Relevant bibliographies by topics / Loie Fuller

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Loie Fuller'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Journal articles on the topic "Loie Fuller"

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Young, Tricia H., Richard Nelson Current, and Marcia Ewing Current. "Loie Fuller: Goddess of Light." Dance Research Journal 30, no. 1 (1998): 67. http://dx.doi.org/10.2307/1477896.

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Veroli, Patrizia. "Loie Fuller and Dance Modernism." Dance Chronicle 31, no. 3 (October 20, 2008): 491–98. http://dx.doi.org/10.1080/01472520802402895.

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ÇEVİK, Melahat. "IŞIĞI-KOSTÜMÜ VE DANSLARIYLA LOIE FULLER." Journal of Social Sciences 9, no. 9 (January 1, 2016): 143. http://dx.doi.org/10.16990/sobider.3330.

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Voytova, I. A. "“More than in a Costume”: “Barefoot” Dancers and Russian Ballet Costume at the Beginning of the 20th Century." Art & Culture Studies, no. 2 (June 2021): 366–85. http://dx.doi.org/10.51678/2226-0072-2021-2-366-385.

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The beginning of reform in Russian ballet of the 1900s is connected by the most part of researchers with the first performances of Isadora Duncan in Russia (1904–1905). Her great influence on Russian ballet choreography and costume is explored well enough and indisputable. Nevertheless, free dance or “modern dance” became popular in the USA and in Europe because of Duncan’s predecessor, another American dancer Loie Fuller. It was a major tendency included creativity of such different performers as Loie Fuller, Isadora Duncan, Ruth St. Denis, Maud Allan, Mata Hari and many others. The author of the presented article uses the complex method to analyze the reforms of dancing costume carried out by so called “barefoot” dancers and their influence on Russian ballet costume at the beginning of the 20th century, revealing general transformations and some direct parallels between costumes of “barefoot” dancers and Russians ballet dancers.
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Körner, Hans. "Alois Riegl und Loie Fuller - Die Selbstzeugung von Kunst im Ornament." Wiener Jahrbuch für Kunstgeschichte 53, no. 1 (December 2004): 121–38. http://dx.doi.org/10.7767/wjk.2004.53.1.121.

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Karpenko, Lara. "“The inanimate becomes animate”: Loie Fuller, speculative feminist aesthetics, and posthuman embodiment." Nineteenth-Century Contexts 41, no. 5 (September 27, 2019): 565–84. http://dx.doi.org/10.1080/08905495.2019.1669370.

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Coffman, Elizabeth. "Women in Motion: Loie Fuller and the “Interpenetration” of Art and Science." Camera Obscura: Feminism, Culture, and Media Studies 17, no. 1 (2002): 73–105. http://dx.doi.org/10.1215/02705346-17-1_49-73.

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ChoEunSook. "Study on the Tendency of Art of Loie Fuller from the Viewpoint of Art Nouveau." Korean Journal of Dance Studies 25, no. 25 (December 2008): 217–35. http://dx.doi.org/10.16877/kjds.25.25.200812.217.

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CADDY, DAVINIA. "Variations on the Dance of the Seven Veils." Cambridge Opera Journal 17, no. 1 (March 2005): 37–58. http://dx.doi.org/10.1017/s095458670500193x.

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Early twentieth-century Paris saw an embarrassment of half-naked women dancing with seven veils and papier-mâché heads: ‘Salomania’ had gripped the capital. By 1913 Salome was a regular feature on music hall show-bills, besides the balletic and operatic stage. This study focuses on three variations on Salome's notorious Dance of the Seven Veils, performed by Loie Fuller (1907), Ida Rubinstein (1909) and Maud Allan (from 1906) on music by Florent Schmitt, Nikolay Rimsky-Korsakov and Richard Strauss respectively. Such an investigation provides a peculiar line through the cultural and aesthetic determinants of early twentieth-century theatrical dance. In this context music takes on new narrative significance, offering ways of configuring the Dance above and beyond its mere visual surface.
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Albright, Ann Cooper. "Matters of Tact: Writing History from the Inside Out." Dance Research Journal 36, no. 1 (2004): 11–26. http://dx.doi.org/10.1017/s0149767700007543.

