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Journal articles on the topic 'Lorenzino de’ Medici'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Ellis, Anthony. "The Comic Old Man in a Medicean Context: Lorenzino, the Florentine “New Brutus,” and ARIDOSIA." Forum Italicum: A Journal of Italian Studies 37, no. 1 (2003): 40–55. http://dx.doi.org/10.1177/001458580303700103.

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Playwright Lorenzino de' Medici (1514–48) is best known for assassinating his cousin and patron Alessandro, the despotic Duke of Florence, in 1537 and for justifying the murder publicly in an Apologia, which advocated the restoration of republican government in the city. While Lorenzino's stage comedy Aridosia (1536) has received considerable critical attention, its own political implications — its standing as ideological precursor to the apology — have been underestimated. With its central character, the miserly senex Aridosio, the play delineates an advanced form of corruption consonant with

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2

Clarke, Paula C. "Stefano Dall’Aglio. The Duke’s Assassin: Exile and Death of Lorenzino de’ Medici." American Historical Review 122, no. 4 (2017): 1322–23. http://dx.doi.org/10.1093/ahr/122.4.1322.

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3

Brackett, J. K. "L'Assassino del Duca: Esilio e morte di Lorenzino de' Medici, by Stefano Dall'Aglio." English Historical Review 129, no. 538 (2014): 705–7. http://dx.doi.org/10.1093/ehr/ceu107.

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4

Vittori, Giulia. "Carmelo Bene and the gap in the actor’s gesture." Forum Italicum: A Journal of Italian Studies 52, no. 3 (2018): 824–43. http://dx.doi.org/10.1177/0014585818781823.

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When Italian actor, director, and writer Carmelo Bene conceived Lorenzaccio (1986), under the same title he created a philosophical tale and a performance about Lorenzino De’ Medici. In these works, Bene offers a provocative reflection on the relation existing between the presentness of the act and the historiographical attempt to account for it, once it has passed and been deemed historical action. Questioning representation as a tool of historiography and an instrument of psychological investigation of the subject’s intention, Bene places the act within the domain of performance and removes

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5

Shaw, Christine. "The Duke’s Assassin: Exile and Death of Lorenzino de’ Medici. Stefano Dall’Aglio. Trans. Donald Weinstein. New Haven: Yale University Press, 2015. xviii + 300 pp. $40." Renaissance Quarterly 70, no. 2 (2017): 716–17. http://dx.doi.org/10.1086/693237.

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6

Murry, Gregory. "The Duke’s Assassin: Exile and Death of Lorenzino de’ Medici. By Stefano Dall’Aglio. Translated by Donald Weinstein.New Haven, CT: Yale University Press, 2015. Pp. xx+300. $40.00." Journal of Modern History 89, no. 1 (2017): 214–15. http://dx.doi.org/10.1086/690173.

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7

Nadalo, Stephanie. "The Duke's Assassin: Exile and Death of Lorenzino de’ Medici. By Stefano Dall’Aglio. Translated by Donald Weinstein. (New Haven, CT: Yale University Press, 2015. Pp. vii, 300. $40.00.)." Historian 79, no. 3 (2017): 622–23. http://dx.doi.org/10.1111/hisn.12631.

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8

Rebecchini, Guido. "Stefano Dall’Aglio. L’assassino del duca: Esilio e morte di Lorenzino de’ Medici. Biblioteca storica toscana 64. Florence: Leo S. Olschki, 2011. xviii + 420 pp. index. append. bibl. €39. ISBN: 978–8–822–260406." Renaissance Quarterly 64, no. 3 (2011): 967–68. http://dx.doi.org/10.1086/662910.

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9

Koortbojian, Michael. "A collection of inscriptions for Lorenzo de' Medici. Two dedicatory letters from Fra Giovanni Giocondo: introduction, texts and translation." Papers of the British School at Rome 70 (November 2002): 297–317. http://dx.doi.org/10.1017/s006824620000218x.

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UNA RACCOLTA DI ISCRIZIONI PER LORENZO DE' MEDICI. DUE LETTERE DEDICATORIE DI FRA GIOVANNI GIOCONDO: INTRODUZIONE, TESTO E TRADUZIONENel 1489, Fra Giovanni Giocondo dedicò due volumi della sua collezione di iscrizioni antiche a Lorenzo de' Medici. Questo articolo presenta le lettere dedicatorie insieme ad una traduzione e ad un saggio introduttivo che colloca questi documenti nel loro contesto storico.

