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Journal articles on the topic 'Locus of horror'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Kulikova, Daria L. "MYTHOPOETICS OF THE CEMETERY SPACE IN HORROR FICTION (Based on the Material of Modern Russian Literature)." Вестник Пермского университета. Российская и зарубежная филология 13, no. 3 (2021): 86–93. http://dx.doi.org/10.17072/2073-6681-2021-3-86-93.

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This article deals with the locus of the cemetery in modern Russian horror. We examine approaches to the depiction of scary spaces in literature, describe the cemetery as a locus of horror, study the motives associated with the cemetery in horror, detect intermedial connections, provide interpretation of folklore and literary references. The cemetery is one of the key loci of folk culture, presented in folklore as a space of contact with the otherworldly (with the world of the dead), which explains the interest of horror authors in these ‘scary’ places. The modern literature of horror offers m

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Conter, Rafael. "Animais assassinos: as fronteiras do filme Natural Horror." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 77 (March 5, 2025): 1–16. https://doi.org/10.5007/2175-8026.2024.e99879.

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Este artigo se propõe a uma análise do natural horror, subgênero do cinema de horror que apresenta animais não-humanos no papel de assassinos e monstros. O objetivo é investigar as características e as estruturas narrativas do natural horror sob uma perspectiva ecocrítica, interessada na subjetividade do não-humano. A partir de um recorte de onze filmes, a análise identifica uma série de elementos narrativos recorrentes, como o locus horribilis e o final couple, e estabelece a ideia de que o natural horror pode ser visto como uma espécie de híbrido do slasher e do rape and revenge.

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CUADRADO, ALVARADO ALFONSO. "THE ORIGINS OF THE SINISTER LOCUS IN JAUME BALAGUERÓ'S BARCELONA." L'Atalante. Revista de estudios cinematográficos 30 (June 5, 2020): 75–88. https://doi.org/10.5281/zenodo.10621217.

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Barcelona has been used as the location for several films that have promoted the city’s image as a cosmopolitan tourist estination, presenting it as a historical, cultural, and artistic centre. But it has also come to be known as the setting for a number of horror films, such as the REC saga or Sleep Tight by the Catalan filmmaker Jaume Balagueró. Film tourism is inspired by an imaginary that is the result of viewing a real location through the filter of cinematic creation. For many of his films, Jaume Balagueró has created a specific setting, a sinister locus res

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Сазонова, Ярослава Юріївна. "ТЕКСТОТВІРНИЙ МЕХАНІЗМ ВИРАЖЕННЯ ТЕНСИВНОСТІ ЕМОЦІЙ (НА МАТЕРІАЛІ ОПОВІДАНЬ ЖАХІВ)". Збірник наукових праць ХНПУ імені Г.С. Сковороди "Лінгвістичні дослідження", № 40 (28 жовтня 2015): 97–103. https://doi.org/10.5281/zenodo.32831.

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<em>In view of the topicality of the studying of the horrible in a range of humanitarian studies the article contains an attempt of elaborating the mechanism of creating emotional tension on the textual level in horror discourse, which allows proving the independence of the emotional dimension from the plot line. The elaborated mechanism bases on the achievements of an interdisciplinary level; in particular it involves semiologists’ experience, which helps analyze the emotional dimension of a text and its linguistic realization. As a result, having used the text of Joseph Sheridan Le Fan

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5

Castro, Hélder Brinate, and Godofredo De Oliveira Neto. "Espaços monstruosos: o Gótico na ficcionalização de Pedra Bonita e de Canudos." Gragoatá 23, no. 47 (2018): 910. http://dx.doi.org/10.22409/gragoata.2018n47a1185.

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Ao contrário do que a crítica e a historiografia literárias dos séculos XIX e XX nos levam a crer, a literatura brasileira apresenta influxos góticos. Nesse contexto, a prosa regionalista desponta como uma ramificação mais desenvolvida da literatura de terror, horror e suspense no Brasil, em que o interior do país, especialmente os sertões, se transforma em um autêntico locus horribilis. Nos romances O reino encantado: crônica sebastianista (1878), de Araripe Júnior, e Os Jagunços: novela sertaneja (1898), de Afonso Arinos, os narradores, ao utilizarem uma retórica macabra e horrorizante para

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Castro, Hélder Brinate, and Godofredo de Oliveira Neto. "Espaços monstruosos: o Gótico na ficcionalização de Pedra Bonita e de Canudos." Gragoatá 23, no. 47 (2018): 910–25. http://dx.doi.org/10.22409/gragoata.v23i47.33609.

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Ao contrário do que a crítica e a historiografia literárias dos séculos XIX e XX nos levam a crer, a literatura brasileira apresenta influxos góticos. Nesse contexto, a prosa regionalista desponta como uma ramificação mais desenvolvida da literatura de terror, horror e suspense no Brasil, em que o interior do país, especialmente os sertões, se transforma em um autêntico locus horribilis. Nos romances O reino encantado: crônica sebastianista (1878), de Araripe Júnior, e Os Jagunços: novela sertaneja (1898), de Afonso Arinos, os narradores, ao utilizarem uma retórica macabra e horrorizante para

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7

Chevtaev, A. A. ""Cave" Locus in N. S. Gumilev’s Artistic Universe." Art Logos – The Art of Word 2, no. 27 (2024): 50–75. https://doi.org/10.35231/25419803_2024_2_50.

