Relevant bibliographies by topics / Lord of the flies (Golding, William)

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  1. Journal articles
  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Lord of the flies (Golding, William)'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 January 2023

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Journal articles on the topic "Lord of the flies (Golding, William)"

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Hasan, Mariwan, and Diman Sharif. "William Golding’s Lord of the Flies: A Reconsideration." NOBEL: Journal of Literature and Language Teaching 11, no. 2 (September 29, 2020): 125–36. http://dx.doi.org/10.15642/nobel.2020.11.2.125-136.

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This paper reconsiders William Golding’s Lord of the Flies. Allegorical writings can illustrate ethical, social or psychological and moral issues using the manipulation of images that have stipulated meanings other than their meanings as imitations of the actual world. Allegory has been used widely throughout history in all forms of art, and comprehensible for the reader, conveys hidden meanings through symbolic figures. Lord of the Flies had been written in relation to historical circumstances of the twentieth-century and to the personal experience of William Golding. Also, it has provided a critical analysis of the novel that treated the prominent perspective and elements in it. The novel is a parallel of life in the late twentieth century, while it looks like society a stage of enhancement in technology whereas, human morality is not completely mature yet. “Lord of the Flies is an allegorical microcosm of the world. The destruction of World War II because of the dictators who initiated this war has a profound impact on William Golding himself”. In the beginning, the paper gives an introduction to Golding’s point of view on humanity with the title of how to draw attention to me through allegory and fable, two forms of imaginative literature that encouraged the reader and listener to look for hidden meanings. Then it deals with William Golding’s Lord of the Flies from the cultural approaches of that time, who is one of the most prominent literary men of postmodernism that was famous for utilizing symbolism within the novel; “he used different kinds of symbols, characters, objects, animals, colors and setting to convey his message about his main theme”, in the last section we analyzed the postmodern features in Lord of the Flies and how they are used to depict Golding’s view. The way Golding uses allegory strengthens the symbolism of his novel. Finally, it tackles the educational value through his experiences in teaching along with critical analysis of Golding’s technique.
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Lidiawati, Neng Anis. "GAMBARAN KEMEROSOTAN MORAL TOKOH DALAM NOVEL LORD OF THE FLIES KARYA WILLIAM GOLDING." Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris 10, no. 1 (February 25, 2021): 1–8. http://dx.doi.org/10.34010/apollo.v10i1.4697.

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Judul yang digunakan dalam penelitian ini adalah Gambaran Kemerosotan Moral Tokoh dalam Novel Lord of The Flies Karya William Golding. Penelitian ini bertujuan untuk mengetahui kemerosotan moral yang digambarkan dalam novel tersebut dan juga kemerosotan moral pada tokoh novel tersebut. Metode yang digunakan dalam penelitian ini adalah metode deskriptif analisis. Pendekatan yang digunakan dalam penelitian ini adalah pendekatan sosiologi sastra. Hasil menunjukkan bahwa kemerosotan moral yang tergambar dalam novel Lord of The Flies karya William Golding meliputi perilaku kekerasan, pencurian, penggunaan bahasa yang tidak baik, mengabaikan peraturan yang sudah ditetapkan dan pembunuhan.
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MA, Danni. "William Golding and Lord of the Flies." English Language Teaching 3, no. 1 (September 22, 2015): 7. http://dx.doi.org/10.18319/j.elt.23.

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This paper focuses on the a brief review on life, writing features displayed in his latter major work of William Golding and focus on the interpretation on symbolism in Lord of the Flies compared with other “deserted island” literature.
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Faryyad, Farah. "A Corpus-based Study of Symbolism in William Golding‟s Lord of the Flies." International Journal of Psychosocial Rehabilitation 24, no. 4 (April 30, 2020): 7051–65. http://dx.doi.org/10.37200/ijpr/v24i4/pr2020520.

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A. Al.Sobh, Mahmoud, Ameen Z. Al Khamaiseh, and Samer M. Al-Zoubi. "The Symbolic Representation of Evil and Good in William Golding’s Lord of the Flies." International Journal of Applied Linguistics and English Literature 11, no. 1 (January 31, 2022): 21–24. http://dx.doi.org/10.7575/aiac.ijalel.v.11n.1p.21.