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10

Garfagnini (book author), Gian Carlo, and Kenneth R. Bartlett (review author). "Lorenzo de' Medici. Studi." Quaderni d'italianistica 14, no. 1 (1993): 162–63. http://dx.doi.org/10.33137/q.i..v14i1.10180.

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11

Ansani, Antonella. "Review: Lorenzo de' Medici: Selected Writings, Lorenzo de' Medici: Selected Poems and Prose." Forum Italicum: A Journal of Italian Studies 28, no. 2 (1994): 436–38. http://dx.doi.org/10.1177/001458589402800217.

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12

Dempsey, Charles. "Portraits and Masks in the Art of Lorenzo de’ Medici, Botticelli, and Politian's Stanze per la Giostra." Renaissance Quarterly 52, no. 1 (1999): 1–42. http://dx.doi.org/10.2307/2902015.

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The subject of my lecture is the phenomenon of masking in the Florence of Lorenzo de' Medici. I begin with an overview of the evidence in favor of the early claims that Lorenzo himself invented the modern masquerade, and continue with an examination of images of Triumphs in art, showing how these evolved into quasi-theatrical displays with masqued participants. I then turn to the phenomenon of masking in the high art of Lorenzo himself Botticelli and Politian. My lecture ends with a consideration of Politian's Stanze per la giostra di Giuliano de’ Medici, claiming that the poem commemorates an

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13

McManamon, John M. "Marketing a Medici Regime: The Funeral Oration of Marcello Virgilio Adrianifor Giuliano de' Medici (1516)." Renaissance Quarterly 44, no. 1 (1991): 1–41. http://dx.doi.org/10.2307/2862404.

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On 17 March 1516, Giuliano De' Medici Died of pulmonary tuberculosis at the Badia of Fiesole. Third son of Lorenzo the Magnificent, Giuliano had received the title of duke of Nemours from King Francis I of France four months before his death. By dying, he may have committed his most politically significant act, for the Medici regime mobilized its resources to exploit the opportunities that the occasion presented. On March 19, the governors of the city orchestrated a great public funeral, which intended to celebrate the memory of Giuliano and the restoration of Medici hegemony.

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14

Lippi, Donatella. "The Diseases of the Medici Family and the Use of Phytotherapy." Evidence-Based Complementary and Alternative Medicine 4, s1 (2007): 9–11. http://dx.doi.org/10.1093/ecam/nem107.

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The Medici Project is a paleopathological and historico-medical research, based on the exhumation of corpses of the Medici Family buried in the Medici Chapels (Florence, San Lorenzo). The scientific research carried out on these remains permits us to reconstruct habits and causes of death of members of this famous family of Italian Renaissance. The comparison between the literary sources and the paleopathological evidence is also important to reconstruct different therapies. Physicians, who assisted the most important persons of the Medici Family, have left a rich literature about their patien

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15

Joost-Gaugier, Christiane L., Laurie Fusco, and Gino Corti. "Lorenzo de' Medici: Collector and Antiquarian." Sixteenth Century Journal 38, no. 4 (2007): 1109. http://dx.doi.org/10.2307/20478664.

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16

Comerford, Kathleen M., and Giancarlo Renzi. "La Valtiberina: Lorenzo e i Medici." Sixteenth Century Journal 29, no. 1 (1998): 225. http://dx.doi.org/10.2307/2544465.

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17

Fusco (book author), Laurie, William Stenhouse (review author), and Gino Corti (book author). "Lorenzo de' Medici: Collector and Antiquarian." Renaissance and Reformation 31, no. 4 (2008): 118–20. http://dx.doi.org/10.33137/rr.v31i4.9154.

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18

Tacconi, Marica S. "Appropriating the Instruments of Worship: The 1512 Medici Restoration and the Florentine Cathedral Choirbooks*." Renaissance Quarterly 56, no. 2 (2003): 333–76. http://dx.doi.org/10.2307/1261850.

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AbstractThis study examines the impact of the 1512 Medici restoration on the antiphonaries and graduals of the Florentine cathedral. Seven choirhooks are recognizably Medicean in their artistic and, in one significant case, in their liturgical and musical content. Whether through depictions of the family's most distinguished members — notably Lorenzo il Magnifico and Pope Leo X — or the detailed representations of contemporary events in which the Medici were the protagonists, or whether through the creation of a new Office for Florentine bishop-saint Zenobius, these lavish manuscripts reflect

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19

Shephard, Tim. "Constructing Identities in a Music Manuscript: The Medici Codex as a Gift*." Renaissance Quarterly 63, no. 1 (2010): 84–127. http://dx.doi.org/10.1086/652534.