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Long before I became a committed academic, long before I was a college professor teaching dance history, long before terminal degrees and professional titles, I chanced upon an exhibition of early dance photographs at the Rodin Museum in Paris. I bought the small catalogue, and from time to time I would page through the striking black and white images searching for dancing inspiration. I always paused at a certain one of Loïe Fuller. There she is, radiant in the sunlight of Rodin's garden, chest open, arms spread like great wings, running full force towards the camera. It is an image of a strong, mature woman, one who exudes a joyful, yet earthy energy. A copy of this photograph taken in 1900 by Eugène Druet currently hangs above my desk.With a nod to the meanings embedded in historical study, Walter Benjamin once wrote: “To dwell means to leave traces” (1999, 9). Indeed, traces are the material artifacts that constitute the stuff of historical inquiry, the bits and pieces of a life that scholars follow, gather up, and survey. The word itself suggests the actual imprint of a figure who has passed, the footprint, mark or impression of a person or event. These kinds of traces are omnipresent in the case of Loie Fuller. Some traces are more visible than others, some more easily located. But all traces—once noticed—draw us into another reality.
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Dissertations / Theses on the topic "Loie Fuller"

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Spalink, Angenette M. "Loie Fuller and Modern Movement." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277060256.

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Kappel, Caroline J. "Labyrinthine depictions and tempting colors the synaesthetic dances of Loïe Fuller as symbolist choreography /." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1195707359.

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Kappel, Caroline J. "Labyrinthine Depictions and Tempting Colors: The Synaesthetic Dances of Loïe Fuller as Symbolist Choreography." Ohio University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1195707359.

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Meinzenbach, Sandra. "Neue alte Weiblichkeit Frauenbilder und Kunstkonzepte im Freien Tanz: Loïe Fuller, Isadora Duncan und Ruth St. Denis zwischen 1891 und 1934." Marburg Tectum-Verl, 2009. http://d-nb.info/1000358267/04.

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Lindberg, Jessica S. "Reconstructing, labanotating and performing Loie Fuller's Fire Dance." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1327948327.

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Hutchins, Katharine. "Choreographing Modernity: Loïe Fuller and Her Influence on the Arts." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/75.

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This thesis, which studies the effect Loïe Fuller had on artists at the turn of the 20th century, redefines her role in art and society. An American dancer born in 1862, Fuller is often hailed as one of the forefathers of modern dance and a technological engineer, but she is too rarely shown in control of how the audience perceived her. This work gives an overview of Art Nouveau and the Universal Exposition of 1900 in Paris in which she performed. It closely examines her impact on painters, illustrators, and lithographers: Henri de Toulouse-Lautrec, Will Bradley, and Jules Cheret. It also studies her influence on sculptors: Raoul Larche, Agathon Léonard, and Pierre Roche; architect Henri Sauvage, and writer Stéphane Mallarmé. In this work, Fuller is not solely presented as the physical embodiment of Art Nouveau but as an active shaper of artistic movements of her time. It portrays her as active rather than passive.
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Botella, Julien. "Dramaturgies du diaphane : enjeux esthétiques et politiques d’un paradigme, du symbolisme au néo-symbolisme, de Maeterlinck à Norén, Fosse et Lygre." Thesis, Paris 3, 2019. http://www.theses.fr/2019PA030050.

