Academic literature on the topic 'Livres contestes'

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Journal articles on the topic "Livres contestes"

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Martínez-Cotrina, Jorge, Martha L. Bohórquez-Alonso, and Miguel Molina-Borja. "Morphological and behavioural correlates of contest success in male yellow-headed geckos, Gonatodes albogularis: sequential assessment or self-assessment?" Behaviour 151, no. 11 (2014): 1535–54. http://dx.doi.org/10.1163/1568539x-00003199.

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Gonatodes albogularis is a small diurnal gecko that lives in Central and northern South America and whose behaviour has been rarely analysed. This study describes the behaviour patterns occurring during agonistic encounters between male geckos, assesses the effect of morphological and behavioural traits on aggressive intensity and contest outcome, and tests predictions of the sequential assessment and self-assessment models of animal contests. We staged encounters between randomly paired wild-caught males in a neutral arena. The behaviour of both males was recorded and a winner was determined for most encounters. Aggressive patterns exhibited during the contests included ‘throat depression’, ‘push-ups’, three types of ‘tail display’, ‘whole body waving’ and ‘bites’. Contest winners did not differ from losers in any of the morphological variables examined. However, winners performed longer or more frequent aggressive behaviours than losers, and frequency of ‘throat depression’ and duration of ‘whole body waving’ significantly predicted final status of geckos. These results show that some behaviours are good predictors of the outcome of aggressive encounters in G. albogularis. Moreover, winner SVL significantly predicted the aggressive intensity of the contest. Early theoretical models hypothesized that there should be mutual assessment between contestants, but our results for G. albogularis agree more with a recent model of ‘self-assessment only’ of intrasexual competition.
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Deeb, Lara Z., and Marcia C. Inhorn. "The contested public lives of middle eastern women." Reviews in Anthropology 30, no. 1 (May 2001): 85–97. http://dx.doi.org/10.1080/00988157.2001.9978273.

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Greenhouse, Carol J., and Faye D. Ginsburg. "Contested Lives: The Abortion Debate in an American Community." Anthropological Quarterly 64, no. 1 (January 1991): 51. http://dx.doi.org/10.2307/3317839.

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Barbera, Rosemary A. "Understanding Globalization through Short-Term International Field Experiences." Journal of Baccalaureate Social Work 12, no. 1 (September 1, 2006): 287–302. http://dx.doi.org/10.18084/1084-7219.12.1.287.

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The process of globalization is contested terrain across the globe. Social work practice is affected by this process, since globalization has led to a widening of the gap between rich and poor and has increased the number of people living in poverty. Social workers must understand economic globalization in order to be able to contest its effects on our personal and professional lives. This article examines the process of economic globalization. It offers a case example of a short-term international field program, the Sin Fronteras Chile Project, which shows how social work education in the United States can help prepare social workers to be actors in a world affected by economic globalization. It also offers recommendations for strengthening undergraduate social work education, based on students' experiences with Sin Fronteras.
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Can, Yekta Said, Niaz Chalabianloo, Deniz Ekiz, and Cem Ersoy. "Continuous Stress Detection Using Wearable Sensors in Real Life: Algorithmic Programming Contest Case Study." Sensors 19, no. 8 (April 18, 2019): 1849. http://dx.doi.org/10.3390/s19081849.

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The negative effects of mental stress on human health has been known for decades. High-level stress must be detected at early stages to prevent these negative effects. After the emergence of wearable devices that could be part of our lives, researchers have started detecting extreme stress of individuals with them during daily routines. Initial experiments were performed in laboratory environments and recently a number of works took a step outside the laboratory environment to the real-life. We developed an automatic stress detection system using physiological signals obtained from unobtrusive smart wearable devices which can be carried during the daily life routines of individuals. This system has modality-specific artifact removal and feature extraction methods for real-life conditions. We further tested our system in a real-life setting with collected physiological data from 21 participants of an algorithmic programming contest for nine days. This event had lectures, contests as well as free time. By using heart activity, skin conductance and accelerometer signals, we successfully discriminated contest stress, relatively higher cognitive load (lecture) and relaxed time activities by using different machine learning methods.
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Kallio, Kirsi Pauliina, and Jouni Häkli. "Care as mundane politics: contested familial refugee lives in Finland." Gender, Place & Culture 26, no. 6 (January 31, 2019): 795–812. http://dx.doi.org/10.1080/0966369x.2018.1552563.

