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1

Ratcliffe, Laura. "Fixing Lolita reevaluating the problem of desire in representation /." Diss., Connect to the thesis, 2006. http://hdl.handle.net/10066/640.

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2

Li, Mun-wai Julie. "Narration in Heart of Darkness, The Waste Land and Lolita." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21161707.

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3

Silva, Jardas de Sousa. "A transmutação da personagem Lolita de Nabokov da literatura para as telas." www.teses.ufc.br, 2015. http://www.repositorio.ufc.br/handle/riufc/12649.

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SILVA, Jardas de Sousa. A transmutação da personagem Lolita de Nabokov da literatura para as telas. 2015. 93f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Letras, Fortaleza (CE), 2015.<br>Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2015-06-08T11:06:55Z No. of bitstreams: 1 2015_dis_jssilva.pdf: 1951774 bytes, checksum: b9e030e75645a5793d4448ec4ab3ae15 (MD5)<br>Approved for entry into archive by Márcia Araújo(marcia_m_bezerra@yahoo.com.br) on 2015-06-08T12:55:38Z (GMT) No. of bitstreams: 1 2015_dis_jssilva.pdf: 1951774 bytes, check
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George, Joseph A. George Joseph A. "How work enfaiths catechizing in the religious poetry of Denise Levertov ; and, "Writing under observation" : applying a cognitive theory of unreliability to Nabokov's Lolita /." Greensboro, N.C. : University of North Carolina at Greensboro, 2007. http://libres.uncg.edu/edocs/etd/1340/umi-uncg-1340.pdf.

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Thesis (M.A.)--University of North Carolina at Greensboro, 2007.<br>Title from PDF t.p. (viewed Oct. 22, 2007). Directed by Christopher Hodgkins and Scott Romine; submitted to the Dept. of English. Includes bibliographical references (p. 27-30, p. 59-64).
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5

Lam, Melissa Karmen. "'The Pure Products of America Go Crazy' Defamiliarizing American Language and Culture in Lolita and The Crying of Lot 49." Thesis, University of Canterbury. English, 2006. http://hdl.handle.net/10092/942.

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My thesis centers on Lolita and The Crying of Lot 49 and the ways in which both novels defamiliarize our world and ways of thinking. Both novels use formal literary techniques as a way of making ordinary cultural artifacts, situations, and environments seem unfamiliar from our every day perceptions. This process of defamiliarizing the regular and everyday has the greater implications of estranging universal themes such as love, environment, and belonging. Both novels also question our precarious hold on corporeal reality by interpreting plot through two outside narrators whose trustworthiness
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6

Green, Jennifer Elizabeth. "Aesthetic Excuses and Moral Crimes: The Convergence of Morality and Aesthetics in Nabokov's Lolita." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-04272006-134431/.

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Thesis (M.A.)--Georgia State University, 2006.<br>Title from title screen. Paul Schmidt, committee chair ; Marti Singer, Chris Kocela, committee members. Electronic text (60 p.) : digital, PDF file. Description based on contents viewed Apr. 17, 2007. Includes bibliographical references (p. 55-64).
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7

Savage, Shari L. "Lolita Myths and the Normalization of Eroticized Girls in Popular Visual Culture: The Object and the Researcher Talk Back." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1242768387.

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8

Visser, Sandra. "Romantic children, brazen girls? An exploration of the girl-child’s representation in and around Nabokov’s Lolita and three derivative novels." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/5380.

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Thesis (MA (English))--University of Stellenbosch, 2010.<br>Thesis presented in partial fulfilment of the requirements for the degree Master of Arts at the University of Stellenbosch<br>ENGLISH ABSTRACT: Since 1995, three female authors have published novels narrating the events of Vladimir Nabokov’s novel Lolita from Lolita’s point of view. What is it about the character Lolita that prompts writers to rework Nabokov’s text? In an attempt to answer this question this thesis explores reader-responses to Lolita. The grand narrative of girlhood is illuminated, and it emerges that, influenced
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9

Katz, Yael. "Configuring crisis : writing, madness, and the middle voice." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ56569.pdf.

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10

Orozco, Wilson. "Transtextualidad y reescritura en Lolita de Vladimir Nabokov." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/398138.

