Relevant bibliographies by topics / London in art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'London in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "London in art"

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Taylor, Craig. "Art and Moralism." Philosophy 84, no. 3 (2009): 341–53. http://dx.doi.org/10.1017/s0031819109000357.

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AbstractMrs. Digby told me that when she lived in London with her sister, Mrs. Brooke, they were every now and then honoured by the visits of Dr. Johnson. He called on them one day soon after the publication of his immortal dictionary. The two ladies paid him due compliments on the occasion. Amongst other topics of praise they very much commended the omission of all naughty words. ‘What! my dears! then you have been looking for them?’ said the moralist. The ladies, confused at being thus caught, dropped the subject of the dictionary. (H.D. Best, Personal and Literary Memorials, London, 1829, p
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Keidan, Lois, and Daniel Brine. "Live Art in London." PAJ: A Journal of Performance and Art 81, no. 1 (2005): 74–82. http://dx.doi.org/10.1162/1520281054969648.

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Keidan, Lois, and Daniel Brine. "Live Art in London." PAJ: A Journal of Performance and Art 27, no. 3 (2005): 74–82. http://dx.doi.org/10.1162/pajj.2005.27.3.74.

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Bowman, Glenn. "Anthropology as art, art as anthropology: Tate Modern, London." Anthropology Today 20, no. 2 (2004): 25. http://dx.doi.org/10.1111/j.0268-540x.2004.00260.x.

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Binkowski, Kraig. "The ARIAH-RIHA Professional Exchange Fellowship: first-hand perceptions of photo archives in London art libraries." Art Libraries Journal 44, no. 1 (2019): 31–36. http://dx.doi.org/10.1017/alj.2018.33.

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In the spring of 2017 I was fortunate enough to receive the ARIAH-RIHA Professional Exchange Fellowship that allowed me to travel to London and conduct research there for a month. While in London I looked closely at the collections, services, and clientele of several important art libraries in London but the main focus of my investigation was the photo archive collections that make up a part of many of these art libraries. The photo archives in my own institution at the Yale Center for British Art and our efforts toward digitisation, discovery, and open access made my close examination of simi
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Phipps, Christopher. "The London Library." Art Libraries Journal 31, no. 1 (2006): 5–10. http://dx.doi.org/10.1017/s0307472200014310.

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The London Library, an independent subscription lending library and registered educational charity, has been providing a wide selection of books for loan to members in all aspects of the humanities since 1841. Books and periodicals on applied art and the history of art, in all the major European languages, form an increasingly important part of its collections. The Library is embarking on a period of extension and development, and welcomes new members.
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Matias, J. Nathan. "Web Art Science Camp London 2010." ACM SIGWEB Newsletter, Spring (April 2011): 1–6. http://dx.doi.org/10.1145/1942800.1942801.

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Brett, Guy. "The sixties art scene in London." Third Text 7, no. 23 (1993): 121–23. http://dx.doi.org/10.1080/09528829308576423.

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Cawley, Alice. "Torn Edges: Punk, Art, Design, History, organized by Russ Bestley, London College of Communication, London, 20 March 2024." Punk & Post-Punk 13, no. 2 (2024): 285–89. http://dx.doi.org/10.1386/punk_00260_5.

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Kipel, Zora. "Byelorussian art literature collections." Art Libraries Journal 17, no. 2 (1992): 16. http://dx.doi.org/10.1017/s0307472200007756.

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In spite of the absence of specialised art libraries, some significant collections of publications on Byelorussian art exist in the State Library, and in some other libraries in Minsk. Other collections of material on Byelorussian art can be found outside Byelorussia, in England (in the Francisk Skaryna Byelorussian Library in London), and in several libraries in the USA.
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Dissertations / Theses on the topic "London in art"

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Binder, Lisa M. "Contemporary African art in the London art market : 1995-2005." Thesis, University of East Anglia, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500812.

