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Relevant bibliographies by topics / Los Angeles-history

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Journal articles
Dissertations / Theses
Books
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Academic literature on the topic 'Los Angeles-history'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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Journal articles on the topic "Los Angeles-history"

1

McOuat, H. W. "HISTORY OF LOS ANGELES HARBOR." Coastal Engineering Proceedings 1, no. 1 (2010): 29. http://dx.doi.org/10.9753/icce.v1.29.

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The writer wonders if the person who assigned the subject of "History of Los Angeles Harbor" was aware that the conference was to be held in the Long Beach Municipal Auditorium. This latter city also has a harbor, the development of which is now so interwoven with that of Los Angeles that the Corps of Engineers in many official papers refers to "Los Angeles and Long Beach Harbors, California." In the evolution of this large, modern, combined harbor with its present friendly internal rivalry, it has been designated by a number of names. Cabrillo in 1542 called the place "Bahia de los Humos." On the charts Vizcaino, 1602-1603, it appears as "Ensenada de San Andres." In 1734, the Spanish Admiral Gonzales gave it the name San Pedro, which still applies to the bay as a whole and to the community along the westerly side of the harbor.

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Centino, Nicholas F. "Razabilly Boogie." Boom 2, no. 3 (2012): 91–97. http://dx.doi.org/10.1525/boom.2012.2.3.90.

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Los Angeles is the home to one of the largest and most vibrant scenes for rockabilly enthusiasts in the world. Since the turn of this century, the Los Angeles rockabilly scene has transformed to meet the desires of the Chicana/os and Latina/os who now make up the scene’s primary producers and consumers. Drawing on their own cultural genealogies, Los Angeles Chicana/os and Latina/os have not only claimed the scene for themselves, but have also rewrote themselves into the history of Los Angeles, and rewrote Los Angeles into the history of rock & roll.

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Ortiz, Isidro D., and Richard Romo. "East Los Angeles: History of a Barrio." International Migration Review 19, no. 2 (1985): 357. http://dx.doi.org/10.2307/2545783.

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Crookshank, C., and M. Kinsler. "1936 Los Angeles Synchronous Clock Project [History]." IEEE Power Engineering Review 17, no. 6 (1997): 44–45. http://dx.doi.org/10.1109/mper.1997.587569.

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Kurashige, Scott. "Rethinking Black history in multiethnic Los Angeles." Social History 33, no. 1 (2008): 1–11. http://dx.doi.org/10.1080/03071020701833283.

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Kampf, Anthony R. "The Natural History Museum of Los Angeles County." Rocks & Minerals 61, no. 6 (1986): 350–55. http://dx.doi.org/10.1080/00357529.1986.11768467.

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Larkham, Peter J. "Learning from Los Angeles." Urban History 28, no. 3 (2001): 428–34. http://dx.doi.org/10.1017/s0963926801000359.

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Several recent books provide reason for an extended review of aspects of the development and history of Los Angeles. This city is so prominent particularly in the entertainment media that it is often seen (from outside the USA at least) as the archetypal American city, which gives rise to many misconceptions. There is a great deal still to learn from Los Angeles.

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Hartig, Anthea. "Becoming Los Angeles: Stories of Nature and Culture. Natural History Museum of Los Angeles County." Public Historian 35, no. 4 (2013): 65–73. http://dx.doi.org/10.1525/tph.2013.35.4.65.

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McCullough, John. "A Los Angeles Science Fiction Sublime." Space and Culture 17, no. 4 (2014): 410–20. http://dx.doi.org/10.1177/1206331214543872.

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This article discusses representations of Los Angeles in science fiction films in the context of the aesthetic tradition of the sublime. The article argues that a Los Angeles science fiction sublime is achieved through representations that feature nature and culture hybrids, elaborate design and special effects (including the destruction of Los Angeles monuments), and detective narratives that provide labyrinthine investigations that challenge our understanding of identity, history, and being. Given that these tendencies have gained prominence only since 1980, the article considers postmodernism as an aesthetic category that can help us understand how Los Angeles spaces are integrated in the neoliberal world system.

