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Relevant bibliographies by topics / London magazine (London, 1820-29)

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Journal articles

Academic literature on the topic 'London magazine (London, 1820-29)'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 January 2023

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Journal articles on the topic "London magazine (London, 1820-29)"

1

Шарма Сушіл Кумар. "Indo-Anglian: Connotations and Denotations." East European Journal of Psycholinguistics 5, no. 1 (2018): 45–69. http://dx.doi.org/10.29038/eejpl.2018.5.1.sha.

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A different name than English literature, ‘Anglo-Indian Literature’, was given to the body of literature in English that emerged on account of the British interaction with India unlike the case with their interaction with America or Australia or New Zealand. Even the Indians’ contributions (translations as well as creative pieces in English) were classed under the caption ‘Anglo-Indian’ initially but later a different name, ‘Indo-Anglian’, was conceived for the growing variety and volume of writings in English by the Indians. However, unlike the former the latter has not found a favour with th

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Price, Cheryl Blake. "VEGETABLE MONSTERS: MAN-EATING TREES IN FIN-DE-SIÈCLE FICTION." Victorian Literature and Culture 41, no. 2 (2013): 311–27. http://dx.doi.org/10.1017/s1060150312000411.

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Gothic stories and fictionalized travel accounts featuring dangerous exotic plants appeared throughout the nineteenth century and were especially prevalent at the fin de siècle. As the century progressed and the public's fascination with these narratives grew, fictional plants underwent a narrative evolution. By the end of the Victorian period, deadly plants had been transformed from passive poisoners into active carnivores. Stories about man-eating trees, among the most popular of the deadly plant tales, reflect this narrative progression. The trope of the man-eating tree developed out of lat

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3

HAMBRIDGE, KATHERINE, and JONATHAN HICKS. "THE MELODRAMATIC MOMENT, 1790–1820 KING’S COLLEGE LONDON, 27–29 MARCH 2014." Eighteenth Century Music 12, no. 1 (2015): 130–33. http://dx.doi.org/10.1017/s1478570614000566.

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This conference, a collaboration between the two projects ‘French Theatre of the Napoleonic Era’ at Warwick University and ‘Music in London, 1800–1851’ at King's College London, was intended to foster interdisciplinary dialogue about early melodrama. In particular, the aim was to investigate the relationship between melodramatic techniques (spoken word over or alternated with instrumental music), melodramatic aesthetics (such as strong contrasts between good and evil and extremes of emotion) and the generic category of melodrama (given to various concert and theatrical forms). While discussion

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4

Rossolatos, George. "Toy stories: On the disciplinary regime of vibration." Semiotica 2017, no. 218 (2017): 145–64. http://dx.doi.org/10.1515/sem-2016-0113.

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AbstractSex toys promote a new consumptive ethos whose significance may be adequately outlined by attending to the institutional implications of this product category’s consumption. By drawing on Foucault’s theory of sexuality and the technologies of the self that materialize with the aid of discursive formations about sexuality, as well as on relevant sociological and ethnographic insights, I undertake a qualitative content analysis on a corpus of 100 sex toys’ product reviews from popular magazines and web sites in order to identify how the discourse about sex toys is articulated in terms of

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Seale, Kirsten, and Emily Potter. "Wandering and Placemaking in London: Iain Sinclair’s Literary Methodology." M/C Journal 22, no. 4 (2019). http://dx.doi.org/10.5204/mcj.1554.

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Iain Sinclair is a writer who is synonymous with a city. Sinclair’s sustained literary engagement with London from the mid 1960s has produced a singular account of place in that city (Bond; Baker; Seale “Iain Sinclair”). Sinclair is a leading figure in a resurgent and rebranded psychogeographic literature of the 1990s (Coverley) where on-foot wandering through the city brings forth narrative. Sinclair’s wandering, materialised as walking, is central to the claim of intimacy with the city that underpins his authority as a London writer. Furthermore, embodied encounters with the urban landscape

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Irwin, Hannah. "Not of This Earth: Jack the Ripper and the Development of Gothic Whitechapel." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.845.

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On the night of 31 August, 1888, Mary Ann ‘Polly’ Nichols was found murdered in Buck’s Row, her throat slashed and her body mutilated. She was followed by Annie Chapman on 8 September in the year of 29 Hanbury Street, Elizabeth Stride in Dutfield’s Yard and Catherine Eddowes in Mitre Square on 30 September, and finally Mary Jane Kelly in Miller’s Court, on 9 November. These five women, all prostitutes, were victims of an unknown assailant commonly referred to by the epithet ‘Jack the Ripper’, forming an official canon which excludes at least thirteen other cases around the same time. As the Ri

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7

Stephenson, John-Paul. "Reviewing Symbolic Capital." M/C Journal 8, no. 5 (2005). http://dx.doi.org/10.5204/mcj.2423.

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   Reviews are an integral aspect of creating economic capital through avenues of establishing and increasing the other forms of capital outlined by Pierre Bourdieu across his extensive body of work. The economic importance of reviews can be identified on the majority of film trailers, posters and DVD covers, where quotations attempt to convince potential audiences of the film’s credentials. Although economic capital is the obvious aim for both the film publicists and the reviewers, this article outlines the creation of symbolic capital through the assertion of cultural and s

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8

Thompson, Jay Daniel. "Porn Sucks: The Transformation of Germaine Greer?" M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1107.

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Introduction In a 1984 New York Times interview, Germaine Greer discussed the quite different views that have surrounded her supposed attitude towards sex. As she put it, “People seem to think I'm Hugh Hefner and that the reason women started having sex is because I told them to” (qtd. in De Lacy). This view had, however, shifted by the 1980s. As she told reporter Justine De Lacy, “Now they are saying that I'm against sex.” In this article, I tease out Greer’s remarks about the supposed transformation of her political persona. I do so with reference to her work on Suck Magazine, which was bill

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9

Teggin, Edward Owen. "Space and Anxiety in the Colonial Novel: The Concepts of Sanctuary and Confinement in Burmese Days, Max Havelaar, Kim and Midnight’s Children." Scientia - The International Journal on the Liberal Arts 11, no. 1 (2022). http://dx.doi.org/10.57106/scientia.v11i1.7.

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This article examined the notion of colonial anxiety through the concept of space in the colonial setting, particularly through the usage of signifiers found in colonial literature. The four case studies used are Burmese Days by George Orwell, Max Havelaar by Multatuli, Kim by Rudyard Kipling, and Midnight’s Children by Salman Rushdie. These have been investigated in terms of the supposed sanctuary and feeling of unease that the private colonial spaces they present offer to their characters. In this way, it has been argued that private colonial spaces can be discussed in terms of both positive

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Meakins, Felicity. ""They Will Be the Death of Diana"." M/C Journal 1, no. 2 (1998). http://dx.doi.org/10.5204/mcj.1710.

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"No doubt we will see more 'pictorial tributes' to the late Diana, Princess of Wales in the weeks and months ahead from those editors who not even a month ago thought nothing of plastering Diana and Dodi's 'holiday snaps' across the front pages of their publications." (Evans 3) This type of comment rarely appeared in the media following the death of Diana, yet was vigorously whispered behind the hands of cynical magazine readers. Much was made of the media's hand in Diana's demise and death, the perfect closure to the narrative of media harrassment, however little was mentioned of the ironic t

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