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Dissertations / Theses on the topic 'Lord Byron'

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Published: 4 June 2021

Last updated: 25 July 2025

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1

Waylett, Dianne Marie. "Does anyone know Lord Byron?" CSUSB ScholarWorks, 1998. https://scholarworks.lib.csusb.edu/etd-project/1507.

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2

Marandi, Seyed Mohammad. "Lord Byron, his critics and Orientalism." Thesis, University of Birmingham, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397121.

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3

Olsen, Gregory. "Byron and God: representations of religion in the writings of Lord Byron." Thesis, University of Auckland, 2010. http://hdl.handle.net/2292/6763.

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Although Lord Byron's poetry has been studied in some depth over the last two hundred years, one particular aspect of that poetry has often been slighted: his representation of religion. Religion is a major feature of Byron's poetry, both as a source of imagery and as a subject of commentary. In the early nineteenth century, readers could be expected to understand and to respond to a range of biblical references and theological concepts, and this thesis explores those representations. Ten of Byron's major poems are considered in detail here: Childe Harold's Pilgrimage, Don Juan, The Giaour, Th

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4

Webb, Stephen. "Lord Byron and Nation : Education and Reification." Thesis, Uppsala universitet, Historiska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-210032.

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5

Smith, Melissa Ann. "A TEI Transcription of Conversations with Lord Byron." Thesis, Virginia Tech, 2010. http://hdl.handle.net/10919/33006.

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This project accompanies a TEI transcription of Lady Blessingtonâ s Conversations with Lord Byron, currently available on the Life and Times of Lord Byron online archive. Although often cited in biographies of Lord Byron, Lady Blessingtonâ s Conversations of Lord Byron has received little critical attention. Further, the genre of Blessingtonâ s work, the conversation as a biographical form, suffers the same dearth of critical material. My aims, then, are to 1) present a brief history of the conversation as biographical form; 2) examine the publication history of the Conversations and unde

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6

Carano, Carol Lorraine Phegley Jennifer. "Mad lords and Irishmen : representations of Lord Byron and Oscar Wilde since 1967 /." Diss., UMK access, 2008.

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Thesis (Ph. D.)--Dept. of English and Dept. of HIstory. University of Missouri--Kansas City, 2008.<br>"A dissertation in English and history." Advisor: Jennifer Phegley. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Feb. 6, 2009. Includes bibliographical references (leaves 233-292). Online version of the print edition.

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7

Mole, Thomas Seymour. "Byron's romantic celebrity : industrial culture and the hermeneutic of intimacy." Thesis, University of Bristol, 2003. http://hdl.handle.net/1983/36823ff2-0435-43b5-be8e-fcc88fdc179b.

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This thesis argues that modern celebrity culture took shape in the Romantic period, and that Byron should be understood as one of its earliest examples and most astute critics. It investigates the often strained interactions of artistic endeavour and commercial enterprise, the material conditions of Byron's publications, and the place of celebrity culture in the history of the self. It understands celebrity as a cultural apparatus structured by the relations between an individual, an industry and an audience, which emerged at a distinct historical moment. In the Romantic period, it contends, i

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8

Howe, A. R. "System and poetry : studies in the writings of Lord Byron." Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.604665.

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The thesis aims to offer new insights into Lord Byron's writing, focusing in particular on <i>Don Juan</i>. It attempts this through an investigation into the concept of 'system', a highly resonant term in the early nineteenth century and one the poet repeatedly invoked in a pejorative sense to indicate an unresponsive mind-set antithetical to the poetic. The introductory chapter offers an historical description of 'system' and its related vocabulary, drawing out the different applications of the world (intellectual religious, political and aesthetic). In particular, Byron's antisystematic att

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9

Zembruski, Soeli Staub. "A tradução da ironia em Don Juan de Lord Byron." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/xmlui/handle/123456789/123074.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2013.<br>Made available in DSpace on 2014-08-06T17:45:33Z (GMT). No. of bitstreams: 1 326308.pdf: 1751176 bytes, checksum: b260d009c11087f8a428dbbe282a20ba (MD5) Previous issue date: 2013<br>Abstract : The present work investigates the possibilities and implications of the translation of irony on the published parts of Don Juan by George Gordon Byron (1818-1823) in Brazil by seven Brazilian translators of distinct historical and cultur

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10

Nicholl, Kaila, and Kaila Nicholl. "Some Other Being: The Autobiographical Phantom in Wordsworth and Byron." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12504.