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The article examines the specifics of the representation of the “cave” space in the work by N. S. Gumilev. Rethinking the symbolist practice of ontological transformation of the world, the poet gives “the cave” the status of a liminal locus in which reality and ideal, life and death, time and eternity come into contact. The structural-semiotic and mythopoetic analysis of Gumilev’s poetic and prose works shows that the “cave” space in his artistic universe is sacralized and thought of as the place of initiation of a lyrical subject or character. In the poet’s work, the motive-plot unity of the

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8

Doherty, Ryan Atticus. "The Devil’s Marriage: Folk Horror and the Merveilleux Louisianais." Literature 4, no. 1 (2023): 1–21. http://dx.doi.org/10.3390/literature4010001.

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At the beginning of his Creole opus The Grandissimes, George Washington Cable refers to Louisiana as “A land hung in mourning, darkened by gigantic cypresses, submerged; a land of reptiles, silence, shadow, decay”. This anti-pastoral view of Louisiana as an ecosystem of horrific nature and the very human melancholy it breeds is one that has persisted in popular American culture to the present day. However, the literature of Louisiana itself is marked by its creativity in blending elements of folktales, fairy tales, and local color. This paper proposes to examine the transhuman, or the transcen

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Cohen, Claire. "Problematizing ‘pro-feminist’ depictions of female on male rape: American Horror Story’s ‘Rape of the Monsignor’." Crime, Media, Culture: An International Journal 16, no. 1 (2019): 61–80. http://dx.doi.org/10.1177/1741659019836276.

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Dramatized depictions of female on male rape, in inverting the conventional gendered rape binary of male assailant/female victim, are commonly regarded as subverting gender norms, and are thus celebrated as pro-feminist. I present a Foucauldian problematization of this rationale – arguing that, through a process of over-writing gender, inversion of the norm masks a ‘reversion to the norm’. To interpret this as pro-feminist, one must be distracted by corporeal gender in the superficial role reversal, and blind to the anti-feminist effects in operation. Critical discourse analysis of an example

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10

Glancy, Jennifer. "Torture: Flesh, Truth, and the Fourth Gospel." Biblical Interpretation 13, no. 2 (2005): 107–36. http://dx.doi.org/10.1163/1568515053683095.

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AbstractIn the Roman world, torture, conceived as a mechanism to extract truth from flesh, was used in judicial interrogation, most commonly in interrogation of slaves and other low-status persons. The flogging of Jesus in John 19:1-3, a flogging that occurs in the midst of the trial before Pilate, is best read as an instance of such judicial torture. If understood as an act of judicial torture, the flogging is also an act of witnessing to the truth: the flesh of the Johannine Jesus is flush with truth (John 1:14). And because Jesus' flesh is flush with truth, the Johannine passion narrative i

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11

Hughes, Linda K. "Queer Forms, Queer Grief: Reclaiming and Transcending Loved Remains in Tennyson's In Memoriam and Michael Field's The Longer Allegiance." Victorian Poetry 62, no. 1-2 (2024): 1–25. https://doi.org/10.1353/vp.2024.a948523.

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Abstract: This essay reads Tennyson's In Memoriam (1850) and Michael Field's The Longer Allegiance (1908) contrapuntally across three topoi: the threat of the beloved dead's remains being lost, queer desire, and queer poetic form. After the shocking death of Arthur Henry Hallam, Tennyson's earliest lyrics expressed anxieties lest the ship transporting Hallam's corpse to England should be lost. Michael Field began writing The Longer Allegiance (twenty-four sonnets and an epilogue) when the body of James Cooper, Edith Cooper's father, had not yet been found after his accidental death while he wa

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12

Rodrigues Júnior, Edson José. "Labirintos autorais: a adaptação fílmica de In the tall grass, de Stephen King e Joe Hill." Travessias 15, no. 2 (2021): 34–54. http://dx.doi.org/10.48075/rt.v15i2.27644.

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O presente artigo tem por objetivo realizar um estudo sobre as estratégias adaptativas empregadas no processo de remidiação do conto “In the tall grass” (2012), de Stephen King e Joe Hill, para a linguagem cinematográfica do streaming. Para tanto, nos propomos a realizar uma leitura imanente pautada nos aspectos formais e temáticos das duas obras: alterações e permanências de elementos narrativos, rupturas e continuidades formais e simbólicas, além das escolhas e recursos da linguagem cinematográfica empregados pelo adaptador Vincenzo Natali, bem como suas (possíveis) motivações. Para tanto, n

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13

Ozdemir, Oksana, and Alina Omelianiuk. "NEO-GOTHIC ELEMENTS OF THE TOPOS IN IAIN BANKS’ NOVEL “THE WASP FACTORY”." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ Fìlologìčna 1, no. 21(89) (2024): 31–34. https://doi.org/10.25264/2519-2558-2024-21(89)-31-34.

