Log in

Relevant bibliographies by topics / London (England). Lyric Theatre

Contents

Journal articles
Dissertations / Theses
Books
Book chapters

Academic literature on the topic 'London (England). Lyric Theatre'

Author: Grafiati

Published: 1 March 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'London (England). Lyric Theatre.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "London (England). Lyric Theatre"

1

Sierz, Aleks. "Death of England; Death of England: Delroy: National Theatre, London, UK." PAJ: A Journal of Performance and Art 43, no. 3 (2021): 46–51. http://dx.doi.org/10.1162/pajj_a_00580.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Quarmby, Kevin. "Lazarus Theatre's All-Female Henry V at The Union Theatre, London." Scene: Reviews of Early Modern Drama, no. 1 (October 13, 2018): 25. http://dx.doi.org/10.18357/scene01201718440.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Utica, G., L. Pinti, L. Guzzoni, S. Bonelli, and A. Brizzolari. "INTEGRATING LASER SCANNER AND BIM FOR CONSERVATION AND REUSE: “THE LYRIC THEATRE OF MILAN”." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences IV-5/W1 (December 13, 2017): 77–82. http://dx.doi.org/10.5194/isprs-annals-iv-5-w1-77-2017.

Full text

Abstract:

The paper underlines the importance to apply a methodology that integrates the Building Information Modeling (BIM), Work Breakdown Structure (WBS) and the Laser Scanner tool in conservation and reuse projects. As it is known, the laser scanner technology provides a survey of the building object which is more accurate rather than that carried out using traditional methodologies. Today most existing buildings present their attributes in a dispersed way, stored and collected in paper documents, in sheets of equipment information, in file folders of maintenance records. In some cases, it is diffic

APA, Harvard, Vancouver, ISO, and other styles

4

Hewitt, Jon. "Daring to Think Seriously: the Need for Aesthetic Judgements." New Theatre Quarterly 26, no. 1 (2010): 77–80. http://dx.doi.org/10.1017/s0266464x10000084.

Full text

Abstract:

The issue of attitudes towards the arts in England is here compared and contrasted with those evident in the rest of Europe today. This article was written in June 2009, following discussions in Wroclaw during the festival ‘The World as a Place of Truth’, part of the Year of Grotowski. Jon Hewitt is Artistic Director of Admiration Theatre Company, based in London. He has directed several productions, the most recent being Romeo and Juliet Docklands, set in the East End of London. In February 2010 his latest production, Tower Hamlet, opens at the Courtyard Theatre.

APA, Harvard, Vancouver, ISO, and other styles

5

Powell, Andrew. "Operating in the Theatre of the Mind Therapy Both Tender and Bold." British Journal of Psychiatry 159, no. 6 (1991): 13–14. http://dx.doi.org/10.1192/s0007125000031895.

Full text

Abstract:

Psychodrama-Inspiration and Technique, edited by Paul Holmes and Marcia Karp, is published by Routledge, London (£14.99 (pb), £35.00 (hb), 253 pp., 1991). Paul Holmes is a child and adolescent psychiatrist, formerly consultant at St George's Hospital, London, and now based in Mexico. He is a member of the London Centre for Psychotherapy and was the first chairman of the British Psychodrama Association. Marcia Karp trained in psychodrama in the USA under its founder, Dr J. L. Moreno. Since moving to England, where she established the Holwell Centre for Psychodrama Training, she has been instrum

APA, Harvard, Vancouver, ISO, and other styles

6

Hill, Errol. "Morton Tavares: Jamaican and International Actor." Theatre Research International 15, no. 3 (1990): 213–23. http://dx.doi.org/10.1017/s0307883300009688.

Full text

Abstract:

It is not widely known that the Caribbean island of Jamaica enjoys a tradition of live theatre that may well be second to none in the English-speaking world, save only in England itself. Conquered from Spain in 1655, the island boasted an active theatre as early as 1682, not very long after public playgoing had returned to England following the Cromwellian interregnum. Records are silent about theatre for the next several decades, but by the 1730s troupers from England had begun regular visits which culminated in the two long residencies of the famed Hallam Company that came to Virginia from L

APA, Harvard, Vancouver, ISO, and other styles

7

Trussler, Simon. "Charles Marowitz in London: Twenty-Five Years Hard: Marowitz in the Sixties." New Theatre Quarterly 30, no. 3 (2014): 203–6. http://dx.doi.org/10.1017/s0266464x14000402.