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I explore Wordsworth and Byron's use of a mediating "other Being," or a third-person narrative voice, that functions as a "guide" through their autobiographical texts. After establishing this poetic voice, both poets employ their "other Being" to navigate spaces of ruin. Founded on fragments of memory and experience, as well as mediatory gaps, the poetry of Wordsworth and Byron illuminates the autobiographical poet's struggle with textual self-representation and the sustention of a poetic subjectivity that often substitutes for the poet's own. Through the rhetorical device of prosopopoeia, Wor

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11

Barbour, John Francis. "Byron among the classics : a study of the influence of classical poetry on the work of lord Byron." Thesis, Durham University, 1994. http://etheses.dur.ac.uk/5816/.

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This study begins by defining epic to determine if Byron's claims, regarding Don Juan,to be writing an epic, are justified, concluding that though most epics preserve the form ofearlier epics, substituting a different "message" or heroic ethos, Byron, in defiance of thistradition, attempts to preserve the essence of Homeric epic, particularly its new heroicethos, but in a new form. This is where Byron and Vergil's imitations of Homer differ,Byron rejecting both Vergil's manner of imitation and his heroic ethos. In a series ofimitations, Byron parodies Vergil, borrowing his imagery to suggest t

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12

Squires, Matthew Lorin. "The Byronic Myth in Brazil: Cultural Perspectives on Lord Byron's Image in Brazilian Romanticism." Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd758.pdf.

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13

Silva-Santisteban, Ricardo. "El Infiel de Lord Byron : una traducción desconocida de José Arnaldo Márquez." Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/113883.

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14

Woodhouse, David Robert Sterry. "Shades of Pope : Byron's development as a satirist." Thesis, University of Cambridge, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.242950.

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15

Vega, Olave Carolina. "Liquid writing: when subjectivity colours writing: a revision of Lord Byron's Childe Harold's pilgrimage and his letters." Tesis, Universidad de Chile, 2016. http://repositorio.uchile.cl/handle/2250/143284.

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16

Davis, G. Todd. ""The age of oddities" Byronism and the fictional representations of Byron /." Oxford, Ohio : Miami University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1070042896.

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17

Agustini, Lucas de Lacerda Zaparolli de. "Don Juan de Lord Byron: estudo descritivo das traduções, tradução, comentários e notas." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8160/tde-01032016-161149/.

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Este trabalho de tradução e sobre tradução de Don Juan de lorde Byron pode ser dividido em duas partes: a primeira cuida das especificidades de autor, sua vida, obra, fortuna crítica, assim como o tratamento do mito de Don Juan na obra byroniana, além de um estudo descritivo das traduções de Don Juan de lorde Byron publicadas no Brasil. A segunda, compõe-se de comentários à guisa de introdução à tradução de Don Juan, e da tradução dos Cantos I, II, III e IV para a língua portuguesa, feita em versos, na mesma estrutura estrófica do original, abalizada por uma pletora de notas a respeito do text

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18

Avkhimovich, Irina S. "Lord Byron's critique of despotism and militarism in the Russian Cantos of Don Juan." Diss., Columbia, Mo. : University of Missouri-Columbia, 2008. http://hdl.handle.net/10355/6680.

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Thesis (M.A.)--University of Missouri-Columbia, 2008.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on August 22, 2008) Includes bibliographical references.

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19

Sarha, Jennifer Johanna. "The construction of gendered and sexualised identity in the writings of Lord Byron." Thesis, University of Leeds, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.487777.

