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Journal articles on the topic 'Lord Byron'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Rössner, Stephan. "Lord Byron." Obesity Reviews 14, no. 3 (2013): 263–64. http://dx.doi.org/10.1111/obr.12001.

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2

Lipman, Samuel. "'Lord Byron' Undone." Grand Street 5, no. 3 (1986): 180. http://dx.doi.org/10.2307/25006882.

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3

Jones, Steven. "Lord Byron, Multimedia Artist." Byron Journal 29 (January 2001): 36–46. http://dx.doi.org/10.3828/bj.2001.5.

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4

Disch, Thomas M. "My Roommate Lord Byron." Hudson Review 54, no. 4 (2002): 590. http://dx.doi.org/10.2307/3853312.

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5

Minta, Stephen. "Lord Byron and Mavrokordatos." Romanticism 12, no. 2 (2006): 126–42. http://dx.doi.org/10.3366/rom.2006.12.2.126.

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6

Troubetzkoy, Wladimir. "Écrire à Lord Byron." Textuel 34/44 27, no. 1 (1994): 41–49. https://doi.org/10.3406/textu.1994.1315.

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7

CALZADA, SARA MEDINA. "Byron’s Spanish Afterlives: Emilio Castelar’s Vida de Lord Byron." Byron Journal: Volume 49, Issue 2 49, no. 2 (2021): 125–34. http://dx.doi.org/10.3828/bj.2021.16.

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This article examines Emilio Castelar’s Vida de Lord Byron (1873), the first Spanish biography of Byron. Borrowing most information from Moore’s and, especially, Lescure’s biographies of the poet, Castelar provides an apologetic and over-romantic portrait of Byron, in which he tries to reconstruct his private life and inner self, depicting him as a tragic hero who, despite his excesses, should be recognised as a universal genius. Castelar’s biography, which became an immediate success, illustrates the keen interest that Byron still aroused in Spain in the late nineteenth century and it deserve

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8

Story, Cullen. "Did Lord Byron Know Ugaritic?" Byron Journal 19 (January 1991): 146–48. http://dx.doi.org/10.3828/bj.1991.12.

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9

Gilroy, Amanda. "Lord Byron Borrows A Figure." Byron Journal 20 (January 1992): 89–91. http://dx.doi.org/10.3828/bj.1992.7.

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10

Ourania Chatsiou. "LORD BYRON: PARATEXT AND POETICS." Modern Language Review 109, no. 3 (2014): 640. http://dx.doi.org/10.5699/modelangrevi.109.3.0640.

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11

Lunkes, Luciano. "Lord Byron assombra a cozinha." Ágora 23, no. 1 (2021): 188–202. http://dx.doi.org/10.17058/agora.v23i1.15961.

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O presente artigo investiga o arquétipo literário de Lord Byron na qualidade de ferramenta ficcional utilizada para compor o chef protagonista de Cozinha Confidencial: uma aventura nas entranhas da culinária, obra autobiográfica de Anthony Bourdain (1956-2018), bem como a ocorrência de uma guinada discursiva nas autobiografias de chefs celebridades desse novo milênio. Para a discussão, recorro a reflexões dos seguintes autores: Pierre Bourdieu (O poder simbólico), Chris Rojek (Cultura da celebridade), Myriam Bendhif-Syllas (Une histoire de l’écrivain maudit) e Franca A. Berllasi (Burroughs's R

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12

FLETCHER, CHRISTOPHER. "LORD BYRON - UNRECORDED AUTOGRAPH POEMS." Notes and Queries 43, no. 4 (1996): 425—b—428. http://dx.doi.org/10.1093/nq/43-4-425b.

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13

FLETCHER, CHRISTOPHER. "LORD BYRON - UNRECORDED AUTOGRAPH POEMS." Notes and Queries 43, no. 4 (1996): 425—b—428. http://dx.doi.org/10.1093/nq/43.4.425-b.

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14

BARTON, ANNE. "John Clare Reads Lord Byron." Romanticism 2, no. 2 (1996): 127–48. http://dx.doi.org/10.3366/rom.1996.2.2.127.