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Monkkonen, Eric H. "Homicide in Los Angeles, 1827–2002." Journal of Interdisciplinary History 36, no. 2 (2005): 167–83. http://dx.doi.org/10.1162/0022195054741235.

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An analysis of nearly two centuries of homicide data that stretch back to the Mexican period for the city and county of Los Angeles reveal a long history of violence in the region, one in which the homicide rate has consistently been higher than that of other major cities. Such factors as national culture, regional differences, demographics, economics, and political structure help to account for the persistence of this pattern. Does this traditional tolerance for violence and homicide in Los Angeles signify a local articulation of what is deemed normal, and could long-term efforts be devised to counter it?

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Dissertations / Theses on the topic "Los Angeles-history"

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Orton, Chad M. "Saints in the Secular City: A History of the Los Angeles Stake." Diss., CLICK HERE for online access, 1989. http://patriot.lib.byu.edu/u?/MTNZ,4321.

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Meadows, Bethany. "We came 2 get down| A history of pop locking in Los Angeles." Thesis, California State University, Long Beach, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1527017.

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<p> This study draws a rich, vivid portrait of a marginalized and hidden dance community and how it made a visible impact on the mainstream and in countries around the world. In the 1980s black and Latino teens in Los Angeles performed a street dance called pop locking. During this time dancing helped keep urban teens out of gangs and create positive identities. In the 1990s pop locking went underground, but less than ten years later returned in areas outside of Los Angeles. This allowed 1980s dancers to serve as teachers and mentors to new dancers. </p><p> Twenty-seven pop lockers who danced from the 1980s to the 2000s were interviewed from June 2010 to July 2013. These interviews capture the history of the dance that started on the streets of California. Participant observation was conducted at Homeland Cultural Center in Long Beach, which is a hub for pop locking in Southern California.</p>

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McKillop, Bryn. ""What Will Become of L.A.?": A History of Street Vendor Criminalization in Los Angeles." Scholarship @ Claremont, 2018. https://scholarship.claremont.edu/scripps_theses/1221.

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Los Angeles stands as the largest city in the United States without comprehensive street vending regulation. Over the span of ten years, between 1984 and 1994, street vendor activists challenged Los Angeles to regulate street vending through the work of the Street Vendors Association. Within the same ten years, the city hosted the Olympics; the city introduced broken windows policing; immigration from the global south increased; and, a riot broke out. This thesis explores how Los Angeles’ ambition as a “city of the future” and its Mexican “past” impacted the politics of street vending during this span of time.

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Hilliard, Howard (Howard Louis). "The History of Horn Playing in Los Angeles from 1920 to 1970 : a Lecture Recital, Together With Three Recitals of Selected Works for Horn by M. Haydn, Franz, Britten, Mozart, Koetsier, Hindemith, Herzogenberg, Rossini, Stevens and others." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc1038828/.

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The History of Horn Playing in Los Angeles from 1920 to 1970 begins with the horn players who played in the silent film orchestras and the Alfred Brain's tenure with the Los Angeles Philharmonic. This study details the introduction of soundtracks, the early studio orchestras, the contract studio orchestras, the musician union's role in structuring the work environment, the horn players who played in both the Los Angeles Philharmonic and the studios, major figures from the subsequent freelance period such as Vincent de Rosa, and the local and international influence of the Los Angeles Horn Club.

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Franks, J. Elizabeth. "A Descriptive Analysis of Causal Attribution in News Reports of the 1992 Los Angeles Riots in Three National Newspapers." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc500294/.

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A content analysis was conducted to determine the amount and type of causal explanation included in coverage of the 1992 Los Angeles riots in The New York Times, the Los Angeles Times and The Christian Science Monitor. The data were analyzed to determine whether causal explanations were primarily societal or individual/situational. The primary purpose was to examine whether the press has altered its reporting techniques since the Kerner Commission report criticized the narrow, descriptive-based reporting of the 1960s riots. Study results indicate riot coverage was predominantly descriptive and similar in content to that detailed by the Kerner Commission. The most frequently cited cause was the triggering event, the Rodney King acquittal verdict.

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Angius, Carolyn M. "The Concrete River: Industry, Race, and Green Justice on the Banks of the Los Angeles River." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/291.