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Pierce, Andrew J. "Whose Lives Matter? The Black Lives Matter Movement and the Contested Legacy of Philosophical Humanism." Journal of Social Philosophy 51, no. 2 (October 25, 2019): 261–82. http://dx.doi.org/10.1111/josp.12305.

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Hamel, Jean-François. "« Plus de livre, plus jamais de livre »." Études françaises 54, no. 1 (January 16, 2018): 77–96. http://dx.doi.org/10.7202/1042867ar.

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Dans la perspective d’une histoire culturelle des formes et des théories de l’engagement, cet article reconstitue la politique de la littérature défendue par le Comité d’action étudiants-écrivains, de sa fondation en mai 1968 à sa dissolution moins d’un an plus tard, en regard du répertoire des discours et des pratiques de l’agitation culturelle à la disposition des contestataires. Le thème de « l’absence de livre », présent dans l’oeuvre critique de Maurice Blanchot, trouve là une extension politique, voire insurrectionnelle. D’une part, le Comité se porte à la défense d’un espace public oppositionnel, alimenté par la production militante des tracts, des affiches et des bulletins, au sein duquel le livre, emblématique de la culture bourgeoise, apparaît comme un instrument de répression au service du pouvoir. D’autre part, au nom d’une exigence radicale de pluralité, et conformément à l’esprit antiautoritaire des événements, le Comité conteste la littérature comme discours d’exception et refuse le prestige symbolique rattaché au statut d’écrivain, rejetant ainsi l’idée même d’une oeuvre d’art révolutionnaire. D’où le paradoxe d’un Comité d’action constitué d’écrivains qui, pendant plusieurs mois, par fidélité au soulèvement, prend la décision de littéralement faire grève de la littérature.
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Crossland, Zoë. "Buried lives." Archaeological Dialogues 7, no. 2 (December 2000): 146–59. http://dx.doi.org/10.1017/s1380203800001707.

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AbstractThis paper writes a history of the forensic excavations in Argentina of the remains of ‘the disappeared’; people who were abducted and murdered under the military governments of the 1970s and early 1980s. The physical remains of these people were, and still are, located at a nexus of desires and attempts to reconstruct both individual and national collective memory, through creating and sustaining the individual and collective identities of the disappeared. As such the human remains have become a vigorously contested site for different and irreconcilable constructions. This paper considers the ambiguity of human remains; the tensions between humans as bodies and as people, the difficult issue of human embodiment after death, and the incompatible narratives that arise from these ambiguities. A textual analysis of the narratives created around the excavations of the disappeared in the Argentinian and English speaking media is used to illustrate the ways in which archaeological narratives about the dead are used in the creation of conflicting societal and personal constructions of the human body in Argentina, and the effect that this has had on the ways the disappeared are remembered.
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Spencer, Steve. "Contested homelands: Darwin’s ‘itinerant problem’." Pacific Journalism Review : Te Koakoa 11, no. 1 (April 1, 2005): 174–97. http://dx.doi.org/10.24135/pjr.v11i1.820.

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Darwin has the largest Aboriginal population of any Australian city at nearly nine per cent, and the Northern Territory has nearly 28 per cent of the indigenous population. While the greater majority of the indigenous population in Darwin lives in circumstances not unlike their non-indigenous neighbors, a number are, out of necessity, more transient, moving between remote communities and the city, visiting friends and relatives who may be in hospital or prison, seeking work or escaping uneviable conditions in the interior. It is important to preface the present study with a word on social and historical context, as the representation of indigenous issues in 'the Territory' is founded upon historical and cultural constructions of Aboriginality. What underpins this long-running moral panic about homeless indiginous people? First, the history of Aboriginal people in Australia has been one of the disposession, cultural genocide and displacement.
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Dissertations / Theses on the topic "Livres contestes"

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Rohse, Melanie C. C. "Negotiating individual and collective narratives in a contested urban space : an investigation of storytelling dynamics in contemporary Bradford." Thesis, University of Bradford, 2014. http://hdl.handle.net/10454/7330.