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La thèse analyse l’esthétique du diffus et son devenir dramaturgique dans les théâtralités symboliste et néo-symboliste. Elle interroge la notion d’atmosphère théâtrale depuis la fin du XIXe siècle sur la scène symboliste, à partir du moment où l’économie de l’immatériel en fait un enjeu spécifique pour l’écriture du drame. A travers l’analyse des travaux d’Appia sur la dramaturgie wagnérienne, de Meyerhold et de Régy sur le théâtre de Maeterlinck, elle vise à repenser la corrélation que la pensée brechtienne a établie entre cette esthétique du diffus et de l’effacement que nous désignons par le substantif « diaphane » et un régime de pure fascination esthétique qui caractérise le divertissement bourgeois. Est ainsi interrogée la place de l’altération perceptive dans la politique de la représentation. Quelle éthique, quelle politique de la représentation la dramaturgie du diaphane fait-elle intervenir ? Dans la première partie, intitulée « Influences et contextes : modélisation d’une théâtralité atmosphérique au XIXe siècle », est analysé comment, dans le contexte d’une autonomisation des arts, s’est développée une esthétique symboliste du diaphane fondée sur le voilage et la dématérialisation. La seconde partie, intitulée « Du symbolisme au néo-symbolisme : devenir scénique du corps diaphane » envisage la proxémie du spectacle et montre comment s'est formée une conception du jeu et de la présence fondée sur une approche auratique. Dans la troisième partie, intitulée « Dramaturgies contemporaines du diaphane », les dramaturgies de Lars Norén, Jon Fosse et Arne Lygre sont plus particulièrement analysées dans la mesure où elles sollicitent à des degrés divers l’esthétique néo-symboliste et travaillent à partir du diaphane dans une perspective politique. La non-transparence apparaît ainsi comme un régime de perception du réel et de construction de la réflexivité qui caractérise ce que nous nommons « théâtre du disparaître »
The dissertation analyzes the aesthetics of diaphanous and its scenic becoming in symbolist and neo-symbolist drama. It aims at refunding the combination that Brecht established between the aesthetics of diaphanous and a pure fascination regimen that annihilates critical judgment. Through the analyze of Appia’s work on Wagnerian “Worttondrama” and of Meyerhold or Régy’s works on Maeterlinck drama, the dissertation aims at emphasizing the role of perceptive alteration in politics of representation. Which ethics, which politics does aesthetics of diaphanous promote? To answer this question, the work analyzes the way that Lars Norén, Jon Fosse and Arne Lygre drama, as reluctant as Brecht to a pure aesthetic approach of representation, nevertheless use diaphanous in a political purpose. Suspension and unclearness then can be considered as ways of perceiving and building reality. Thus is renewed the dialectics of irony and empathy, identity and alteration, politics and metaphysics that fed perspectivist theory of representation. Lars Norén, Jon Fosse and Arne Lygre drama are significant in their purpose of dissolving rhetorical structures and teleology, questioning the status of emotion and judgment that lies in vanishment
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Pérez, Wilson Simón. "Modernismos en disputa la emergencia de la danza moderna bajo la tensión : |técnica y naturalismo en Loïe Fuller, Isadora Duncan y Vaslav Nijinsky." Tesis, Universidad de Chile, 2018. http://repositorio.uchile.cl/handle/2250/168356.

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Tesis para optar al grado de magíster en artes con mención en teoría e historia del arte
El presente trabajo de tesis busca abordar los tránsitos y tensiones claves del surgimiento del modernismo en danza, bajo la óptica de la tensión tecnológica (entendida como proceso de modernización) y el naturalismo como visión contra-moderna. De esta forma las tensiones que se expresan en el punto de inflexión del cambio de siglo permean la constitución de una nueva forma de entender la disciplina de la danza. La emergencia de la danza moderna está antecedida por una serie de fenómenos que son los que interesa observar y discutir. ¿Cuáles son las condiciones de posibilidad que dan cuenta de la emergencia del modernismo en Danza? Colocando en el centro de la investigación las nociones de técnica, naturalismo, modernismo, y el cómo la obra y pensamiento en Vaslav Nijinsky, Isadora Duncan y LoÏe Fuller pueden dar cuento de ello.
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Coates, Maran. "Moderat's Rusty nails and Loie Fuller's Serpentine dance : analysis cloth, the body and movement as symbolic interpretation of meaning in film." Thesis, Nelson Mandela Metropolitan University, 2012. http://hdl.handle.net/10948/d1015733.