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This article addresses theoretical and literary questions surrounding the interpretation of the concepts “topos” and “locus”, which are actively debated in scholarly literary circles and have not yet attained a unanimous and definitive literary definition. A productive genre in contemporary literature is the gothic novel, and the fact that gothic elements continue to actively “pulse” in the modern literary process overall, including within Ukrainian literature (V. Shevchuk, H. Pahutiak, Yu. Vynnychuk, M. Hrymych, A. Kokotiukha, V. Shkliar, etc.), emphasizes the study of the peculiarities of th

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14

Derkachova, Olga. "HOMO SOLITARIUS IN SHORT STORIES BY VASYL STEFANYK." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 16(63) (August 26, 2022): 208–21. http://dx.doi.org/10.31471/2304-7402-2022-16(63)-208-221.

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The article highlights the problem of a lonely man in Vasyl Stefanyk's short stories. It is noticed that the writer mentions fear and loneliness not only in short stories but also in his letters, and defines their nature: fear of unsettled life, hunger, cold, fear of losing loved ones, fear of loneliness, nightmares, the tragedy of ordinary person. It is determined that often Stefanyk's characters become lonely, forced, under the pressure of external circumstances. Old age and illness are the main causes of loneliness. Such heroes often find themselves a few steps away from the terrible phanta

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15

Overduin, F. "THE ANTI-BUCOLIC WORLD OF NICANDER'S THERIACA." Classical Quarterly 64, no. 2 (2014): 623–41. http://dx.doi.org/10.1017/s0009838814000342.

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The last decades have shown that Nicander's Theriaca (second century b.c.e.), a didactic hexameter poem of 958 lines on snakes, scorpions, spiders, and the proper treatment of the wounds they inflict, is a markedly more playful work than most readers thought. Rather than considering the poem as a vehicle of authentic learning, literary approaches to the nature of Nicander's strange poetic world have focussed on his eye for Alexandrian aesthetics, intertextuality, linguistic innovation, and awareness of the didactic tradition that started with Hesiod's Works and Days, but also on his predilecti

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16

Ломакина, Марина Ильинична. "Повесть Анны Ремез «Кошка с Юпитера и позвоночные»: признаки соответствия жанровой формуле о «попаданцах» и авторское своеобразие". Tomsk state pedagogical university bulletin, № 1(237) (18 січня 2025): 103–10. https://doi.org/10.23951/1609-624x-2025-1-103-110.

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В статье отмечаются подходы к интерпретации «попаданческой» литературы и признаки одной из ее разновидностей – фантастической школьной/каникулярной повести о «попаданцах» в советское прошлое. Проведенный обзор написанных в первые десятилетия XXI в. текстов (Тамара Крюкова, Андрей Жвалевский, Евгений Пастернак и др.) о перемещении детей в советское прошлое позволяет говорить о сложении определенной жанровой формулы, которой так или иначе следуют все авторы. Повесть А. Ремез «Кошка с Юпитера и позвоночные» анализируется с точки зрения воплощения выделенных жанровых признаков и авторского своеобр

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17

Kaynar, Gad. "The Actor as Performer of the Implied Spectator's Role." Theatre Research International 22, no. 1 (1997): 49–62. http://dx.doi.org/10.1017/s0307883300015947.

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Omri Nitzan's direction of Goldoni's The Servant of Two Masters at the Israeli National Theatre Habimah in 1993 was one of the most ingenious and locally-bound contemporizations of a classical play that I have ever seen, as well as one of the most dependent on a correlatively attuned recipient. Nitzan sets out from the viewpoint that Goldoni's comedy of errors, derived from the commedia dell'arte and negating it, is not a stylized refined and exclusively theatrical pastime, set in the never-never locus of a glamorous stage Venice, as implied by Strehler's famous precedent, but is rather a kind

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18

COULARDEAU, Jacques. "FREE-FALLING DESCENT INTO EPIPHANY OR APOCALYPSE STEPHEN KING – A FAIRY TALE." International Journal of Theology, Philosophy and Science 6, no. 11 (2022): 5–29. http://dx.doi.org/10.26520/ijtps.2022.6.11.5-29.

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Stephen King has published more than 70 books, many of them adapted to the cinema and television, some original series with no published scenario, except Storm of the Century in 1999. His reach is a lot wider than plain horror. He systematically mixes the various genres of horror, fantasy, suspense, mystery, science fiction, etc. I will only consider his latest stand-alone novel with no co-author, and not part of a series like Gwendy’s Final Task, also published in 2022, co-authored with Richard Chizmar. I will show the style uses some patterns to build the architecture of the story, in this c

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Berio, Maria Eugenia. "Bodies that Speak." Grove - Working Papers on English Studies 29 (December 23, 2022): 11–30. http://dx.doi.org/10.17561/grove.29.7237.