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Looking at it today, it is hard to believe that the now-concrete river bed was once one of the region’s most important rivers. The Los Angeles River was once framed by wide wetlands, forests of oak trees, and was critical in supporting indigenous, Mexican, Spanish, and early Anglo populations. At first glance, many parts of the Los Angeles River look nothing like a river at all. Belying the river’s historical importance, the river today looks far more like a highway than a naturally occurring body of water. While its current appearance may not reflect its centrality in the city’s history, the Los Angeles River is the reason why Los Angeles is located where it is today.

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Apodaca, Linda M. "Mexican American Women and Social Change: The Founding of the Community Service Organization in Los Angeles, An Oral History." University of Arizona, Mexican American Studies and Research Center, 1999. http://hdl.handle.net/10150/219194.

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The Community Service Organization, a grassroots social service agency that originated in Los Angeles in the late 1940s, is generally identified by its male leadership. Research conducted for the present oral history, however, indicates that Mexican American women were essential to the founding of the organization, as well as to its success during the forty-six years it was in operation. This paper is a history of the founding of the CSO based on interviews with eleven Mexican American women and one Mexican American man, all of whom were founding members.

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Bargmann, Alexander. "Fear and Loathing in Los Angeles: Industrial Decentralization and the Rise and Fall of L.A.'s Periphery." Scholarship @ Claremont, 2011. http://scholarship.claremont.edu/cmc_theses/95.

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During the 1920s, Los Angeles Boosters, fearing the congestion of East coast cities,developed ideas about urban growth that emphasized industrial decentralization and urban dispersal. Before, during, and after WWII, these fears intertwined with the rise of defense related industries, particularly aviation and steel. As the city continued to grow, becoming a regional metropolis, these defense related industries, long present in Los Angeles, were brought into peripheral hubs by local boosters looking to develop places like Palmdale and Fontana. These cities grew and became, as important manufacturing and defense centers, part of the larger regional economy. These forces and boosters were key in developing Los Angeles' urban character - from its sprawl to its reliance on the military industrial complex. As American manufacturing waned and the Cold War ended, significant downsizing in these industries (Steel in Fontana and aerospace in Palmdale) led to economic and urban transformations in these peripheral hubs. No longer booming manufacturing hubs, they became distant suburbs looking for new economic lifeblood on the edges of Los Angeles's urban and industrial sprawl.

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Mincher, Sally. "The Chicano art movement in American art history : post-1970s evolutions in the Los Angeles context." Thesis, University of Essex, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573017.

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The history of the Mexican American population of the United States has involved a succession of socio-political phases since the beginning of the twentieth-century. One phase termed the 'Chicano era' emerged in mid-century culminating in the 1960s period of civil-rights activism. In this unified social movement acting for change of the historical situation of oppression, the crucial role of the arts contributed to the formation of the Chicane art movement. This thesis concerns developments in Chicano art production following the civil rights era from the 1970s to the present day. Through its examination of the complexities of the strategic purpose of Chicano cultural production this thesis critiques established narratives of the genealogy of art history. It addresses how the Chicano art movement has contributed to a dismantling of late twentieth-century rigid paradigmatic art-historical structuring and has continued to generate a critique of the social system of the United States. This central premise draws on formative theoretical and ideological perspectives in the fields of Chicano Studies, Border Studies, postcolonial theory and cultural theory. Focusing on the California region and the urban centre of Los Angeles, it selectively examines the philosophical approaches and methodologies of individual artists and collaborative groups relative to transitional social processes and ongoing cultural evolutions in this growing heterogeneous community. This examination of the trajectory of the Chicano art movement into the twenty-first century indicates its significance for a future generation of artists.

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Sanchez, Luis Adan. "To catch a wave : The Beach Boys and rock historiography." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7954.