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The main objective of the study is to explore how cloth, the body and movement are able to communicate possible symbolic meaning in Loïe Fuller’s Serpentine Dance film and Moderat’s Rusty Nails music video. The study further attempts to establish the characteristics of fashion film to include cloth, the body and movement and provide a methodology that locates fashion film as a sign system using a visual semiotic analysis framework. The films were then compared and contrasted to determine similarities and differences in their use of cloth, the body and movement. The findings from the film analysis suggest that cloth, the body and movement communicate symbolic meaning in the films based on their associated meanings that are generated both inside and outside the film context. By focussing on cloth, the body and movement as primary communicators (rather than secondary or supporting communicators) in film, new meanings can be interpreted from their interrelationship. The results inform new ways for fashion designers and fashion filmmakers to engage with cloth, the body and movement in fashion film.
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Hanrahan, Kelsey B. "Living Care-fully: Labor, Love and Suffering and the Geographies of Intergenerational Care in Northern Ghana." UKnowledge, 2015. http://uknowledge.uky.edu/geography_etds/40.

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Care is socially constructed, shaped by expectations embedded within particular relationships and the culturally-specific understandings of what it means to work, love and suffer. In this dissertation, I conceptualize care as a fundamental component of everyday life in which individuals are oriented towards the needs of others. Drawing on ethnographic fieldwork in a rural Konkomba community in northern Ghana, I explore the geographies of care shaping the everyday experiences of women engaged in intergenerational relationships as they encounter emerging dependencies associated with ageing. Dependencies emerge when an individual requires support and care from another, and in turn the struggles for, and the provision of this support has material and emotional implications for those involved. I make three primary contributions. First, I examine the potential for a feminist ethics of care within livelihoods approaches in order to destabilize notions of independence and material outcomes, arguing that livelihood strategies are characterized by interdependencies within families and communities. Second, I contribute to an understanding of the politics of care by considering women's mobility in the face of competing demands on their labor and resources. Despite responsibilities to provide a 'good death', women experience social and material hurdles to negotiate their mobility in order to provide end of life care to a parent. Third, I explore the embodied emotional experiences of elderly women as they experience dependencies and struggle to engage in material exchange and caring relationships. As a result of these emergence of dependencies, women's everyday lives are deeply shaped by experiences of love and suffering. In northern Ghana, as in other rural agrarian communities in developing regions, the elderly population is growing and a weak formal care infrastructure is ill-prepared to face the pressures of an ageing population. Through this dissertation, I highlight the complex geographies of care shaping everyday life experiences and contribute to an understanding of the particular issues faced by communities where intergenerational relationships are key to lives lived with care.
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Books on the topic "Loie Fuller"

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Loie Fuller. Palermo: L'epos, 2009.

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Veroli, Patrizia. Loie Fuller. Palermo: L'epos, 2009.

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Current, Richard Nelson. Loie Fuller, goddess of light. Boston: Northeastern University Press, 1997.

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Albright, Ann Cooper. Traces of light: Absence and presence in the work of Loie Fuller. Middletown, CT: Wesleyan University Press, 2008.

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Albright, Ann Cooper. Traces of light: Absence and presence in the work of Loïe Fuller. Middletown, Conn: Wesleyan University Press, 2007.

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Albright, Ann Cooper. Traces of light: Absence and presence in the work of Loïe Fuller. Middletown, Conn: Wesleyan University Press, 2007.

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Lista, Giovanni. Loïe Fuller, danseuse de la Belle Époque. Paris: Stock, 1994.

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Brandstetter, Gabriele. Loïe Fuller: Tanz, Licht-Spiel, Art Nouveau. Freiburg im Breisgau: Rombach, 1989.

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Garelick, Rhonda K. Electric salome: Loie Fuller's performance of modernism. Princeton, NJ: Princeton University Press, 2008.

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Mueller, Scott. Ancestors of Scott Mueller and Lois Fuller: And allied families including Bickford, Birchard, Cobb, Kepler, Plimpton and Reese. Northbrook, Illinois: M.M. Dickey, 2000.

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Book chapters on the topic "Loie Fuller"

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Vanita, Ruth. "Shobhana Siddique: “Full to the Brim” (Hindi)." In Same-Sex Love in India, 304–10. New York: Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-137-05480-7_46.

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Vanita, Ruth. "Shobhana Siddique: “Full to the Brim” (Hindi)." In Same-Sex Love in India, 304–10. New York: Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-349-62183-5_46.