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This thesis explores the dynamics of narrative production and contestation within individuals’ stories and the collective stories of the communities in which they live. The research is focused on trying to understand the relationship between public stories constructed about place and community, and the stories told by the inhabitants of those places. A case study in the city of Bradford provides a focus for inquiry. A qualitative research design is utilised, combining theory with primary data collection and analysis. A narrative analysis of national, academic and local stories about Bradford is used to disaggregate collective narratives of the city and explore the relationship between popular, political and academic discourses. It provides a context for the analysis of in-depth interviews with a range of inhabitants from a selected geographic area within Bradford, centred on how their individual stories relate to the identified collective stories of Bradford. Analysis of the fieldwork data shows that individuals are often engaged in complex negotiations of public discourse in ways that may reinforce and contest existing stories, but also complement them with parallel stories that neither reinforce nor contest but construct a different narrative. It reveals and reflects on apparent contradictions within everyday storytelling, for example, how nostalgia can be displayed about harsh times of socio-economic decline, or how attitudes to change over time can be variably positive and negative depending both on the speakers’ positioning of themselves and of the interviewer, and the speakers’ purpose in the interaction.
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Miller, Carlos Eduardo Murgel. "Reurbanização do Vale do Anhangabaú: propostas para a recriação de uma paisagem." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/16/16135/tde-05072017-102653/.

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A partir da reunião e leitura crítica das propostas premiados pelo Concurso Público Nacional para Reurbanização do Vale do Anhangabaú, esta dissertação busca identi¬ficar e compreender algumas das estratégias projetuais que se encontravam em voga na cultura arquitetônica brasileira na virada dos anos de 1980. É por meio do corpo destes projetos, construídos ou não, que buscaremos cristalizar nas páginas seguintes uma ferramenta de trabalho útil para arquitetos e urbanistas envolvidos com o plane¬jamento e a construção de espaços livres públicos. Tendo como pano de fundo um importante momento de transformações políticas e sociais no Brasil, este trabalho busca analisar também, para além dos aspectos ar¬quitetônicos, os motivos que levaram à opção pelo concurso como meio legítimo e inquestionável para o desenvolvimento deste trecho de São Paulo.
As per meeting and detailed reading of awarded proposals from the Vale do Anhangabaú Redevelopment National Public Contest, this dissertation seeks to identify and understand some projects strategies that were being used by the Brazilian architectural culture by the end of 1980´s .Is thru this projects, finalized or not, that we will try in the following pages crystalize a useful tool for architects and urban planner involved with planning and constructions of open public spaces. Having as back ground an important Brazilian political and social transformation moment, this work also seeks, beyond the architectural aspects, the reasons that took the contest as a legitimate and unquestionable way for this Sao Paulo section development.
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Laufer, Gil, and Alexander Åblad. "Spirit in the Screen : The effect of CuePilot on the viewer's experience in live broadcasted music competitions." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-279486.

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The use of media technology to pre-program the camera work of performances (with tools such as CuePilot) became a state-of-theart solution in live broadcasted music competitions and events, allowing to create technologically advanced and more appealing live performances. In this paper we study how the use of such solutions affect the viewer’s experience, assuming that preprogrammed camera work results in a more unified experience compared to manual camera work. The paper also investigates whether pre-programmed camera work is noticeable by the viewers. To study these effects an experiment was conducted. The material used was a set of four entries from the Latvian music competition Supernova available in two versions: one produced manually without CuePilot and one pre-programmed with CuePilot. Each participant watched two of the entries without CuePilot and two with, and provided quantitative input according to GEMS (Geneva Emotional Music Scale), an instrument developed in order to measure musically evoked emotions, as well as qualitative input, as each participant had to determine which two of the performances watched were directed with CuePilot and asked to explain their choices. An analysis of the data using statistical tools and significance tests showed that pre-programmed camera work can result in a more unified experience compared to manual camera work, up to some degree. The ability to decrease the variance depends on the creativity value of the Creative Space of the specific production. Pre-programmed camera work is not directly noticeable but can be identified more easily with the presence of video effects, quick cuts or explicit interaction of the artist with the camera.
Användningen av medieteknik för att förprogrammerad kameraarbetet för framträdanden (med verktyg såsom CuePilot) har blivit en lösning i teknologisk framkant inom direktsända musiktävlingar och event vilket möjliggjort tekniskt avancerade och mer attraktiva liveframföranden. I denna uppsats undersöks hur användningen av sådana lösningar påverkar tittarens upplevelse under antagande att förprogrammerat kameraarbete resulterar i en mer enad upplevelse i jämförelse med manuellt kameraarbete. Vidare undersöker uppsatsen om förprogrammerat kameraarbete är märkbart hos tittaren. För att undersöka denna inverkan utfördes ett experiment. Materialet som användes var fyra bidrag från den lettiska musiktävlingen Supernova tillgängliga i två versioner: en producerad manuellt utan CuePilot och en förprogrammerad med CuePilot. Varje deltagare tittade på två av bidragen utan CuePilot och två med och bidrog med kvantitativ input enligt GEMS (Geneva Emotional Music Scale), ett verktyg framtaget för att mäta musikaliskt framkallade känslor, tillsammans med kvalitativ input då deltagarna också blev ombedda att gissa vilka av de sedda bidragen som producerats med CuePilot tillsammans med en motivering av valet. Med statistiska verktyg och signifikanstest visade en analys av datan att förprogrammerat kameraarbete till viss del kan resultera i en mindre varians av upplevelser. Möjligheten att minska variansen beror på kreativitetsvärdet av den kreativa rymden (Creative Space) för en specifik produktion. Förprogrammerat kameraarbete är inte direkt noterbart men kan lättare bli identifierat om videoeffekter, snabba klippningar och tydlig interaktion mellan artist och kamera är närvarande.
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Wagner, Patricia Ann. "Contested ground hegemony and ideology as lived by midwestern farmers /." 1987. http://catalog.hathitrust.org/api/volumes/oclc/17348050.html.

