Relevant bibliographies by topics / Los Angeles Opera

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Los Angeles Opera'

Author: Grafiati
Published: 27 February 2023
Last updated: 31 July 2025

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Journal articles on the topic "Los Angeles Opera"

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Aviles-Rodriguez, Guillermo. "Playing Hopscotch on Dangerous Ground: Site-Based, Transit-Oriented Opera in Los Angeles." Cambridge Opera Journal 35, no. 2 (2023): 178–94. http://dx.doi.org/10.1017/s0954586723000113.

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AbstractHopscotch: An Opera for 24 Cars was a celebrated site-based and technetronic musical performance that sought to bring opera into various communities in Los Angeles, many of which were economically disadvantaged. In the process, this opera set off a firestorm of protests that ultimately resulted in confrontations with community members, protests that would test the very premise of the dissemination of opera and performance outside spaces of privilege and in communities of colour. Informed by the concept of transit-oriented performance, this article analyses some ways in which neoliberal
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Kreuzer, Gundula. "Butterflies on Sweet Land? Reflections on Opera at the Edges of History." Representations 154, no. 1 (2021): 69–86. http://dx.doi.org/10.1525/rep.2021.154.6.69.

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Taking inspiration from Kalle Pihlainen’s philosophy of historical representation, this essay explores some of the ways in which operatic performance can harness the ambiguity between the genre’s historicist and presentist implications to mobilize not just the difference of the past from the present but also their connection. The essay focuses on two recent examples—Heartbeat Opera’s Butterfly (New York, 2017) and The Industry’s Sweet Land (Los Angeles, 2020)—whose unconventional presentations critically engage such temporal complexity. Moving beyond the proscenium and crucially involving the
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Rutherford-Johnson, Tim. "PATTERNS OF SHIMMER: LIZA LIM'S COMPOSITIONAL ETHNOGRAPHY." Tempo 65, no. 258 (2011): 2–9. http://dx.doi.org/10.1017/s0040298211000349.

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In recent years Liza Lim has emerged definitively as one of the finest composers of her generation. A series of major works, including Ecstatic Architecture, commissioned for the inauguration of the Walt Disney Concert Hall in Los Angeles, and her third opera, The Navigator have confirmed her possession of a voice that is versatile, evocative, deeply expressive and uncompromisingly modern.
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Anderson, Martin. "London, Royal Festival Hall: Shostakovich: Prologue to ‘Orango’." Tempo 67, no. 266 (2013): 83–84. http://dx.doi.org/10.1017/s0040298213000971.

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The music of Shostakovich's abandoned opera Orango wasn't itself such a surprise: the première, given in Los Angeles in December 2011, was recorded live and released soon after on a Deutsche Grammophon CD (0289 479 0249 2). But experiencing it in the flesh – at its European première in the Royal Festival Hall on 16 May – revealed the music all over again and left at least this listener slack-jawed in astonishment at the profligacy of Shostakovich's genius.
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Minin, Oleg. "Russian Artists in the United States." Experiment 20, no. 1 (2014): 229–59. http://dx.doi.org/10.1163/2211730x-12341264.

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Charting Nicholas Remisoff’s artistic legacy during his California period, this essay explores his contributions to the cultural landscape of the state and emphasizes his work on live stage productions in San Francisco and Los Angeles in the early 1930s and 1940s. Delineating the critical reception of Remisoff’s work in opera, ballet and theatre in these cities, this essay also highlights the artist’s interactions and key collaborations with other Russian and European émigré artists and reflects on the nature of Remisoff’s particular affinity with Southern California.
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Classen, Albrecht. "Peter Brathwaite, Rediscovering Black Portraiture. Los Angeles, CA: Getty Publications, 2023, 168 pp., numerous color ill." Mediaevistik 36, no. 1 (2023): 283–84. http://dx.doi.org/10.3726/med.2023.01.22.

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This might well be the most unusual book ever reviewed in our journal. Much of its material does not directly pertain to the Middle Ages, but there is enough documentation here to make it worthwhile for our consideration after all. The author, Peter Brathwaite, along with several collaborators, here presents his personal search for black individuals portrayed by many different artists from the Middle Ages to the present. He is certainly not the first to focus on this topic, but he adds a unique twist to it by presenting himself in a photo next to the original image re-enacting the pose by the
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Nisnevich, Anna. "Simon Morrison, Russian Opera and the Symbolist Movement. Berkeley and Los Angeles: University of California Press, 2002. 374 pp." Cambridge Opera Journal 15, no. 2 (2003): 199–206. http://dx.doi.org/10.1017/s0954586703001691.