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This thesis explores the market for contemporary African art in London from 1995 to 2005 using case examples of artists, museums, art festivals and fairs, auctions and galleries. The study is generally bracketed by two festivals, africa 95 and africa 05, touching also on events that transpired during the intervening decade. Many artists from Africa who were working, living or exhibiting in London during this time experienced degrees of marketable success as a result of their participation or relationship with actors involved in the marketplace and in private and public institutions. However, t
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Scragg, Rebbecca Elizabeth. "Consuming Contemporary Art : London c.1914-1923." Thesis, University of Nottingham, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518727.

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Eller, Erin E. "A legitimate space for the consumption of art : how Sotheby's, London sells a cultural experience through fine art auctions." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99370.

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The contemporary fine art auction house is a space where aesthetics and commerce merge into a spectacular experience. Sotheby's, London is one example of an auction house turned entertainment space, which masks its blatant capitalist tendencies through the replication of validated cultural institutions. The auction house mimics museum and theatre space in order to create a legitimate social and cultural experience for its clients. Every aspect of the auction event is choreographed to generate demand for its art and an authentic experience for its patrons. Individuals with the approved educatio
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Elinek, Alana. "Art as democratic act : the interplay of content and context in contemporary art, London 2000-2006." Thesis, Oxford Brookes University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.490492.

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This thesis proposes that art is one aspect of the public discourse which maintains or subverts the democratic society. Here the democratic society is understood as one in which freedom and equality are of paramount value, and where public actions that maintain these values of freedom and equality predominate. The importance of public action to the democratic society is described with reference to Arendt. Freedom is defined in this thesis, not through liberalism, but through existentialism (particularly Sartre and Spinoza as 'the father of existentialism') and equality is understood primarily
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Huang, Ching-Yi. "John Sparks, the art dealer and Chinese art in England, 1902-1936." Thesis, SOAS, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.602817.

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Brooke, Susannah Mary Louise. "Private art collections and London town houses, 1780-1830." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.607977.

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Kerr, John. "The securitization and policing of art theft in London." Thesis, City University London, 2013. http://openaccess.city.ac.uk/2995/.

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Chapter I introduces the thesis by giving the background to the research, analyses what is al ready known about art theft and the criminals involved, and then considers the gaps in Our knowledge. It finishes by examining the challenge of theorizing and researching art security. The methodology follows in chapter 2, before chapter 3 analyses the co• production of risk in the security sites and situates the threat. The subsequent four chapters examine the co-production of security. Chapter 4 analyses the public police and security, and chapter 5 private sector security, investigation and loss ad
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Dodson, Susan W. "An examination of the sources and practice of art as transformation : a case study of Peter London's philosophy and teaching process /." free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9924880.

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Kuylenstierna, Wrede Jasmine. "No Homo? : Heteronormativity and LGBTQ content in London Art Museums." Thesis, Uppsala universitet, Institutionen för ABM, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-296455.

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Purpose - This thesis investigates how London art museums work to deconstruct heteronormative filters. The aim is to study how museums relate to LGBTQ content, and the influence of internal power structures. I have chosen to focus on the Victoria & Albert Museum, the Wallace Collection, and the British Museum.  Method - To answer my questions, I interview eight individuals who work with LGBTQ content in museums. I am also doing some activity-based observations during several LGBT History month events. Analysis - The qualitative data collected through interviews and observations will be ana
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McLeod, Allan. "Bad gestalt : the dialectics of modernism in London, 1945-1960." Thesis, University of Sussex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285112.

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Books on the topic "London in art"

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Barisoni, Elisabetta, and Harry Woodlock. Breathless: London art now. Magonza, 2019.

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Rowan, Tiddy. London. Quadrille, 2008.

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Shanes, Eric. Impressionist London. Abbeville Press, 1994.

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Oiticica, Helio. Oiticica in London. Tate Publishing, 2007.

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Russell, Ash, and Higton Bernard, eds. London. Arcade Pub., 1991.