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Pimenta, Paulo M., Edgard S. Almeida Neto, and Eduardo M. B. Campello. "A Fully Nonlinear Thin Shell Model of Kirchhoff-Love Type." In New Trends in Thin Structures: Formulation, Optimization and Coupled Problems, 29–58. Vienna: Springer Vienna, 2010. http://dx.doi.org/10.1007/978-3-7091-0231-2_2.

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Picart, Caroline Joan S. "Loíe Fuller, “Goddess of Light” and Josephine Baker, “Black Venus”: Non-narrative Choreography as Mere “Spectacle”." In Critical Race Theory and Copyright in American Dance, 45–65. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137321978_3.

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Housecat, Minerva, and Josiah Carberry. "Are black cats better than other cats: a very comprehensive study." In Awesome Book Series, 2–47. 3rd ed. Boston: Crossref Publishing, 2019. http://dx.doi.org/10.32013/qe51g17.

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Throughout history, black cats have been interacting with the universe via psionic wave oscillations. Felinekind has nothing to lose. Reality has always been full of lifeforms whose brains are engulfed in inspiration.
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Trento, Giovanna. "Pier Paolo Pasolini and Pan-Meridional Italianness." In The Scandal of Self-Contradiction, 59–83. Vienna: Turia + Kant, 2012. http://dx.doi.org/10.37050/ci-06_04.

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Despite his ‘Third World’ and Marxist sympathies, Pier Paolo Pasolini showed, throughout his life, strong poetic and political attention for national narratives and the building of Italianness. However, Pasolini’s ‘desperate love’ for Italy and Italianness – which I consider one of the basic elements of his poetic universe – can be fully grasped only if we read it in the light of his fluid, transnational, and pan-meridional approach.
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Pruska-Oldenhof, Izabella. "Loïe Fuller and the Poetics of Light, Colour, and Rhythm: Some Thoughts on the Making of fugitive l(i)ght." In Dance’s Duet with the Camera, 97–117. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-59610-9_5.

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Caddy, Davinia. "Making Moves in Reception Studies: Music, Listening and Loie Fuller." In Musicology and Dance, 91–118. Cambridge University Press, 2020. http://dx.doi.org/10.1017/9781108567947.005.

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"ELECTRIC SALOME: Loie Fuller at the Exposition Universelle of 1900." In Imperialism and Theatre, 95–112. Routledge, 2003. http://dx.doi.org/10.4324/9780203359945-13.

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"Chapter Two Electric Salome: Loie Fuller at the World’s Fair of 1900." In Electric Salome, 63–117. Princeton: Princeton University Press, 2007. http://dx.doi.org/10.1515/9781400832774-005.

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Conference papers on the topic "Loie Fuller"

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Király, A., S. Urbán, Z. Besenyi, L. Pávics, N. Zsótér, and J. Csirik. "Fully automatic lung lobe segmentation using V/Q SPECT/CT images." In NuklearMedizin 2020. © Georg Thieme Verlag KG, 2020. http://dx.doi.org/10.1055/s-0040-1708371.

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Wu, T. S., Elvis Yang, T. H. Yang, K. C. Chen, and C. Y. Lu. "Novel lithography rule check for full-chip side lobe detection." In SPIE Advanced Lithography. SPIE, 2008. http://dx.doi.org/10.1117/12.770882.

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Toublan, Olivier, Nicolas B. Cobb, and Emile Y. Sahouria. "Fully automatic side lobe detection and correction technique for attenuated phase-shift masks." In 26th Annual International Symposium on Microlithography, edited by Christopher J. Progler. SPIE, 2001. http://dx.doi.org/10.1117/12.435696.

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Köhn, D., D. Wilken, D. De Nil, T. Wunderlich, W. Rabbel, and L. Werther. "2D Full Waveform Inversion Applied to a Strongly-Dispersive Love Wave Field Dataset." In 80th EAGE Conference and Exhibition 2018. Netherlands: EAGE Publications BV, 2018. http://dx.doi.org/10.3997/2214-4609.201801374.