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Thesis (M.S.)--University of Wisconsin--Madison, 1987.
Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 115-118).
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Books on the topic "Livres contestes"

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Carefoote, Pearce J. Forbidden fruit: Banned, censored, and challenged books from Dante to Harry Potter. Toronto, ON: Lester, Mason & Begg, 2007.

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Contested lives: The abortion debate in an American community. Berkeley: University of California Press, 1989.

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Contested lives: The abortion debate in an American community. Berkeley: University of California Press, 1998.

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Green, Jane. Swapping Lives. New York: Penguin Group USA, Inc., 2008.

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Korman, Gordon. The contest. New York, NY: Scholastic Inc., 2002.

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Miss America: The dream lives on : a 75-year celebration. Dallas, Texas: Taylor Publishing, 1995.

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Michel, Rouleau, ed. Une histoire à dormir debout. Montréal: Québec Amérique, 2001.

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Chao, Shi-Yan. Queer Representations in Chinese-language Film and the Cultural Landscape. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462988033.

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Queer Representations in Chinese-language Film and the Cultural Landscape provides a cultural history of queer representations in Chinese-language film and media, negotiated by locally produced knowledge, local cultural agency, and lived histories. Incorporating a wide range of materials in both English and Chinese, this interdisciplinary project investigates the processes through which Chinese tongzhi/queer imaginaries are articulated, focusing on four main themes: the Chinese familial system, Chinese opera, camp aesthetic, and documentary impulse. Chao’s discursive analysis is rooted in and advances genealogical inquiries: a non-essentialist intervention into the "Chinese" idea of filial piety, a transcultural perspective on the contested genre of film melodrama, a historical investigation of the local articulations of mass camp and gay camp, and a transnational inquiry into the different formats of documentary. This book is a must for anyone exploring the cultural history of Chinese tongzhi/queer through the lens of transcultural media.
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Zwart, Frits. Conductor Willem Mengelberg, 1871-1951. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462986060.

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Willem Mengelberg is undeniably the greatest conductor in Dutch music history. In his biography, Frits Zwart carefully examines a musical life lived. Mengelberg was not only one of the world’s greatest, he had an excellent reputation as a trainer of orchestral ensembles, responsible for the international reputation of his own Concertgebouw as well as many others including the New York Philharmonic. A champion of numerous composers, including Mahler and Strauss, Mengelberg was the founder of the renowned tradition of annual performances of Bach’s St. Matthew Passion. As Chief Conductor of Amsterdam’s (now Royal) Concertgebouw Orchestra, Mengelberg developed it into one of the world’s most illustrious, simultaneously forging a music life of international eminence for its city of residence. His recordings bear witness to a singular musical interpreter. In 1920, Mengelberg was even more popular than his own Queen, yet a mere thirty years later he died in exile, banned to his remote Swiss chalet. Willem Mengelberg fell from grace, becoming a despised, disputed target of gossip, jealousy and rebuke. His dubious role during World War II has since overshadowed his extraordinary career. Zwart contests that few have ever surpassed Mengelberg‘s international musical legend.
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1959-, Morin Jean, ed. La joute royale. [Terrebonne, Québec]: Boomerang éditeur jeunesse, 2007.

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Book chapters on the topic "Livres contestes"

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Roseneil, Sasha. "Sutured Selves, Queer Connections: Personal Lives at the Cutting Edge of Individualization." In Contested Individualization, 117–34. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230609259_7.

