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Books on the topic 'Los Angeles Opera'

Author: Grafiati

Published: 27 February 2023

Last updated: 31 July 2025

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1

Alm, Irene. Catalog of Venetian librettos at the University of California, Los Angeles. University of California Press, 1992.

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2

Alm, Irene. Catalog of Venetian librettos at the University of California, Los Angeles. University of California Press, 1993.

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3

Irene, Alm, ed. Venetian opera libretti: A microfilm of Raccolta de'drammi, a collection of 1,286 opera libretti held by the University of California, Los Angeles. Research Publications International, 1993.

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4

Transatlántico, Pabellón, and Residencia de Estudiantes (Madrid, Spain), eds. Manuel de Falla y Manuel Angeles Ortiz: El retablo de Maese Pedro : bocetos y figurines : del 7 de mayo al 9 de junio de 1996, Pabellón Transatlántico. Residencia de Estudiantes, 1996.

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5

Fleischman, Sid. Disappearing act. Greenwillow Books, 2003.

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6

Osborne, Nigel. Hell's angels: An opera in two acts. Universal Edition, 1986.

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7

Poizat, Michel. The angel's cry: Beyond the pleasure principle in opera. Cornell University Press, 1992.

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8

Underhill, Jeff. The ballad of Angel's alley: A pocket opera. Yackandandah Playscripts, 1989.

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9

Gagliardi, Maurizio. Questo è il tempo del mio lieto aprile: Saggi in onore di Marcello De Angelis. LoGisma, 2013.

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10

Educational Resources Information Center (U.S.), ed. "Angels voices", libretto by Gary Race: Cue sheet for students. Kennedy Center], 1996.

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11

Carey, Diane. The Dominion War: Sacrifice of Angels. Pocket Books, 1998.

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12

Geissler, Cristina Bertoldi. Roma degli angeli: Un itinerario artistico tra i protagonisti di grandi opere d'arte. Logart Press, 2000.

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13

Szendrei, Alfred. Im türkisen-blauen Garten: Der Weg des Kapellmeisters A.S. von Leipzig in die Emigration, erzählt von ihm selbst. Seume, 2014.

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14

Azzari, Margherita, and Leonardo Rombai, eds. Amerigo Vespucci e i mercanti viaggiatori fiorentini del Cinquecento. Firenze University Press, 2013. http://dx.doi.org/10.36253/978-88-6655-359-5.

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Il volume, realizzato per il "Programma biennale delle celebrazioni vespucciane (1512-2012)", su finanziamento dell'Ente Cassa di Risparmio di Firenze, è uno strumento di facile lettura per cittadini e studenti: al centro della trattazione, con Ilaria Luzzana Caraci, stanno la vita e le opere del navigatore Amerigo Vespucci. Vengono altresì messi a fuoco i contenuti economici e scientifici riferibili alla Firenze tra Quattro e Cinquecento – quando era tra le più importanti città d'Europa per peso finanziario, commerciale ed artistico-culturale – con la cultura geografico-cartografica di matric

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15

Reynolds, Alastair. Terminal world. Ace Books, 2010.

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16

Hughes, Finola. Soapsuds. Ballantine Books, 2005.

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17

Gann, Kyle. If You Have to Ask You Can’t Afford One. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252035494.003.0007.

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This chapter details Now Eleanor's Idea (1985–94). The five-and-a-half-hour tetralogy represents the conclusion of the American adventure, of Ashley's “history of our consciousness as Americans.” Now Eleanor's Idea, with its four symmetrical parts, embodies the great coming together in the Los Angeles of the future, with fragmented identities that need to be reconstituted. The tetralogy could be called Ashley's magnum opus, a mammoth continuum. Its operas—Improvement: Don Leaves Linda, eL/Aficionado, Foreign Experiences, and (the “title opera”) Now Eleanor's Idea—are clearly differentiated by

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18

Yunhwa Rao, Nancy. Two Theaters and a Merger in New York. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040566.003.0012.