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From the release of their first single “Surfin’” in 1961 to the release of the album Pet Sounds in 1966, rock history traces the arc of the American rock group the Beach Boys in broad terms of the early-sixties Southern California surf music trend and the revolutionary effects of the Beatles’ stateside arrival in 1964. Typical claims for progress, autonomy, the significance of the album, and myths of authenticity in the study of the emergence of the rock concept, however, tend to promote an essentialist understanding of what rock music is about and what it is for. This study proposes an alternative narrative in which the regulating dichotomies of rock—art versus commerce, seriousness versus schlock, the authentic versus the inauthentic— are historicized, in the case of the Beach Boys’ transition from surf band to a complex studio recording project, as matters of creative practice and conflicting sensibilities. Questioning the conventional wisdom of rock history, this project suggests a counter-story about the significance of creative achievement, failure, and advancement

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Books on the topic "Los Angeles-history"

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The history of the Los Angeles Dodgers. Creative Education, 2003.

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Glover, Paul. Los Angeles: A history of the future. 3rd ed. [Eco-Home Network, 1989.

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LeBoutillier, Nate. The history of the Los Angeles Lakers. Creative Education, 2005.

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Stewart, Wayne. The History of the Los Angeles Dodgers. Creative Paperbacks, 2002.

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The history of the Los Angeles Dodgers. Creative Education, 1999.

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University Park, Los Angeles: A brief history. The History Press, 2013.

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The history of the Los Angeles Clippers. Creative Education, 2005.

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Miracle Mile in Los Angeles: History and architecture. The History Press, 2013.

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Julius, Shulman, ed. LA, lost & found: An architectural history of Los Angeles. Crown, 1987.

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LA lost & found: An architectural history of Los Angeles. Viking, 1987.

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Book chapters on the topic "Los Angeles-history"

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Millington, Gareth. "Los Angeles, urban history and neo-noir cinema." In Routledge International Handbook of Visual Criminology. Routledge, 2017. http://dx.doi.org/10.4324/9781315713281-34.

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Isaac, R. Mark, and Douglas A. Norton. "A Brief History of Los Angeles: Conditions for Institutional Change." In Just the Facts Ma'am. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137354396_2.

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Scott, Ian. "“This Is Not America: This Is Los Angeles”: Crime, Space, and History in the City of Angels." In Hollywood and the American Historical Film. Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-0-230-35789-1_11.

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Kafka, Judith. "Zero Tolerance and the Case of Los Angeles." In The History of "Zero Tolerance" in American Public Schooling. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9781137001962_1.

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Jefferys, Kevin. "The Shadows of Depression and War: Los Angeles 1932–London 1948." In The British Olympic Association: A History. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137363428_5.

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Tyrrell, Ian. "A Tale of Two Rivers: The Cooks River and the Los Angeles River in Transnational and Comparative Perspective." In Transnationalism, Nationalism and Australian History. Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5017-6_2.

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"6. The Drama Of Los Angeles History." In Whitewashed Adobe. University of California Press, 2019. http://dx.doi.org/10.1525/9780520932531-009.

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Irene, Klaver, and Frith J. "A History of Los Angeles’ Water Supply: Towards Reimagining the Los Angeles River." In A History of Water: Series III, Volume 1. I.B.Tauris & Co. Ltd, 2014. http://dx.doi.org/10.5040/9780755694310.ch-023.

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Felker-Kantor, Max. "Epilogue." In Policing Los Angeles. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469646831.003.0011.

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Not until the Rampart Scandal (the exposure of wide- spread corruption in the LAPD’s Rampart anti-gang Community Resources against Street Hoodlums unit) in the late 1990s led to a federal consent decree did the LAPD face rigorous oversight. While leading to a new era in the LAPD’s history, such oversight also opened possibilities for expanded police authority because decades of get-tough policies embedded police power in urban politics. As the conclusion to Policing Los Angeles, this chapter demonstrates the continued operation of the police power as well as the ways activists and residents in Los Angeles have continued to push for reform and restructuring of the Los Angeles Police department.

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"“The Los Angeles School of Urbanism: An Intellectual History”." In The City Reader. Routledge, 2015. http://dx.doi.org/10.4324/9781315748504-35.

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Conference papers on the topic "Los Angeles-history"

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Deane, R. Travis, Daniel Pradel, and Christopher A. Robertson. "Characterizing the Strength of Tar Sands in Los Angeles, A Case History." In IFCEE 2018. American Society of Civil Engineers, 2018. http://dx.doi.org/10.1061/9780784481622.036.