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The present article examines the treatment of spatial corporeality in Doris Lessing’s novella “The Eye of God in Paradise” (1957) set in Germany in the aftermath of the Second World War. Even though Lessing’s works have been studied from different perspectives—as the abundant critical studies show—, spatial corporeality has not been analysed before. This paper argues that the characters’ bodies, insofar as physical spaces of flesh and blood that are lived and where power is exerted, represent the trauma encountered by countless anonymous people who suffered due to the horrors of the war and wh

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Berio, Maria Eugenia. "Bodies that Speak." Grove - Working Papers on English Studies 29 (December 23, 2022): 11–30. http://dx.doi.org/10.17561/grove.v29.7237.

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The present article examines the treatment of spatial corporeality in Doris Lessing’s novella “The Eye of God in Paradise” (1957) set in Germany in the aftermath of the Second World War. Even though Lessing’s works have been studied from different perspectives—as the abundant critical studies show—, spatial corporeality has not been analysed before. This paper argues that the characters’ bodies, insofar as physical spaces of flesh and blood that are lived and where power is exerted, represent the trauma encountered by countless anonymous people who suffered due to the horrors of the war and wh

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21

Andrasev, Sinisa, Martin Bobinac, and Nikola Susic. "Research of black locust and common hackberry stands’ structure in Subotica-Horgos sands and proposed silvicultural measures aimed at their improvement." Bulletin of the Faculty of Forestry, no. 125 (2022): 27–56. http://dx.doi.org/10.2298/gsf2225027a.

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The paper analyzes the elements of the stand structure and proposes silvicultural measures to improve conditions in the stand of black locust (Robinia pseudoacacia L.) and common hackberry (Celtis occidentalis L.) aged 28 years in Subotica-Horgos sands. The research was performed on three permanent experimental plots on which selective thinning (T1 and T2) was performed experimentally in two plots, while one was left as a control plot (C).Initially, 528 trees for tending per hectare were selected in the studied age, of which 448 black locust and 80 common hackberry trees per hectare were selec

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Andrašev, Siniša, Martin Bobinac, Tomislav Dubravac, and Nikola Šušić. "Diameter Structure Changes in the Pre-Maturing Black Locust and Common Hackberry Stand in the Subotica-Horgoš Sands under the Influence of a Late Thinning." South-east European forestry 11, no. 2 (2020): 111–26. http://dx.doi.org/10.15177/seefor.20-13.

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In this paper, a change of diameter structure in a pre-maturing stand of black locust and common hackberry under the influence of a late thinning is analysed. The research is based on three permanent experimental plots and two measurements of diameters in a five-year period. One of the plots is a control plot and two plots are experimental, where the thinning was carried out in a stand 28-years old, with the thinning intensity of 28.9–30.6% of the initial density, approximately evenly distributed across diameter classes. In the investigated stand common hackberry came from the neighbouring are

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Nurmala, Sara, Min Rahminiwati, Akipah Nazla Sholehah, and Cantika Zaddana. "PENGARUH EKSTRAK KENCUR (Kaempferia Galanga L) TERHADAP KELENJAR SUSU MENCIT." Indonesian Journal of Pharmaceutical Science and Technology 11, no. 1 (2024): 109–16. http://dx.doi.org/10.24198/ijpst.v11i1.41247.

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Rimpang kencur (Kaemferia galanga L) mengandung senyawa alkaloid, flavonoid, saponin dan steroid yang berpotensi dapat menstimulasi hormon oksitosin yang memiliki fungsi merangsang prolaktin agar terus dapat memproduksi ASI. Penelitian ini bertujuan untuk menentukan dan menetapkan gambaran histologi kelenjar mammae terbaik terhadap mencit yang diberikan ekstrak etanol kencur. ekstrak etanol kencur dibuat dengan metode suspensi. Pengujian dilakukan terhadap hewan mencit betina dengan lima ulangan yang diberikan ekstrak etanol kencur dengan dosis 10, 20, dan 40 mg/Kg BB, obat moloco® sebagai kon

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Fernández Jiménez, M. ª. Antonia. "«La alegría del músculo». Las mujeres y la cultura deportiva en la España de los locos veinte a través de la prensa." Studia Historica. Historia Contemporánea 40 (January 11, 2023): 223–41. http://dx.doi.org/10.14201/shhc201836223241.

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Antes de que los totalitarismos de los años treinta convirtiesen el cuerpo humano en trasunto del alma colectiva de la nación, la década de los veinte se presentó como un tiempo en el que los individuos se dispusieron a disfrutar de los placeres que su propio cuerpo les proporcionaba como manera de resarcirse del horror vivido durante la Primera Guerra Mundial. De esta manera, el goce individual, y por extensión el colectivo, fue una forma de proyectarse en el futuro para poder olvidar el trauma del inmediato pasado. La modernidad del periodo quedó patente en muchos aspectos de la vida, uno de

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Putri, Riska Hediya, Surmiasih Surmiasih, Feri Kameliawati, and Hanna Afifah. "Inisiasi Menyusu Dini dan Pencapaian Involusi Uterus pada Ibu Postpartum." Faletehan Health Journal 7, no. 03 (2020): 149–54. http://dx.doi.org/10.33746/fhj.v7i03.136.

