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Relevant bibliographies by topics / Lord Byron

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Academic literature on the topic 'Lord Byron'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "Lord Byron"

1

Rössner, Stephan. "Lord Byron." Obesity Reviews 14, no. 3 (2013): 263–64. http://dx.doi.org/10.1111/obr.12001.

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Lipman, Samuel. "'Lord Byron' Undone." Grand Street 5, no. 3 (1986): 180. http://dx.doi.org/10.2307/25006882.

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Jones, Steven. "Lord Byron, Multimedia Artist." Byron Journal 29 (January 2001): 36–46. http://dx.doi.org/10.3828/bj.2001.5.

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Disch, Thomas M. "My Roommate Lord Byron." Hudson Review 54, no. 4 (2002): 590. http://dx.doi.org/10.2307/3853312.

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Minta, Stephen. "Lord Byron and Mavrokordatos." Romanticism 12, no. 2 (2006): 126–42. http://dx.doi.org/10.3366/rom.2006.12.2.126.

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Troubetzkoy, Wladimir. "Écrire à Lord Byron." Textuel 34/44 27, no. 1 (1994): 41–49. https://doi.org/10.3406/textu.1994.1315.

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CALZADA, SARA MEDINA. "Byron’s Spanish Afterlives: Emilio Castelar’s Vida de Lord Byron." Byron Journal: Volume 49, Issue 2 49, no. 2 (2021): 125–34. http://dx.doi.org/10.3828/bj.2021.16.

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This article examines Emilio Castelar’s Vida de Lord Byron (1873), the first Spanish biography of Byron. Borrowing most information from Moore’s and, especially, Lescure’s biographies of the poet, Castelar provides an apologetic and over-romantic portrait of Byron, in which he tries to reconstruct his private life and inner self, depicting him as a tragic hero who, despite his excesses, should be recognised as a universal genius. Castelar’s biography, which became an immediate success, illustrates the keen interest that Byron still aroused in Spain in the late nineteenth century and it deserve

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Story, Cullen. "Did Lord Byron Know Ugaritic?" Byron Journal 19 (January 1991): 146–48. http://dx.doi.org/10.3828/bj.1991.12.

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Gilroy, Amanda. "Lord Byron Borrows A Figure." Byron Journal 20 (January 1992): 89–91. http://dx.doi.org/10.3828/bj.1992.7.

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Ourania Chatsiou. "LORD BYRON: PARATEXT AND POETICS." Modern Language Review 109, no. 3 (2014): 640. http://dx.doi.org/10.5699/modelangrevi.109.3.0640.

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Dissertations / Theses on the topic "Lord Byron"

1

Waylett, Dianne Marie. "Does anyone know Lord Byron?" CSUSB ScholarWorks, 1998. https://scholarworks.lib.csusb.edu/etd-project/1507.

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Marandi, Seyed Mohammad. "Lord Byron, his critics and Orientalism." Thesis, University of Birmingham, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397121.

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Olsen, Gregory. "Byron and God: representations of religion in the writings of Lord Byron." Thesis, University of Auckland, 2010. http://hdl.handle.net/2292/6763.

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Although Lord Byron's poetry has been studied in some depth over the last two hundred years, one particular aspect of that poetry has often been slighted: his representation of religion. Religion is a major feature of Byron's poetry, both as a source of imagery and as a subject of commentary. In the early nineteenth century, readers could be expected to understand and to respond to a range of biblical references and theological concepts, and this thesis explores those representations. Ten of Byron's major poems are considered in detail here: Childe Harold's Pilgrimage, Don Juan, The Giaour, Th

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4

Webb, Stephen. "Lord Byron and Nation : Education and Reification." Thesis, Uppsala universitet, Historiska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-210032.

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Smith, Melissa Ann. "A TEI Transcription of Conversations with Lord Byron." Thesis, Virginia Tech, 2010. http://hdl.handle.net/10919/33006.

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This project accompanies a TEI transcription of Lady Blessingtonâ s Conversations with Lord Byron, currently available on the Life and Times of Lord Byron online archive. Although often cited in biographies of Lord Byron, Lady Blessingtonâ s Conversations of Lord Byron has received little critical attention. Further, the genre of Blessingtonâ s work, the conversation as a biographical form, suffers the same dearth of critical material. My aims, then, are to 1) present a brief history of the conversation as biographical form; 2) examine the publication history of the Conversations and unde

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Carano, Carol Lorraine Phegley Jennifer. "Mad lords and Irishmen : representations of Lord Byron and Oscar Wilde since 1967 /." Diss., UMK access, 2008.

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Thesis (Ph. D.)--Dept. of English and Dept. of HIstory. University of Missouri--Kansas City, 2008.<br>"A dissertation in English and history." Advisor: Jennifer Phegley. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Feb. 6, 2009. Includes bibliographical references (leaves 233-292). Online version of the print edition.

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Mole, Thomas Seymour. "Byron's romantic celebrity : industrial culture and the hermeneutic of intimacy." Thesis, University of Bristol, 2003. http://hdl.handle.net/1983/36823ff2-0435-43b5-be8e-fcc88fdc179b.