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AbstractThe motet manuscript known as the Medici Codex is associated by modern scholarship with the 1518 marriage of Lorenzo II de' Medici and Madeleine de la Tour d'Auvergne. It was once thought that the manuscript was made in France and given to Lorenzo by Francis I, but now it is almost unanimously agreed that it was made in Rome under the patronage of Pope Leo X. Since this revision, no one has put forward a detailed view of how the manuscript relates to the circumstances under which it was given and to the individuals involved, or how it functions as a gift. This study places the manuscri

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20

Luchs, Alison. "Lorenzo from Life? Renaissance Portrait Busts of Lorenzo de’ Medici." Sculpture Journal 4, no. 1 (2000): 6–23. http://dx.doi.org/10.3828/sj.2000.4.1.3.

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21

Steinwender, Clemens Leopold. "Korruption, Ämterkauf und Patronage in Florenz. Informelle Politik im italienischen Stadtstaat und der Toskana." historia.scribere, no. 7 (May 19, 2015): 279. http://dx.doi.org/10.15203/historia.scribere.7.412.

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Corruption, purchase of administrative office and patronage in Florence. Informal politics in the italian city state and Tuscany This proseminar – paper deals with the corruption and Patronage in late medieval and modern age Florence. The reign of the Medici is especially looked at with prominent figures such as Lorenzo de Medici or Cosimo de Medici. The necessary institutions for this to happen are adressed as well as the forms these practices had. The ties with the pope and the church are also a part of the paper. As will be shown, the leaders of Florence often had to tolerate forms of corru

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22

Brown, Beverly Louise. "An Enthusiastic Amateur: Lorenzo de' Medici as Architect." Renaissance Quarterly 46, no. 1 (1993): 1–22. http://dx.doi.org/10.2307/3039145.

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Ottavio Vannini's Fresco, Lorenzo the Magnificent as a Patron of the Arts (Fig. I), forms part of a cycle painted around 1623 in the Palazzo Pitti to celebrate the marriage of Ferdinando II and Vittoria della Rovere. Lorenzo is seen surrounded by artists who proffer the fruits of their creative endeavor. Among them we immediately recognize the young Michelangelo, who presents a marble copy of an antique fawn's head, made, Vasari tells us, at Lorenzo's urging, and to the extreme left Giuliano da Sangallo, who holds under his arm a drawing from the façade of the Medici villa, Poggio a Caiano. Th

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23

Thiem (book editor), Jon, Jon Thiem (book translator, with others), and Konrad Eisenbichler (review author). "Lorenzo de' Medici. Selected Poems and Prose." Renaissance and Reformation 28, no. 2 (2009): 77–78. http://dx.doi.org/10.33137/rr.v28i2.11651.

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24

Kent (book author), Francis W., Carolyn James (book author), and Colin Rose (review author). "Princely Citizen: Lorenzo de’ Medici and Renaissance Florence." Renaissance and Reformation 38, no. 4 (2016): 198–200. http://dx.doi.org/10.33137/rr.v38i4.26391.

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25

Kent (book author), F. W., and Dennis Romano (review author). "Lorenzo de' Medici and the Art of Magnificence." Renaissance and Reformation 39, no. 4 (2003): 110–12. http://dx.doi.org/10.33137/rr.v39i4.8929.

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26

Andersen, W. "Lorenzo de' Medici and the Art of Magnificence." Common Knowledge 14, no. 1 (2008): 161–63. http://dx.doi.org/10.1215/0961754x-2007-048.

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27

Rousseau, Claudia. "Botticelli's Munichlamentationand the death of Lorenzo de’ Medici." Konsthistorisk Tidskrift/Journal of Art History 59, no. 4 (1990): 243–64. http://dx.doi.org/10.1080/00233609008604272.

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28

Kuehn, Thomas. "Lorenzo de’ Medici and inheritance law in Florence." Renaissance Studies 34, no. 2 (2019): 243–59. http://dx.doi.org/10.1111/rest.12579.

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29

Kent (book author), Francis W., Carolyn James (book editor), and Kenneth Bartlett (review author). "Princely Citizen: Lorenzo de’ Medici and Renaissance Florence." Quaderni d'italianistica 35, no. 2 (2015): 274–77. http://dx.doi.org/10.33137/q.i..v35i2.23627.

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30

Walden, Justine. "Exorcism and Religious Politics in Fifteenth-Century Florence." Renaissance Quarterly 71, no. 2 (2018): 437–77. http://dx.doi.org/10.1086/698138.

