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Relevant bibliographies by topics / Liz Lochhead

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Academic literature on the topic 'Liz Lochhead'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Liz Lochhead"

1

Brandão, Izabel. "Liz Lochhead: reescrevendo papéis femininos em forma de poesia." Revista Leitura 2, no. 18 (1996): 53–63. http://dx.doi.org/10.28998/0103-6858.1996v2n18p53-63.

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Korzeniowska, Aniela. ""Scotland Small? Our Multiform, Our Infinite Scotland Small?" Scotland's Literary Contribution to the Modern World." Colloquia Humanistica, no. 2 (June 13, 2015): 33–54. http://dx.doi.org/10.11649/ch.2013.003.

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"Scotland Small? Our Multiform, Our Infinite Scotland Small?" Scotland's Literary Contribution to the Modern WorldHugh MacDiarmid’s poem "Scotland Small?" (1943) questions the widespread opinion at the time that Scotland was only a small country geographically with "nothing but heather!", showing how "marvellously descriptive" this may be, but also totally "incomplete". The issue addressed in this article is how Scottish letters, starting with the outstanding and multiform writings of the same Hugh MacDiarmid (Christopher Murray Grieve [1892-1978]) and ending with observations of the internati

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3

COLVIN, S. "DISTURBING BODIES: MARY STUART AND MARILYN MONROE IN PLAYS BY LIZ LOCHHEAD, MARIE VON EBNER-ESCHENBACH AND GERLIND REINSHAGEN." Forum for Modern Language Studies XXXV, no. 3 (1999): 251–60. http://dx.doi.org/10.1093/fmls/xxxv.3.251.

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Kalicanin, Milena. "Trans issues in Liz Lochhead's 'Not Changed'." Зборник радова Филозофског факултета у Приштини, no. 47-3 (2017): 57–70. http://dx.doi.org/10.5937/zrffp47-14866.

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Rosslyn, Felicity. "Dionysus Since 69. Greek Tragedy at the Dawn of the Third Millennium, edited by Edith Hall, Fiona Macintosh, and Amanda Wrigley; Radical Theatre: Greek Tragedy and the Modern World, by Rush Rehm; Thebans. Oedipus. Jokasta. Antigone, by Liz Lochhead; The Burial at Thebes: Sophocles' Antigone, by Seamus Heaney." Translation and Literature 14, no. 1 (2005): 86–90. http://dx.doi.org/10.3366/tal.2005.14.1.86.

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6

"The Edinburgh companion to Liz Lochhead." Choice Reviews Online 51, no. 03 (2013): 51–1328. http://dx.doi.org/10.5860/choice.51-1328.

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7

Mackay, Peter. "“If You Don’t Get Caught”: Islands, Isolation, and Entrapment in Contemporary Scottish Women’s Poetry." Contemporary Women's Writing, December 31, 2020. http://dx.doi.org/10.1093/cww/vpaa022.

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Abstract This essay explores the trope of the island in recent Scottish poetry and in particular the tendency to treat poems as islands and vice versa. With a particular focus on the work of Meg Bateman, Jen Hadfield, Kathleen Jamie, Jackie Kay, and Liz Lochhead, the essay discusses ideas of entrapment, freedom, and isolation, to suggest that alongside the Utopian imaginings of islands, there is also the possibility of them becoming, like St Kilda for Lady Grange, constrictive prison cells.

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8

Norquay, Glenda. "“Daughterlands”: Personal and Political Mappings in Scottish Women’s Poetry." Contemporary Women's Writing, December 23, 2020. http://dx.doi.org/10.1093/cww/vpaa024.