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Center, Walker Art, and Contemporary Arts Museum, eds. Brilliant!: New art from London. Walker Art Center, 1995.

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Farley, John. The London art of cookery .... Oxford Microform Publications, 1985.

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Waddell, Heather. London art and artists guide. 7th ed. London Art and Artists Guide, 1997.

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Shanes, Eric. Impressionist London. Abbeville Press, 1994.

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1955-, Fleming Marnie Lynn, and London Regional Art Gallery (Ont.), eds. Jeunes contemporains, London Life =: Young contemporaries, London Life. London Regional Art Gallery, 1987.

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Book chapters on the topic "London in art"

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Kanzaki Sooudi, Olga. "From Mumbai to London." In Global Art in Local Art Worlds. Routledge, 2023. http://dx.doi.org/10.4324/9781003128908-20.

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Milwright, Marcus. "London, 1892." In A Story of Islamic Art. Routledge, 2023. http://dx.doi.org/10.4324/9781003374046-43.

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Silvie, Jacobi. "Alternative art schools in London." In Art and the City. Routledge, 2017. http://dx.doi.org/10.4324/9781315303031-7.

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Kendrick, T. D. "Sculpture: London and Sussex." In Late Saxon and Viking Art. Routledge, 2023. http://dx.doi.org/10.4324/9781003415190-9.

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Mader, Rachel. "Art for Society, Whitechapel Art Gallery, London, 1978." In "When exhibitions become politics". Böhlau Verlag, 2016. http://dx.doi.org/10.7788/9783412504632-005.

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Harbord, Janet, and Tamsin Dillon. "Encountering Screen Art on the London Underground." In Public Space, Media Space. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137027764_9.

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Greenwood, Thomas. "Other Museums and Art Galleries in London." In The History of Museums Vol 6. Routledge, 2024. http://dx.doi.org/10.4324/9781003100959-16.

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Kemp, Sandra. "Royal College of Art London: Das Forschungsumfeld." In Kunst und Forschung / Art and research. Springer Vienna, 2011. http://dx.doi.org/10.1007/978-3-7091-0753-9_7.

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Wallis, Penelope. "London, Londoners and Opus Anglicanum." In X MEDIEVAL ART, ARCHITECTURE AND ARCHAEOLOGY in London. Routledge, 2022. http://dx.doi.org/10.4324/9781315091280-9.

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Kerr, John. "The Role of the Police in the Co-Production of Art Security in London." In Art Crime. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1007/978-1-137-40757-3_9.

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Conference papers on the topic "London in art"

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Gingrich, Oliver, and Shama Rahman. "Neuro Art: liminal reflection, introspection, and participatory art." In Proceedings of EVA London 2022. BCS Learning & Development, 2022. http://dx.doi.org/10.14236/ewic/eva2022.27.

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Giannini, Tula, and Jonathan P. Bowen. "Generative Art and Computational Imagination: Integrating poetry and art." In Proceedings of EVA London 2023. BCS Learning & Development, 2023. http://dx.doi.org/10.14236/ewic/eva2023.37.

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Clark, Sean. "Leicester Computer Art Pioneers." In Proceedings of EVA London 2024. BCS Learning & Development, 2024. http://dx.doi.org/10.14236/ewic/eva2024.36.

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Searle, Beatrice A. Taylor. "Cybernetics and Art Distribution." In Proceedings of EVA London 2025. BCS Learning & Development, 2025. https://doi.org/10.14236/ewic/eva2025.44.

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Vrolijk, Carmen Gil. "Voltaje – Art and Technology Salon: Art as an experience not as an object." In Proceedings of EVA London 2023. BCS Learning & Development, 2023. http://dx.doi.org/10.14236/ewic/eva2023.40.

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Ponte, Sofia. "Net Art and the Missing Percent at Traditional Museums of Art in Portugal." In Proceedings of EVA London 2024. BCS Learning & Development, 2024. http://dx.doi.org/10.14236/ewic/eva2024.40.