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15

Bell, Hazel K. "Mad, bad Lord Byron: poet, rake - and indexer?" Indexer: The International Journal of Indexing: Volume 39, Issue 3 39, no. 3 (2021): 283–92. http://dx.doi.org/10.3828/indexer.2021.26.

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Was the English poet Lord Byron an indexer? Hazel Bell examines the index in the 1926 edition of The poetical works of Lord Byron, which is written in a provocative style that reinforces the opinions expressed in the notes that accompany Byron’s poetry. Sadly, the indexer is not named. Whether or not it was written by the poet himself, it is a fascinating index that has sadly been omitted from a later edition.

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16

Prévost, Maxime. "Présence de Lord Byron dans Prochain épisode d’Hubert Aquin." Études 30, no. 1 (2005): 107–18. http://dx.doi.org/10.7202/009892ar.

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Résumé Le présent article s’intéresse à la présence, obsédante et obsessionnelle, de la figure mythique de Lord Byron dans Prochain épisode d’Hubert Aquin. Plus qu’une référence culturelle parmi d’autres, elle sera considérée comme le point focal de toutes les allusions littéraires et historiques du roman, qu’on pourrait définir comme la quête d’une identité nationale, romantique et révolutionnaire dont Byron est la mesure. Cette importance constante accordée à la vie et aux oeuvres de Byron et à « l’Hôtel d’Angleterre », où il aurait occupé une chambre et écrit Le prisonnier de Chillon en 181

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17

Wergeland, Henrik. "Gjendiktninger av Lord Byron (1833–1838)." Agora 28, no. 01-02 (2010): 237–43. http://dx.doi.org/10.18261/issn1500-1571-2010-01-02-19.

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18

Soderholm, James. "Annabella Milbanke's ‘Thyrza to Lord Byron’." Byron Journal 21 (January 1993): 30–42. http://dx.doi.org/10.3828/bj.1993.2.

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19

Mills, Raymond. "The Last Illness of Lord Byron." Byron Journal 28 (January 2000): 56–67. http://dx.doi.org/10.3828/bj.2000.6.

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20

Clubbe, John. "Thomas Sully's Portrait of Lord Byron." Byron Journal 33, no. 1 (2005): 1–12. http://dx.doi.org/10.3828/bj.33.1.1.

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21

Mills, A. R. "The Last Illness of Lord Byron." Journal of the Royal College of Physicians of Edinburgh 28, no. 1 (1998): 73–80. http://dx.doi.org/10.1177/147827159802800109.

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22

Duverne, Céline. "Balzac, émule versatile de Lord Byron." L'Année balzacienne 22, no. 1 (2021): 75–89. http://dx.doi.org/10.3917/balz.022.0075.

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23

HARVEY, A. D. "A LOST PARAGRAPH BY LORD BYRON." Notes and Queries 37, no. 1 (1990): 26—a—26. http://dx.doi.org/10.1093/nq/37-1-26a.

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24

Tessier, Thérèse. "Une grande image transculturelle : Lord Byron." Interfaces 8, no. 1 (1995): 137–67. http://dx.doi.org/10.3406/inter.1995.1024.

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25

Khrisat, Abdulhafeth Ali. "The Image of the Oriental Muslim in Lord Byron’s The Giaour (1813)." English Language and Literature Studies 8, no. 3 (2018): 59. http://dx.doi.org/10.5539/ells.v8n3p59.

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This paper aims to examine The Giaour (1813), a significant poetic work by Lord Byron, nineteenth century romantic British poet, in terms of its presentation of Oriental characters like Hassan and his wife, Leila. Byron uses references to the Oriental Islamic practices through his portrayal of Muslims’ celebration of Ramadan, call for prayer in the mosque, and allusions to the equality of women and men in the Qur’an. Byron, like other Orientalists, adopts an unfairly attitude towards the Orient. His portrait of the Oriental society as patriarchal, where the woman has no freedom at all, a priso

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26

Agustini, Lucas Zaparolli de. "Don Juan à venda como escravo sexual: o estoicismo de Lord Byron - Tradução de fragmentos." Terceira Margem 25, no. 45 (2021): 297–303. http://dx.doi.org/10.55702/3m.v25i45.42646.