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FADER, DON. "OPERA AND POLITICS IN THE ANCIEN RÉGIME, WILLIAMS ANDREWS CLARK MEMORIAL LIBRARY, UNIVERSITY OF CALIFORNIA, LOS ANGELES, 27–28 FEBRUARY 2009." Eighteenth Century Music 7, no. 1 (2010): 168–70. http://dx.doi.org/10.1017/s1478570609990753.

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Pankratov, V. M. "FEATURES OF THE EVOLUTION OF THE ARCHITECTURE OF THEATER BUILDINGS." Regional problems of architecture and urban planning, no. 16 (December 23, 2022): 90–98. http://dx.doi.org/10.31650/2707-403x-2022-16-90-98.

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The article is devoted to a thematic study of the history of the emergence and development of the architecture of theater buildings as a specific area of architectural creativity. Theater buildings have always been located, and are located today, in the public centers of large cities and urban agglomerations. These buildings perform an important cultural and educational function and are distinguished by architectural uniqueness and originality. They play an important organizing role in the architectural ensembles of city streets and squares, emphasizing the prospects of avenues and boulevards.
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Leicester, H. Marshall. "Discourse and the film text: Four readings of Carmen." Cambridge Opera Journal 6, no. 3 (1994): 245–82. http://dx.doi.org/10.1017/s0954586700004328.

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‘Quoi du reste’, to paraphrase Derrida on Hegel in Glas, ‘ici, maintenant, d'une Carmen?’ What's left of Carmen here and now? Aside from its intrinsic interest, the question seems worth asking in light of a bias that recent treatments of opera – particularly those influenced by poststrucuralist theory – seem to betray. The most prominent, Catherine Clément's Opera, or The Undoing of Women, Michel Poizat's The Angel's Cry and Jeremy Tambling's Opera, Ideology, and Film, regard opera as an institution rather than as a body of texts. Each of the authors, to my mind at least, allows a prior struct
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Dissertations / Theses on the topic "Los Angeles Opera"

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Leung, Pak Hei. "Nocturnal Angels." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1615998351567249.

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Branstetter, Leah Tallen. "Angels and Arctic Monkeys: A Study of Pop-Opera Crossover." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1249493305.

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ANGELO, MARIA DE NAZARETH EICHLER SANT. "LO SVILUPPO DEL NUOVO AMORE ALLA VITA NEL RINASCIMENTO VENETO E LA SUA AFFERMAZIONE NELL OPERA TEATRALE DI ANGELO BEOLCO (C. 1494-1542) E NEL TRATTATO DI ALVISE CORNARO (1477-1566)." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2012. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=21451@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>L analisi dei ideali di vita del commediografo Angelo Beolco e del patrizio Alvise Cornaro alla luce dei giudizi etico-pratici raccomandati dai poeti e filosofi antichi. L indagine s incentra nello sviluppo di um nuovo amore per la vita che si scopre nel impegno con i diritti e l autonomia della vita terrena. Le idee e i valori classici, introdotti nella vita cultura attraverso gli studia humanitatis, si sono metti d ac
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Clair-Pondard, Sylvie. "L'activité lyrique en province pendant l'entre-deux guerres : le triangle Angers, Nantes, Rennes." Rennes 2, 1996. http://www.theses.fr/1996REN20003.

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La présente thèse reconstitue la vie lyrique angevine, nantaise et rennaise de l'entre-deux-guerres. Nous avons étudié la politique culturelle des cités, le fonctionnement interne des institutions et les acteurs de cette vie lyrique : directeurs, chefs d'orchestre et musiciens, cantatrices et chanteurs, choristes, danseurs, figurants, techniciens. Nous avons ensuite abordé le répertoire - opéra, opéra-comique, opérette - puis la réception de ce dernier par la presse et le public. Se dresse ainsi tout un tableau de la vie lyrique angevine, nantaise et rennaise de l'entre-deux-guerres; tableau,
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CAVENAGO, MARCO. "ARTE SACRA IN ITALIA: LA SCUOLA BEATO ANGELICO DI MILANO (1921-1950)." Doctoral thesis, Università degli Studi di Milano, 2021. http://hdl.handle.net/2434/829725.

