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Books on the topic 'Location possibilities'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

This location of unknown possibilities: A novel. NON Canada, 2014.

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2

Dezzani, Raymond J., and Christopher Chase-Dunn. The Geography of World Cities. Oxford University Press, 2018. http://dx.doi.org/10.1093/acrefore/9780190846626.013.423.

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World cities are a product of the globalization of economic activity that has characterized post-World War II capitalism, and exhibit characteristics previously found in primate cities but with influence extending far beyond the range of the metropolitan state. They are the culmination of postwar urbanization mechanisms coupled with the rise of transnational corporations that have served to concentrate unprecedented population and economic power/potential. The potential for both human development advantage and disadvantage is historically unprecedented in these new and highly interconnected ur

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3

Recycler's Treasure Mapping: Possibilities for Finding or Locating Recyclables. Prosperity & Profit Unlimited, 1991.

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4

O’Reilly, Maria. Feminism and the Politics of Difference. Oxford University Press, 2017. http://dx.doi.org/10.1093/acrefore/9780190846626.013.177.

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Feminist scholars and practitioners have challenged—and sought to overcome—gendered forms of inequality, subordination, or oppression within a variety of political, economic, and social contexts. However, feminists have been embroiled in profound theoretical disagreements over a variety of issues, including the nature and significance of the relationship between culture and the production of gendered social life, as well as the implications of cultural location for women’s agency, feminist knowledge production, and the possibilities of building cross-cultural feminist coalitions and agendas. M

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5

Blacklock, Mark. The Emergence of the Fourth Dimension. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198755487.001.0001.

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The idea of the fourth dimension of space has been of sustained interest to nineteenth-century and Modernist studies since the publication of Linda Dalrymple Henderson’s The Fourth Dimension and Non-Euclidean Geometry in Modern Art (1983). An idea from mathematics that was appropriated by occultist thought, it emerged in the fin de siècle as a staple of genre fiction and grew to become an informing idea for a number of important Modernist writers and artists. Describing the post-Euclidean intellectual landscape of the late nineteenth century, The Emergence of the Fourth Dimension works with th

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6

Howe, Justine. Suburban Islam. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190258870.001.0001.

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Suburban Islam explores how American Muslims have created new kinds of religious communities, known as third spaces, to navigate political and social pressures after 9/11. This book examines how one Chicago community, the Mohammed Alexander Russell Webb Foundation (Webb), has responded to the demands of proving Islam’s compatibility with liberal democracy and embracing the commonalities of their Abrahamic faith. Through dynamic forms of ritual practice, such as leisure activities, devotional practices such as the mawlid, and communal reading of sacred texts, the Webb community offers an altern

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7

De Souza, Jonathan. Idiomaticity; or, Three Ways to Play Harmonica. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190271114.003.0004.

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How do instrumental interfaces map pitches onto physical locations? And how do these instrumental spaces guide players’ creative action? As a case study, this chapter examines the ten-hole diatonic harmonica. It develops a transformational model of “harmonica space” and juxtaposes it with fretboard and keyboard spaces. This model is then used in a comparative analysis of folk, blues, and jazz harmonica playing, which explores performative moves on the instrument and the resulting pitch patterns. Such analysis shows that instrumental idioms reflect both the interface’s possibilities and the pla

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8

Nagar, Richa. Four Truths of Storytelling and Coauthorship in Feminist Alliance Work. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038792.003.0007.

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For those who work in alliances across borders, coauthoring stories can become a powerful tool to mobilize experience in order to write against relations of power that produce violence, and to imagine and enact contextually grounded visions and ethics of social change. Such work means not only grappling with the complexities of identity, representation, and political imagination, but also rethinking assumptions and possibilities associated with engagement, expertise, and the very ideas of storytelling and authorship. Drawing on partnerships with sangtins and others, this chapter reflects on th

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9

Newton, Adam Zachary. Jewish Studies as Counterlife. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823283958.001.0001.

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This book tells the story of a Jewish Studies that hasn’t yet happened—at least not fully. At bottom, the modest version of a swerve it performs is to ask: what do we mean when we say, “Jewish Studies,” when we conjoin its component terms, when a field takes up its past and projects its future, when we imagine it not as mere amalgam but project? JS offers a unique lens through which to view the horizon of the academic humanities because, though it arrived belatedly, it has spanned a range of disciplinary locations and configurations, from an “origin story” in nineteenth-century historicism and

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10

Walker, Amelia Dean, and Laura Smith. Social Class Oppression as Social Exclusion: A Relational Perspective. Edited by Phillip L. Hammack. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199938735.013.27.