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Perdarahan portpartum menempati peringkat tertinggi pada angka kematian ibu. Salah satu penyebabnya adalah atonia uteri. Inisiasi menyusu dini (IMD) akan merangsang lobus posterior kelenjar pituitary untuk mensekresi hormon oksitosin. Oksitosin mempercepat proses involusi dan meminimalkan kehilangan darah. Tujuan penelitian ini untuk mengetahui pengaruh inisiasi menyusu dini terhadap pencapaian involusi uterus pada ibu postpartum. Penelitian ini bersifat kuantitatif dengan desain penelitian quasi eksperimen. Subjek penelitian yaitu ibu postpartum dengan sampel penelitian sebanyak 16 kasus dan

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Maulina, Nadira, Evamona Sinuraya, and Purwaningsih Purwaningsih. "PENERAPAN INISIASI MENYUSUI DINI TERHADAP INVOLUSI UTERI PADA IBU POSTPARTUM DI RUMAH SAKIT TK II PUTRI HIJAU MEDAN." SINERGI : Jurnal Riset Ilmiah 1, no. 12 (2024): 1131–39. https://doi.org/10.62335/9jddpj41.

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Inisiasi menyusui dini adalah proses menyusui yang pertama kali dilakukan oleh seorang ibu kepada bayinya. Bayi pada yang baru saja di lahirkan 30 menit pertama harus langsung disusukan pada ibunya, Gerakan refleks untuk menghisap pada bayi baru lahir akan mencapai puncaknya pada waktu berusia 20-30 menit setelah bayi lahir. menghisap putingnya pada awal masa nifas meningkatkan stimulasi sekresi oksitoksin. Refleks saraf mendorong lobus posterior kelenjar pituitary untuk mengeluarkan hormon oksitoksin ketika bayj menghisap putting susu. Tujuan penelitian: Untuk mengetahui bagaimana gambaran st

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Anggara, Bayu, and Indra Wati. "ASUHAN KEPERAWATAN PADA PASIEN DENGAN FIBROADENOME MAMMAE(FAM) DI RUANG ALI BIN ABI THALIB DI RSUD BANGKINANG." Jurnal Kesehatan Tambusai 1, no. 3 (2021): 6–13. http://dx.doi.org/10.31004/jkt.v1i3.1233.

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ABSTRAK fibroadenome mammae merupakan gangguan dalam pertumbuhan sel normal mammae dimana sel abnormal timbul dari sel-sel normal, berkembang biak dan menginfiltrasi jarinagan limfe dan pembuluh darah. penyebab tumor payudara belum dapat ditentukan, tetapi terdapat beberapa faktor genetik. Kanker payudara memeperlihatkan proliferasi keganasan sel epitel yang membatasi duktus atau lobus payudara. Pada awalnya hanya terdapat hyperplasia sel dengan perkembangan sel-sel yang atipikal dan kemudian berlanjut menjadi karsinoma insitu dan sel menjadi massa. Hormon steroid yang dihasilkan oleh ov

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Ismayanti, Fajri, and Hermina Sukmaningtyas. "Kasus Dua Orang Wanita Umur 36 Tahun Dan 60 Tahun Dengan Akromegali." Medica Hospitalia : Journal of Clinical Medicine 7, no. 2 (2020): 463–69. http://dx.doi.org/10.36408/mhjcm.v7i2.521.

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Kasus Akromegali di RSUP dr. Kariadi sangat jarang terdeteksi pada fase awal karena minimnya gejala yang ditimbulkan. Pasien ditemukan tanpa sengaja biasanya datang dengan keluhan penyerta yang lain. Pemeriksaan Radiologi membantu menegakkan diagnosis Akromegali. Dilaporkan 2 kasus wanita usia 36 tahun dan 60 tahun dengan Akromegali. Kasus pertama Ny. D usia 36 tahun dengan keluhan benjolan di leher dan sulit menelan datang ke poliklinik Penyakit Dalam RSUP dr. Kariadi. Pada pemeriksaan USG colli didapatkan pembesaran kelenjar tiroid, penebalan isthmus, nodul solid dengan jaringan nekrot

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Hall, Melinda. "Horrible Heroes: Liberating Alternative Visions of Disability in Horror." Disability Studies Quarterly 36, no. 1 (2016). http://dx.doi.org/10.18061/dsq.v36i1.3258.

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<p>Understanding disability requires understanding its social construction, and social construction can be read in cultural products. In this essay, I look to one major locus for images of persons with disabilities—horror. Horror films and fiction use disability imagery to create and augment horror. I first situate my understanding of disability imagery in the horror genre using a case study read through the work of Julia Kristeva. But, I go on to argue that trademark moves in the horror genre, which typically support ableist assumptions, can be used to subvert ableism and open space for

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Markendorf, Marcio, and Nadege Ferreira Rodrigues Jardim. "ENTRE RUÍNAS, AMUJERADOS e CICATRIZES, (DES)ENTERRANDO PRETÉRITOS EM CONTRABANDO DE SOMBRAS." Abusões 19, no. 19 (2022). http://dx.doi.org/10.12957/abusoes.2022.65540.