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Lolita de Vladimir Nabokov es una de las novelas más paradigmáticas del siglo XX. En ella se dan cita el pasado y el presente literarios, en la reescritura de diversos hipotextos procedentes de la amplia riqueza de la literatura occidental, y en la cual se recrea paródicamente el arquetipo femenino, gracias al pastiche que hace Humbert Humbert del género confesional. Lolita igualmente, y como buen ejemplo de novela posmoderna, incluye alusiones a la cultura popular manifestada por toda suerte de recursos al cine, a las historietas o reproducciones kitsch de reconocidos cuadros, dando c
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11

Fischer, Charles Hammond. "Producing the politics of the parodic : the (porno) graphing of the bourgeois body /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/9502.

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12

Guy, Laurence. "Vladimir Nabokov et son ombre russe /." Aix-en-Provence : Publications de l'Université de Provence, 2007. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9782853996860.

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13

Shvabrin, Stanislav. "Vladimir Nabokov as translator the multilingual works of the Russian period /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1481673411&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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14

Tolstoy, Anastasia. "Vladimir Nabokov and the aesthetics of disgust." Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669858.

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15

Justo, Cristina Maria Costa da Fonseca. "Tradição, subversão e demanda : o jogo do duplo em Lolita de Vladimir Nabokov." Master's thesis, Porto : [Edição do Autor], 1997. http://hdl.handle.net/10216/18042.

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O objectivo deste trabalho é analisar a figura do duplo que o narrador de Lolita crê estar na base da trama que relata. Este é a corporização de uma ordem dual e disjuntiva, um motivo literário que simboliza uma ameaça à ordem idealizada do narrador. As questões levantadas pelo narrador são, contudo, questões cuja relevância e originalidade literárias são desvalorizadas pelo autor implícito, que através de um esquema de desfamiliarização e paródia, mestra a valència do motivo de duplo enquanto estrutura literária susceptível de permanente actualização. O autor desenvolve uma utilização da figu
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Justo, Cristina Maria Costa da Fonseca. "Tradição, subversão e demanda : o jogo do duplo em Lolita de Vladimir Nabokov." Dissertação, Porto : [Edição do Autor], 1997. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000062658.

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O objectivo deste trabalho é analisar a figura do duplo que o narrador de Lolita crê estar na base da trama que relata. Este é a corporização de uma ordem dual e disjuntiva, um motivo literário que simboliza uma ameaça à ordem idealizada do narrador. As questões levantadas pelo narrador são, contudo, questões cuja relevância e originalidade literárias são desvalorizadas pelo autor implícito, que através de um esquema de desfamiliarização e paródia, mestra a valència do motivo de duplo enquanto estrutura literária susceptível de permanente actualização. O autor desenvolve uma utilização da figu
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17

Brevis, Chad. "Taboo topics in fiction: The case of Vladimir Nabokov’s Lolita." Thesis, University of the Western Cape, 2014. http://hdl.handle.net/11394/3865.

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Magister Educationis - MEd<br>An important aspect of my thesis is the discussion of the various narrators in the novel; Vladimir Nabokov, John Ray Jnr. and Humbert Humbert. The novel, or Humbert’s memoirs, is only published after Lolita has died in order to preserve her dignity. John Ray Jnr. is the psychologist who is charged with editing Humbert's memoirs to ensure that no lewd details are published. This brings problems of their own, as we find that John Ray Jnr. has clear moral perceptions of Humbert as a person. This effectively creates a fiction within a fiction, which is already set in
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18

Örneke, Kajsa. "Idylliska lögner och sanningar om idyllen : Ett ekokritiskt perspektiv på Vladimir Nabokovs Lolita." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-182853.

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In this essay, I analyze Vladimir Nabokov's novel Lolita from an ecocritical perspective. I try as far as possible to ignore the pedophile theme and instead focus on the thematic environment: nature, places and language. I then discuss this with Greg Garrard's Ecocriticism, Timothy Morton's ecocritical theories and Leo Marx's The machine in the garden, among others. I come to the conclusion that the pedophile theme is depicted against the American pastoral, which is also used as a rhetorical tool by the novel's main character and narrator.<br>I den här uppsatsen analyserar jag Vladimir Nabokov
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19

Glazkova, Anna. "Detail within the artistic method in the prose of Chekhov and Nabokov /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1422925.

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20

Straumann, Barbara. "Figurations of exile in Hitchcock and Nabokov /." Edinburgh : Edinburgh University Press, 2008. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9780748636464.

