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Journal articles on the topic 'Locusts, fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2024

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1

Büschges, A., and H. Wolf. "Gain changes in sensorimotor pathways of the locust leg." Journal of Experimental Biology 199, no. 11 (1996): 2437–45. http://dx.doi.org/10.1242/jeb.199.11.2437.

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Feedback systems that control the leg joints of animals must be highly flexible in adapting to different behavioural tasks. One manifestation of such flexibility is changes in the gain of joint control networks. The femur&shy;tibia (FT) control network of the locust leg is one of the feedback systems most thoroughly studied with regard to its neural circuitry. Despite excellent information concerning network topology, however, actual gain changes and their underlying mechanisms have not yet been examined because of the marked spontaneous variations in the action of the control network for

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2

Lorez, M. "Neural control of hindleg steering in flight in the locust." Journal of Experimental Biology 198, no. 4 (1995): 869–75. http://dx.doi.org/10.1242/jeb.198.4.869.

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Corrective flight steering with the hindlegs was investigated in intact tethered flying locusts inside a wind tunnel as well as in animals dissected for intracellular recording and showing fictive flight activity. In intact tethered flying animals, activity in the second coxal abductor muscle (M126) was highly correlated with hindleg steering and was coupled to the elevator phase of the flight cycle. Fictive flight and steering could also be elicited in animals dissected for intracellular recording of motoneurones innervating M126. During fictive flight activity, motoneurones 126 were rhythmic

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3

Butenina, E. M. "VLADIVOSTOK AS A TRANSFER LOCUS IN ENGLISH FICTION." Humanities And Social Studies In The Far East 18, no. 1 (2021): 161–65. http://dx.doi.org/10.31079/1992-2868-2021-18-1-161-165.

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The paper discusses Vladivostok – “an eccentric city on the edge of cultural space”, in Yuri Lotman’s terms – as a locus of intercultural transfers (both in direct and indirect sense) in Somerset Maugham’s and Maurice Kennedy’s short stories as well as in William Gerhardie “novel on Russian themes” Futility. For Vladivostok (as for St. Petersburg whose natives founded the Pacific fort and became its first residents), railway stations and bridges are the key “topographic indices”, in Vladimir Toporov’s terms. For the transfer aspect various leisure institutions (restaurants, theatres, clubs) ar

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4

Dmitrieva, Ekaterina E. "THE LOCUS OF THE CASTLE IN THE NOVELS OF WALTER SCOTT (“WAVERLY”)." Vestnik of Kostroma State University 29, no. 3 (2023): 101–12. http://dx.doi.org/10.34216/1998-0817-2023-29-3-101-112.

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The article is devoted to the role that various castles played in the historical narrative of Walter Scott. The object of the study was mainly his first novel «Waverly». The question posed in the article is formulated as follows: why did Walter Scott, who distanced his writing from the genre of the Gothic novel and at the same time did not focus his attention on the reconstruction of the knight’s novel (both of them widely used the topos of the castle) fill his novels with the description of castles, making them the main place of action and the condition of the plot intrigues. An analysis of h

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5

Kaufmann, Michael, and Herbert F. Smith. "The Locus of Meaning: Six Hyperdimensional Fictions." Yearbook of English Studies 27 (1997): 281. http://dx.doi.org/10.2307/3509186.

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6

Stemberger, Martina. "Discours errants, sujets égarés : (Trans)Fictions de la folie chez Emmanuelle Bayamack-Tam." Çédille 7 (September 1, 2017): 193. http://dx.doi.org/10.21071/ced.v7i.10895.