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Este artigo propõe elaborar uma leitura de uma obra gótica ibero-americana, o romance Contrabando de sombras (2002), assinada pelo escritor cubano Antonio José Ponte, com vista a explorar três elementos típicos do gótico – o passado fantasmagórico, a personagem monstruosa e o locus horribilis – sob uma chave de leitura de gênero. No contexto de uma Cuba sob o governo ditador de Fidel Castro, os corpos homossexuais foram considerados monstruosos pela política instituída, o que favorece a imbricação ficcional do passado e da topografia do horror gótico como símbolos da opressão homofóbica.

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Goss, Brian Michael. "The Last of Us (2023; Home Box Office; Season One): A Road Trip Through the Leviathan, Neoliberalism, Fundamentalist Authoritarianism, and Small Socialism." Journal of Communication Inquiry, March 13, 2025. https://doi.org/10.1177/01968599251324518.

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Home Box Office's The Last of Us (Season One, 2023) vibrates with symptomatic meanings that transpose contemporaneous sociopolitical anxieties. The horror/monster-genre series constructs contrasting models of “the art of governance” in a febrile moment in the United States when formerly presumed as settled questions about governmentality have been challenged. The analysis argues that the series enacts transposition from the human penchant for flawed governmentality to the monstrosity of the fungal infection, a move that can be interpreted as the locus of symptomatic meaning in the series. Duri

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Kronfeld, Maya. "What Is Holding Us Together? David Hume, Edgar Allan Poe and the Problem of Association." Review of English Studies, July 2, 2022. http://dx.doi.org/10.1093/res/hgac034.

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Abstract Poe’s experimental fiction revitalizes Hume’s ambivalent empiricism, the complexities of which were sometimes obscured in the philosopher’s nineteenth-century American reception. Poe’s ‘Murders in the Rue Morgue’ broaches formally the question of how one thought leads to another, while ‘The Man that Was Used Up’ stages the question of what grounds the unity of one’s thoughts. Reading both tales together exposes the scope and limits of an associationist paradigm often traced back to Hume. But reading Hume through Poe’s verbal art reveals that Hume’s ‘mitigated scepticism’ about persona

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Figueirêdo, Ferdinando de Oliveira. "LUGAR, PODER E SUBVERSÃO EM A CASA DO JUIZ, DE BRAM STOKER." Revista de Letras Norte@mentos 18, no. 51 (2025). https://doi.org/10.30681/rln.v18i51.13776.

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Esta pesquisa objetiva apresentar uma análise do conto A casa do juiz (1914), do irlandês Bram Stoker, pela perspectiva pós-colonial, cuja narrativa coloca em xeque questões direcionadas às dinâmicas de poder e aos efeitos do colonialismo. Centrada no estudante Malcolm Malcolmson, que chega a uma pequena cidade em busca de um lugar tranquilo para se hospedar, o personagem se instala em uma antiga mansão – temida pelos moradores da região –, onde viveu um notório juiz. Pela leitura proposta, pretende-se identificar o quanto a perspectiva de lugar influencia no processo identitário e na alocação

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Fahey, Tracy. "A Taste for the Transgressive: Pushing Body Limits in Contemporary Performance Art." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.781.

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Years have come and gone and Bob is still around He’s tied up by his ankles and he’s hanging upside downA lifetime of infection and his lungs all filled with phlegmThe CF would’ve killed him if it weren’t for S&M Supermasochistic Bob has Cystic Fibrosis by Bob Flanagan. Soundtrack from 1997 documentary, Sick: The Life & Death of Bob Flanagan In the 1997 film, Sick: The Life & Death of Bob Flanagan, Supermasochist, artist Bob Flanagan quite literally lays himself bare to the viewer. This is a wrenching documentary which charts the dying Flanagan’s battles with cystic fibrosis (CF),

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Eckert, Cornelia, and Ana Luiza Carvalho da Rocha. "Etnografia de Rua: Estudo de Antropologia Urbana." ILUMINURAS 4, no. 7 (2003). http://dx.doi.org/10.22456/1984-1191.9160.

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Walter Benjamin (1892-1940) inspirou-se na obra de Charles Baudelaire (1821-1867), e de Marcel Proust (1871-1922) para falar de um estado de ser e estar no mundo ao refletir sobre seus deslocamentos nas cidades de Berlim ou Paris, a partir de um "trabalho" da memória afetiva e do pensar a «si-mesmo» na paisagem urbana. O personagem baudelairiano, o flâneur, caminha na cidade: um percurso sem compromissos, sem destino fixo. O estado de alma deste personagem-tipo é de indiferença, mas seus passos traçam uma trajetória, um itinerário que concebe a cidade, o movimento urbano, a massa efêmera, o pr

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Pinder, Morgan. "Mouldy Matriarchs and Dangerous Daughters." M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2832.