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This Study sheds a new light on William Golding’s view of evil and good in Lord of the Flies. For many writers, critics and theorists, evil is a societal construct, while good is an internal one. Both are structured by external factors. William Golding, however, believes that man has an inherent potential for evil and that it cannot by any means be a cultural product as has long been thought. Man’s potential for good, on the other hand, is dictated by law, common sense, culture and from the fact that man’s social engagement with others is inevitable. In Lord of the Flies, Golding seeks to give answers to the philosophical questions: Can man live a lone? Can there be a life in the absence of law and order? What would become of people should there be no society or civilization? Golding’s central argument centers on critiquing the inherent potential of man’s capacity for evil in the absence of law and order. In this study, there will be an examination of Golding’s pessimistic view of good and evil in light of the modern literary definition of these polarities.
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PÂRLOG, Aba-Carina, and Marius-Mircea CRIŞAN. "William Golding and Bram Stoker – Conceptual Core and Glossing Windows (EVOLI)." Bulletin of the Transilvania University of Brasov. Series IV: Philology and Cultural Studies 14 (63), Special Issue (January 2022): 177–86. http://dx.doi.org/10.31926/but.pcs.2021.63.14.3.11.

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As Carol Senf suggests (“Dracula: The Unseen Face in the Mirror” 1979), one of the greatest dangers which Bram Stoker’s characters have to face is the evil inside them. This theme was developed in different ways in 20th century British literature. An interpretation of the background, setting and story in William Golding's Lord of the Flies can be very useful for the understanding of the darkness of one's soul and the way in which people can dread human nature. The digital tool EVOLI offers a chance for teachers and students alike to teach and learn about Lord of the Flies by transgressing the borders of language and turning affected spirituality into a reason for analysing the depths of cultural codifications. The elements connected to the novel are taken into account using various views on methodological hermeneutics so that meanings may be made transparent and the message of the author can be rendered without any bias. The importance of this approach is shown by students’ feedback to this kind of a perspective on a theme of evilness, terror and death. The presence of a Beast in the midst of the action and of an overall Beelzebub influencing all characters helps one create a scale of human corruption which determines a gradation of the connotations of what haunting is.
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Rabia Khan, Sajjad Ahmad, and Ali Ammar. "Golding’s Narrowed Attempts at Defining Human Nature in Lord of the Flies." Research Journal of Social Sciences and Economics Review (RJSSER) 2, no. 1 (March 7, 2021): 45–50. http://dx.doi.org/10.36902/rjsser-vol2-iss1-2021(45-50).

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This paper is an attempt to prove the assumption that William Golding is a failure who claims to have written his novel Lord of the Flies on the idea of human nature. He considers that he wrote about human nature in general, but he is a Western and has those ideas of being superior to other people. He takes all his characters from among the English boys. Not a single character who is shown as civilized belongs to a marginalized race. This act of Golding reveals his ethnocentric attitude. He does not bother to include a female character in this novel. All his characters are male. It shows his androcentric nature. Though he tries to put the evil like every man whenever he wants to show the brutality or savagery of a human, in the form of his chosen English boys, he portrays them as the hunters of Africa or paints them with mud. In doing so, he is affiliating savagery with the blacks and Indians. Thus, he propagates the same stereotypical concept of “Orients” as uncivilized and savages. Golding relies solely on the biological factors of human nature. He ignores to consider any social problem for the conflict of the two groups of boys. These social factors may include political system, religion, or Marxism. This research work has proved that Golding’s self-critique of human nature in the novel is a failure on his part.
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González R., Luis Fernando. "LORD OF THE FLIES: THE INNATE EVIL OF MAN." Revista Folios, no. 13 (May 7, 2017): 59. http://dx.doi.org/10.17227/01234870.13folios59.68.

