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Books on the topic 'Lost foam'

Author: Grafiati

Published: 4 June 2021

Last updated: 19 February 2022

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1

Ajdar, Ramin. The effect of mold materials on solidification, microstructure and fluidity of A356 alloy in lost foam casting. National Library of Canada, 2001.

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2

Platt, Chris. The lost foal. HarperEntertainment, 2000.

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3

Barquín, Juan Nicolás Padrón. Los géneros literarios y periodísticos. Universidad Autónoma de Nayarit, 2004.

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4

Todorov, Tzvetan, and Miguel Angel Garrido Gallardo. Teoría de los géneros literarios. Arco/Libros, 1988.

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5

Vicario, Miguel Medina. Los géneros dramáticos. Editorial Fundamentos, 2000.

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6

Garay, Jesús de. Los sentidos de la forma en Aristoteles. Ediciones Universidad de Navarra, 1987.

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7

Paradise lost and the rhetoric of literary forms. Princeton University Press, 1985.

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8

Universidad de Buenos Aires. Instituto de Filología Clásica, ed. Hermenéutica de los géneros literarios: De la antigüedad al cristianismo. Universidad de Buenos Aires, Facultad de Filosofía y Letras, 2013.

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9

La recepción del género: Una investigación sobre los juicios de calidad acerca de los medios. Facultad de Ciencias Sociales, U.N.L.Z., 1988.

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10

Otta, Francisco. Breviario de los estilos: Mil años de arte occidental. 2nd ed. Editorial Universitaria, 1985.

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11

Yarza, Francisco Caudet. Los mejores acertijos y adivinanzas. Edimat Libros, 1998.

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12

Gomes, Miguel. Los géneros literarios en Hispanoamérica: Teoría e historia. Ediciones Universidad de Navarra, 1999.

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13

Los géneros literarios en Hipanoamérica: Teoría e historia. Ediciones Universidad de Navarra, 1999.

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14

Goolsbee, Austan. Taxes, organizational form, and the deadweight loss of the corporate income tax. National Bureau of Economic Research, 1997.

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15

Weimer, Joan Myers. Back talk: Teaching lost selves to speak. Random House, 1994.

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16

Weimer, Joan Myers. Back talk: Teaching lost selves to speak. University of Chicago Press, 1996.

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17

Weimer, Joan Myers. Back talk: Teaching lost selves to speak. Random House, 1994.

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18

Vicario, Miguel Medina. Los géneros dramáticos en la obra teatral de José Luis Alonso de Santos. Ediciones Libertarias, 1994.

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19

Arfuch, Leonor. Memoria y autobiografía: Exploraciones en los límites. Fondo de Cultura Económica, 2013.

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20

Goolsbee, Austan. Taxes, organizational form, and the dead weight loss of the corporate income tax. American Bar Foundation, 1997.

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21

Milton: A study in ideology and form. Methuen, 1986.

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22

Menander. Menandro: Sobre los géneros epidícticos. Universidad de Salamanca, 1989.

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23

Moya, Francisco Ernesto Puertas. Aproximación semiótica a los rasgos generales de la escritura autobiográfica. Universidad de La Rioja, Servicio de Publicaciones, 2004.

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24

Bustamante, Carolina. Introducción a los géneros literarios: Teoría y técnica literaria. 4th ed. Cultural Panamericana, 1994.

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25

Gunzi, Christiane. Los tamaños. Two-Can, 2004.

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26

Noumbissi, Nzachée. Manual de información general sobre los géneros literarios y nociones básicas imprescindibles para la explicación de textos. Presses universitaires de Dakar, 2003.

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27

Barcelona?), Simposi d'Estudis Clàssics (7th 1983 Universitat Autònoma de. Los géneros literarios: Actes del VIIè Simposi d'Estudis Clàssics, 21-24 de març de 1983. Secció Catalana de la Societat Espanyola d'Estudis Clàssics, 1985.