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Las novelas de Emmanuelle Bayamack-Tam, pobladas por personajes marginales, con múltiples psicopatologías, constituyen un objeto privilegiado para la reflección sobre la inscripción de la locura en la literatura. Tras los pasos de Foucault, la escritora problematiza la producción social y discursiva de la locura; en sus textos, despliega un discurso no sólo sobre, sino también de la locura o más bien de las locuras (polífonas, plurales), montando una palabra excesiva y transgresiva, lunática y lírica, que oscila entre el silencio y el canto. Este análisis se centra en la novela Hymen (2003), m

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7

Rhodes, Chip. "Mass Cultural Populism and the Hollywood Novel: The Case of Nathanael West's The Day of the Locust." Prospects 24 (October 1999): 589–604. http://dx.doi.org/10.1017/s0361233300000491.

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The short history of the Hollywood novel provides a useful index of the ways that 20th-century U.S. literature has imagined the relation of sign systems to the external reality with which they would coincide. Very early Hollywood novels like Harry Leon Wilson's Merton of the Movies (1922) found their critiques of the nascent film industry on its fictiveness and conventionality, indicting Hollywood for the falsification of reality. Literature in general and the Hollywood novel in particular would serve, by implication, to set the record straight. As modernism in its many permutations supplanted

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8

REICHERT, H., and C. H. F. ROWELL. "Invariance of Oscillator Interneurone Activity During Variable Motor Output by Locusts." Journal of Experimental Biology 141, no. 1 (1989): 231–39. http://dx.doi.org/10.1242/jeb.141.1.231.

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Simultaneous intracellular recordings were made in locusts from (a) flight motor neurones and (b) output interneurones of the flight oscillator. The insects were mounted with the head at the centre of rotation of an artificial horizon. During fictive flight, these animals responded to simulated deviations from course with the changes in motor output appropriate to course-correction manoeuvres, as previously described. In the motor neurone of depressor muscle MN98 (mesothoracic second basalar) these changes take the form of systematic variation in amplitude in the cyclical depolarization seen i

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9

Bettaglio, Marina. "Locuras detectivescas en La detective miope de Rosa Ribás." RAUDEM. Revista de Estudios de las Mujeres 3 (May 23, 2017): 157. http://dx.doi.org/10.25115/raudem.v3i0.625.

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Resumen: En La detective miope la escritora española Rosa Ribás lleva a cabo una inversión paródica de las normas de la literatura detectivesca al crear una investigadora privada recién salida de una institución psiquiátrica. A diferencia de los métodos deductivos empleados por eminentes detectives del siglo XIX, Irene Ricart subvierte las leyes de la lógica al resolver el enigma del brutal asesinato del que fueron víctimas su esposo y su hija. Mientras su vista se va deteriorando progresivamente, esta detective tan peculiar logra desenmascarar a los culpables del doble asesinato y acabar con

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10

Ryckebusch, S., and G. Laurent. "Interactions between segmental leg central pattern generators during fictive rhythms in the locust." Journal of Neurophysiology 72, no. 6 (1994): 2771–85. http://dx.doi.org/10.1152/jn.1994.72.6.2771.

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1. Rhythmic activity of leg motor neurons could be evoked in isolated locust thoracic ganglia as well as in preparations of two or three connected thoracic ganglia superfused with the muscarinic agonist pilocarpine. Rhythms were always more regular and reliably elicited in single isolated ganglia. When the ganglia were connected, rhythmic activity of leg motor neurons was not usually simultaneously evoked in all six hemiganglia. Typically, some of the hemiganglia were rhythmically active, whereas others showed tonic or highly irregular activity. 2. Action potentials from leg motor neuron pools

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11

Lin, Erika. "Performance Practice and Theatrical Privilege: Rethinking Weimann’s Concepts of Locus and Platea." New Theatre Quarterly 22, no. 3 (2006): 283–98. http://dx.doi.org/10.1017/s0266464x06000480.

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In this article, Erika T. Lin explores theatrical performance as a material medium by considering which elements might have been privileged in the dramaturgy of Shakespeare and his contemporaries. After considering the strengths and weaknesses of Robert Weimann’s influential concepts of locus and platea, she offers an alternative model for understanding the authority of performance in early modern England, in which stage geography and actor–audience interactivity, two key components of Weimann’s formulation, are less important than the interplay between representation and presentation. Through

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12

Coudreuse, Anne. "Locus in Fabula: La topique de l'espace dans les fictions francaises d'Ancien Regime (review)." Eighteenth Century Fiction 18, no. 3 (2006): 380–82. http://dx.doi.org/10.1353/ecf.2006.0039.