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Woolley, Sandra, and Tim Collins. "Art for Computer Scientists: Processing as an open-source art medium for computer science undergraduates." In Proceedings of EVA London 2021. BCS Learning & Development, 2021. http://dx.doi.org/10.14236/ewic/eva2021.29.

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Shemza, Aphra, María Almena, and Oliver Mag Gingrich. "Art in Flux at Event Two." In Proceedings of EVA London 2019. BCS Learning & Development, 2019. http://dx.doi.org/10.14236/ewic/eva2019.33.

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Pilcher, Jeremy. "Art, Law and Unstable Corporate Identities." In Proceedings of EVA London 2019. BCS Learning & Development, 2019. http://dx.doi.org/10.14236/ewic/eva2019.56.

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Buzzo, Daniel. "Art as Data Set, Data Set as Art: Training machine vision systems to see as artists." In Proceedings of EVA London 2021. BCS Learning & Development, 2021. http://dx.doi.org/10.14236/ewic/eva2021.37.

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Reports on the topic "London in art"

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Galenson, David. Do the Young British Artists Rule (or: Has London Stolen the Idea of Postmodern Art from New York?): Evidence from the Auction Market. National Bureau of Economic Research, 2005. http://dx.doi.org/10.3386/w11715.

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Mahat, Marian, Guy Morrow, Brian Long, Siew Fang Law, Amy Gullickson, and Chengxin Guo. Developing an impact framework for Science Gallery Network: Final report. University of Melbourne, 2022. http://dx.doi.org/10.46580/124372.

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The aim of this project was to develop an impact framework for the Science Gallery Network (SGN). This work was commissioned by the Science Gallery International (SGI). The SGN has eight member organisations across four continents: Dublin, London, Melbourne, Bengaluru, Detroit, Rotterdam, Atlanta and Berlin. Whilst the network consistently sees unprecedented levels of accomplishment by its members, a testimony to their capacity, innovation and vision, the SGN does not have a systematic way to measure and monitor this impact. An impact framework that can assist with understanding and reporting
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Rito, Carolina, and Paul Goodwin. The Changing Same? British Black Artists and Visual Arts Organisations in the Midlands. Coventry University, 2023. http://dx.doi.org/10.18552/camc/2023/0001.

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The Role of Visual Arts Organisations in the British Black Arts Movement in the Midlands’ is a research network funded by the Arts and Humanities Research Council (AHRC). Co-led by Carolina Rito (Coventry University) and Paul Goodwin (University of the Arts London), this project explored the institutional and curatorial strategies of the movement in the 1980s, and the institutional support in promoting and showing Black curators and artists then and today. The publication includes new insights about the process, and interviews with key researchers and practitioners in the field. It presents a
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Schmidt-Sane, Megan, Tabitha Hrynick, Southall Community Alliance SCA, Charlie Forgacz-Cooper, and Steve Curtis. Youth COVID-19 Vaccine Engagement in Ealing, London, United Kingdom. Institute of Development Studies, 2022. http://dx.doi.org/10.19088/ids.2022.039.

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Despite progress in COVID-19 vaccination rates overall in Ealing, vaccine inequity persists as young people from minority communities are often less likely to be vaccinated. COVID-19 ‘vaccine hesitancy’ is not just an issue of misinformation or lack of information. ‘Vaccine hesitancy’ among young people is reflective of wider issues such as mistrust in the state or the medical establishment and negative experiences during the pandemic. This report is based on case study research conducted among minority youth (from ages 12-19) in the London borough of Ealing. While public discourse may label y
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Staples, Henry, Ozge Ozduzen, Vania Rolon, and Nelli Ferenczi. Spatial Aspects of De-Radicalisation Processes in London. Glasgow Caledonian University, 2025. https://doi.org/10.59019/akdbcf61.