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La novela El Señor de las moscas, publicada por William Golding en 1954,muestra la verdad más profunda y reveladora de la anatomía de nuestra alma.Contiene la más terrorífica y asombrosa revelación de la maldad que siempre haexistido en el corazón del hombre. Esta novela especifica los defectos de lanaturaleza humana que todavía prevalecen vivos en nuestra sociedad moderna.También presenta la eterna confrontación personal entre la b rutalidad despiadaday la benevolencia frágil del hombre. Una de estas dos fuerzas parece ser máspoderosa que la otra. El Señor de las Moscas es indudablemente parte denosotros, es el lado oscuro de nuestra identidad humana.
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Chatterjee, Arnab. "William Golding’s Apocalyptic Vision in Lord of the Flies and Pincher Martin." Prague Journal of English Studies 6, no. 1 (July 26, 2017): 45–56. http://dx.doi.org/10.1515/pjes-2017-0003.

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Abstract Humanity has long been haunted by the notions of Armageddon and the coming of a Golden Age. While the English Romantic poets like Shelley saw hopes of a new millennium in poems like “Queen Mab” and “The Revolt of Islam”, others like Blake developed their own unique “cosmology” in their longer poems that were nevertheless coloured with their vision of redemption and damnation. Even Hollywood movies, like The Book of Eli (2010), rehearse this theme of salvation in the face of imminent annihilation time and again. Keeping with such trends, this paper would like to trace this line of apocalyptic vision and subsequent hopes of renewal with reference to William Golding’s debut novel Lord of the Flies (1954) and his Pincher Martin (1956). While in the former, a group of young school boys indulge in violence, firstly for survival, and then for its own sake, in the latter, a lonely, shipwrecked survivor of a torpedoed destroyer clings to his own hard, rock-like ego that subsequently is a hurdle for his salvation and redemption, as he is motivated by a lust for life that makes him exist in a different moral and physical dimension. In Lord of the Flies, the entire action takes place with nuclear warfare presumably as its backdrop, while Pincher Martin has long been interpreted as an allegory of the Cold War and the resultant fear of annihilation from nuclear fallout (this applies to Golding’s debut novel as well). Thus, this paper would argue how Golding weaves his own vision of social, spiritual, and metaphysical dissolution, and hopes for redemption, if any, through these two novels.
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Watt, Gary. "The Law of Dress in Lord of the Flies." Pólemos 10, no. 1 (April 1, 2016): 157–78. http://dx.doi.org/10.1515/pol-2016-0009.

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Abstract Instead of reading William Golding’s Lord of the Flies in standard terms of the boys’ descent from clothing to nakedness, or in terms of truth disguised in false appearance, this paper reads the novel in terms of the constancy of dress. The form of the dress may change from clothes to painted masks, but the fundamental fact of dress remains. The boys’ relationship to rules can be read in a similar way. Instead of reading their story in terms of descent from law and order to lawlessness and disorder, it is read in terms of the on-going presence of rules of some sort. The form of the rules changes, but the essential fact of government by rules remains. It is argued that dress and law are constant in the novel and that Golding is warning us, through the parallel performance of law and dress, that we should suspect that external indicators of civilization are hollow; that we should be cynical about all systems of norms established by society and look, instead, to be saved by individual insight and self-sacrifice.
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Dissertations / Theses on the topic "Lord of the flies (Golding, William)"

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Basile, Jennifer. "Democratic and Totalitarian Power Systems in William Golding’s Lord of the Flies." Thesis, Karlstad University, Faculty of Arts and Education, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-900.

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Summary

One important theme in William Golding’s novel Lord of the Flies is power. The boys in Lord of the Flies copy the behavior of their parents: competing, fighting and even killing each other for power. They form two groups, each following a different power system, the democratic system on the one side and the totalitarian system on the other.

My aim in this essay is to examine the complexity of these power systems in Lord of the Flies, revealed in the two layers in which they appear in the story, the boys on the island and the adults in their world. Moreover I want to show how Golding contributes both positive and negative traits to both systems, never falling into the habit of giving a black and white picture of either of the power systems. Overall I will focus on two boys, Jack and Ralph, exemplifying through them how the two systems gain their power, develop their structures, which methods they use to keep power, and how the systems handle crisis. At the end of my essay I then will shortly illustrate how Golding connects the adult world and their behavior to the boys’ story.