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Khatri, Rasish, and Dara W. Childs. "An Experimental Investigation of the Dynamic Performance of a Vertical-Application Three-Lobe Bearing." In ASME Turbo Expo 2014: Turbine Technical Conference and Exposition. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/gt2014-25483.

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Dynamic performance test results are provided for a vertical-application three-lobe bearing, geometrically similar to a three-lobe bearing tested by Leader [1] to stabilize a vertical sulfur pump. The bearing has the following specifications: 100° pad arc angle, 0.64 preload, 100% offset, 101.74 mm bore diameter, 0.116 mm radial pad clearance, 76.3 mm axial length, and 100° static load orientation from the leading edge of the loaded pad. The bearing is tested at 2000 rpm, 4400 rpm, 6750 rpm, and 9000 rpm. This bearing is tested in the no-load condition and with low unit loads of 58 kPa and 117 kPa. The dynamic performance of this bearing is evaluated to determine (1) whether a fully (100%) offset three-lobe bearing configuration is more stable than a standard plain journal bearing (0.5 whirl-frequency ratio), and (2) whether a fully offset three-lobe bearing provides a larger direct stiffness than a standard fixed-arc bearing. Hot and cold clearances are measured for this bearing. Dynamic measurements include frequency-independent stiffness and damping coefficients. Bearing stability characteristics are evaluated using the whirl-frequency ratio (WFR). Test results are compared to numerical predictions obtained from a fixed-arc bearing Reynolds equation solver. Dynamic tests show that the vertical-application three-lobe bearing does not improve stability over conventional fixed-arc bearings. The measured WFRs for the vertical-application bearing are approximately 0.4–0.5 for nearly all test cases. Predicted WFRs are 0.46 at all test points. The vertical-application bearing dimensionless direct stiffness coefficients were compared to those for a 70% offset three-lobe bearing. Dimensionless direct stiffness coefficients at 0 kPa are larger for the vertical-application bearing by 45–48% in the loaded direction and larger by 15–26% in the unloaded direction. Thus, the vertical-application bearing does impart a larger centering force to the journal relative to the 70% offset bearing, in the no-load condition. Predictions using both the measured hot clearance and measured cold clearance as inputs to the code are compared to the measured dynamic data. In general, the predicted direct stiffness coefficients using both the hot and cold clearances as inputs were higher than measured direct stiffnesses. The two sets of predicted cross-coupled stiffness coefficients straddle the measured cross-coupled stiffness coefficients. Predicted direct damping coefficients using both solutions were higher than measured values in most cases, but agreement between predictions and measurements improved significantly at high speeds and when applying light loads.
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Wittkamp, F., and T. Bohlen. "Individual and Joint 2-D Elastic Full Waveform Inversion of Rayleigh and Love Waves." In 78th EAGE Conference and Exhibition 2016. Netherlands: EAGE Publications BV, 2016. http://dx.doi.org/10.3997/2214-4609.201601009.

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Ruiz, Rafael O., Marcelo H. Di Liscia, Luis Medina, and Sergio Di´az. "Asynchronous Dynamic Coefficients of a Three Lobe Air Bearing." In ASME Turbo Expo 2007: Power for Land, Sea, and Air. ASMEDC, 2007. http://dx.doi.org/10.1115/gt2007-27919.

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The study of dynamic whirl behavior of air bearings is fundamental for an adequate rotordynamic analysis and future validation of numerical predictions. This work shows the dynamic response of the air film on a three lobe bearing under non-synchronous whirl motion. One-dimensional multifrequency orbits are used to characterize the bearing rotordynamic coefficients. The test rig uses two magnetic bearing actuators to impose any given orbits to the journal. The dynamic forces are measured on the test bearing housing by three load cells. Journal whirling excitation is independent of the rotating speed, thus allowing asynchronous excitations. The multi frequency excitation is applied at each rotating speed up to 11000rpm allowing the non-synchronous characterization of the air film. The experimental procedure requires two linearly independent excitation sets. Thus, vertical and horizontal one-dimensional multi-frequency orbits are applied as perturbations. Results show the synchronous and asynchronous dynamic coefficients of the air bearing. Asynchronous experimental results are compared to numerical estimation of the bearing force coefficients through solution of the isotropic ideal gas journal bearing Reynolds equation. Numerical dynamic coefficients are obtained as the effective coefficient values of the bearing when subject to a given orbit. A full characterization of the non-synchronous rotordynamics coefficients of the bearing is presented in three dimensional maps.
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Mihoubi, Mounira. "The Impact of Commercial Mutations on Historical Buildings in Algeria: Case of Colonial Quarters in The City of Annaba." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021313n16.