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AbstractThis article examines a series of messages concerning politics and geography that the religious order of the Vallombrosans embedded within a series of exorcism manuscripts and addressed to Lorenzo de’ Medici in the late fifteenth century. The Vallombrosans crafted their manuscripts to negotiate a host of troubles: schism over reform, friction with Lorenzo, diminishing social status, increased marginality, competition with rival religious orders, new definitions of orthodoxy, and alternate forms of religious devotion. I frame Vallombrosan troubles and their turn to exorcism as symptomat

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31

Leino, M. "Lorenzo de' Medici, Collector of Antiquities: Collector and Antiquarian." Journal of the History of Collections 19, no. 1 (2007): 142–43. http://dx.doi.org/10.1093/jhc/fhm001.

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32

Holmes, George. "Review: Lorenzo de' Medici and the Art of Magnificence." English Historical Review 120, no. 487 (2005): 826–27. http://dx.doi.org/10.1093/ehr/cei285.

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33

Warren, Jeremy. "A portrait bust of Lorenzo de’ Medici in Oxford1." Sculpture Journal 2, no. 1 (1998): 1–12. http://dx.doi.org/10.3828/sj.1998.2.1.2.

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34

Celati, Marta. "The conflict after the Pazzi conspiracy and Poliziano's ‘Coniurationis commentarium’: Literature, law and politics." Forum Italicum: A Journal of Italian Studies 53, no. 2 (2019): 327–49. http://dx.doi.org/10.1177/0014585819831649.

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This article aims to analyse how and to what extent juridical and diplomatic issues influenced Angelo Poliziano's Coniurationis commentarium, the very famous literary account of the Pazzi conspiracy against the Medici brothers (1478). Written immediately after the plot, Poliziano's work is a sophisticated literary transposition of the historical events and is conceived as the cornerstone of the Medici propaganda, aimed at supporting the Florentine government against the accusations by the instigators of the attack, Pope Sixtus IV and the King of Naples, Ferdinando of Aragon. In particular, the

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35

Gombrich, E. H. "The Sassetti Chapel Revisited: Santa Trinita and Lorenzo de' Medici." I Tatti Studies in the Italian Renaissance 7 (January 1997): 11–35. http://dx.doi.org/10.2307/4603700.

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36

Lippi, D. "Case study of Berengario da Carpi and Lorenzo de' Medici." British Journal of Surgery 104, no. 10 (2017): 1272. http://dx.doi.org/10.1002/bjs.10512.

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37

Rifkin, Joshua. "The Creation of the Medici Codex." Journal of the American Musicological Society 62, no. 3 (2009): 517–70. http://dx.doi.org/10.1525/jams.2009.62.3.517.

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Once the object of intense musicological debate, the choirbook of early sixteenth-century motets commonly known as the Medici Codex has received little attention in recent years. But a closer look at it suggests the need for reappraisal of some important points. In particular, the widely shared view of the manuscript as a work conceived and executed for the wedding of Lorenzo de' Medici, Duke of Urbino, and the French noblewoman Madeleine de la Tour d'Auvergne at Blois in May 1518 does not withstand scrutiny. An analysis of the scribal hands and other physical features indicates, rather, that

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38

Secchi Tarugi, Luisa. "Etica e politica di Lorenzo il Magnifico." Tabula, no. 17 (November 16, 2020): 331–44. http://dx.doi.org/10.32728/tab.17.2020.13.

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Lorenzo de’ Medici, uomo di profonda fede, data la mirabile educazione ricevuta in famiglia, accettò il governo della città dopo la morte del padre, Piero il Gottoso, come dovere, sentendone il peso, data la sua giovane età di 21 anni, secondo quanto lui stesso dice “mal volentieri accettai”. In tutta la sua vita, non molto lunga, privilegiò come fine il conseguimento del bene comune e non il proprio interesse. Attento anche alle situazioni dei meno fortunati, come il popolo fiorentino e i contadini del Mugello, si rivelò un abile politico che riuscì ad equilibrare la politica dei vari statere

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39

Dall’Aglio, Stefano. "Una voce dall’esilio. Trame politiche, pauree speranze nelle nuove letteredi Lorenzino de’ Medici1." Laboratoire italien, no. 14 (November 13, 2014): 31–51. http://dx.doi.org/10.4000/laboratoireitalien.765.