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This thesis is concerned with the construction of gendered and sexualised identity in the writings of Lord Byron. The self is narrated as a performance of certain culturally coded ideals, but these ideals are constantly complicated by desires which disrupt uniform notions of gender. My thesis argues that it is through the complex negotiations between desires and cultural codes, between performances and subjectivities, that characterisation functions in Byron's works.

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20

Estevez, Cristina. "Creating identity : the role of George Gordon, Lord Byron, in realizing the Romantic poet." FIU Digital Commons, 2009. http://digitalcommons.fiu.edu/etd/3279.

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The Romantic Age in literature was a time of change and revision, especially in the world of heroes and the fictional worlds in which they lived and played. Many socalled "heroes" came into play at this time, but this was not enough for the Romantic poets, especially George Gordon, Lord Byron. The Byronic hero became the solution to the problem created by an unsatisfactory hero. In creating the Byronic hero, Byron changed literature, allowing poets and readers alike to participate actively in the processes of writing and reading. This work will examine Byron's development of his hero in Childe

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21

Orsini, Philippe Claudon Francis. "Le poète héros et le poète déchu romantisme et réalisation de l'idéal chez Lord Byron et Alfred de Musset /." Créteil : Université de Paris-Val-de-Marne, 2008. http://doxa.scd.univ-paris12.fr:8080/theses-npd/th0406674.htm.

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22

Oviedo, José Miguel. "ESTEBAN PUJALS, Espronceda y Lord Byron, Madrid, 1951, Consejo Superior de Investigaciones Cientificas. 510 pp." Pontificia Universidad Católica del Perú, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/113886.

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23

Oliver, Susan. "Borderlines : a study of borders and borderlands in the poetry of Walter Scott and Lord Byron." Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.615639.

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24

Talgø, Veronica. ""A great deceiver and a self-deceiver" : Fortellerteknikk og intertekstualitet i J.M.Coetzees Disgrace." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for språk og litteratur, 2014. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-26664.

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Denne mastergraden er en intertekstuell og fortelleteknisk analyse av J. M. Coetzees Disgrace. Romanen forholder seg nært til et Sør-Afrika kort tid etter oppløsningen av apartheid. Den har blitt lest realistisk, og har blitt kraftig kritisert for å fremstille en pågående rasisme i Sør-Afrika. Denne avhandlingen leser romanen som en postmoderne tekst og bruker Gerrard Genette sine teorier om transtekstualitet for å vise hvor omfattende leken med litteratur er i Disgrace.

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25

Christou, Mariella. "Poesie et action : la grece insurgee (1809-1826) dans les visions de lord byron et de dionysios solomos." Paris 3, 1988. http://www.theses.fr/1988PA030016.

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Le sujet etudie la variete d'influences qu'exerca la grece pre-revolutionnaire et combattante sur l'oeuvre de deux poetes d'origine differente; byron, un anglais engage par la plume des sa jeunesse dans la vie sociale et politique des divers pays europeens a l'aube du xixe siecle, et solomos, un zantiote de langue maternelle grecque mais de culture italienne a une epoque ou les iles ioniennes conservaient encore les structures sociales et les traditions litteraires que leur avait leguees venise. Les deux hommes presentent par leur vecu et leur vocation autant de divergences que d'affinites. A

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26

Orsini, Philippe. "Le poète héros et le poète déchu : romantisme et réalisation de l'idéal chez Lord Byron et Alfred de Musset." Paris 12, 2007. http://www.theses.fr/2007PA120047.

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L'influence de Byron en France, sur Musset en particulier, doit être reconsidérée, son étude n'ayant pas été renouvelée, de manière approfondie, depuis longtemps. La fortune assez semblable des deux poètes, surtout aujourd'hui, tient à une conception commune de la poésie et de ses relations avec la vie, des rapports du réel et de l'idéal, de l'action et de la fiction. Les cas de Byron et de Musset éclairent la nature de la poésie romantique en général, si l'on considère le "byronisme" comme un des quatre courants principaux du romantisme, dont il permet de préciser la définition, ou l'ambition

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27

Pan, Caterina Giulia <1988&gt. "Predators or Preys? - Women in and around Lord Byron´s life and work with particular reference to Don Juan." Master's Degree Thesis, Università Ca' Foscari Venezia, 2012. http://hdl.handle.net/10579/1640.