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This thesis argues that modern celebrity culture took shape in the Romantic period, and that Byron should be understood as one of its earliest examples and most astute critics. It investigates the often strained interactions of artistic endeavour and commercial enterprise, the material conditions of Byron's publications, and the place of celebrity culture in the history of the self. It understands celebrity as a cultural apparatus structured by the relations between an individual, an industry and an audience, which emerged at a distinct historical moment. In the Romantic period, it contends, i

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Howe, A. R. "System and poetry : studies in the writings of Lord Byron." Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.604665.

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The thesis aims to offer new insights into Lord Byron's writing, focusing in particular on <i>Don Juan</i>. It attempts this through an investigation into the concept of 'system', a highly resonant term in the early nineteenth century and one the poet repeatedly invoked in a pejorative sense to indicate an unresponsive mind-set antithetical to the poetic. The introductory chapter offers an historical description of 'system' and its related vocabulary, drawing out the different applications of the world (intellectual religious, political and aesthetic). In particular, Byron's antisystematic att

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Zembruski, Soeli Staub. "A tradução da ironia em Don Juan de Lord Byron." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/xmlui/handle/123456789/123074.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2013.<br>Made available in DSpace on 2014-08-06T17:45:33Z (GMT). No. of bitstreams: 1 326308.pdf: 1751176 bytes, checksum: b260d009c11087f8a428dbbe282a20ba (MD5) Previous issue date: 2013<br>Abstract : The present work investigates the possibilities and implications of the translation of irony on the published parts of Don Juan by George Gordon Byron (1818-1823) in Brazil by seven Brazilian translators of distinct historical and cultur

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Nicholl, Kaila, and Kaila Nicholl. "Some Other Being: The Autobiographical Phantom in Wordsworth and Byron." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12504.

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I explore Wordsworth and Byron's use of a mediating "other Being," or a third-person narrative voice, that functions as a "guide" through their autobiographical texts. After establishing this poetic voice, both poets employ their "other Being" to navigate spaces of ruin. Founded on fragments of memory and experience, as well as mediatory gaps, the poetry of Wordsworth and Byron illuminates the autobiographical poet's struggle with textual self-representation and the sustention of a poetic subjectivity that often substitutes for the poet's own. Through the rhetorical device of prosopopoeia, Wor

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Books on the topic "Lord Byron"

1

Byron, George Gordon Byron. Lord Byron. Garland Pub., 1985.

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2

Byron, Byron George Gordon. Lord Byron. C. Potter, 1989.

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3

W, Graham Peter. Lord Byron. Twayne Publishers, 1998.

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4

Harold, Bloom, ed. Lord Byron. Chelsea House Publishers, 2004.

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Garrett, Martin. George Gordon, Lord Byron. Oxford University Press, 2000.

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Harold, Bloom. George Gordon, Lord Byron. Chelsea House Publishers, 1986.

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7

Byron, Byron George Gordon. Lord Byron: Selected poetry. Oxford University Press, 1997.

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Byron, Byron George Gordon. Lord Byron: Selected poems. Gramercy Books, 1994.

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Byron, Byron George Gordon. George Gordon, Lord Byron. Akros, 1995.

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Harold, Bloom, and Grundmann Heike, eds. George Gordon, Lord Byron. Chelsea House, 2009.

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Book chapters on the topic "Lord Byron"

1

Wilkes, Joanne. "‘Lord Byron’." In The Selected Works of Margaret Oliphant, Part I Volume 2. Routledge, 2024. http://dx.doi.org/10.4324/9781003513162-17.

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Page, Norman. "A Clergyman Visits Lord Byron." In Byron. Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-06632-2_35.

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Cardinale, Philip J. "Lord Byron, Virgil, and Thyrza." In Byron. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230611047_10.

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Schmid, Susanne. "Byron, George Gordon Lord." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8152-1.

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Wotherspoon, Garry. "Byron, George Gordon, Lord." In Who's Who in Gay and Lesbian History, 2nd ed. Routledge, 2020. http://dx.doi.org/10.4324/9781003070900-80.

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Schmid, Susanne. "George Gordon Lord Byron." In Kindler Kompakt: Englische Literatur, 19. Jahrhundert. J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05527-9_7.

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Martin, Brian. "George Gordon (Lord) Byron." In The Nineteenth Century (1798–1900). Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20159-4_16.

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Wang, Shou-ren. "Lord Byron: Closet Drama." In The Theatre of the Mind. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20388-8_1.

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"Lord Byron." In A Literary History of England Vol. 4. Routledge, 2004. http://dx.doi.org/10.4324/9780203393055-18.

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Hazlitt, William. "Lord Byron." In The Spirit of Controversy, edited by Jon Mee and James Grande. Oxford University Press, 2021. http://dx.doi.org/10.1093/owc/9780199591954.003.0029.

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Lord Byron and Sir Walter Scott are among writers now living<sup>1</sup> the two, who would carry away a majority of suffrages as the greatest geniuses of the age. The former would, perhaps, obtain the preference with the fine gentlemen and ladies (squeamishness apart) — the latter with the critics and the vulgar. We shall treat of them in the same connection, partly on account of their distinguished pre-eminence, and partly because they afford a complete contrast to each other. In their poetry, in their prose, in their politics, and in their tempers no two men can be more unlike.

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