Full text

Abstract:

Charles Marowitz, who died on 2 May this year, arrived in England from his native New York in 1956, on a scholarship earned for service in Korea. He immediately found in Unity Theatre a venue for his first London production, and in the following year opened his own theatre – an attic in the headquarters of the British Drama League known as In-Stage. In 1981, after the closure of his last and longest London base, the Open Space Theatre in Tottenham Court Road, he left, disillusioned with his adopted country, to settle in California, creating companies in Los Angeles and in his new home of Malib

APA, Harvard, Vancouver, ISO, and other styles

8

Fink, Robert J. "Ronald W. Vince. Renaissance Theatre: A Historiographical Handbook. Westport, Connecticut; London, England: Greenwood Press, 1984Ronald W. Vince. Renaissance Theatre: A Historiographical Handbook. Westport, Connecticut; London, England: Greenwood Press, 1984. xi + 204 pp." Canadian Modern Language Review 42, no. 3 (1986): 731–32. http://dx.doi.org/10.3138/cmlr.42.3.731.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Hanna, Gillian. "Waiting for Spring to Come Again: Feminist Theatre, 1978 and 1989." New Theatre Quarterly 6, no. 21 (1990): 43–56. http://dx.doi.org/10.1017/s0266464x00003961.

Full text

Abstract:

Most of the heavily-quoted interviews available on feminist theatre are in serious need of updating. A current account is needed of ‘feminism and theatre’ as experienced by feminist theatre practitioners, and as perceived by feminist theatre students, critics, players and their audiences. To meet this need, NTQ plans a series of interviews with women involved in the British feminist theatre movement today, whose career paths trace developments and shifts in the feminist theory and practice of the past fifteen years. The first interview is with Gillian Hanna, who worked with the 7:84 Theatre Co

APA, Harvard, Vancouver, ISO, and other styles

10

Barrett, Daniel. "It Is Never Too Late to Mend (1865) and Prison Conditions in Nineteenth-Century England." Theatre Research International 18, no. 1 (1993): 4–15. http://dx.doi.org/10.1017/s0307883300017533.

Full text

Abstract:

The première of It Is Never Too Late to Mend at the Princess's Theatre on 4 October 1865 marked the appropriately tumultuous return of Charles Reade to the London stage after an absence of nine years. That night, one of the most memorable disturbances in the nineteenth-century theatre occurred when the drama critics in attendance, led by Frederick Guest Tomlins of the Morning Advertiser, demanded that the play be halted because of its offensive subject matter and one particularly shocking scene. The dispute became a cause celebre among critics, dramatists, and the general public and was recall

APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "London (England). Lyric Theatre"

1

Richards, Keith Owen. "The Red Bull as community theatre in Clerkenwell." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37230.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Botica, Allan Richard. "Audience, playhouse and play in Restoration theatre, 1660-1710." Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:6dc8576e-e5cf-4514-ad90-19e7b1253c8e.

Full text

Abstract:

This thesis addresses three aspects of the relationship between audience, playhouse and play in Restoration theatre from 1660 to 1710. It provides a comprehensive account of the composition of the Restoration audience, an examination of the effect this group of men and women had upon the plays they attended and an account of the ways in which the plays and playhouses of the Restoration touched the lives of London's inhabitants. In the first part of this dissertation I identify the audience. Chapter 1 deals with London's playhouses, their location, archictecture and decoration. It shows how the

APA, Harvard, Vancouver, ISO, and other styles

3

Hicks, William L. "Social Discourse in the Savoy Theatre's Productions of The Nautch Girl (1891) and Utopia Limited (1893): Exoticism and Victorian Self-Reflection." Thesis, connect to online resource, 2003. http://www.library.unt.edu/theses/open/20032/hicks%5Fwilliam/index.htm.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Ritter, Christina. "On hallowed ground the significance of geographic location and architectural space in the indenties [sic] of the Royal Shakespeare Company and Shakespeare's Globe /." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1188510799.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Goncalves, De Aranjo Passos Stéphanie. "Une guerre des étoiles: les tournées de ballet dans la diplomatie culturelle de la Guerre froide, 1945-1968 /cStéphanie Gonçalves de Aranjo-Passos." Doctoral thesis, Universite Libre de Bruxelles, 2015. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209106.