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The commercial dynamics that the city of Annaba has experienced in recent decades, due to social and economic development and market liberalization, have changed its urban and architectural heritage. This city, located in north-eastern Algeria and created before the tenth century, has seen many civilizations and dynasties pass by. Every civilization has left behind traces that time has sometimes taken care of protecting them, to bequeath us or erasing them completely. This heritage wealth testifying and telling the story of our ancestors' past, unfortunately, began to lose its value and originality after the transformations and modifications that took place in the old residential buildings inherited from two opposing cultures by integrating new forms of commercial activities. The objective of this communication is to analyse and measure the evolution of these mutations, with a focus on the ancient colonial areas of the city of Annaba where the phenomenon is most pronounced.
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Wang, Qiang, Mengdan Zhang, Junliang Xing, Jin Gao, Weiming Hu, and Steve Maybank. "Do not Lose the Details: Reinforced Representation Learning for High Performance Visual Tracking." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. California: International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/137.

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This work presents a novel end-to-end trainable CNN model for high performance visual object tracking. It learns both low-level fine-grained representations and a high-level semantic embedding space in a mutual reinforced way, and a multi-task learning strategy is proposed to perform the correlation analysis on representations from both levels. In particular, a fully convolutional encoder-decoder network is designed to reconstruct the original visual features from the semantic projections to preserve all the geometric information. Moreover, the correlation filter layer working on the fine-grained representations leverages a global context constraint for accurate object appearance modeling. The correlation filter in this layer is updated online efficiently without network fine-tuning. Therefore, the proposed tracker benefits from two complementary effects: the adaptability of the fine-grained correlation analysis and the generalization capability of the semantic embedding. Extensive experimental evaluations on four popular benchmarks demonstrate its state-of-the-art performance.
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Yan, Yingwei. "Two-dimensional love-wave full waveform inversion in time domain—combine DFP algorithm and steepest descent algorithm." In International Conference on Engineering Geophysics, Al Ain, United Arab Emirates, 9-12 October 2017. Society of Exploration Geophysicists, 2017. http://dx.doi.org/10.1190/iceg2017-020.

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Reports on the topic "Loie Fuller"

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Andrabi, Tahir, Benjamin Daniels, and Jishnu Das. Human Capital Accumulation and Disasters: Evidence from the Pakistan Earthquake of 2005. Research on Improving Systems of Education (RISE), May 2020. http://dx.doi.org/10.35489/bsg-risewp_2020/039.

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We trace the effects of a devastating earthquake that occurred in Northern Pakistan in 2005. Using a new dataset from a survey conducted four years after the earthquake, we first show that the distance of the household from the fault line was not correlated with pre-existing household characteristics, while it was strongly predictive of earthquake-related damage and mortality. Through emergency relief aid, households living close to the fault line reported receiving substantial cash compensation that amounted to as much as 150% of their annual household consumption expenditure. Four years after the earthquake, there were no differences in public infrastructure, household or adult outcomes between areas close to and far from the fault line. However, children in their critical first thousand days at the time of the earthquake accumulated large height deficits, with the youngest the most affected. Children aged 3 through 15 at the time of the earthquake did not suffer growth shortfalls, but scored significantly worse on academic tests if they lived close to the fault line. Finally, children whose mothers completed primary education were fully protected against the emergence of a test score gap. We estimate that if these deficits continue to adult life, the affected children could stand to lose 15% of their lifetime earnings. Even when disasters are heavily compensated, human capital accumulation can be critically interrupted, with greater losses for already disadvantaged populations.
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HEFNER, Robert. IHSAN ETHICS AND POLITICAL REVITALIZATION Appreciating Muqtedar Khan’s Islam and Good Governance. IIIT, October 2020. http://dx.doi.org/10.47816/01.001.20.