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Ferguson, Harry. "“Lives of Their Own” Free from Violence: Individualization and Child-Welfare Interventions." In Contested Individualization, 135–51. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230609259_8.

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Orofino, Elisa. "The Muslim Brotherhood A Contested Islamist Actor." In Handbook of Contemporary Islam and Muslim Lives, 1–19. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-73653-2_103-1.

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Orofino, Elisa. "The Muslim Brotherhood A Contested Islamist Actor." In Handbook of Contemporary Islam and Muslim Lives, 1233–50. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-32626-5_103.

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Chiles, Robert Magneson. "Contested sustainability discourses as lived experience." In Contested Sustainability Discourses in the Agrifood System, 188–200. Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series: Earthscan food and agriculture series: Routledge, 2018. http://dx.doi.org/10.4324/9781315161297-11.

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Solomon, Inbal, and Myriam Denov. "Militarised Bodies: The global Militarisation of Children’s Lives." In Contested Bodies of Childhood and Youth, 163–77. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230274747_12.

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Erstad, Ida. "How Deep into Their Lives Can We Really Go? Diverse Populations, Professionals, and Contested Egalitarianisms in an Institutional Setting." In Egalitarianism in Scandinavia, 201–21. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-59791-1_9.

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Frank, S. E., and Jac Dellaria. "Navigating the Binary: A Visual Narrative of Trans and Genderqueer Menstruation." In The Palgrave Handbook of Critical Menstruation Studies, 69–76. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0614-7_7.

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Abstract Menstruation is often categorized as a function of the female body that affects women. Trans and genderqueer people contest this biological function as a social signal of gender/sex identity. The comics illustrate the gendered interactions trans and genderqueer people must navigate in their daily lives and visually explore four gendered/ sexed social spheres: (1) gender/sex identity, (2) public bathroom attendance, (3) product marketing and messaging, and (4) healthcare. Each of these arenas is permeated by the biologically and socially constructed gender/sex binary, and as a result trans and genderqueer menstruators confront preexisting constraints ranging from social interactions to the built environment. These micro social symbols of gender/sex distinction are symptoms of a larger gender regime in which gender/sex are interpreted, regulatd, and policed.
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"Contested Memories." In Contentious Lives, 172–90. Duke University Press, 2003. http://dx.doi.org/10.1215/9780822384366-011.

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"Contested futures." In Mobile Lives, 145–68. Routledge, 2010. http://dx.doi.org/10.4324/9780203887042-13.

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Conference papers on the topic "Livres contestes"

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Yuhara, Hiroaki. "P2P live streams of 2010 NHK National School Chorus Contest." In 2011 IEEE International Conference on Peer-to-Peer Computing (P2P). IEEE, 2011. http://dx.doi.org/10.1109/p2p.2011.6038739.

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Sabella, Maria Paola. "Le Corbusier et Christian Zervos dans Cahiers d’art." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1018.

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Abstract: The search has as purpose to notice the importance of Christian Zervos (Argostoli 1889 – Paris 1970), a greek art historian and founder of the magazine and publishing house Cahiers d’art, that lived in Paris from 1907 to the end of his life) with Le Corbusier, inserted in the contest of Cahiers d’art. The exceptional versatility of Zervos’s mind had allowed him to realize, through Cahiers d’art, a intellectual environment that exceeded the ordinary publishing house of that period, beacuse it was enchanted and nourished by all sector of knowledge. Zeros, inside the Cahiers d’art, made Le Corbusier protagonist of the section of Architecture, that submits to Sigfried Giedion. In fact since the first number of Cahiers d’art the work of Le Corbusier was broadly taken in examination. The articles related to the work of the Architect have gone since 1926 to 1954; the themes that touch these texts can be separate in four major topics: design, private house, great public buildings, painting. La recherche a le but de relever l’importance de Christian Zervos (Argostoli 1889-Parigi 1970), historien de l’art et fondateur des Éditions Cahiers d’art, qui vécut à Paris depuis 1907 à sa mort, et Le Corbusier, insérée dans le contexte de Cahiers d’art. L’exceptionnel éclectisme de Zervos a permis de réaliser dans Cahiers d’art un excellent milieu intellectuell qu’il va au-delà des Éditions, car uni et nourri par chaque domaine de la connaissance. Dans les Cahiers d’art, Zervos rend Le Corbusier le protagoniste de la section d’architecture, soignée par Siegfried Giedion. Keywords: Cahiers d’art; Christian Zervos; projects. DOI: http://dx.doi.org/10.4995/LC2015.2015.1018
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