Academic literature on the topic 'London Adelphi Theater'

05–372Alcón Soler, Eva (Universitat Jaume I, Spain; alcon@ang.uji.es), Does instruction work for learning pragmatics in the EFL context?System (Amsterdam, the Netherlands) 33.3 (2005), 417–435.05–373Butler, Yuko Goto (U of Pennsylvania, USA), Comparative perspectives towards communicative activities among elementary school teachers in South Korea, Japan and Taiwan. Language Teaching Research (London, UK) 9.4 (2005), 423–446.05–374D'Angelo, James F. (Chukyo U, Japan; dangelo@lets.chukyo-u.ac.jp), Educated Japanese English: expanding oral/aural core vocabulary. World Englishes (Oxford, UK) 24.3 (2005), 329–349.05–375Ebunlola Adamo, Grace (Delta State U, Nigeria), Globalization, terrorism, and the English language in Nigeria. English Today (Cambridge, UK) 21.4 (2005), 21–26.05–376Facella, Melissa A., Kirsten M. Rampino & Elizabeth K. Shea (Lesley U, USA), Effective teaching strategies for English language. Bilingual Research Journal (Tempe, AZ, USA) 29.1 (2005), 209–221.05–377Gourlay, Lesley (Napier U, Edinburgh, UK), OK, who's got number one? Permeable Triadic Dialogue, covert participation and the co-construction of checking episodes. Language Teaching Research (London, UK) 9.4 (2005), 403–422.05–378Hardison, Debra & Chayawan Sonchaeng (Michigan State U, USA; hardiso@msu.edu), Theatre voice training and technology in teaching oral skills: integrating the components of a speech event. System (Amsterdam, the Netherlands) 33.4 (2005), 593–608.05–379Hassan, Abdullah (Sultan Idris, U of Education, Malaysia), Language planning in Malaysia: the first hundred years. English Today (Cambridge, UK) 21.4 (2005), 3–12.05–380Hato, Yumi (Fukui Prefectural U, Japan), Problems in top–down goal setting in second language education: a case study of the ‘Action plan to cultivate “Japanese with English abilities”’. JALT Journal (Tokyo, Japan) 27.1 (2005), 33–52.05–381Ho, Judy Woon Yee (Lingnan U, Hong Kong, China), Metaphorical construction of self in teachers' narratives. Language and Education (Clevedon, UK) 19.5 (2005), 359–379.05–382Hui, Leng (Edith Cowan U, Australia & Liaoning Normal U, China), Cultural knowledge and foreign language teaching and learning: a study of Chinese Family schemas in language, culture and intercultural communication. Hong Kong Journal of Applied Linguistics (Hong Kong, China) 9.2 (2004), 17–37.05–383Kim, Sun Hee Ok (U of Auckland, New Zealand) & Catherine Elder, Language choices and pedagogic functions in the foreign language classroom: a cross-linguistic functional analysis of teacher talk. Language Teaching Research (London, UK) 9.4 (2005), 355–380.05–384Koike, Dale April (U of Texas, USA; d.koike@mail.utexas.edu) & Lynn Pearson, The effect of instruction and feedback in the development of pragmatic competence. System (Amsterdam, the Netherlands) 33.3 (2005), 481–501.05–385Lacorte, Manel (U of Maryland, College Park, USA), Teachers' knowledge and experience in the discourse of foreign-language classrooms. Language Teaching Research (London, UK) 9.4 (2005), 381–402.05–386Macedonia, Manuela (Linz U, Austria; manuela@macedonia.at), Games and foreign language teaching. Support for Learning (Oxford, UK) 20.3 (2005), 135–140.05–387Martínez-Flor, Alicia (Universitat Jaume I, Spain; aflor@ang.uji.es) & Yoshinori Fukuya, The effects of instruction on learners' production of appropriate and accurate suggestions. System (Amsterdam, the Netherlands) 33.3 (2005), 463–480.05–388Morrison, Richard & Mathew White (Chukyo U, Japan; Morrison@lets.chukyo-u.ac.jp), Nurturing global listeners: increasing familiarity and appreciation for world Englishes. World Englishes (Oxford, UK) 24.3 (2005), 361–370.05–389Myhill, Debra (U of Essex, UK) & Pauline Warren, Scaffolds or straitjackets? Critical moments in classroom discourse. Educational Review (London, UK) 57.1 (2005), 55–69.05–390Qiang, Niu (Tongji U, China; donna_niu@yahoo.com) & Martin Wolff, Is EFL a modern Trojan Horse?English Today (Cambridge, UK) 21.4 (2005), 55–60.05–391Rose, Kenneth R. (City U of Hong Kong, Hong Kong, China; ken.rose@cityu.edu.hk), On the effects of instruction in second language pragmatics. System (Amsterdam, the Netherlands) 33.3 (2005), 385–399.05–392Sakai, Sanzo & James F. D'Angelo (U of Chukyo, Japan; ssakai@lets.chukyo-u.ac.jp), A vision for world Englishes in the expanding circle. World Englishes (Oxford, UK) 24.3 (2005), 323–327.05–393Scott, Robert A. (Adelphi U, USA), Many calls, little action: global illiteracy in the United States. Language Problems and Language Planning (Amsterdam, the Netherlands) 29.1 (2005), 67–82.05–394Takahashi, Satomi (Rikkyo U, Japan; satomit@rikkyo.ne.jp), Noticing in task performance and learning outcomes: a qualitative analysis of instructional effects in interlanguage pragmatics. System (Amsterdam, the Netherlands) 33.3 (2005), 437–461.05–395Yoshikawa, Hiroshi (Chukyo U, Japan; hyskw@lets.chukyo-u.ac.jp), Recognition of world Englishes: changes in Chukyo University students' attitudes. World Englishes (Oxford, UK) 24.3 (2005), 351–360.