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The Resident Evil video game series is especially notable for engaging with uncanny nature and monstrous reproduction, often facilitated through viral contamination. These third-person games usually feature an outbreak of some kind, instigated by a shadowy organisation, and star a member of law enforcement or the military as the protagonist. However, the seventh and eighth games of the franchise were different. While they explored many of the same themes and conventions as their predecessors, the technologies by which they evoked fear and suspense had become further immersed in the survival ho

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Pearl, Chrisma S., and Joseph Dunston. "TRAUMATIC MUTISM AS COPING MECHANISM: DISSOCIATIVE BEHAVIOUR OF MAYA IN I KNOW WHY THE CAGED BIRD SINGS." ShodhKosh: Journal of Visual and Performing Arts 3, no. 2SE (2023). http://dx.doi.org/10.29121/shodhkosh.v3.i2se.2022.241.

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Trauma is a foremost theme of contemporary literature. The term “post-traumatic stress disorder” (PTSD) found its existence in the 1980s, exploring the shattering effects of trauma on the victim. Traumatic mutism is one such psychological disorder characterised by the victim’s sudden inability to speak, following the trauma. The protagonist Maya in I Know Why the Caged Bird Sings, is subjected to the horror of incest at the age of seven. Overwhelmed by the incident, she locks herself in a private cage of self-imposed silence for four long years. Applying Jennifer Freyd’s “Betrayal Trauma Theor

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"A Socio-Statistical Survey Conducted to Draw a Direct Proportionality Between COVID-19 and Psychological Disorders." Journal of Psychology and Neuroscience, June 29, 2020. http://dx.doi.org/10.47485/2693-2490.1017.

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It’s been decades that the world has seen a pandemic like the one we are in today. COVID-19 is one such global pandemic where all of the nightmares are coming true for mankind, to maintain order and stay safe, the only thing that we can do is stay at home. But enclosing ourselves also means that our work is paused; our lives seem to be punctuated. Moreover, the everyday myths and fake news on the media and internet are eating away the remaining self-confidence in human beings. Everyone is in panic; people don’t know what to do; it’s a rush situation where each day is bringing a new horror with

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"A Socio-Statistical Survey Conducted to Draw a Direct Proportionalitybetween COVID-19 and Psychological Disorders." Journal of Psychology and Neuroscience, June 29, 2020. http://dx.doi.org/10.47485/2693-2490.1028.

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It’s been decades that the world has seen a pandemic like the one we are in today. COVID-19 is one such global pandemic where all of the nightmares are coming true for mankind, to maintain order and stay safe, the only thing that we can do is stay at home. But enclosing ourselves also means that our work is paused; our lives seem to be punctuated. Moreover, the everyday myths and fake news on the media and internet are eating away the remaining self-confidence in human beings. Everyone is in panic; people don’t know what to do; it’s a rush situation where each day is bringing a new horror with

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Samuel, Behailu, Dejenie Mengistie, Ermias Assefa, et al. "Genetic diversity of DGAT1 gene linked to milk production in cattle populations of Ethiopia." BMC Genomic Data 23, no. 1 (2022). http://dx.doi.org/10.1186/s12863-022-01080-8.

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Abstract Background Diacylglycerol acyl-CoA acyltransferase 1 (DGAT1) has become a promising candidate gene for milk production traits because of its important role as a key enzyme in catalyzing the final step of triglyceride synthesis. Thus use of bovine DGAT1 gene as milk production markers in cattle is well established. However, there is no report on polymorphism of the DGAT1 gene in Ethiopian cattle breeds. The present study is the first comprehensive report on diversity, evolution, neutrality evaluation and genetic differentiation of DGAT1 gene in Ethiopian cattle population. The aim of t

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Purwandari K., Yuli, Ekowati Handharyani, Dondin Sajuthi, and Erni Sulistiawati. "AKTIVITAS GLIAL FIBRILLARY ACIDIC PROTEIN PADA OTAK MARMUT (Cavia porcellus) SEBAGAI MODEL PENYAKIT ALZHEIMER DENGAN DEPLESI HORMON TESTOSTERON." Jurnal Kedokteran Hewan - Indonesian Journal of Veterinary Sciences 9, no. 2 (2015). http://dx.doi.org/10.21157/j.ked.hewan.v9i2.2834.

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Penelitian ini bertujuan mengarakterisasi marmut sebagai hewan model untuk penyakit Alzheimer dengan mengamati histopatologis otak dan aktivitas seluler glial fibrillary acidic protein (GFAP) pada otak yang diakibatkan oleh deplesi hormon testosteron. Dua belas marmut dibagi dua kelompok berdasarkan umur, yaitu enam marmut umur 16-32 bulan dan enam marmut umur 32-48 bulan. Deplesi testosteron dilakukan dengan cara kastrasi. Dua marmut dari setiap kelompok dinekropsi untuk koleksi sampel otak pada waktu satu, tiga, dan lima bulan setelah kastrasi. Bagian otak yang diambil adalah korteks, lobus

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Kurniawaty, Kurniawaty, Wita Solama, Susanti Delina, and Intan Permata Sari. "PENERAPAN EDUKASI BREAST CARE PADA IBU POST SECTIO CAESAREA DENGAN MASALAH MENYUSUI TIDAK EFEKTIF." Babul Ilmi Jurnal Ilmiah Multi Science Kesehatan 16, no. 1 (2024). https://doi.org/10.36729/bi.v15i2.1148.