Full text

Abstract:

Ma thèse de doctorat explore les tournées de ballet des « six grandes » compagnies mondiales pendant la Guerre froide (1945-1968) :ballet de l’Opéra de Paris, Royal Ballet de Covent Garden, Bolchoï et Kirov, New York City Ballet et American Ballet. Elle envisage le ballet comme un outil de diplomatie culturelle transnationale, avec un focus particulier sur les acteurs, qu’ils soient institutionnels, artistiques ou commerciaux. Outre un aspect quantitatif qui nous a amené à cartographier les tournées, il s’agit d’une histoire incarnée par des femmes et des hommes − les danseurs − dont le métier

APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "London (England). Lyric Theatre"

1

Jackson, Allan Stuart. The Standard Theatre of Victorian England. Fairleigh Dickinson University Press, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Jackson, Allan Stuart. The standard theatre of Victorian England. A.S. Jackson, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Greenhill, Wendy. Shakespeare's theatre. Heinemann Library, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Baer, Marc. Theatre and disorder in late Georgian London. Clarendon Press, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Trewin, Wendy. The Arts Theatre, London, 1927-1981. Society for Theatre Research, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Shakespeare's theatre. 2nd ed. Routledge, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Burling, William J. Summer theatre in London, 1661-1820, and the rise of the Haymarket Theatre. Fairleigh Dickinson University Press, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Society, Sir Arthur Sullivan, ed. Mirette and His majesty: A study of two Savoy operas. Sir Arthur Sullivan Society, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Edric, Robert. The London satyr. Black Swan, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Berry, Herbert. Shakespeare's playhouses. AMS, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "London (England). Lyric Theatre"

1

Kathman, David. "“The Madnes of Tenys” and the Commercialization of Pastimes in Early Tudor London." In Games and Theatre in Shakespeare's England. Amsterdam University Press, 2021. http://dx.doi.org/10.2307/j.ctv1z3hkc2.7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Kathman, David. "“The Madnes of Tenys” and the Commercialization of Pastimes in Early Tudor London." In Games and Theatre in Shakespeare’s England. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463723251_ch02.

Full text

Abstract:

Efforts to control professional theatre in London in the 1570s contained echoes of the authorities’ previous reactions to the commercialization of tennis and bowling. As early as the 1470s, the London authorities had cracked down on tennis playing in the city, and records of the sale of tennis balls by the Ironmongers’ Company show that this attempt was successful in the short term. Over the next 50 years, those records provide a surprisingly detailed account of the surging popularity of tennis in the city, punctuated by occasional attempts by the authorities to ban it. Records from crackdowns on tennis and bowling in 1516 and 1528 provide information about the people who were trying to make money off these sports.

APA, Harvard, Vancouver, ISO, and other styles

3

Kathman, David. "2. “The Madnes of Tenys” and the Commercialization of Pastimes in Early Tudor London." In Games and Theatre in Shakespeare's England. Amsterdam University Press, 2021. http://dx.doi.org/10.1515/9789048553525-005.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Attridge, Derek. "Lyric, Romance, and Alliterative Verse in Fourteenth-Century England." In The Experience of Poetry. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198833154.003.0010.

Full text

Abstract:

Fourteenth-century Europe saw the spread of literacy and increasing numbers of educated laity, creating a large audience for poetry on the page. Dante in the Commedia, Petrarch, Machaut, and others testify to great sophistication in written poetry—though oral performance remained important. This chapter and those that follow concentrate on poetry in English, which eventually displaced French and Latin as the language of the court. Attention is given to the question whether Middle English romance was an oral or written form, and evidence for the widespread enjoyment of lyric poetry is assessed. The chapter considers the increasing importance of the large household as a venue for both performances of poetry and for private reading, and the alliterative poems that may have been produced in this context are discussed. Also in alliterative verse, but from a London base, was Langland’s poem Piers Plowman, which circulated widely in manuscript.

APA, Harvard, Vancouver, ISO, and other styles

5

Hirschfeld, Heather. "“The games afoote”." In Games and Theatre in Shakespeare’s England. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463723251_ch04.