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27

Gurley, D. Gantt. "The Concept of Byrony." Konturen 7 (August 23, 2015): 14. http://dx.doi.org/10.5399/uo/konturen.7.0.3658.

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“The Concept of Byrony” examines Kierkegaard’s lyrical relation to Lord Byron. As an alternative to models of German influence, this paper discusses Kierkegaard’s quotations of Byron’s poetry and allusions to the poet himself. The paper establishes a poetical relationship between the two writers in terms of irony and metaphor. Kierkegaard’s sense of irony is creative but not unique; its roots can be located in earlier writings of the Danish Golden Age. Of particular importance is the development of irony in the works of Johan Ludvig Heiberg and the young writers that surrounded him, including

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28

TOURE, SEKOU. "DEFINING THE CHARACTERISTICS OF THE BYRONIC HERO IN THE CONTEXT OF ROMANTICISM." Kurukan Fuga 2, no. 8 (2023): 151–61. http://dx.doi.org/10.62197/cvgt9319.

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The paper seeks to account for the characteristics of the Byronic hero in the theoretical context of romanticism. Lord Byron was an English poet of the Romantic school. With his contemporaries like Coleridge, Wordsworth, Southey, Shelley and many others, they have addressed the major problems of their epoch through their heroes. But, Lord Byron has refused to provide his heroes with classical romantic visions and concepts. He needed to work on heroes which should qualitatively be different from the traditional romantic ones. Another objective of the study is to provide some significant definit

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29

Nicholson, Andrew, and Charles E. Robinson. "Lord Byron and His Contemporaries: Essays from the Sixth International Byron Seminar." Yearbook of English Studies 16 (1986): 305. http://dx.doi.org/10.2307/3507829.

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30

Mole, Tom. "Lord Byron and the end of fame." International Journal of Cultural Studies 11, no. 3 (2008): 343–61. http://dx.doi.org/10.1177/1367877908092589.

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31

Spinoula, Barbara. "‘All Greece Clothed in Mourning, All Inconsolable’: Two Funeral Orations for the Greatest Philhellenes, Lord Byron and Captain Frank Abney Hastings." Byron Journal 52, no. 2 (2024): 197–210. https://doi.org/10.3828/bj.2024.20.

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Two distinguished young Britons, Lord Byron, a renowned poet, and Captain Frank Abney Hastings, a dedicated naval officer, significantly contributed to the Greek War of Independence. Their commitment was so profound that they were both honoured with solemn funeral ceremonies in Greece; Lord Byron in 1824 and Captain Hastings in 1829. The scholar and politician Spyridon Tricoupis delivered heartfelt eulogies at these ceremonies. This essay takes for granted the commonalities shared by Byron and Hastings: their youth, British origin, high social standing, unwavering dedication to the Greek cause

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32

Lubis, Zulfikar, Dahlia D. Moelier, and Asyrafunnisa Asyrafunnisa. "Romanticism In Lord Byron Selected Poems Entitled It Is The Hour. So We Will Go No More Roving, She Walks In Beauty, The First Kiss Of Love And Remind Me Not, Remind Me Not." Humaniora: Journal of Linguistics, Literature, and Education 4, no. 1 (2024): 22–31. http://dx.doi.org/10.56326/jlle.v4i1.4902.

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Abstract This study aims to find the characteristic of how the romanticism and portrayed as reflected in Lord Byron selected poem entitled It is the Hour, So We Will Go No More Roving, She Walks in Beauty, The First Kiss of Love and Remind me not, Remind me not. This research is expected to be a reference for future researchers. The data source used in this research is a poem. In analyzing the data, the writer used a qualitative descriptive research method. The data were obtained by using reading, note-taking, and analyzing techniques through a romanticism approach to literary works and to cla

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33

Phipps, Jake. "Antithetical Minds: Eliot’s Byron and Byron’s Burns." Byron Journal 49, no. 1 (2021): 15–28. http://dx.doi.org/10.3828/bj.2021.4.