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21

Holmes, Constance Elizabeth. "Trials and Verdicts: Narratives of Recollection in The Good Soldier and Lolita." Scholar Commons, 2010. http://scholarcommons.usf.edu/etd/3661.

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This dissertation will apply the structure of a legal trial’s procedures to two Modernist novels: Ford Madox Ford’s The Good Soldier (1915) and Vladimir Nabokov’s Lolita (1955). These novels position themselves as renderings of legal proceedings, the written memoriam of metaphorical trials conducted by first person narrators who alternatively and simultaneously function as Plaintiff’s counsel, Defense Counsel and finally as witnesses to the events of the story. All of these personae reveal evidence and testimony presented in the forum of a trial of the central characters who recollect legal
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22

Olsen, Kathryn. "Regenerative illusion in the novels of Faulkner, Nabokov, and Proust /." view abstract or download file of text, 2007. http://proquest.umi.com/pqdweb?did=1453174361&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2007.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 222-226). Also available for download via the World Wide Web; free to University of Oregon users.
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23

McDonnell, Tavish. "Plankwalk : a novella." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98558.

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Plankwalk is a creative thesis in the form of a novella and critical afterword. The essay explains how the author makes use of a variety of sources, and how he shapes their effect according to an original conception of the form of the contemporary novella. There follows a discussion of this form and its relation to the confessional narratives of Vladimir Nabokov, and to cultural critics' views on the social role of criminals. The author demonstrates how the changing nature of criminality and confession is reflected in the works of de Sade, Poe, and Nabokov. The issues of the handling of irony,
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24

Al, Maiman Nauf. "L'écriture des sens dans "Ada ou l'ardeur" et "Lolita" de Vladimir Nabokov : un hymne à la vie, une lutte contre la mort." Paris 8, 2014. http://www.theses.fr/2014PA083926.

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La publication par Vladimir Nabokov de "Lolita" aux Etats Unis en 1955 et d' "Ada ou l'Ardeur" en 1969 causa, en particulier pour "Lolita" une immense controverse en raison du caractère 'érotique' de ce type de fiction. Très vite cependant les qualités stylistiques de l'œuvre permirent de dépasser les premières réactions éthiques pour s'attacher aux aspects particuliers de l'esthétique nabokovienne. En mettant en relief l'évocation des sens dans les deux romans, la thèse explore les stratégies narratives que l'auteur convoque afin de manifester une ode à l'élan vital. Ainsi la thèse exprime co
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25

Ying, Pui-sze Rosa. "Rationality and irrationality in modernist writing." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21161367.

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26

Batista, Fernanda Cristina Araújo. "Lolita de Ramsdale x Lolitas de Hollywood: uma análise do romance de Vladimir Nabokov e das adaptações fílmicas de Stanley Kubrick e Adrian Lyne." Universidade Presbiteriana Mackenzie, 2010. http://tede.mackenzie.br/jspui/handle/tede/2318.

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Made available in DSpace on 2016-03-15T19:46:58Z (GMT). No. of bitstreams: 1 Fernanda Cristina Araujo Batista.pdf: 3619358 bytes, checksum: 16900d05c8f15fa7ca1ce34f689f8932 (MD5) Previous issue date: 2010-08-12<br>Fundo Mackenzie de Pesquisa<br>This paper aims at analyzing the relation between Vladimir Nabokov s novel Lolita (1955) and Stanley Kubrick s and Adrian Lyne s film adaptations of the novel, the former released in 1962 and the latter in 1997. We will base our study on French semiotics, also known as greimasian semiotics, to analyze the effects of meaning created by the different ac
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27

Jangblad, Jukic Anna. "Can Humbert be Trusted with the Telling of His Tale?A Deconstructive Study of Binary Oppositions in Vladimir Nabokov’s Lolita." Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-23002.

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In Lolita, Humbert is obsessed with the 12-year-old Lolita. It is a vulgar and disturbing story which raises questions about morality and ethics. With a sophisticated and elegant narrative, Humbert manages to draw attention to language rather than to his actions. Through fancy prose style Humbert covers up and hides his horrible actions. His verbal game serves to manipulate his readers to accept Humbert´s feelings and actions and sympathize with him.  Humbert´s narration is very persuasive and the reader is easily fooled to concentrate on what he says rather than what he does. In this essay de
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McLeod, Deborah S. "Beauty, Objectification, and Transcendence: Modernist Aesthetics in The Picture of Dorian Gray and Pale Fire." [Tampa, Fla.] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0002060.