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Abstract Scottish women’s poetry in recent years has evinced an interest in mapping daughterhood, frequently through linguistic negatives that challenge binary thinking. This essay argues that such “daughterlands” offer an imaginative alternative to the more familiar “motherland”: encompassing past, present, and future and positioning women in multiple roles, they have played a transformative role in the poetic imagining of “Scotland” in the new millennium. The essay considers the deployment of daughterly spaces by influential writers such as Carol Ann Duffy, Liz Lochhead, Jackie Kay, and Kath

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9

Rodríguez González, Carla. "Parodying and Transvesting the Historic: Liz Lochhead’s Mary Queen of Scots Got Her Head Chopped Off." ODISEA. Revista de estudios ingleses, no. 5 (February 16, 2017). http://dx.doi.org/10.25115/odisea.v0i5.72.

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Con el estreno de Mary Queen of Scots Got Her Head Chopped Off a finales de los ochenta, la literatura escocesa adoptó nuevas perspectivas, debido a su representación satírica de las transferencias ideológicas de la nación. Escrita para Communicando Theatre Company, para homenajear el cuarto centenario de la muerte de María Estuardo (1987), la obra obtuvo un éxito inmediato y recibió el Scotsman Fringe First Award. Este artículo examina la relevancia del texto en un momento de la historia escocesa fundamental para reforzar la identidad con la que se ha reclamado recientemente la autonomía polí

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Dissertations / Theses on the topic "Liz Lochhead"

1

Braun, Anne-Kathrin. "Dramatic laboratories : figurations of subjectivity in Liz Lochhead's writings /." Berlin [u.a.] : Galda und Wilch, 2004. http://www.loc.gov/catdir/toc/ecip0415/2004003789.html.

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2

Bilgin, Tekin Inci. "Myths Of Oppression Revisited In Cherrie Moraga And Liz Lochhead&#039." Phd thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/12612691/index.pdf.

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This study examines codes of oppression reflected in western myths and further analyzes the ways these myths are revisited in two contemporary British and American women playwrights&#039<br>, Liz Lochhead and Cherrie Moraga&#039<br>s, dramatic adaptations and rewritings. In this respect a postcolonial feminist approach and a comparative perspective are adopted in rereading signs of gender, ethnic or racial and hierarchical oppression through the challenging and revolutionary, feminist and Scottish, lesbian and Chicana representations by Moraga, respectively.

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3

Böhnke, Dietmar. "Liz Lochhead, 'Mary Queen of Scots Got Her Head Chopped Off' (1987)." Wissenschaftlicher Verlag, 2006. https://ul.qucosa.de/id/qucosa%3A32035.

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4

Morrissy, Julie. "Materialist-feminist criticism and selected plays of Sarah Daniels, Liz Lochhead and Claire Dowie." Thesis, University of Sheffield, 1994. http://etheses.whiterose.ac.uk/1837/.

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This thesis is an examination of the extent to which contemporary British plays written by women constitute an ideological theatre. It is based upon the premise that there is a relationship of feminist theatre practice to feminist theory, where theory is seen to have informed practice and practice has informed the theory. I argue that an ideological theatre can be understood with reference to first, playstructure and second, the place of the performer in relation to both character and spectator. The implications of these can be seen terms first, of representation and second, of the physical pr

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5

Böhnke, Dietmar. "Gray, Kelman, Lochhead: Die ‘Glasgower Schule’ und die Renaissance der neueren schottischen Literatur." Institut für Englische Sprache und Literatur, 2005. https://ul.qucosa.de/id/qucosa%3A31949.

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6

Cole, Penelope Rae Walrath. "Scotland on stage: Images of national identity in the plays of Joanna Baillie, Ena Lamont Stewart and Liz Lochhead." Connect to online resource, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3256414.

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7

Harvie, Jennifer B. "Liz Lochhead's drama." Thesis, University of Glasgow, 1996. http://theses.gla.ac.uk/5026/.