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13

Lopes da Silva, Anderson. "“Amorteamo”, locus horribilis e a tropicalização do gótico na TV brasileira." Revista ECO-Pós 23, no. 3 (2020): 360–95. http://dx.doi.org/10.29146/eco-pos.v23i3.27525.

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Este trabalho propõe discutir como o gótico, ao adentrar o terreno das produções culturais-midiáticas brasileiras, passa por um processo de tropicalização. De maneira específica, o gótico tropical é lido aqui na esfera da ficção seriada televisiva em suas lógicas de criação estética no mundo fictivo. Nesse sentido, são trazidas à discussão as produções de sentido da minissérie “Amorteamo” (2015) como forma de materialização estilística do processo de tropicalização gótica. Logo, como recorte empírico, são apresentados momentos pontuais da trama (da construção das personagens principais às sequ

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14

Francis, Richard A. "Locus in fabula: la topique de l'espace dans les fictions françaises d'Ancien Régime - Edited by Nathalie Ferrand." Journal for Eighteenth-Century Studies 35, no. 1 (2012): 156–57. http://dx.doi.org/10.1111/j.1754-0208.2010.00301.x.

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15

Punte, Maria José. ""Locus amoenus" de la contemporaneidad: la isla como metáfora de la escritura." Rilce. Revista de Filología Hispánica 29, no. 1 (2015): 115–35. http://dx.doi.org/10.15581/008.29.3036.

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El artículo analiza el motivo de la isla en tres obras, por la manera en que es usado en su carácter de metaficción. La teoría que sustenta esta interpretación proviene del texto de Wolfgang Iser, Das Fiktive und das Imaginäre. Este teórico desarrolla en él su concepción de lo fictivo, así como las dinámicas inherentes a los textos considerados ficcionales. El análisis extraído de su trabajo con el género de la poesía bucólica, recurre al tópico del locus amoenus para describir el modo de estilización de la naturaleza, como uno de los momentos de la configuración del relato en el que éste reve

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16

Pilone, Fatima. "Locus in fabula. La topique de l’espace dans les fictions françaises d’Ancien Régime, études réunies et présentées par Nathalie Ferrand." Studi Francesi, no. 149 (December 1, 2006): 446. http://dx.doi.org/10.4000/studifrancesi.29763.

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17

Masseau, Didier. "Nathalie FERRAND (éd.), Locus in fabula. La topique de l'espace dans les fictions d'Ancien Régime , Louvain-Paris, Éditions Peeters, 2004, 716 p." Dix-huitième siècle 38, no. 1 (2006): XII. http://dx.doi.org/10.3917/dhs.038.0643l.

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18

Gholi, Ahmad. "Representation of Oriental Travelees and Locus in Jurgen Wasim Frembgen’s Travelogue: The Closed Valley: With Fierce Friends in Pakistani Himalays." International Journal of Applied Linguistics and English Literature 6, no. 1 (2016): 84. http://dx.doi.org/10.7575/aiac.ijalel.v.6n.1p.84.

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The oft despised and ignored genre of travel writing was recognized as worthy of scholarly investigation in 1970s thanks to Edward Said’s Orientalism, the wave of deconstructionism, and postcolonialism (Calzati, 2015). For these scholars, travel writers do not present a transparent window to an alien space and its residents even though they normally claim it. For them the representation of the traveled terrain and travelees is an ideological construction which is tainted with the travel writer’s ‘habitus’ and ‘field’ and crafted through fictional devices. In this regard, by drawing on postcolo

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19

"The locus of meaning: six hyperdimensional fictions." Choice Reviews Online 32, no. 04 (1994): 32–1962. http://dx.doi.org/10.5860/choice.32-1962.

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