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This article examines the influence which Robert Burns had on Lord Byron’s poetry and his creation of the Byronic Hero, while also viewing T.S. Eliot’s 1937 essay on Byron as a significant piece of Byron criticism - useful not just for its insights on Byron, but for the affinities it reveals between Byron and Burns, and in turn, what it reveals about some of Eliot’s own critical and poetic practices. Eliot ranked Byron as second only to Chaucer in terms of ‘readability’, and praised him for his gifts as a tale-teller and his art of digression. I argue that Burns’s poem ‘Tam O’Shanter’ was an i

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34

Whitney, Julian S. "Planetary Crisis: Consumption and Resource Management in Byron’s ‘Darkness’." Byron Journal 50, no. 1 (2022): 35–48. http://dx.doi.org/10.3828/bj.2022.6.

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This essay argues that Lord Byron uses multiple images of consumption in ‘Darkness’ to engage in a broader conversation about the merits of conservation and resource management. I suggest that Byron offers a critique of consumption that identifies how waste and excess are direct products of humanity’s self-indulgent gluttony. In his poem, Byron admonishes reckless overeating by insinuating that it leads, inevitably, to the planet’s destruction due to a lack of natural resources. Byron suggests that humanity’s extinction will come not from an outside or unearthly force but rather from the greed

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35

Byrd, M. Lynn. "Bad Books/Bad Blood: Feminism, Eugenics, and Culture in Harriet Beecher Stowe's Lady Byron Vindicated." Prospects 23 (October 1998): 147–69. http://dx.doi.org/10.1017/s036123330000630x.

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In September 1869, Harriet Beecher Stowe published “The True Story of Lady Byron's Life” in the Atlantic Monthly and Macmillan's Magazine. Public outcry was so great that less than a year later she published Lady Byron Vindicated: A History of the Byron Controversy, From Its Beginning in 1816 to the Present Time. This was a four-hundred-page volume that defended not only Lady Byron but also Mrs. Stowe. The book only fanned the flames of rebuke and debate. From 1869 to 1870, at least forty-one review articles of Stowe's work were published, including a response by Mark Twain. In the same time p

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36

Bradbury, Oliver. "‘Come back to Venice, My Lord’: Alexander Scott's Letters to Lord Byron." Byron Journal 29 (January 2001): 47–61. http://dx.doi.org/10.3828/bj.2001.6.

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37

Bone, J. Drummond, and Jerome J. McGann. "Lord Byron: The Complete Poetical Works. Volume IV." Modern Language Review 83, no. 4 (1988): 972. http://dx.doi.org/10.2307/3730935.

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38

Hirst, Wolf. "Lord Byron Cuts a Figure: The Keatsian View." Byron Journal 13 (January 1985): 36–51. http://dx.doi.org/10.3828/bj.1985.3.

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39

Ożarska, Magdalena. "Łucja Rautenstrauchowa: A Polish Admirer of Lord Byron." Byron Journal 44, no. 2 (2016): 151–62. http://dx.doi.org/10.3828/bj.2016.20.

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40

Walker, Keith, Lord Byron, Jerome J. McGann, Barry Weller, Andrew Nicholson, and Lord Byron. "Lord Byron: The Complete Poetical Works. Vol. VI." Modern Language Review 88, no. 4 (1993): 951. http://dx.doi.org/10.2307/3734446.

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41

Abu Zaid, Reham. "Oriental Elements In The Poetry of Lord Byron." Bulletin of The Faculty of Languages & Translation 5, no. 2 (2013): 62–100. http://dx.doi.org/10.21608/bflt.2013.166529.

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42

Egorova, L. V. "Lord Byron. Lyrical poetry translated by Georgy Shengeli." Voprosy literatury, no. 4 (August 22, 2019): 284–89. http://dx.doi.org/10.31425/0042-8795-2019-4-284-289.