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Nell’ottobre del 1921 a Milano nacque la Scuola Superiore di Arte Cristiana Beato Angelico. Responsabili dell’iniziativa: don Giuseppe Polvara, l’architetto Angelo Banfi, il pittore Vanni Rossi, affiancati dallo scultore Franco Lombardi, dai sacerdoti Adriano e Domenico Bernareggi, dall’ingegner Giovanni Dedè, dal professor Giovanni Mamone e dall’avvocato Carlo Antonio Vianello. Gli allievi del primo anno scolastico furono nove, due dei quali (gli architetti don Giacomo Bettoli e Fortunato De Angeli) destinati a restare per lunghi anni nella Scuola come docenti: così avvenne anche col pittore
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Yapp, Francis Anthony. "Les Prétentions du Violoncelle: The Cello as a Solo Instrument in France in the pre-Duport Era (1700-1760)." Thesis, University of Canterbury. School of Music, 2012. http://hdl.handle.net/10092/7464.

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When Hubert Le Blanc published his Défence de la basse de viole in 1741, the cello had already established itself as a solo instrument in Parisian musical life. Several cellists, both French and foreign, had performed to acclaim at the Concert Spirituel, and the instrument had a rapidly expanding repertoire of published solo sonatas by French composers. Among the most significant of the early French cellist-composers were Jean Barrière (1707-47), François Martin (c. 1727-c. 1757), Jean-Baptiste Masse (c. 1700-1757), and Martin Berteau (1708/9-1771). Their cello sonatas are innovative, experime
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Princ, Břetislav. "První verze d'Albertovy opery Tiefland a její pražská premiéra." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-310430.

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This thesis reconstructs the Prague premiere of the opera Tiefland by Eugen d'Albert and describes how this performance differed from earlier ones. The sources cited are original materials from the archives of the National Theatre including musical scores and references from the contemporary press. The thesis also provides an overview of opera premieres and the repertory of the Neues Deutsches Theater in the period 1888-1910 and details of d'Albert's visit to Prague before the time of the Tiefland premiere.
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Books on the topic "Los Angeles Opera"

1

Alm, Irene. Catalog of Venetian librettos at the University of California, Los Angeles. University of California Press, 1992.

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Alm, Irene. Catalog of Venetian librettos at the University of California, Los Angeles. University of California Press, 1993.

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Irene, Alm, ed. Venetian opera libretti: A microfilm of Raccolta de'drammi, a collection of 1,286 opera libretti held by the University of California, Los Angeles. Research Publications International, 1993.

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Transatlántico, Pabellón, and Residencia de Estudiantes (Madrid, Spain), eds. Manuel de Falla y Manuel Angeles Ortiz: El retablo de Maese Pedro : bocetos y figurines : del 7 de mayo al 9 de junio de 1996, Pabellón Transatlántico. Residencia de Estudiantes, 1996.

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Fleischman, Sid. Disappearing act. Greenwillow Books, 2003.

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Osborne, Nigel. Hell's angels: An opera in two acts. Universal Edition, 1986.

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Poizat, Michel. The angel's cry: Beyond the pleasure principle in opera. Cornell University Press, 1992.

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Underhill, Jeff. The ballad of Angel's alley: A pocket opera. Yackandandah Playscripts, 1989.

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Gagliardi, Maurizio. Questo è il tempo del mio lieto aprile: Saggi in onore di Marcello De Angelis. LoGisma, 2013.

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Educational Resources Information Center (U.S.), ed. "Angels voices", libretto by Gary Race: Cue sheet for students. Kennedy Center], 1996.

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Book chapters on the topic "Los Angeles Opera"

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Busch-Salmen, Gabriele, and Walter Salmen. "Der Cophta. Als Oper angelegt. Der Groß-Cophta." In Goethe Handbuch. J.B. Metzler, 2008. http://dx.doi.org/10.1007/978-3-476-00032-3_22.

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Svolacchia, Sara. "«Amour qui résonne en mon âme». Dante tra traduzione e memoria poetica in Jacqueline Risset." In L'illustre volgare. Società Editrice Fiorentina, 2022. http://dx.doi.org/10.35948/dilef/978-88-6032-685-0.09.