Full text

Abstract:

This essay examines Richard Brome’s The Court Beggar (1640), charting the associative field the play establishes between recreational games, hunting, financial projects, and the theater. Within this field, itself the product of the socio-economic and political environment of the 1630s, predation is never far from the ludic, particularly as it is crystallized in the play’s proposal for a “floating Theatre.” This semi-serious, semi-parodic scheme serves as Brome’s unique contribution to ways of thinking about London entertainment industries, including the theatre, in the years just before the English Civil War.

APA, Harvard, Vancouver, ISO, and other styles

6

"Sarajevo Story (2008)." In Lightwork: Texts on and from Collaborative Multimedia Theatre. Intellect Books, 2022. http://dx.doi.org/10.1386/9781789385014_14.

Full text

Abstract:

Devised by the company From an original idea by David Annen and Gregg Fisher Text by Grainne Byrne, Gregg Fisher, Andy Lavender, Dulcie Lewis, Jonathan Lermit, Alex Mermikides, Bella Merlin and Danny Scheinmann Includes edited transcripts from proceedings at the Court of Bosnia and Herze-govina, War Crimes section, Sarajevo Sarajevo Story was first performed at the Lyric Hammersmith Studio, London, on 26 February 2008.

APA, Harvard, Vancouver, ISO, and other styles

7

"PART II Staging Roman Comedy in Stuart London Introduction: Stages of Translation in Early Modern England." In Thomas Heywood's Theatre, 1599–1639. Routledge, 2016. http://dx.doi.org/10.4324/9781315236148-12.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

"England from Elsewhere." In Amazons, Savages, and Machiavels, 2nd ed., edited by Matthew Dimmock and Andrew Hadfield. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780198871552.003.0009.

Full text

Abstract:

Abstract The chapter explores how the English were seen by travellers to England. Travellers came as members of diplomatic missions; as refugees fleeing persecution; or as individuals driven by curiosity. Their observations are often consistent, and travellers comment on the fertility of the soil and number of sheep; the importance of drinking in English society; English hostility to foreigners; the pale skins of the English; and their barbarous language and lack of culture. Four extracts are included: from Nicander Nucius’s ‘Travels’ (1546); Étienne Perlin’s ‘Description of England’ (1553?); Thomas Platter’s Diary (1599), detailing his journey to London from France, and containing his observations of English theatre; and Emmanuel van Meteren’s ‘Description of the English’ (c.1612).

APA, Harvard, Vancouver, ISO, and other styles

9

Bergeron, David M. "Fire and phoenix." In Shakespeare's London 1613. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781526115461.003.0002.

Full text

Abstract:

This chapter begins with the burning of the Globe Theatre on 29 June 1613 and comments on the play being performed there, Henry VIII. This play’s ending looks forward to the reign of King James and creates the image of ‘phoenix’. The discussion circles back to James’s poem Phoenix, and its final anticipation of Ludovic Stuart, the 9-year-old son of Esmé. On his arrival in Scotland, Ludovic assumed his father’s title as Duke of Lennox. He followed James to England and served him as a major confidant, becoming a kind of ‘phoenix’. The chapter includes a brief discussion of Lennox’s participation in a variety of political and cultural events. It closes with Two Noble Kinsmen, which, with its funerals and wedding, points toward the events of 1613.

APA, Harvard, Vancouver, ISO, and other styles

10

Saxon, Theresa. "Ira Aldridge in the North of England: Provincial Theatre and the Politics of Abolition." In Britain's Black Past. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621600.003.0016.

Full text

Abstract:

African American actor Ira Aldridge, who toured widely across Britain, Scotland, Ireland, and Europe and is the first known black performer to play Othello in England, is the focus of this chapter by Theresa Saxon. She focuses on the critical reception of his work in London and in provincial theatres in the North West and how newspaper reviews of his performances reflected regional attitudes toward racial identities and debates about enslavement. Saxon describes how theatres, in addition to the Church and the press, were one of the central loci of the dramatization of arguments over the slave trade and abolition of slavery. Aldridge’s reviews in London papers, where his characters were almost always enslaved, were largely racist and even his defenders’ reviews were through the lens of race. In contrast, his reception in the regional patent theatres of Manchester, Liverpool and Lancaster, centers of abolitionist activity, were typically positive and lauded. Although there does not seem to have been direct association between Aldridge and abolitionist figures, much of the critical praise he received smacked with the rhetoric of abolitionism as it focused on his skill and intellect to illustrate the wrongs of pro-slavery arguments of racial hierarchies.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!