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Books on the topic 'Long Kesh'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Chronicles of Long Kesh. London: Oberon Books, 2010.

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2

McCann, Jim. Growing up in Long Kesh. Belfast: Glandore Publishing, 1999.

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3

Sands, Bobby. Canti di liberta da Long Kesh. Palmermo: Stampa Luxograph, 1997.

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4

Republicans, League of Communist. From Long Kesh to a Socialist Ireland. [Shannon?]: The League of Communist Republicans, 1988.

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5

Smith, William. Inside man: Loyalists of Long Kesh - the untold story. Newtownards: Colourpoint Books, 2014.

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6

Out of time: Irish Republican prisoners, Long Kesh, 1972-2000. Belfast: Beyond The Pale, 2001.

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7

Devlin, Bobby. An interlude with seagulls: Memories of a Long Kesh internee. Belfast: [The Author], 1985.

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8

Sands, Bobby. One day in my life. Chicago: Banner Press, 1985.

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9

Sands, Bobby. Ein tag in meinem leben. Hamburg: Galgenburg, 1985.

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10

Sands, Bobby. Un Giorno della mia vita. Roma: Edizioni Associate, 1989.

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11

Sands, Bobby. Un Giorno della mia vita: L'inferno del carcere e la tragedia dell'irlanda inlotta. [Milano?]: Universale Economica Feltrinelli / Onde, 1996.

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12

Coiste na n-larchimi (2003 Lisburn). A museum at Long Kesh or the Maze?: Report of conference proceedings. Belfast: Coiste na n-larchimi, 2003.

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13

O'Hagan, Felim. Éirí na gealaí: Reflections on the culture of resistance in Long Kesh. [Belfast]: Sinn Féin, 1991.

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14

Ulick, O'Connor, ed. Skylark sing your lonely song: An anthology of the writings of Bobby Sands. Dublin: Mercier Press, 1991.

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15

Writings from Prison. Boulder, Colorado: Roberts Rineheart Publishers, 1997.

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16

Sands, Bobby. Writings from prison. Cork: Mercier Press, 1998.

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17

1944-, West Robert, ed. Bobby Sands, Irish rebel: A self-portrait in poetry and polemics, issued on the 10th anniversary of his death. San Francisco: Mellen Research University Press, 1991.

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18

Cage eleven. Dingle, Co. Kerry, Ireland: Brandon, 1990.

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19

Cage Eleven. New York: Sheridan Square Press, 1993.

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20

O'Rawe, Richard. Blanketmen: An untold story of the H-block hunger strike. Dublin: New Island, 2005.

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21

Adams, Gerry. Cage Eleven. Erinnerungen an Long Kesh. Ars Vivendi, 1995.

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22

Sands, Bobby. One Day in My Life. Mercier Press, 2001.

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23

One Day in My Life. Mercier Press, 2001.

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24

Long Kesh record site plan: Dispersed sites nos. 5 to 13. London: After the Battle Magazine, 1990.

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25

H Block: A selection of poetry from republican prisoners in Long Kesh. Sheffield): South Yorkshire Writers (51 Blayton Road, Sheffield, S4 7DH, 1991.

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26

Sands, Bobby. Skylark Sing Your Lonely Song. Irish Amer Book Co, 1989.

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27

An Archaeology Of The Troubles The Dark Heritage Of Long Keshmaze Prison. Oxford University Press, 2014.

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28

Irish Republican Socialist Committee of North America. and Irish Republican Socialist Party, eds. 500 years of resistance: A tribute to Native American People in struggle by the IRSP Prisoners' Collective, Cage 14 Long Kesh. SanFrancisco: Republican Socialist Publications, 1992.

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29

Long Kesh POWs Drama Group., ed. The Crime of Castlereagh: A drama adapted from the writings of Bobby Sands, created & performed by Long Kesh POWs' Drama Group. Belfast: [Long Kesh POWs Drama Group], 1996.

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30

Adams, Gerry. Cage Eleven: Writings from Prison. Roberts Rinehart Publishers, 1997.

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31

Cage Eleven: Writings from Prison. Roberts Rinehart Publishers, 1997.

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32

Cage Eleven. Brandon, 2001.

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33

Cage Eleven. 2nd ed. Roberts Rinehart Publishers, 1997.

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34

Long Kesh: Record site plan : site no.1 - Airfield site, sites nos.2 & 3 - H.F./D.F. stations, nos.1 & 2, site no.4 - instructional site. London: After the Battle Magazine, 1990.

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35

Kenney, Padraic. “Everyone Learned Prison”. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199375745.003.0004.

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Incarcerated for their politics, prisoners must still figure out what a political prisoner is and does. They do so through interactions with more experienced prisoners or by reading instructions prepared by their movement. They also follow models available to them in literature or in popular legend; Nelson Mandela is one such model as are the IRA men in Long Kesh. Prisoners developed a political group identity by defining themselves against the criminals with whom they often shared cells and prisons, and against the guards. Key examples include interactions on Robben Island and in the camps of the Irish Civil War.

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36

Kenney, Padraic. “This Purgatory Is Useful”. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199375745.003.0010.

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Prisoners and their supporters often refer to the experience as a “prison university.” Time in prison among people of the same movement gave prisoners the opportunity to learn and to develop politically. Prisoners who might never have met outside grew together as they studied and shared knowledge. Disparities of knowledge and political experience made communal education possible. Everything from mathematics to foreign languages to the basics of ideology brought prisoners together in a common activity. Prisoners on Robben Island used the management of sports to hone their administrative abilities. IRA men in Long Kesh developed new approaches to the fight against British rule in Northern Ireland.

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37

Parr, Connal. Stewart Parker, the UWC Strike of May 1974, and Prisons. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198791591.003.0005.

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This chapter explores the UWC strike of May 1974 through the prism of playwright Stewart Parker. A native of East Belfast, Parker experimented with the dramatic form at the same time as structuring his work around the politics, divisions, and contradictions of his own community. The strike led to the destruction of the Sunningdale power-sharing Executive, though this was as much an expression of working-class Protestant power as an assault on the concept of nationalists (and Catholics) in power. This connectedly takes in Loyalist prisoners who began swelling the jails, a familiar academic concentration but seldom addressed through a cultural prism. Martin Lynch’s Chronicles of Long Kesh (2009) tackles the experience via a contested portrayal of Loyalist prisoners. The chapter ends with a return to Stewart Parker’s capacious and self-critical take on Ulster Protestant identity.

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