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Latar Belakang : Ibu yang melahirkan melalui operasi sectio caesarea mengalami masalah pada sekresi ASI, nyeri pasca operasi mempengaruhi kenyamanan ibu, dan kerja saraf di lobus posterior kelenjar pituitari yang menghasilkan oksitosin, hormon yang berperan dalam proses laktasi. Hanya 48,6% bayi di Indonesia disusui dalam satu jam pertama. Salah satu upaya yang diperlukan adalah dengan meningkatkan pengetahuan ibu melalui edukasi breast care. Tujuan. Diketahuinya penerapan edukasi breast cara terhadap menyusui tidak efektif pada ibu post sectio caesarea Metode Penelitian: Jenis penelitan ini a

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Kachel, Aleasha. "The Dark Lens by T. K. Troupe." Deakin Review of Children's Literature 4, no. 4 (2015). http://dx.doi.org/10.20361/g24g7c.

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Troupe, Thomas Kingsley. The Dark Lens. Mankato: 12 Story Library, 2015. Print.One day, on his way to work at the Gas N’ Grab, Alex takes a detour to avoid a gang of potential muggers. Along the way, he discovers a mysterious, heavy, dark lens. As he holds it up to the sun to inspect it better, he is transported to a dark and dangerous world filled with terrible monsters. Luckily, upon holding the lens up to the sun a second time, he is transported back to his own reality.However, he is now late for work and feels compelled to explain to his co-worker, Turd, why. Turd, also intrigued by the le

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Sargeant, Jack. "Filth and Sexual Excess." M/C Journal 9, no. 5 (2006). http://dx.doi.org/10.5204/mcj.2661.

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   Pornography can appear as a staid genre with a rigid series of rules and representations, each video consisting of a specified number of liaisons and pre-designated sexual acts, but it is also a genre that has developed and focused its numerous activities. What was considered to be an arousing taboo in the 1970s would not, for example, be considered as such today. Anal sex, while once comparatively rare in pornographic films, is now commonplace, and, while once utterly unspoken in mainstream heterosexual culture it is now acknowledged and celebrated, even by female targete

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Caldwell, Tracy M. "Identity Making from Soap to Nuts." M/C Journal 6, no. 1 (2003). http://dx.doi.org/10.5204/mcj.2149.

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The release of the film Fight Club (Dir. David Fincher, 1999) was met with an outpouring of contradictory reviews. From David Ansen’s [Newsweek] claim that “Fight Club is the most incendiary movie to come out of Hollywood in a long time” (Fight Club DVD insert) to LA Times’s Kenneth Turan who proclaimed Fight Club to be “…a witless mishmash of whiny, infantile philosophising and bone-crushing violence that actually thinks it’s saying something of significance” (Fight Club DVD insert), everyone, it seemed, needed to weigh in with their views. Whether you think the film is a piece of witless and

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Beare, Alexander Hudson, and Amy Brierley-Beare. "“You Know There’s No ‘It’ Right? ‘It’ Was Just Us”." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.3002.

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In Showtime’s Yellowjackets (2021-present), ‘magic’ (referred to by the characters as “It”) has an overwhelming presence. Supernatural visions, clairvoyance, and occult iconography are laden throughout each episode. However, the audience is often left uncertain if magic is, in fact, ‘real’ or conjured in the imagination of the show’s characters. Yellowjackets follows a women’s high-school soccer team (named the Yellowjackets) who survive a plane crash deep in the North American wilderness. The show explores the team’s struggle for survival and the present adult lives of those who survived. In

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Goffey, Andrew. "Idiotypic Networks, Normative Networks." M/C Journal 6, no. 4 (2003). http://dx.doi.org/10.5204/mcj.2235.

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Health Health is a production, a process, and not a goal. It is a means and not an end state, required “to liberate life wherever it is imprisoned by and within man, by and within organisms and genera” (Deleuze). We live our health as a network, within networks, within social, technological, political and biological networks, but how does the network concept understand health? And how does the network concept implicate health within other networks, for better or for worse? Biopolitical Relations In its diverse forms, network thinking institutes a relational ontology, an ontology of connection

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Masson, Sophie Veronique. "Fairy Tale Transformation: The Pied Piper Theme in Australian Fiction." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1116.

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The traditional German tale of the Pied Piper of Hamelin inhabits an ambiguous narrative borderland, a liminal space between fact and fiction, fantasy and horror, concrete details and elusive mystery. In his study of the Pied Piper in Tradition and Innovation in Folk Literature, Wolfgang Mieder describes how manuscripts and other evidence appear to confirm the historical base of the story. Precise details from a fifteenth-century manuscript, based on earlier sources, specify that in 1284 on the 26th of June, the feast-day of Saints John and Paul, 130 children from Hamelin were led away by a pi

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