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40

Bryce, Judith. "Between friends? Two letters of Ippolita Sforza to Lorenzo de? Medici." Renaissance Studies 21, no. 3 (2007): 340–65. http://dx.doi.org/10.1111/j.1477-4658.2007.00420.x.

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41

Roberts, Sean. "Francis W. Kent, Princely Citizen: Lorenzo de’ Medici and Renaissance Florence." European History Quarterly 45, no. 1 (2014): 174–75. http://dx.doi.org/10.1177/0265691414561177y.

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42

Cesaretti, Enrico. "Preoccnpazione devozionale nellaRappresentazione di San Giovanni e Paolodi Lorenzo de' Medici." Italianist 15, no. 1 (1995): 67–82. http://dx.doi.org/10.1179/ita.1995.15.1.67.

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43

Frazer-Imregh, Monika. "Adalékok Marsilio Ficino De vita című művének utóéletéhez." Antikvitás & Reneszánsz, no. 5 (May 1, 2020): 107–26. http://dx.doi.org/10.14232/antikren.2020.5.107-126.

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Tanulmányomban Marsilio Ficino De vita libri tres című művének továbbéléséhez igyekszem új adalékokkal hozzájárulni. Szövegkiadásainak és fordításainak rövid áttekintése után utalok a szakirodalom korábbi eredményeire a németországi, franciaországi és svájci továbbélést illetően, majd kitérek néhány francia szerző azon műveire, amelyeket eddig nem vontak be a vizsgálódásba. Fő kérdésem azonban az, hogyan és mikor került Angliába a De vita? A válaszhoz az editio princepset (1489) követő három évet vizsgálom, amikor is három oxfordi tudós volt Firenzében Lorenzo de’ Medici vendégeként Angelo Pol

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44

Dietz, Mary G. "Trapping the Prince: Machiavelli and the Politics of Deception." American Political Science Review 80, no. 3 (1986): 777–99. http://dx.doi.org/10.2307/1960538.

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Machiavelli's most famous political work, The Prince, was a masterful act of political deception. I argue that Machiavelli's intention was a republican one: to undo Lorenzo de Medici by giving him advice that would jeopardize his power, hasten his overthrow, and allow for the resurgence of the Florentine republic. This interpretation returns The Prince to its specific historical context. It considers Machiavelli's advice to Lorenzo on where to reside, how to behave, and whom to arm in light of the political reality of sixteenth-century Florence. Evidence external to The Prince, including Machi

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45

Masseti, Marco, and Cecilia Veracini. "The first record of Marcgrave's capuchin in Europe: South American monkeys in Italy during the early sixteenth century." Archives of Natural History 37, no. 1 (2010): 91–101. http://dx.doi.org/10.3366/e0260954109001673.

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Around the end of the second decade of the sixteenth century, in the Villa Medici of Poggio a Caiano in the vicinity of Florence, the Florentine artist Andrea del Sarto painted a great fresco, commissioned by Pope Leo X in honour of his late father, Lorenzo de’ Medici. This fresco contains one of the earliest representations in Europe of a living South American primate, which can easily be identified as Marcgrave's capuchin, Cebus flavius ( Schreber, 1774 ). The appearance is so accurate that we can assume that the painter was familiar with the animal, and may even have used a live monkey as a

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46

Mazzacurati, Giancarlo. "Storia e funzione della poesia lirica nel Comento di Lorenzo de' Medici." MLN 104, no. 1 (1989): 48. http://dx.doi.org/10.2307/2904991.

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47

Pescatori, Rossella. "Lorenzo De’ Medici and the Art of Magnificence by F. W. Kent." Comitatus: A Journal of Medieval and Renaissance Studies 36, no. 1 (2005): 254–55. http://dx.doi.org/10.1353/cjm.2005.0056.

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48

Andersen, Wayne. "Lorenzo de’ Medici and the Art of Magnificence by F. W. Kent." Common Knowledge 25, no. 1-3 (2019): 454–55. http://dx.doi.org/10.1215/0961754x-7312633.

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49

Gutiérrez-Sanfeliu, Carles. "Princely Citizen: Lorenzo de’ Medici and Renaissance Florence by Francis W. Kent." Parergon 31, no. 2 (2014): 184–85. http://dx.doi.org/10.1353/pgn.2014.0141.

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50

BAGGS, BOB. "LORENZO DE' MEDICI: COLLECTOR AND ANTIQUARIAN BY LAURIE FUSCO & GINO CORTI." Art Book 14, no. 3 (2007): 68. http://dx.doi.org/10.1111/j.1467-8357.2007.00853_1.x.

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