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Estes-Smargiassi, Kathryn, Austin J. W. Hendy, Margarete Villalobos, Elizabeth Ellwood, Emily Lindsey, and Agnes Novie. "PROJECT PALEO: CITIZEN CURATION AT THE NATURAL HISTORY MUSEUM OF LOS ANGELES COUNTY." In GSA Annual Meeting in Seattle, Washington, USA - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017am-307493.

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Figura Lange, Karen. "Los Angeles : The Architecture and Urban Design of Nontradition." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.40.

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Past urban planners, real estate speculators and myth makers have achieved the fantasy city of the future in Los Angeles. Based on the public dream of individualism and the desire for space, Los Angeles is a city inspired and created not by history but by future endeavors, speculative gestures, unlimited possibilities and fantasy. Rising from an agricultural village it has attained metropolis status through industries that promote and depend on myth; real estate development, tourism, film. Los Angeles has become the city it dreamed of being; a future city without historic connections and foundations. Without a sense of community, reality became image. The simultaneous development of the automobile and airplane fueled the growth and pattern of urban evolution in Los Angeles. Populated by individuals escaping their personal histories in the mid-west and east, Los Angeles became a city of newness with a civic lust for the new and a general acceptance that new is better. This lead to city development without historic precedent, and a reliance on technology, first the automobile and airplane, later the computer. In the end the city resembles suburbia infinitum, a city of nowhere, without a center, egalitarian and without hierarchy. Over this pragmatic patterning lies the concern for architects today; to work from within to create a sense of place without responding to the historical models, but developing an event from fragments, estrangement and loss of connectivity.

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Bertsch, H. "Biodiversity and natural history of the opisthobranch Fauna at Bahia de los Angeles, Baja California, Mexico." In Oceans 2003. Celebrating the Past ... Teaming Toward the Future (IEEE Cat. No.03CH37492). IEEE, 2003. http://dx.doi.org/10.1109/oceans.2003.178191.

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Rodriguez, Maria, and Kathryn Estes-Smargiassi. "WOMEN OF THE NATURAL HISTORY MUSEUM OF LOS ANGELES COUNTY: GENERATIONS OF FEMALE PALEONTOLOGISTS AND THEIR CONTRIBUTIONS." In GSA Annual Meeting in Denver, Colorado, USA - 2016. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016am-282548.

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Estes-Smargiassi, Kathryn, Austin J. W. Hendy, and Jann Vendetti. "INCREASING DIVERSITY AND CREATING A SUSTAINABLE WORKFLOW: DIGITIZATION AT THE NATURAL HISTORY MUSEUM OF LOS ANGELES COUNTY." In GSA Annual Meeting in Denver, Colorado, USA - 2016. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016am-285330.

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Hudson, Kenneth S., and Martin B. Hudson. "Case History of Column Cracking Due to Rotational Footing Movement at a Site in Los Angeles, California." In Geo-Congress 2020. American Society of Civil Engineers, 2020. http://dx.doi.org/10.1061/9780784482780.035.

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Hendy, Austin J. W., Kathryn Estes-Smargiassi, Jann Vendetti, and Lindsay J. Walker. "REIMAGINING INVERTEBRATE PALEONTOLOGY AT THE NATURAL HISTORY MUSEUM OF LOS ANGELES COUNTY: EMBRACING THE FUTURE WHILE CURATING THE PAST." In GSA Annual Meeting in Seattle, Washington, USA - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017am-307460.

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Gibb, Connie L., and Mark L. Howe. "THE GEOLOGICAL STUDY OF THE ANGELES DAM SITE OF THE RED BLUFF PROJECT (NEW MEXICO AND TEXAS): PECOS RIVER, DAM CONSTRUCTION AND HISTORY FROM 1929 TO TODAY." In GSA Annual Meeting in Denver, Colorado, USA - 2016. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016am-281531.

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Ross, Monte. "The History Of Space Laser Communications." In 1988 Los Angeles Symposium--O-E/LASE '88, edited by David L. Begley and Gerhard A. Koepf. SPIE, 1988. http://dx.doi.org/10.1117/12.976542.

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