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28

Berrio, Antonio García. Los géneros literarios: Sistema e historia (una introducción). Cátedra, 1992.

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29

Robertson, J. D. A preliminary investigation into possible haematological reasons for loss of form in athletes: A research study for the Scottish Sports Council. Scottish Sports Council, 1991.

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30

Lost foam: Casting made simple. American Foundry Society Publication, 2008.

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31

Fred, Sonnenberg, and AFS Committee 11-D., eds. Lost foam: Casting made simple. American Foundry Society Publication, 2008.

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32

Fred, Sonnenberg, and AFS Committee 11-D., eds. Lost foam: Casting made simple. American Foundry Society Publication, 2008.

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33

Lost foam: Casting made simple. American Foundry Society Publication, 2008.

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34

Platt, Chris, and Joanna Campbell. The Lost Foal (Thoroughbred Ashleigh). Tandem Library, 2000.

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35

Campbell, Joanna. Ashleigh #8: The Lost Foal (Ashleigh). HarperEntertainment, 2000.

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36

Campbell, Joanna. Ashleigh #8: The Lost Foal (Ashleigh). HarperEntertainment, 2000.

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37

Bowers, Edgar. The Form of Loss. Ams Pr Inc, 1988.

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38

Andru And Esposito's Get Lost! Hermes Press, 2008.

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39

Pappas-Kelley, Jared. Solvent Form. Manchester University Press, 2019. http://dx.doi.org/10.7228/manchester/9781526129246.001.0001.

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Solvent form examines the destruction of art—through objects that have been destroyed (lost in fires, floods, vandalism, or similarly those artists that actively court or represent this destruction, such as Gustav Metzger), but also as a process within art that the object courts through form. In this manner, Solvent form looks to events such as the Momart warehouse fire in 2004 as well as the actions of art thief Stéphane Breitwieser in which the stolen work was destroyed. Against this overlay, a tendency is mapped whereby individuals attempt to conceptually gather these destroyed or lost obje

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40

Lost Anatomies: The Evolution of the Human Form. Harry N. Abrams, 2019.

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41

Foster, Armand, and Cheryl Foster. Timbo and the Little Lost Foal (Timbo the Tractor). Farming Press Books and Videos, 2000.

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42

Photographic analysis technique for assessing external tank foam loss events. National Aeronautics and Space Administration, Marshall Space Flight Center, 2001.

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43

Walt Disney's Uncle Scrooge: The Lost Crown of Genghis Khan. Fantagraphics Books, 2017.

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44

Under de Bleate Loft: Brieven Foar Ryan. Independently Published, 2020.

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45

La Espuma De Los Dias/ The Foam of the Daze. Alianza, 2005.

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46

Brown, Carrie. Lots O'Riddles: Good Clean Fun for Everyone. Barbour Publishing, Incorporated, 2005.

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47

Wells, Stanley. 5. Shakespeare and comic form. Oxford University Press, 2015. http://dx.doi.org/10.1093/actrade/9780198718628.003.0005.

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Nearly half of Shakespeare’s plays, extending throughout his career, are written in comic form though they play a wide range of variations on it. ‘Shakespeare and comic form’ describes the five earliest as the lightest in tone, but in the five that follow, Shakespeare introduces an antagonist who must be expelled before the play can end happily. The later comedies were written for the Lord Chamberlain’s Men. The plays considered are The Two Gentlemen of Verona, The Taming of the Shrew, The Comedy of Errors, Love’s Labour’s Lost, A Midsummer Night’s Dream, The Merchant of Venice, The Merry Wive

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48

Lost in the Transit Desert: Race, Transit Access, and Suburban Form. Taylor & Francis Group, 2017.

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49

Barks, Carl. Walt Disney's Donald Duck Box Set: "Lost In The Andes" & "Trail Of The Unicorn". Fantagraphics, 2014.

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50

Lisa, Bradford, ed. La cultura de los géneros. Beatriz Viterbo Editora, 2001.

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