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This chapter documents the rise of Cantonese opera theater in New York City from the mid-nineteenth century through the 1920s. By the mid-1920s, the New York theaters became a nodal point of the performing network linking San Francisco, Los Angeles, and elsewhere, sharing many of its talented performers. In New York's Chinatown, opera was an art form that united spectacle, drama, local and visiting talents, regional musical tastes, and musical tradition into a vibrant whole. At the height of its golden age, Chinese theater had taken its place in a city with a long and prestigious tradition in

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19

Yunhwa Rao, Nancy. From Lun On and Lun Hop to the Great China Theater, 1922–1925. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040566.003.0008.

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In 1922, the Lun On troupe arrived in Seattle from Canada. It was quickly joined by other Cantonese opera groups moving across national borders, creating a network spanning the hemisphere from Vancouver to Los Angeles, New York, Havana, Mexico City, Mexicali, and even Lima, Peru. Through detailed primary source analysis Rao describes the financial and artistic accomplishments of these troupes even as they faced stigmatism and resistance from anti-Chinese organizations and exclusionary immigration policies. The interaction between the opera troupe/performers and local community was lively, refl

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20

Yunhwa Rao, Nancy. A Theater of Actresses. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040566.003.0011.

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By its fourth year in operation, the Mandarin boasted a Los Angeles branch, troupes in Mexicali and elsewhere, and a close relationship with the Jock Ming On Theater in New York City. This chapter focuses on the period of the Mandarin’s continued success as it expanded its reach into the community, attracted superstar performers such as the actress Li Xuefang, and staged ever more grand productions. The chapter closes with the return of Cantonese opera troupe to Vancouver to a theater named Mandarin Theater co.

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21

Poizat, Michel. Angel's Cry: Beyond the Pleasure Principle in Opera. Cornell University Press, 1992.

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22

Fiala, Michele L., and Martin Schuring. Great Oboists on Music and Musicianship. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190915094.001.0001.

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This volume contains interviews with twenty-six of the most prominent oboists from around the world. The chapters are in prose format and highlight different aspects of each musician’s career, focusing on musicianship and pedagogy in ways that are applicable to all musicians. The interviews contain topics such as creating musical interpretations and shaping phrases, the relationship of vocal to instrumental music, taking orchestral auditions, and being a good ensemble player/colleague. The subjects describe their pedagogy and their thoughts on breathing and support on wind instruments, develop

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23

Gough, Peter, and Peggy Seeger. Innovation, Participation, and “A Horrible Musical Stew”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039041.003.0004.

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This chapter explores California's Federal Music Project (FMP), which produced the largest, most comprehensive and eclectic of the Music Projects in the western region. More than in any other state outside of New York, the opera proved quite popular in California, and musical productions drew tremendous critical praise and public interest. African American choral groups in both the Bay Area and Los Angeles also garnished much approval and remained some of the most popular of all Federal One efforts. Moreover, the California Folk Music Project—cosponsored by the University of California, Berkel

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24

Argento, Dominick. Masque of Angels. Boosey & Hawkes, Incorporated, 2004.

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25

Good and Evil Angels. Virtualbookworm.com Publishing, Incorporated, 2008.

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26

Parry, Richard. Tyche's Angels: A Space Opera Adventure Science Fiction Epic. Mondegreen, 2018.

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27

Somerset-ward, Richard. Angels and Monsters - Male and Female Sopranos in the Story of Opera, 1600-1900. Yale University Press, 2014.

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28

Somerset-Ward, Richard. Angels and Monsters: Male and Female Sopranos in the Story of Opera. Yale University Press, 2004.

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29

Angels and monsters: Male and female sopranos in the story of opera, 1600-1900. Yale University Press, 2004.

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30

Phantom Phantasia: Poetry for the Phantom of the Opera Phan. Batalha Publishers, 2014.

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31

Sternfeld, Jessica. “Pitiful Creature of Darkness”. Edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199331444.013.15.

