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Relevant bibliographies by topics / London Italian music manuscripts in the British Library

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Academic literature on the topic 'London Italian music manuscripts in the British Library'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "London Italian music manuscripts in the British Library"

1

Bryan, John. "Extended Play: Reflections of Heinrich Isaac's Music in Early Tudor England." Journal of Musicology 28, no. 1 (2011): 118–41. http://dx.doi.org/10.1525/jm.2011.28.1.118.

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The so-called Henry VIII's Book (London, British Library Add. MS 31922) contains two textless pieces by Isaac—his three-part Benedictus and the four-part La my—together with a number of other Franco-Flemish “songs without words” typical of the contents of manuscripts copied for the North Italian courts where the earliest viol consorts were being developed in the 1490s and early 1500s. Alongside these pieces are works by native English composers, including William Cornyshe, whose extended three-part Fa la sol has a number of stylistic traits in common with some works by Isaac (for example, his

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2

Raynaud, Dominique. "ON THE LATIN SOURCE OF THE ITALIAN VERSION OF ALHACEN'S DE ASPECTIBUS (VAT. LAT. 4595)." Arabic Sciences and Philosophy 30, no. 1 (2020): 139–53. http://dx.doi.org/10.1017/s0957423919000122.

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AbstractA comparison of the manuscripts has shown that De li aspecti, the Italian version of Alhacen's De aspectibus, Vat. lat. 4595 (I), was copied from London, British Library, Royal 12.G.vii (L). The discovery of long omissions in L, not reproduced in I, disproves this conclusion. The error has two reasons: a sampling too small, the confusion between phenetic and cladistic approaches.

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3

Bailey, Candace. "Keyboard Music in the Hands of Edward Lowe and Richard Goodson I: Oxford, Christ Church Mus. 1176 and Mus. 1177." Royal Musical Association Research Chronicle 32 (1999): 119–35. http://dx.doi.org/10.1080/14723808.1999.10540986.

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The circumstances surrounding the compilation of many seventeenth-century English keyboard manuscripts remain unknown. The most concrete information exists for the early-seventeenth-century repertory, and scholars have also identified several copyists from sources dating from the end of the century. Without considering the question of repertory, the focus on the earlier manuscripts can be explained in part for the following reasons. A few volumes are associated in some way or another with famous composers (for example, Thomas Tomkins and his autograph Conservatoire National de Musique (in Bibl

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4

Schmidtke, Sabine. "The Zaydi Manuscript Tradition: Virtual Repatriation of Cultural Heritage." International Journal of Middle East Studies 50, no. 1 (2018): 124–28. http://dx.doi.org/10.1017/s0020743817001003.

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The manuscript tradition of the Zaydi branch of Shiʿism, which since the 9th century has been preserved primarily in Yemen, is nowadays dispersed over countless libraries in Yemen and the Middle East, Turkey, Europe, and the United States, of which only a fraction has been digitized and is available for open access. Its treasures came to the attention of scholars outside Yemen at a relatively late stage. Whereas the bulk of Arabic manuscripts nowadays housed in the libraries of Europe were acquired between the 17th and 19th centuries in centrally located cities and regions such as the Ottoman

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5

Kelly, Thomas Forrest. "OLD-ROMAN CHANT AND THE RESPONSORIES OF NOAH: NEW EVIDENCE FROM SUTRI." Early Music History 26 (October 2007): 91–120. http://dx.doi.org/10.1017/s0261127907000241.

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Among the manuscript fragments in the Archivio comunale of Sutri (Province of Viterbo), Italy, are four consecutive folios of an Old-Roman antiphoner of the later eleventh century. The two bifolios are now identified as fragments 141 (Frammenti teologici 40) and 141bis (Frammenti teologici 41). These fragments, which preserve music for the feasts of Sexagesima, Quinquagesima and Ash Wednesday, are remnants of what appears to be the oldest witness of Old-Roman music for the office. When added to the two surviving antiphoners (London, British Library, Add. MS 29988, of the twelfth century, and V

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6

Baker, William. "The British Library Stefan Zweig Collection:2000144Arthur Searle. The British Library Stefan Zweig Collection: Catalogue of the Music Manuscripts. London: The British Library 1999. xliv + 158 + 154 pp, ISBN: 0 7123 4600 7 £75.00." Reference Reviews 14, no. 3 (2000): 37–39. http://dx.doi.org/10.1108/rr.2000.14.3.37.144.

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7

Madill, Kevin. "A Fresh Perspective on the American Years of Niccoló; Castiglioni: On the Discovery of Two Castiglioni Music Manuscripts at the University of British Columbia." Fontes Artis Musicae 71, no. 4 (2024): 225–42. https://doi.org/10.1353/fam.2024.a947247.

