised-theatre Show One by One. Unitec ePress, 2016. http://dx.doi.org/10.34074/ocds.038.

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This essay is a reflection on some aspects of dramaturgy observed during the creation and development of One by One, a silent tragicomedy designed by the Auckland company, LAB Theatre, in 2011 and restaged in 2013. The emphasis of the essay is on pedagogical aspects at the core of the company’s work, as they inform the creative process and lead to the blending of the actor’s function into that of the dramaturg. The following discussion makes apparent the fact that this process of hybridisation, made possible by implementing features of devised theatre, emancipates the actor and brings improvis

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Dairianathan, Eugene, Larry Francis Hilarian, Peter Stead, Chee Hoo Lum, and Hoon Hong Ng. Learning through popular music, lessons for the general music programme syllabus in Singapore. National Institute of Education, Nanyang Technological University, Singapore, 2024. https://doi.org/10.32658/10497/27422.

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This project sought to investigate the identity, role and function of popular music within classroom-based education in Singapore. Popular music is characterised by: (i) lnterdisclplinarity (music, dance, poetry, theatre, etc); (ii) It suffuses the lives of school-going youth in their out-of-school curriculum. (iii) Skill acquisition is frequently gained through more informal learning than is usual in institutional settings (Green, 2002). (iv) Participation in popular music by various communities seems to cut across ethnic, religious and age boundaries, which makes popular music participation

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Tyson, Paul. Orchestrated Irrationality: Why It Exists and How It Might Be Resisted. Mέta | Centre for Postcapitalist Civilisation, 2022. http://dx.doi.org/10.55405/mwp13en.

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Orchestrated irrationality in our public discourse is produced by technologically enhanced and commercially purposed atomization and tribalism. Public discourse now leans away from a humane, free, and reasoned political rationality and towards self-interested, calculative, herd conformism. The bulls and bears of consumer society have largely displaced the civic logic of the liberal democratic pursuit of the common good. The power interests that govern global consumerism are enhanced by subordinating the common good ends of genuinely political life to the self-interested and profit driven dynam

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Khomenko, Tetiana, та Yuriy Kolisnyk. Втрати української культури у російсько-українській війні: культурно-інформаційний спротив. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11749.

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The authors explored the activity of mass media and cultural organizations aimed at clarification of the current problematic issue – preservation of Ukrainian cultural heritage under the conditions of the full-scale invasion of Russia into Ukraine. The authors emphasize that occupants not only destroy historic buildings, i.e. material objects, but also steal art values, destroy library and archive funds; their actions are aimed at destruction of our spirituality, identity and history. It is pointed out that there are the main streams in the work of journalists, experts, and culture figures, na

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Zeba, Mattia, Roberta Medda-Windischer, Andrea Carlà, and Alexandra Cosima Budabin. Civic Education as Preventive Measure and Inclusionary Practice. Glasgow Caledonian University, 2025. https://doi.org/10.59019/ddzh5n65.

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In the framework of the D.Rad project, WP10 – entitled Civic education as preventive measure and inclusionary practice – seeks to prevent youth radicalisation through civic education and to identify new pedagogical methods and interactive, participatory tools for building pro-social resilience to radical ideologies. We consider as ‘civic education programs’ all those initiatives of instruction that aim at affecting “people’s beliefs, commitments, capabilities, and actions as members or prospective members of communities”1, as well as foster critical thinking and promoting “civic engagement and

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Study of Social Entrepreneurship and Innovation Ecosystems in the Latin American Pacific Alliance Countries: Case Study: La Tarumba, Peru. Inter-American Development Bank, 2016. http://dx.doi.org/10.18235/0009335.

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This report sets out to present some of the highlights from a more in depth study carried out on social entrepreneurship and innovation ecosystems in Peru, presenting the case study of La Tarumba. La Tarumba trains young people in life-skills through theater, circus and music, to improve their employability, leadership skills self esteem, creativity and social inclusion.

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Theatre can bring research findings to life for a wide range of audiences. National Institute for Health Research, 2020. http://dx.doi.org/10.3310/alert_43190.

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