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Ours is an age of pervasive political turbulence, and the scale of the challenge requires new thinking on politics as well as public ethics for our world. In Western countries, the specter of Islamophobia, alt-right populism, along with racialized violence has shaken public confidence in long-secure assumptions rooted in democracy, diversity, and citizenship. The tragic denouement of so many of the Arab uprisings together with the ascendance of apocalyptic extremists like Daesh and Boko Haram have caused an even greater sense of alarm in large parts of the Muslim-majority world. It is against this backdrop that M.A. Muqtedar Khan has written a book of breathtaking range and ethical beauty. The author explores the history and sociology of the Muslim world, both classic and contemporary. He does so, however, not merely to chronicle the phases of its development, but to explore just why the message of compassion, mercy, and ethical beauty so prominent in the Quran and Sunna of the Prophet came over time to be displaced by a narrow legalism that emphasized jurisprudence, punishment, and social control. In the modern era, Western Orientalists and Islamists alike have pushed the juridification and interpretive reification of Islamic ethical traditions even further. Each group has asserted that the essence of Islam lies in jurisprudence (fiqh), and both have tended to imagine this legal heritage on the model of Western positive law, according to which law is authorized, codified, and enforced by a leviathan state. “Reification of Shariah and equating of Islam and Shariah has a rather emaciating effect on Islam,” Khan rightly argues. It leads its proponents to overlook “the depth and heights of Islamic faith, mysticism, philosophy or even emotions such as divine love (Muhabba)” (13). As the sociologist of Islamic law, Sami Zubaida, has similarly observed, in all these developments one sees evidence, not of a traditionalist reassertion of Muslim values, but a “triumph of Western models” of religion and state (Zubaida 2003:135). To counteract these impoverishing trends, Khan presents a far-reaching analysis that “seeks to move away from the now failed vision of Islamic states without demanding radical secularization” (2). He does so by positioning himself squarely within the ethical and mystical legacy of the Qur’an and traditions of the Prophet. As the book’s title makes clear, the key to this effort of religious recovery is “the cosmology of Ihsan and the worldview of Al-Tasawwuf, the science of Islamic mysticism” (1-2). For Islamist activists whose models of Islam have more to do with contemporary identity politics than a deep reading of Islamic traditions, Khan’s foregrounding of Ihsan may seem unfamiliar or baffling. But one of the many achievements of this book is the skill with which it plumbs the depth of scripture, classical commentaries, and tasawwuf practices to recover and confirm the ethic that lies at their heart. “The Quran promises that God is with those who do beautiful things,” the author reminds us (Khan 2019:1). The concept of Ihsan appears 191 times in 175 verses in the Quran (110). The concept is given its richest elaboration, Khan explains, in the famous hadith of the Angel Gabriel. This tradition recounts that when Gabriel appeared before the Prophet he asked, “What is Ihsan?” Both Gabriel’s question and the Prophet’s response make clear that Ihsan is an ideal at the center of the Qur’an and Sunna of the Prophet, and that it enjoins “perfection, goodness, to better, to do beautiful things and to do righteous deeds” (3). It is this cosmological ethic that Khan argues must be restored and implemented “to develop a political philosophy … that emphasizes love over law” (2). In its expansive exploration of Islamic ethics and civilization, Khan’s Islam and Good Governance will remind some readers of the late Shahab Ahmed’s remarkable book, What is Islam? The Importance of Being Islamic (Ahmed 2016). Both are works of impressive range and spiritual depth. But whereas Ahmed stood in the humanities wing of Islamic studies, Khan is an intellectual polymath who moves easily across the Islamic sciences, social theory, and comparative politics. He brings the full weight of his effort to conclusion with policy recommendations for how “to combine Sufism with political theory” (6), and to do so in a way that recommends specific “Islamic principles that encourage good governance, and politics in pursuit of goodness” (8).
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