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In Andrew Lloyd Webber’s hit megamusicalThe Phantom of the Opera(Broadway 1988), the title character invites a range of interpretations from both fellow characters and audience. Presented sometimes as superhuman (ghost, phantom, god, angel), sometimes subhuman (monster, animal, murderer, sociopath), the Phantom almost never manifests as a man with a disfigured face. Swathed in romance and coated with a layer of false pity, this musical invokes a number of standard plot tropes involving an Other versus a community, including several variations posited by scholars of Disability Studies. This cha

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32

Angel-seeker. Ace Books, 2004.

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33

Pender, Rick. Stephen Sondheim Encyclopedia. Rowman & Littlefield, 2021. https://doi.org/10.5040/9798881823498.

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Praise from Jesse Green, New York Times Chief Theater Critic, Arts, in the 2023 Holiday Gift Guide: “From A (the director George Abbott) to Y ('You Could Drive a Person Crazy'), The Stephen Sondheim Encyclopedia, by Rick Pender, offers an astonishingly comprehensive look, in more than 130 entries, at the late master’s colleagues, songs, shows and methods."The Stephen Sondheim Encyclopedia is a wonderfully detailed and comprehensive reference devoted to musical theater’s most prolific and admired composer and lyricist. Entries cover Sondheim’s numerous collaborators, from composers and director

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34

Reynolds, Alastair. Terminal World. Ace Hardcover, 2010.

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35

Guardians of paradise. Gollancz, 2010.

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36

Terminal world. Gollancz, 2010.

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37

Terminal World. Orbit, 2021.

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38

Terminal world. Ace Books, 2011.

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39

Haldeman, Joe W. Marsbound. Ace, 2009.

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40

Reynolds, Alastair, and Lee John. Terminal World. Tantor Audio, 2010.

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41

Reynolds, Alastair. Terminal World. Orbit, 2021.

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42

Terminal world. Clipper Large Print, 2010.

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43

Haldeman, Joe W. Marsbound. 2008.

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44

Snauffer, Douglas. Crime Television. Praeger, 2006. http://dx.doi.org/10.5040/9798400633720.

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Crime dramas have been a staple of the television landscape since the advent of the medium. Along with comedies and soap operas, the police procedural made an easy transition from radio to TV, and starting withDragnetin 1952, quickly became one of the most popular genres. Crime television has proven to be a fascinating reflection of changes and developments in the culture at large. In the '50s and early '60s, the square-jawed, just-the-facts detectives ofThe UntouchablesandThe FBIput police work in the best light possible. As the '60s gave way to the '70s, however, the depictions gained more s

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45

Opera Omnia : R. P. Francisci Suarez Granatensis È Societate Jesu, ... Commentaria Ac Disputationes in Primam Partem D. Thomae de Deo Effectore Creaturarum Omnium: In Tres Praecipuos Tractatus Distributae, Quorum Primus, de Angelis; Volume 2. Creative Media Partners, LLC, 2023.

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46

Opera Omnia : R. P. Francisci Suarez Granatensis È Societate Jesu, ... Commentaria Ac Disputationes in Primam Partem D. Thomae de Deo Effectore Creaturarum Omnium: In Tres Praecipuos Tractatus Distributae, Quorum Primus, de Angelis; Volume 2. Creative Media Partners, LLC, 2023.

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47

Soapsuds. Random House Publishing Group, 2009.

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48

The house sale. Christie's, 2004.

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49

Opus de Theologicis Dogmatibus: Nunc Primum Septem Voluminibus Comprehensum, in Meliorem Ordinem Redactum, Auctoris Ipsius Vita, Ac Libris Quibusdam Numquam in Hoc Opere Editis Locupletatum. in Quo de Angelis, de Mundi Opificio, de Pelagianis, Ac. Creative Media Partners, LLC, 2023.

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50

Opus de Theologicis Dogmatibus: Nunc Primum Septem Voluminibus Comprehensum, in Meliorem Ordinem Redactum, Auctoris Ipsius Vita, Ac Libris Quibusdam Numquam in Hoc Opere Editis Locupletatum. in Quo de Angelis, de Mundi Opificio, de Pelagianis, Ac. Creative Media Partners, LLC, 2023.

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