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This report investigates how Windrush Square, a public space in London (UK) is experienced by people from diverse demographic backgrounds, and how these everyday interactions and tensions shape experiences of social cohesion and alienation. This space was selected as a case study as it captures the underlying tensions of the UK’s colonial past and its continuing impact in the present day. We first conducted three expert interviews to shed light on the role of the Greater London Authority in public space governance, landscape design and wellbeing of migrant populations, and community-led neighb
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Russell, Mark, James Galloway, Sumera Qureshi, et al. Incidence and management of inflammatory arthritis in England before and during the COVID-19 pandemic. OpenSAFELY, 2023. http://dx.doi.org/10.53764/rpt.ca5bce7991.

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The National Early Inflammatory Arthritis Audit (NEIAA) is the largest audit of its kind globally, reporting on care delivered across rheumatology services in the NHS in England. Clinical researchers from King’s College London are collaborating with OpenSAFELY to recreate key aspects of NEIAA, and benchmark the quality of care for people with inflammatory arthritis in England. This report will be updated on a regular basis.
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Schmidt-Sane, Megan, Tabitha Hrynick, Jillian Schulte, Charlie Forgacz-Cooper, and Santiago Ripoll. COVID-19 Vaccines and (Mis)Trust among Minoritised Youth in Ealing, London, United Kingdom. SSHAP, 2022. http://dx.doi.org/10.19088/sshap.2022.010.

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This brief explains youth perceptions of COVID-19 vaccination and outlines key considerations for engaging with and building trust among young people living in Ealing, London. Within the category of ‘young people,’ there are differences in vaccination based on age and ethnicity. This brief is based on research, including a review of the literature and in-depth interviews and focus groups with 62 youth across Ealing to contextualise youth perspectives of COVID-19 vaccination and highlight themes of trust/distrust. We contribute ethnographic and participatory evidence to quantitative evaluations
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Iselin, Columbus O'Donnell. Oceanographic observations from the Semmes : Jan. 14-Feb. 14, 1941. Woods Hole Oceanographic Institution, 2022. http://dx.doi.org/10.1575/1912/29558.

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Oceanographic Observations from the SEMMES Jan. 14-Feb. 14, 1941 On a recent cruise through the West Indies a program of oceanographic observations was carried out on board the experimental sound ship, the U.S.S. SEMMES, in conjunction with the submarine, TRITON. This work which began on January 14 at New London, Conn. and ended on February 14 at Key West, Fla. included a week of operations with the East Coast Sound School out of Key West. The bathythermograph, an instrument for measuring the sea water temperature continuously from the surface down to 75 fathoms, was used for oceanographic obs
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Hrynick, Tabitha, and Santiago Ripoll. Evidence Review: Achieving COVID-19 Vaccine Equity in Ealing and North West London. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/sshap.2021.040.

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This review sets out key considerations for improving vaccine equity – as well as broader health equity – in the North West London (NWL) borough of Ealing. It foregrounds the political, economic and social dynamics which have perpetuated health inequalities during and prior to COVID-19, and how they have manifested to shape COVID-19 vaccine accessibility and uptake among different social groups. It also highlights how local actors have sought to address these inequalities. By bringing together data and insights from existing social science research and consultations with people involved in loc
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Hrynick, Tabitha, and Santiago Ripoll. Key Considerations: Achieving COVID-19 Vaccine and Health Equity in Ealing and North West London. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/sshap.2021.041.

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This brief illustrates how COVID-19 vaccine (in)equity has played out on the ground and offers key considerations for how it can be improved in the North West London (NWL) borough of Ealing. We conducted a review of literature and several informal consultations with local actors involved in COVID-19 vaccination efforts in statutory bodies (local authorities and the NHS) and the community in order to build a picture of and contextualise COVID-19 vaccine uptake in Ealing. Key considerations and lessons for achieving greater vaccine and health equity are presented, followed by additional context
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