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Wood, Gareth. "Javier Marías's debt to translation : Sterne, Browne, Nabokov." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670143.

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Javier Marías has explained many times that working as a translator of literary works from English into Spanish helped shape him as a writer. This study explores those claims by analysing two things: firstly, his translations themselves; and secondly, seeing how those translations have left discernible traces in his own fiction.
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Bourgoin-Castonguay, Simon. "Des critiques de la représentation aux représentation de l'éthique : parcours herméneutique d'une compréhension de soi dans La caverne de José Saramago et l'Invitation au suplice de Vladirir Nabokov." Master's thesis, Université Laval, 2006. http://hdl.handle.net/20.500.11794/19593.

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Kuzmina, Irina. "Inscription du mythe dans le roman français, anglo-saxon et russe du XXe siècle." Versailles-St Quentin en Yvelines, 2005. http://www.theses.fr/2005VERS005S.

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La thèse Inscription du mythe dans la littérature française, anglo-saxonne et russe du XXe siècle (" L'Emploi du temps" de Michel Butor, " Brave New World " d'Aldous Huxley et " Lolita " de Vladimir Nabokov) est consacrée à la présence du mythe relevant du sacré dans la littérature occidentale du XXe siècle. Il s'agit d'une étude comparative de la figure du labyrinthe, dont une marque est l'écriture labyrinthique, qui se substitue à trois autres mythes repérés dans les œuvres du corpus : Saturne, représentant l'héritage gréco-romain, Lilith, issue de la culture judéo-biblique et l'Utopie ou la
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Khasin, Gregory. "The theatre of privacy : vision, self and narrative in Nabokov's Russian language novels /." 1999. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9934076.

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Chen, Pin-Han, and 陳品含. "Contrapuntal Otherworldliness in Vladimir Nabokov''s Lolita, Speak, Memory and Pale Fire." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/18690731805197846279.

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碩士<br>國立中興大學<br>外國語文學系所<br>102<br>Abstract A contrapuntal structure of this world and the otherworld(s) has been the main theme in Vladimir Nabokov’s works. In other words, many of Nabokov’s works are inspired from his speculation on the possibilities of the otherworld(s). The otherworld(s) or the beyond is like a counterpoint accompanying to both his scientific and literary compositions. In this thesis, I take Lolita, Speak, Memory and Pale Fire as examples to examine the inherent otherworldliness in Nabokov’s works. On this, pattern is the key which suggests not only possible anonymous crea
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Kinyon-Kuchař, Kamila. "Models of exile : Koestler, Nabokov, Kundera /." 2000. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9965104.

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Scheiner, Corinne Laura. "Bilingualism and biculturalism in self-traslation : Samuel Beckett and Vladimir Nabokov as doubled novelists /." 2000. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9990587.

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Ribeiro, Manuel Fonseca de Sam Bento. "Espelhando a mente: para uma análise do espaço psicológico em Lolita de Valdimir Nabokov e das suas manifestações visuais em Lolita: A screenplay de Vladimir Nabokov e em Lolita: The book of the film de Stephen Schiff." Master's thesis, 2009. http://hdl.handle.net/10451/1722.

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Tese de mestrado, Estudos Anglísticos, Universidade de Lisboa, Faculdade de Letras, 2010<br>Como objectos de análise propõem-se a obra de Vladimir Nabokov, Lolita (1955) e os dois argumentos cinematográficos filmados, Lolita: A Screenplay (1974), de Vladimir Nabokov, que originou o filme de Stanley Kubrick (1962), e Lolita: The Book of the Film (1997), que resultou no filme de Adrian Lyne (1997). O cinema define-se sobretudo como um meio onde impera o domínio visual, pelo que o argumento, sendo parte integrante de um filme, partilha as suas características, distinguindo-se por isso por uma for
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Sequeira, Diana Anselmo. "Impossible intimacy: discovering the cultural interplay between new and the old worlds in Vladimir Nabokov's Lolita." Master's thesis, 2007. http://hdl.handle.net/10451/344.