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In questo articolo si tenta di indagare il rapporto tra traduzione e scrittura poetica nell’opera di Jacqueline Risset e in particolare nella raccolta L’Amour de loin del 1988. Traduttrice della Commedia in francese, Risset opera nella propria poesia una riscrittura di alcuni motivi danteschi (la donna angelo, qui trasformata in uomo; la topica del primo incontro che passa per la vista; il tema dell’amore da lontano) coniugata con una pratica citazionale in cui i versi di Dante appaiono di volta in volta tradotti, commentati, reinventati.
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"11. Old Competitors,New Opera Companies in 1925." In Making Music in Los Angeles. University of California Press, 2019. http://dx.doi.org/10.1525/9780520933835-013.

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Lo, Patrick, Robert Sutherland, Wei-En Hsu, and Russ Girsberger. "Melisandra Dunker, Music Librarian, Los Angeles Opera." In Stories and Lessons from the World's Leading Opera, Orchestra Librarians, and Music Archivists, Volume 1: North and South America. Emerald Publishing Limited, 2022. http://dx.doi.org/10.1108/978-1-80117-652-120221009.

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Rigaud, Antonia. "The Industry: Operas for the 21st Century." In American Dramaturgies for the 21st Century. Sorbonne Université Presses, 2021. https://doi.org/10.70551/uadf8530.

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The Industry is a young Los Angeles opera company which seeks to redefine opera by opening it up to 21st-century aesthetics. This strong interest in making opera into a contemporary genre can be seen in the way this company rejects traditional opera’s reliance on a certain kind of theatrical mise-en-scène, notably through its experimentation with in-situ performances. This article looks at some of the company’s most notable performances, which are analyzed in the context of American avant-garde performance as well as in the specific context of Los Angeles. In so doing, it reconsiders the signi
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Weiss, Piero. "John Adams On Nixon In China." In Opera. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195116373.003.0052.

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Abstract Nixon in China by John Adams and the poet Alice Goodman was given its premiere by the Houston Grand Opera on 22 October 1987 and was later seen in its original staging in New York, Washington, Amsterdam, Edinburgh, Los Angeles, Paris, Adelaide, and Frankfurt. A televised version was shown over the PBS network in 1988. The original productions were directed by Peter Sellars, who worked closely with Adams and Goodman on the concept and many details of the work. The opera has been revived several times in the United States and in Europe. Dubbed “headline opera” by the critics, Nixon in C
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Chieffo, Monica C. "“Uber opera”: the politics of site-specific mobile opera in Los Angeles." In Experiencing Music and Visual Cultures. Routledge, 2021. http://dx.doi.org/10.4324/9780429198366-10.

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"2. “The Largest and Most Enthusiastic Audience That Ever Has Assembled in the City”: The National Opera Company of 1887." In Making Music in Los Angeles. University of California Press, 2019. http://dx.doi.org/10.1525/9780520933835-004.

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Napoli, Pablo Vinicius, Vanda Fortuna Serafim, Giovanna Tolomeotti Pereira, and Laís Azevedo Fialho. "ANÁLISE DO DISCURSO E A AUTOBIOGRAFIA DE UM REVERENDO GAY." In Língua, Literatura e Cultura: sob a perspectiva do discurso - Volume 3. Editora Científica Digital, 2024. http://dx.doi.org/10.37885/240516661.

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No capítulo buscamos compreender a construção do discurso da Metropolitan Community Church, a principal igreja cristã voltada ao público LGBTI+ do mundo, nos primeiros anos de existência da instituição. Utilizamos como fonte a primeira autobiografia do seu fundador, ‘The Lord is my shepherd and he know’s I’m gay’ (PERRY, 1994), cuja primeira publicação data de 1972, na cidade de Los Angeles. Metodologicamente se busca compreender a fonte como parte da produção de um discurso segundo a ótica da análise do discurso de Eni Orlandi (2007, 2017, 2020). Ao fim da análise argumentamos que a autobiogr
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Kildea, Paul. "An Interview With Benjamin Britten (1967)." In Britten on Music. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780198167143.003.0090.

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Abstract BRITTEN: The story of how I came to write Peter Grimes was perhaps rather interesting. I was in California at the time and happened to pick up an old copy of The Listener, a very good English journal which reports radio talks; I found in it a talk by the English novelist E. M. Forster on the works of George Crabbe. There were quite a few quotations from the poem ‘Peter Grimes’ by Crabbe and I don’t know whether it was homesickness or a sudden opening of my eyes to a new poetic style, or both, but I was amazed and thrilled by this poetry. I went into Los Angeles a few days later and, i
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