This chapter is a study of West End theatre in the age of Romanticism. It explains the importance of the patent theatres (particularly those in Drury Lane and Covent Garden) and their attempts to retain a monopoly over the performance of the spoken word. This is then contrasted with the emergence of so-called ‘minor’ theatres in the West End such as the Lyceum, the Adelphi, and the Olympic. They became associated with new theatrical forms including melodrama and burletta. The chapter explores the theatre-going experience in the early nineteenth-century West End and the varied styles of acting in the age of Edmund Kean. It explains why demands emerged for reform of the patent theatre system leading to the 1843 Theatre Regulation Act. This chapter links the early nineteenth century West End to the confessional state which explains why the nature of theatre had to change in the age of reform.

Burlesque drama—arguably the most widespread form of theatrical entertainment in nineteenth-century Britain—brought the Iliad and Aeneid to a wider range of spectators than those who traditionally encountered ancient literature and mythology at school. These entertainments both exploited contemporary performance culture and enacted the tensions between their composite ancient and modern sources. This chapter focuses on four successful examples of epic repackaged for the London stage, by renowned playwrights at leading theatres, who particularly revelled in negotiating the transformation of classical epic into popular drama: Thomas Dibdin’s Melodrama Mad! or, The Siege of Troy (1819, Surrey Theatre), Charles Selby’s Judgment of Paris; or, The Pas de Pippins (1856, Adelphi), Francis Cowley Burnand’s Dido (1860, St James’s), and his Paris, or Vive Lemprière! (1866, Strand). Analysis of these burlesques reveals deliberate anachronistic juxtapositions which turned the epic performances into complex games of identifying—or overlooking—their varied references.

This chapter describes two instances of the re-mediation of grand opera by phantasmagoria, discussing side by side two deployments of the figure of the phantom ship—a seafaring image produced by phantasmagoria at the Adelphi Theatre in of Edward Fitzball’s nautical drama The Flying Dutchman (1826)—in Richard Wagner’s Der fliegende Holländer (1843) and Giacomo Meyerbeer’s L’Africaine (1865). Wagner’s music for the apparitional scenes, discussed in detail in the chapter, suggests a manner of composition adapted from the technical procedure of phantasmagoria and the nautical theatrics cultivated by Fitzball in London. L’Africaine’s nautical scene was also partially inspired by the English figure of the Flying Dutchman, exploring the same idea of magnification that was central to phantasmagorical procedure and to Wagner’s approach to the nautical.