My conclusion is that Golding shows very clearly that the desire for power and the will to fight and kill for it exists in both adults and children. Overall his attempt is to illustrate that it is difficult to have an absolute, perfect and ideal power system. There are always things that can be criticized and improved. However, he does indicate that certain systems are more dangerous than others. The totalitarian power system can escalate much easier into savagery than the democratic system. So, Golding prefers power systems that benefit the community rather than only the leader himself.

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Bruns, Björn. "The Symbolism of Power in William Golding's Lord of the Flies." Thesis, Karlstads universitet, Estetisk-filosofiska fakulteten, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-3207.

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The Symbolism of Power in William Golding’s Lord of the Flies   An important theme in William Golding’s novel Lord of the Flies is social power relations.  These power relations are everywhere on the island, and are shown at different levels throughout the novel. These power relations are illustrated by symbols in the novel, which center on two different power systems, a democratic system, with Ralph as the head, and a dictatorial system with Jack as the leader. Sometimes these symbols are tied so closely together to both power systems that they mean different things for each of them. The aim of this essay is to investigate the different kinds of symbols that are used in the novel, and to show how they are tied to its social power relations. Those symbols that I have found are always important items that either Ralph or Jack use intentionally or unintentionally. The use of symbols is crucial to this novel, thus Golding shows us that an item is more powerful than it first seems.
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Andersson, Angela. "Människan - ett konfliktsystem : En uppsats om samhällskonstruktion och religiositet i William Goldings Lord of the Flies." Thesis, Växjö University, School of Humanities, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-478.

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Amadova, Milana. "Eliciting Empathy with William Golding’s Lord of the Flies." Thesis, Stockholms universitet, Engelska institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-184662.

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Some literature creates fictional worlds similar to the one we live in and others create worlds that are very different from ours. By inviting us to identify with characters, literature raises empathy.  William Golding’s novel Lord of the Flies is viewed by many as an emotional novel that can make its reader feel fear, confusion, empathy and anger, which makes it a useful tool to use when teaching about empathy. Developing empathy is an important process and while we cannot teach empathywe can evoke empathy using literature. According to the Swedish curriculum, students should be able to empathize with and understand the situation of other people. This study will analyse and present the ways in which William Golding’s novel Lord of the Flies can be employed to cultivate empathy using different hypothesis and techniques suggested by Suzanne Keen, and with a lesson plan given at the end of this essay. This essay argues that Lord of the Flies cultivates empathy using the character of Piggy. The passages where Piggy is bullied are closely interpreted, as well as passages with Ralph, Simon and Jack. The analysis show that Piggy’s vulnerability makes him the victim. Readers tend to empathize with characters that show a vulnerable side or that are treated unfairly. Piggy’s role in the narrative is to make readers feel empathy because of the way he is portrayed, a fat boy with short hair and bad eyesight. The lesson plan presented at the end of this essay will show how these passages can be used by teachers.
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Kong, Ching-man Paula. "Powerful obsession : variations on a theme in four fictions : Mary Shelley's Frankenstein, Joseph Conrad's Heart of darkness, William Golding's Lord of the flies and the spire /." Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B1868550X.

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Brunssen, Uwe. "Adaptations for the screen : William Golding's Lord of the Flies." Thesis, University of East Anglia, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364977.

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Mavromatis, Stefanos. "Rational Femininity and Emotional Masculinity in Golding’s Lord of the Flies." Thesis, Högskolan Kristianstad, Fakulteten för lärarutbildning, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-22124.

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This paper argues that in Golding’s Lord of the Flies feminine thinking is rational and masculine thinking is emotional. This essay provides historical background that presents the general patriarchal view of femininity during 20th century England of being seen as the inferior-emotional gender with intellectual limitations. By examining gender roles during the era that the setting of the novel takes place, what the terms feminine and masculine thinking indicate and by applying these terms, this paper categorises Piggy’s, Ralph’s and Jack’s behaviour and way of thinking. Furthermore, this paper argues that feminine thinking and feminine group-oriented logical behaviour are more advantageous, while the masculine individualistic emotionally driven thinking and behaviour cause some key problems. This essay’s goal is not to claim the superiority of one gender over the other but to question some of the masculine actions that Ralph and Jack engage in, by comparing them to the feminine actions that Ralph and Piggy engage in.
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Wigger, Jessica. "Teaching Democratic Values in the ESL classroom through William Golding's Lord of the Flies." Thesis, Högskolan i Halmstad, Sektionen för lärarutbildning (LUT), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-22575.