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28

Seal, Sarah E. "Finding Inspiration in Darkness: The Exploration of Obscurity in Romanticism through the Works of Lord Byron and Gustavo Adolfo Bécquer." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/honors/364.

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Through the works of Lord Byron and Gustavo Adolfo Bécquer, I explored the function of the themes of darkness and obscurity in Romanticism. There was a clear connection between the inclusion of these themes and the rejection of the Enlightenment period, which is what I focused on in this thesis. I discovered that the Romantics found inspiration and beauty in the darker, stranger aspects of the natural world, while rejecting the logical and rational beliefs of the Enlightenment.

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29

Gargano, Olimpia. "L'image de l'Albanie à partir des récits de voyage des XIXe et XXe siècles, notamment à travers les œuvres de Mary Edith Durham (High Albania, 1909), Alexandre Degrand (Souvenirs de la Haute-Albanie, 1901), Ugo Ojetti (L'Albania, 1902)." Thesis, Nice, 2015. http://www.theses.fr/2015NICE2003.

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L’Albanie est demeurée longtemps l’un des pays européens les plus méconnus. Ce pays qui depuis la fin du XVe siècle était resté pendant presque cinq cents ans sous la domination ottomane était un mystérieux avant-poste de l’Islam au cœur de l’Europe. Ce fut seulement au tout début des années 1800 qu’on commença à l’inclure parmi les destinations du « Grand Tour ». Cette recherche a visé à dégager les typologies de la représentation par lesquelles les écrivains et les artistes européens donnèrent les « images » par lesquelles l’Albanie fut conçue par les étrangers. Les sources abordées vont du

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30

Vásquez, Baldeón Roxana Valeria. "Efectos del programa "Aprendo jugando" para la mejora de la comprensión lectora de textos narrativos en niños de segundo grado de primaria del colegio Lord Byron." Master's thesis, Pontificia Universidad Católica del Perú, 2014. http://tesis.pucp.edu.pe/repositorio/handle/123456789/5846.

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La investigación consistió en la aplicación y validación del programa “Aprendo jugando” para la mejora de la comprensión lectora, el cual se basa en el aprendizaje significativo y en el constructivismo. Se aplicó en el colegio particular Lord Byron en La Molina. La muestra estuvo constituida por 20 niños de 2do grado de primaria los cuales presentaban dificultades a nivel semántico en la comprensión de textos, mas no tenían dificultades perceptivas o léxicas. Para poder elegir a los niños se dialogó con la profesora del curso de Comunicación Integral y con la evaluadora de los niveles de apre

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31

Hobe, Bernd, and Gesine Schröder. "Flüchtig und finster." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-103654.

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Das Liedschaffen Felix Mendelssohn Bartholdys war zu Beginn des 21. Jahrhunderts nur zu knapp zwei Dritteln der tatsächlichen Produktion bekannt. Erst im Jahre 2007 erschienene, bis dahin ungedruckte oder an entlegener Stelle veröffentlichte Lieder werden in vorliegender Studie zusammen mit den übrigen, nicht mit einer Opuszahl versehenen Liedern und Duetten zu thematischen Untergruppen geordnet und knapp in textlich-musikalischer Hinsicht charakterisiert. Diese Lieder und Duette, die nach dem Wunsch des Komponisten in den allermeisten Fällen nicht in die Öffentlichkeit gelangen sollten, stell

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32

Fajardo, Tiffany L. "The World in Singing Made: David Markson's "Wittgenstein's Mistress"." FIU Digital Commons, 2015. http://digitalcommons.fiu.edu/etd/1861.