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This thesis is an examination of Liz Lochhead's three published plays: Blood and Ice (1982), Dracula (1989), and Mary Queen of Scots Got Her Head Chopped Off (1989). Each of these three plays deals centrally with a literary or historical pre-text: the life of Mary Shelley and the ideology of English Romanticism in Blood and Ice; Bram Stoker's novel Dracula and late-Victorian British ruling-class culture in Dracula; and sixteenth-century Scottish and English history in Mary Queen of Scots Got Her Head Chopped Off. Given these dramatic emphases, the critical emphasis of this thesis is the plays'

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8

Paraskevova, Minka. "Undoing Scotland after devolution in Liz Lochhead's dramatic adaptations of classical texts on page and stage." Thesis, Queen Margaret University, 2014. https://eresearch.qmu.ac.uk/handle/20.500.12289/7338.

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The thesis studies the female voice in the local culture in the post-devolution dramatic adaptations of the Scottish Makar Liz Lochhead. It acknowledges the dramatist’s idiosyncratic approach of fusing poetry and drama in order to question the new internationalist national model in Scotland resembling the main features of anti-colonial nationalisms post 1990s. Central to the thesis is the question of local female voice in the current national debate and whether and to what extent it problematizes the relation between feminism and nationalism in the new civic model introduced after devolution a

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Books on the topic "Liz Lochhead"

1

Lochhead, Liz. Liz Lochhead, Roger McGough, Sharon Olds. Penguin, 1995.

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2

Lochhead, Liz. A choosing: The selected poems of Liz Lochhead. Polygon, 2011.

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3

Die jüngere englische Romantik im Prisma des englischen Gegenwartstheaters: Dargestellt an: Howard Brenton, Bloody poetry; Liz Lochhead, Blood and ice; Ken Russel, Gothic. Peter Lang, 1999.

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4

Rewriting Medea: Toni Morrison and Liz Lochhead's postmodern perspectives. Universal-Publishers, 2013.

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5

Braun, Anne-Kathrin. Dramatic laboratories: Figurations of subjectivity in Liz Lochhead's writings. Galda + Wilch Verlag, 2004.

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6

Edinburgh City Libraries and Information Services., ed. Liz Lochhead: Information pack. Edinburgh City Libraries, 2002.

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7

Liz Lochhead: Five Plays. Hern Books, Limited, Nick, 2012.

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8

Varty, Anne. Edinburgh Companion to Liz Lochhead. Edinburgh University Press, 2013.

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9

The Edinburgh Companion To Liz Lochhead. Edinburgh University Press, 2013.

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10

Baxter, Judith. Four Women Poets : Liz Lochhead, Carol Ann Duffy, Jackie Kay, Fleur Adcock. Cambridge University Press, 1996.

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Book chapters on the topic "Liz Lochhead"

1

Buschmann, Heike. "Lochhead, Liz." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14188-1.

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2

Kramer, Stephanie. "Lochhead, Liz: True Confessions & New Clichés." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14189-1.

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3

Brown, Ian. "The Re-Visioning of History: Sue Glover and Liz Lochhead." In History as Theatrical Metaphor. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-47336-3_6.

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4

Tartuffe, Molière’s, and Randall Stevenson. "Chapter 6. Triumphant Tartuffification: Liz Lochhead’s Translation of Molière’s Tartuffe." In Frae Ither Tongues, edited by Bill Findlay. Multilingual Matters, 2004. http://dx.doi.org/10.21832/9781853597015-007.

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5

"Liz Lochhead: 'Male' and 'female; talk." In Communication Studies. Routledge, 2013. http://dx.doi.org/10.4324/9781315015675-37.

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6

"Shapeshifting: The Performances of Liz Lochhead and Jackie Kay." In Poetry Off the Page. Routledge, 2017. http://dx.doi.org/10.4324/9781315246628-10.

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7

Stafford, Fiona. "A Scottish Renaissance: Edwin Morgan, Douglas Dunn, Liz Lochhead, Robert Crawford, Don Paterson, Kathleen Jamie." In The Cambridge Companion to Twentieth-Century English Poetry. Cambridge University Press, 2007. http://dx.doi.org/10.1017/ccol052187081x.017.

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