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The ways we think about systemic inequalities can open up new forms of resistance and reform. This chapter explores and extends understandings of social class oppression with an aim to re-imagine psychologists’ role in contesting economic inequalities. It argues that social class injustice is produced through and constituted by forms of social exclusion. In emphasizing the ways that poor people are excluded from everyday sources of power, security, and democratic rights, the chapter highlights the relational dimension of social class, demonstrating that class is something that happens in human

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11

Shaner, Katherine A. Power Plays. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190275068.003.0002.

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This chapter examines a decree issued by the Roman proconsul in Ephesos, Paullus Fabius Persicus, which mandates specific changes in the Artemis cult. It also studies the ways in which two locations of the Persicus decree, the theater and the southern Market Gate, reinforce the sociopolitical stratifications argued for in the decree. Through Persicus’s instructions for awarding priesthoods and for limiting the roles of public slaves, one sees that this inscription advocates for “suitable” social stratifications in the city and works to limit the roles of enslaved persons in Ephesian religious

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12

Burnard, Pamela, Valerie Ross, Laura Hassler, and Lis Murphy. Translating Intercultural Creativities in Community Music. Edited by Brydie-Leigh Bartleet and Lee Higgins. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190219505.013.6.

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The term ‘intercultural’ (as in ‘intercultural creativity’) acknowledges the complexity of locations, identities, and modes of expression in a global world, and the desire to raise awareness, foster intercultural dialogue, and facilitate understanding across and between cultures. In a globalized world faced with unprecedented challenges, intercultural communication and dialogue is considered key to facilitating possibilities that, previously, might not have been available to us. In this chapter, we identify how intercultural creativity can be recognized and evaluated in the practice of communi

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13

Howard, Yetta. Ugly Differences. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041884.001.0001.

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Ugly Differences explores queer female sexuality’s symbiotic relationship with ugliness and offers a way to see worth in ugliness as a generative category for reimagining the inhabitation of gender, sexual, and ethnic differences. Ugliness, in this book, is a multipronged concept: it equates with the disagreeable and pejorative traits that are attributed to queerness; it aligns itself with nonwhite, nonmale, and nonheterosexual physicality and experience; and it refers to anti-aesthetic textual practices, which are located in/as underground culture. This study shows how late-twentieth- and twe

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14

Cassidy Parker, Elizabeth. Adolescents on Music. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190671358.001.0001.

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Adolescents on Music foregrounds the voices of 30 American adolescent musicians, ages 12–18. Adolescent singer-songwriters, studio and solo musicians, rappers, composers and arrangers, and band, choir, and orchestra members tell about their musical development and what it is like to make music by themselves and others. Situated in these 30 adolescents’ experiences is a theory of adolescent musical development—a theory that will help music educators support adolescents in their lives. The book is structured in three parts: Part I focuses on “who I am” with an in-depth look at musical identities

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15

Lothian, Alexis. Old Futures. NYU Press, 2018. http://dx.doi.org/10.18574/nyu/9781479811748.001.0001.

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Old Futures traverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital media. Centering works by women, queers, and people of color that are marginalized within most accounts of the genre, the book offers a new perspective on speculative fiction studies while reframing established theories of queer temporality by arguing that futures imagined in the past offer new ways to queer the present. Imagined futures have been central to the creation and maintenance of imperial domination and t

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16

Noakes, Lucy, Claire Langhamer, and Claudia Siebrecht, eds. Total War. British Academy, 2020. http://dx.doi.org/10.5871/bacad/9780197266663.001.0001.

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War is often lived through and remembered as a time of heightened emotional intensity. This edited collection places the emotions of war centre stage. It explores emotional responses in particular wartime locations, maps national and transnational emotional cultures, and proposes new ways of deploying emotion as an analytical device. Whilst grief and fear are among the emotions most immediately associated with the rhetoric, experience, and memory of war, this collection suggests that feelings such as love, shame, pride, jealousy, anger, and resentment also merit attention. This book explores t

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17

Bronner, Simon J., ed. Jews at Home. Liverpool University Press, 2010. http://dx.doi.org/10.3828/liverpool/9781904113461.001.0001.

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The questions at the heart of this book are: what things make a home ‘Jewish’, and what is it that makes Jews feel ‘at home’ in their environment? The material dimensions are explored through a study of the symbolic and ritual objects that convey Jewishness and a consideration of other items that may be used to express Jewish identity in the home. The discussion is geographically and ethnically wide-ranging, and the transformation of meaning attached to different objects in different environments is contextualized. For diasporic Jewish culture, the question of feeling at home is an emotional i

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