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In line with Wittgenstein's axiom that "what the solipsist means is quite correct; only it cannot be said, but makes itself manifest," this thesis aims to demonstrate how the gulf between analytic and continental philosophy can best be bridged through the mediation of art. The present thesis brings attention to Markson's work, lauded in the tradition of Faulkner, Joyce, and Lowry, as exemplary of the shift from modernity to postmodernity, wherein the human heart is not only in conflict with itself, but with the language out of which it is necessarily constituted. Markson limns the paradoxical

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33

Ogden, Rebecca Lee Jensen. "Merit Beyond Any Already Published: Austen and Authorship in the Romantic Age." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2417.

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In recent decades there have been many attempts to pull Austen into the fold of high Romantic literature. On one level, these thematic comparisons are useful, for Austen has long been anachronistically treated as separate from the Romantic tradition. In the past, her writings have essentially straddled Romantic classification, labeled either as hangers-on in the satiric eighteenth-century literary tradition or as early artifacts of a kind of proto-Victorianism. To a large extent, scholars have described Austen as a writer departing from, rather than embracing, the literary trends of the Romant

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34

Evans, John Scoville. "Parisina: Literary and Historical Perspectives Across Six Centuries." BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/4074.

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This thesis explores the relationship between the many literary texts referring to the deaths of Ugo d'Este and Parisina Malatesta, who were executed in Ferrara in 1425 in accordance with an order by Niccolò III d'Este after he discovered their incestuous relationship. The texts are divided in three categories: (1) the fifteenth- and sixteenth-century Italian novellas and their translations; (2) the seventeenth-century Spanish tragedy; and (3) the nineteenth- and twentieth-century Romantic works. Although these categories divide the various texts chronologically, they also represent a thematic

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35

"Drink of Me, and You Shall Have Eternal Life: An Analysis of Lord Byron's "The Giaour" and the Greek Folkloric Vampire." Master's thesis, 2010. http://hdl.handle.net/2286/R.I.8764.

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abstract: This paper contains an examination of the impact of the Vampire Hysteria in Europe during the 1700’s on Lord Byron's “The Giaour.” Byron traveled to the continent in 1809 and wrote the poems that came to be known as his Oriental Romances after overhearing what would become “The Giaour ” in “ one of the many coffee-houses that abound in the Levant.” The main character, the Giaour, has characteristics typical of the Greek vampire, called vrykolakas. The vamping of characters, the cyclic imagery, and the juxtaposition of life and death as it

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36

Nkamanyang, Pepertua Kininla Lola [Verfasser]. "Forms and functions of narration and focalization in some selected poems of Lord Byron : a narratological analysis / vorgelegt von Pepertua Kininla Lola Nkamanyang." 2008. http://d-nb.info/1002807247/34.

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Horová, Miroslava. "Historie a hra v dramatech lorda Byrona." Doctoral thesis, 2014. http://www.nusl.cz/ntk/nusl-342289.

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History is a major point of inquiry and exploration in all Byron's major, and many of his minor, works. Byron understands and conceptualizes history and its tight and troubled relationship with literature, drawing attention to the literariness of history and the historicity of literature in his wake. The aspiration to the 'truth' of history is, for Byron, a highly creative process, highlighting the cross-pollination of fact and fiction, and also exploring history's inherent theatricality. Historical writing shapes but, crucially, also distorts our understanding of history. The dramatic works o

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Horová, Miroslava. "Tragikomická poetika Lorda Byrona: zkoumání tématu stigmatizace v dílech Manfréd, Kain a Nebesa a země." Master's thesis, 2006. http://www.nusl.cz/ntk/nusl-269598.

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The general public image of Lord Byron (in)famously amounts to a set of gilded platitudes - the Romantic sex-symbol, the lover of women, men, wine and freedom, the revolutionary suffering the premature death of a true hero - all adding up to constitute the notorious notion of a celebrity, anchored in the melodrama of an exotic life with a tragic end. In short, ever since the phenomenal success of the first two cantos of Childe Harold's Pilgrimage in 1812, the poet has been distilled into a rather appetizing cocktail of hyperbole, originating in the theretofore unprecedented cult of personality

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