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The aim of this essay is to show how to use William Golding's novel Lord of the Flies in the ESL classroom to teach democratic values. Such values include: respect, empathy and the right to free speech. According to Reader-Response theory, the reader brings expectations and knowledge about the subject matter (in this case democracy and its values) to the texts, which influence his/her interpretation. I have applied two different styles of analyzing a text: a Content-Based Approach and Simpson's Communication Triangle. The Content-Based Approach, in accordance with Reader-Response Theory, builds on students' knowledge and previous experience and focuses on the content to be acquired. The Simpson's Communication Triangle, on the other hand, connects reading, discussing and writing. Both of the approaches are designed to enhance the students' reading responses by providing different forums for sharing, such as discussions and writing (diary entries) from one of the character's perspective. The idea of creating Reader-Response journals is supported by multiple forms of theoretical study, and the assignments explained in this essay have been designed upon this research.
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Hoareau, Jean-Marc. "Désir, violence, sacré et pouvoir dans Lord of the Flies (1954), the Inheritors (1955), Free Fall (1959) et the Spire (1964) de William Golding (1911-1993)." La Réunion, 2007. http://elgebar.univ-reunion.fr/login?url=http://thesesenligne.univ.run/07_02-hoareau.pdf.

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Notre étude traite du thème girardien de la violence fondatrice (ou ritualisée) dans quatre romans de l'écrivain britannique William Golding (1911 - 1993) : Lord of thé Plies (1954), The inheritors (1955), Free Fa// (1959) et The Spire (1964). Cette notion est une constante dans l'œuvre de cet écrivain qui est un observateur lucide et impartial de la conscience humaine et de la genèse sociale. Dans bon nombre de ses romans, il examine le fonctionnement de ce type de violence comme exutoïre à la violence communautaire dans les sociétés à structure archaïque, et comme sublimation de la violence inhérente au désir inconscient freudien sur le plan individuel. Cette forme de violence, qui polarise les agressivités individuelles et qui ressurgit sous une forme ou une autre dans nos sociétés modernes, donne un caractère viable à la société, et de ce fait elle est l'acte fondateur socioculturellement : l'archiviste-paléographe René Girard la définit comme étant !e mythe de base. Dans sa dimension antésociale, il est impératif qu'elle soit gérée par te pouvoir et elle finit même par lui être nécessaire. Elle assume donc un aspect tautologique dans l'exercice du pouvoir. La vision structurante que William Golding a de la violence fondatrice est analogue à celle élaborée par René Girard dans La violence et le sacré (1972), ce qui fait que nous avons utilisé l'ouvrage de ce dernier comme outil méthodologique
Our survey deals with thé thème of founding (or ritualized) violence in accordance with René Girard's theory, in four novels of thé British writer William Golding (1911 - 1993) : Lord of thé Plies (1954), The Inheritors (1955), Free Fa// (1959) and The Spire (1964). This notion is récurrent in thé work of this novelist who is an unbiased and perceptive observer of human conscience and of social genesis. Indeed, in many novels he depicts this particular form of violence as functioning as an outiet for communal violence in structuraily archaic societies, as well as a sublimation of individuel violence inhérent in thé concept of Freudian unconscious désire. This kînd of violene, polarizing thé individua! aggressivities, whatever shapes it may reoccur in in our modem societies, makes it possible to survive in society. Consequenfly it is thé founding act on a socioculturel ievel: thé archivist-paleographer René Girard defines it as thé fundarnental myth. In its antesocial dimension, it must be controlled by power and eventually it is necessary to thé latter. Thus it takes a tautological character in exercising power. William Golding's socially structuring vision of îounding violence is similar to that worked out by René Girard in La violence et le sacré (1972), and therefore our methodological guideline has been thé theory of thé scapegoat deveioped in this work of Girard's
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Bravard-Huntley, Sophie. "Formes spatiales et angoisse dans les cinq premiers romans de William Golding : Lord of the flies, 1954 ; The inheritors, 1955 ; Pincher Martin, 1956 ; Free fall, 1959 ; The Spire, 1964." Paris 3, 2001. http://www.theses.fr/2001PA030094.