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English Abstract: This article announces the discovery of two previously unknown works by the twentieth-century Italian composer Niccolò Castiglioni: Extravagant: Concerto for Piano and Orchestra and Written in Winter: Five Small Pieces for Piano and Orchestra . Both works are now held in manuscript form at the library of the University of British Columbia, Vancouver, Canada. The discovery offers an opportunity for the re-evaluation of Castiglioni's four-year sojourn in the U.S. during the late 1960s and the impact of that sojourn on the composer's creative output. Included is an examination o

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Notícias, Transfer. "Notícias." Transfer 9, no. 1-2 (2021): 191–98. http://dx.doi.org/10.1344/transfer.2014.9.191-198.

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1) Congreso/Congress: University of Rome "Roma Tre" (Department of Foreign Languages, Literatures and Cultures). International Conference: Terms and Terminology in the European Context, 23-24 October 2014 (Department of Foreign Languages, Literatures and Cultures, Via del Valco San Paolo, 19, Rome – ITALY). For queries regarding the congress please contact: ttec.roma3@gmail.com 2) Congreso/Congress: “XI Congreso Traducción, Texto e Interferencias” (UNIA, Baeza) Call for papers until 30 June 2014: http://www.uco.es/congresotraduccion/index.php?sec=home 3) Taller/Workshop: 4th International Work

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9

Toftgaard, Anders. "“Måske vil vi engang glædes ved at mindes dette”. Om Giacomo Castelvetros håndskrifter i Det Kongelige Bibliotek." Fund og Forskning i Det Kongelige Biblioteks Samlinger 50 (April 29, 2015). http://dx.doi.org/10.7146/fof.v50i0.41247.

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Anders Toftgaard: “Perhaps even this distress it will some day be a joy to recall”. On Giacomo Castelvetro’s manuscripts in The Royal Library, Copenhagen. In exile from his beloved Modena, Giacomo Castelvetro (1546–1616) travelled in a Europe marked by Reformation, counter-Reformation and wars of religion. He transmitted the best of Italian Renaissance culture to the court of James VI and Queen Anna of Denmark in Edinburgh, to the court of Christian IV in Copenhagen and to Shakespeare’s London, while he incessantly collected manuscripts on Italian literature and European contemporary history.

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Adams, Jillian Elaine. "Australian Women Writers Abroad." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1151.

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At a time when a trip abroad was out of the reach of most women, even if they could not make the journey, Australian women could imagine “abroad” just by reading popular women’s magazines such as Woman (later Woman’s Day and Home then Woman’s Day) and The Australian Women’s Weekly, and journals, such as The Progressive Woman and The Housewife. Increasingly in the post-war period, these magazines and journals contained advertisements for holidaying abroad, recipes for international foods and articles on overseas fashions. It was not unusual for local manufacturers, to use the lure of travel and

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Books on the topic "London Italian music manuscripts in the British Library"

1

Library, British, and Research Publications Ltd, eds. Italian music manuscripts in the British Library: A listing and guide of the Research Publications Collection. Research Publications, 1994.

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Bray, Roger. Italian music manuscripts in the British Library: A listing and guide to ... the Harvester Microfilm Collection. Harvester Microform, 1987.

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Bray, Roger. Italian music manuscripts in the British Library: A listing and guide to Section A : c.1640-1720 ... Harvester Microform, 1987.

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Bray, Roger. Italian music manuscripts in the British Library: A listing and guide to Section B : c.1720-c.1740 ... Harvester Microform, 1987.

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5

PRIMMUS: The item-level index to the music manuscript collections of Primary Source Microfilm. Gale Group, 1999.

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Un canzoniere d'amore del XV secolo: (London, British Library, ms King's 322) : un codice acquaviviano? Mario Congedo editore, 2017.

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7

Bray, Roger. Italian Music Manuscripts in the British Library: A Listing and Guide to Section C, C.1740-1770. Research Publications, 1992.

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Bray, Roger. Italian Music Manuscripts in the British Library: A Listing and Guide to Section A: C1640-c.1720 Parts One, Twoand Three of the Harvester Microfilm Collection. Research Publications, 1988.

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Bray, Roger. Italian Music Manuscripts in the British Library: A Listing and Guide to Section B: C.1720-c.1740 Parts One, Two,three and Four of the Harvester Microfilm Collection. Research Publications, 1988.

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10

A Christmas Carol (Webster's Italian Thesaurus Edition). ICON Reference, 2006.

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Book chapters on the topic "London Italian music manuscripts in the British Library"

1

John1, Jeremy Leighton. "Because Topics Often Fade Letters, essays, notes, digital manuscripts and other unpublished works." In Narrow Roads Of Gene Land. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780198566908.003.0019.

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Abstract I still have the note of a telephone message written by a flatmate in my absence. The words that stood out from the paper were: ‘.Prof. Hamilton is seriously ill ‘ With that brief pausing of the heart familiar to all who have lived long enough to know sorrow, concern turned to growing sadness and ultimately grief: a visit to Middlesex Hospital in London, telephoned, written and printed news of his death, a funeral in the Oxfordshire village of Wytham where as a student I had lived for four years with Bill Hamilton and family, a beautiful memorial service in New College Chapel with the

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