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Tese de mestrado em Estudos Anglísticos apresentada à Faculdade de Letras da Universidade de Lisboa, 2008<br>Não foi de toda alietória a escolha da obra Lolita de Vladimir Nabokov como ponto de partida para esta tese. Apesar de ser um livro muito tratado, continua pela sua complexidade a exercer um fascínio imanente sobre os seus leitores. No cerne deste livro encontram-se fundidos séculos de tradição literária, onde são reinventadas velhas fórmulas e conceitos estéticos, com um sentido de humor implacável e inteligente característico de Nabokov. Um dos tópicos primordiais desta obra coincide
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Tefaili, Fatima. "Vladimir Nabokov's Pale Fire : a literary arabesque." Thesis, 2018. http://hdl.handle.net/1959.7/uws:47539.

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This thesis reads Vladimir Nabokov’s (1899-1977) postmodern novel Pale Fire (1962) as a literary arabesque. The arabesque is an Islamic art form which integrates different shapes and elements to produce a symmetrical ornament containing a single continuous line. The arabesque is also an artistic representation of foliage. During the 19th century, the literary arabesque was a style adopted by the Romantic writers Johann Wolfgang von Goethe (1749-1832), Friedrich Schlegel (1772-1829) and Nikolai Gogol (1809-1852). Influenced by Gogol, Nabokov adopted the writing style of the arabesque. Hence, th
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Darnell, Michael Richard. "Networks of Displacement Genealogy, Nationality, and Ambivalence in Works by Vladimir Nabokov and Gary Shteyngart." Thesis, 2016. https://doi.org/10.7916/D8D79BQ4.

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In this dissertation I examine Vladimir Nabokov’s and Gary Shteyngart’s use of family metaphors to manage intersecting Russian and American literary and cultural continuities. Both authors fashion their relationships to literary predecessors and common cultural narratives in terms of disrupted filial relationships, describing both an attachment to the conservative narratives of the nation and a desire to move beyond their rigid structure. I articulate this ambivalence as a productive state of transnational subjecthood that allows these authors to navigate apparently oppositional national ide
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Nieubuurt, Brendan James. "Flesh Made Word: Inscription and the Embodied Self in Mandel'shtam and Nabokov." Thesis, 2018. https://doi.org/10.7916/D8R22HVQ.

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“Flesh Made Word” examines two seemingly incongruous Russian modernist writers to illuminate one remarkable species of aesthetic response to the violent pressures of Marxist ideology, especially as those pressures are manifest as sociolinguistic phenomena and practice. The unexpected pairing of Osip Mandel’shtam and Vladimir Nabokov is motivated by their shared debt to Henri Bergson’s materialist theories of embodied selfhood and subjectivity, language, and the metaphysics of art. Poetry, both writers insist, as it operates according to a non-linear logic of ever-open and expanding association
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Picon, Francisco Javier. "Bakhtin and Nabokov: The Dialogue that Never Was." Thesis, 2016. https://doi.org/10.7916/D8SN08J6.

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Although nothing in either the theorist’s or the author’s oeuvre indicates one’s direct awareness of the other, Bakhtin and Nabokov both displayed a surprisingly similar concern for the interrelationship between ethics and literary aesthetics. This shared concern was no doubt shaped by Bakhtin and Nabokov’s common Silver Age background, which was rife with political, artistic and theological discourses regarding the nature of artistic creation, the created nature of man, and man’s ability to continue the process of self-creation. Both Bakhtin and Nabokov thus elaborated on the ethical dynamic
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42

Bourgoin-Castonguay, Simon. "Des critiques de la représentation aux représentation de l'éthique : parcours herméneutique d'une compréhension de soi dans La caverne de José Saramago et l'Invitation au suplice de Vladirir Nabokov /." 2006. http://www.theses.ulaval.ca/2008/25102/25102.pdf.

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Ramos, Susana Alves. "Da beleza transgressora: perseguições da identidade em Lolita e A morte em Veneza." Master's thesis, 2009. http://catalogo.ul.pt/F/?func=item-global&doc_library=ULB01&type=03&doc_number=000575733.

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Tese de mestrado, Estudos Anglísticos (Literatura Norte-Americana), Universidade de Lisboa, Faculdade de Letras, 2010<br>Da beleza transgressora: Perseguições da identidade em Lolita e A Morte em Veneza é uma dissertação que parte da análise de um tema comum ao romance de Vladimir Nabokov e à novela de Thomas Mann a beleza transgressora -, na sua relação com o problema da identidade dos protagonistas, Humbert Humbert e Aschenbach, personagens que apresentam traços comuns e que, para além de serem intelectuais europeus, sofrem um processo de transformação irreversível por via de um amor trans
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