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Dans les cinq premiers romans de W. Golding, une angoisse fondamentale est liée à l'expérience des formes spatiales : l'angoisse déforme les perceptions, génère des formes hallucinatoires, qui en retour l'amplifient. Ainsi, dans Lord of the flies, la perturbation des esprits et la montée des inquiétudes, révélées par les avatars apparents des formes habituellement régulières (l'anneau corallien, la conque spiraloi͏̈de. . . ), se traduisent en une angoisse dont les déferlements sont décuplés par les incarnations successives d'un prétendu "monstre". .
In the first five novels of W. Golding, a fundamental anguish is linked with the experiencing of spatial forms : anguish distorts perception and generates hallucinatory shapes, with in turn increase the characters' agony. In Lord of the flies for instance, the mental disturbance and the growing worries of the children, revealed by the apparent changes in shapes that are usually regular (the coral ring, the spiral conch. . . ), give way to waves of anguish, which are amplified by the successive incarnations of an imagined "monster". .
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Books on the topic "Lord of the flies (Golding, William)"

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Lord of the Flies: William Golding. Deddington: Philip Allan Updates, 2006.

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Stewart, Martin, and Golding William 1911-, eds. Lord of the flies, William Golding: Guide. London: Letts, 1987.

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Wilson, Raymond. Lord of the Flies by William Golding. London: Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-08348-0.

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Golding, William. Cang ying wang: Lord of the flies / William Golding. Taibei Shi: Ying shu Weijing qun dao shang Gao bao guo ji you xian gong si Taiwan fen gong si, 2011.

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Reiff, Raychel Haugrud. William Golding: Lord of the Flies and Darkness Visible. New York: Marshall Cavendish Benchmark, 2009.

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William Golding: The man who wrote Lord of the flies. New York: Free Press, 2010.

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Dedria, Bryfonski, ed. Violence in William Golding's Lord of the flies. Detroit: Greenhaven Press, 2009.

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Harold, Bloom, ed. William Golding's Lord of the flies. Philadelphia: Chelsea House Publishers, 2004.

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Hartley, Mary. William Golding's Lord of the flies. New York: Barron's Educational Series, 1999.

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Nigel, Williams. William Golding's Lord of the flies. London: Faber and Faber, 1996.

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Book chapters on the topic "Lord of the flies (Golding, William)"

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Gaile, Andreas. "Golding, William: Lord of the Flies." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8623-1.

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Wilson, Raymond. "William Golding: Life And Background." In Lord of the Flies by William Golding, 1–2. London: Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-08348-0_1.

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Gindin, James. "The Fictional Explosion: Lord of the Flies and The Inheritors." In Macmillan Modern Novelists: William Golding, 20–37. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-18987-8_3.

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Wilson, Raymond. "R. M. Ballantyne’s The Coral Island (1858)." In Lord of the Flies by William Golding, 3–6. London: Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-08348-0_2.

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Wilson, Raymond. "Summaries And Critical Commentary." In Lord of the Flies by William Golding, 7–45. London: Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-08348-0_3.

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Wilson, Raymond. "Themes." In Lord of the Flies by William Golding, 46–56. London: Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-08348-0_4.

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Wilson, Raymond. "Technical features." In Lord of the Flies by William Golding, 57–76. London: Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-08348-0_5.

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8

Wilson, Raymond. "Specimen Passage And Commentary." In Lord of the Flies by William Golding, 77–82. London: Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-08348-0_6.

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9

Wilson, Raymond. "Critical reception." In Lord of the Flies by William Golding, 83–85. London: Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-08348-0_7.

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10

Alidini, Stefan. "The Masculine Code: Structures of Masculinity in William Golding’s Lord of the Flies." In Belgrade English Language and Literature Studies: BELLS90 Proceedings. Volume 2, 213–27. Belgrade: Faculty of Philology, University of Belgrade, 2020. http://dx.doi.org/10.18485/bells90.2020.2.ch16.

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