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The book features Byron’s early poems Hours of Idleness, hitherto unpublished in Russian, as well as selected poems from 1809–1811 and 1816, and Hebrew Melodies. The book is relevant within the context of Byron’s legacy and Shengeli’s work. It is since the late 1980s that Shengeli’s previously unpublished poems have appeared in press, and we are on a path to better understanding the scope of his achievements. The book opens with Vladislav Rezvy’s excellent introduction to Shengeli’s life and work. Despite the article’s many merits, it still fails to discuss one important topic: Shengeli’s perc

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43

Douglass, Paul. "What Lord Byron Learned from Lady Caroline Lamb." European Romantic Review 16, no. 3 (2005): 273–81. http://dx.doi.org/10.1080/10509580500209917.

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44

Fitzgerald, Michael. "Did Lord Byron have Attention Deficit Hyperactivity Disorder?" Journal of Medical Biography 9, no. 1 (2001): 31–33. http://dx.doi.org/10.1177/096777200100900110.

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45

McLean, Thomas. "Jane Porter and the Wonder of Lord Byron." Romanticism 18, no. 3 (2012): 250–59. http://dx.doi.org/10.3366/rom.2012.0096.

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46

Alexander, Rob. "Lord Byron in the Footsteps of William Beckford." Byron Journal 51, no. 1 (2023): 31–45. http://dx.doi.org/10.3828/bj.2023.5.

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47

Byron, Robin, and Bernard Beatty. "Commemoration of George Gordon Byron, Lord Byron Westminster Abbey, Poets’ Corner 18 April 2024." Byron Journal 52, no. 1 (2024): 85–95. http://dx.doi.org/10.3828/bj.2024.10.

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48

Roessel, David. "Exploding Magazines: Byron’s The Siege of Corinth, Francesco Morosini and the Destruction of the Parthenon." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 5 (May 1, 2013): 9. http://dx.doi.org/10.12681/syn.17440.

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This paper links several threads connected to Byron‟s least regarded Turkish Tale. Why, when the English Parliament decided in June 1816 to purchase the Elgin Marbles for the British Museum, did Byron appear to be silent on a subject that he had expressed strong feelings about some years earlier? Why, when he attacked Lord Elgin on the Parthenon marbles, did he not link him in infamy with Francesco Morosini, who had fired the shot that blew up the Parthenon? And why, in The Siege of Corinth, did Byron intentionally depart from the account in his historical source?My paper argues that The Siege

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49

Maalouf, May. "Male Postpartum Preface: Cervantes and Lord Byron’s Prefaces to Don Quixote and Childe Harold’s Pilgrimage." Hawliyat 17 (July 11, 2018): 11–32. http://dx.doi.org/10.31377/haw.v17i0.65.

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The purpose of this paper is to attend to the preface as an important element in understanding the symbiotic relationship between author and text, especially when a male author assumes the female power of procreation. In the prefaces to Don Quixote Part I and II and Childe Harold's Pilgrimage, Cervantes and Lord Byron, respectively, identify their main heroes as their 'child of the imagination/brain '. Nevertheless, in many instances we encounter moments of anxiety manifested in a dialectic of engagement and disengagement, owning and disowning, of denying and defending theirfictional personage

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50

Mahdi, Dr Basma Harbi, and Assist Lecturer Suaad Abd Ali Kareem. "Representations of the Oriental Woman in Lord Byron’s “Turkish Tales”." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 223, no. 1 (2017): 37–50. http://dx.doi.org/10.36473/ujhss.v223i1.312.

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This study deals with the representations of the oriental woman in the Western narrative on orient. The Western representations of oriental woman are products of specific moments and developments in culture. For their own rhetorical and political purposes, the Western writers employ a discourse representing an Eastern woman, whose Otherness is always subject to qualification and change. The concern of this study is to reveal how this narrative is revolved around certain concept that the oriental woman is victimized. Byron’s conception of the oriental woman is shaped by these Orientalist ideas.

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