Relevant bibliographies by topics / Lost hip hop

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Lost hip hop'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Lost hip hop"

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Donovan-Condron, Kellie, and Marta S. Rivera Monclova. "“We erred, we lost, we lived to tell”: The Hip-Hop Gothic of Black Artemis’s Explicit Content." Studies in American Fiction 41, no. 1 (2014): 131–46. http://dx.doi.org/10.1353/saf.2014.0000.

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Devitt, Rachel. "Lost in Translation: Filipino Diaspora(s), Postcolonial Hip Hop, and the Problems of Keeping It Real for the "Contentless" Black Eyed Peas." Asian Music 39, no. 1 (2007): 108–34. http://dx.doi.org/10.1353/amu.2007.0045.

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Golpushnezhad, Elham. "Untold Stories of DIY/Underground Iranian Rap Culture: The Legitimization of Iranian Hip-Hop and the Loss of Radical Potential." Cultural Sociology 12, no. 2 (2018): 260–75. http://dx.doi.org/10.1177/1749975518769001.

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In this article, I aim to explore how legitimization and de-radicalization of the underground hip-hop subculture have restrained the DIY creation of social norms and cultural behaviours that mobilized Iranian hip-hop in the early 2000s. The article offers a critical discussion of the literature around legitimization of DIY/underground subcultures, specifically youth musical subcultures such as punk and hip-hop, before turning to an analysis of Iranian hip-hop culture in three phases: (1) hip-hop and the creation of a community, 2000–2003; (2) the golden age of Iranian hip-hop, 2003–2009; (3) contemporary Iranian hip-hop, 2009–2016. The article suggests that these three phases have finally led to the entry of hip-hop into the mainstream system and cultural industry, as recent trends bringing it in line with the values and standards of Islamic Iran result in turning underground DIY culture into a mainstream popular form of music supported and funded (indirectly) by the Islamic state.
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El-Khairy, Omar. "'Freedom's a Lifestyle Choice': US Cultural Diplomacy, Empire's Soundtrack, and Middle Eastern 'Youth' in our Contemporary Global Infowar." Middle East Journal of Culture and Communication 2, no. 1 (2009): 115–35. http://dx.doi.org/10.1163/187398609x430642.

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AbstractThe point of entry for this article is contemporary globalization, in particular its triumphant tone and promise of an alternative and improved global political arrangement. Although accepting that many of the most visible cultural expressions of globalization are American, contemporary accounts seem inadequate to address how globalization is more specifically providing the infrastructure for America's global dominance of 'benevolent supremacy.' Such an endeavor cannot be described simply in terms of a traditional colonial project, but rather as a pursuit of hegemony through techniques of government, modernization, and development, driven by the themes of American social doxa. With today's shift from an iron curtain ideology to a velvet curtain of culture, how is one to understand the current disjuncture(s) between the economy, communication, culture, and politics – this globally variable synaesthesia? This article, therefore, attempts to highlight today's mechanisms of control, as well as hip-hop culture's particular attempts to counteract our contemporary technopoly through its formation of alternative public spheres. Cultural campaigns are increasingly becoming the primary front to today's post-modern political economy. Through an investigation into the sensory assault of contemporary globalization across the Middle East, this article strives to re-work conventional approaches to the relation ship between commerce, communication, and culture in the region. The article concludes by interrogating what our soundtrack of globalization sounds like today, as well as the possible lessons to be learnt from those lost tapes of freedom which directed previous generations.
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Buscemi, Joanna, Angela Odoms-Young, Melinda R. Stolley, et al. "Comparative Effectiveness Trial of an Obesity Prevention Intervention in EFNEP and SNAP-ED: Primary Outcomes." Nutrients 11, no. 5 (2019): 1012. http://dx.doi.org/10.3390/nu11051012.

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There is a need to disseminate evidence-based childhood obesity prevention interventions on a broader scale to reduce obesity-related disparities among underserved children. The purpose of this study was to test the comparative effectiveness of an evidence-based obesity prevention intervention, Hip-Hop to Health (HH), delivered through Expanded Food and Nutrition Education Program (EFNEP) and the Supplemental Nutrition Assistance Program-Education (SNAP-Ed) versus the standard curriculum delivered by the programs (Standard Nutrition Education (NE)). A nonequivalent control group design was delivered to compare the effectiveness of HH to NE on weight gain prevention and health behavior outcomes at EFNEP and SNAP-Ed sites. One hundred and fifty-three caregiver–child dyads (n = 103 in the HH group; n = 50 in the NE group) participated in the study. HH is an evidence-based dietary and physical activity intervention for low-income preschool children. The NE curriculum provided lessons for children that are consistent with the Dietary Guidelines for Americans 2010. Data were collected on demographics, anthropometrics, and behavioral variables for parent–child dyads at baseline and postintervention. Mixed model methods with random effects for site and participant were utilized. No differences in child or caregiver diet, physical activity, or screen time by group were found. No between-group differences in child BMI z-score were found; however, caregivers in the HH group lost significantly more weight than those in the NE group. Results from this trial can inform future dissemination efforts of evidenced-based programs for underserved families.
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Ursej, Eva, Damir Sekulic, Dasa Prus, Goran Gabrilo, and Petra Zaletel. "Investigating the Prevalence and Predictors of Injury Occurrence in Competitive Hip Hop Dancers: Prospective Analysis." International Journal of Environmental Research and Public Health 16, no. 17 (2019): 3214. http://dx.doi.org/10.3390/ijerph16173214.

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Hip hop is a popular form of competitive and recreational sport worldwide, but studies rarely investigate injury prevalence and factors associated with injury occurrence in this sport. This study aimed to prospectively examine injury occurrence in hip hop dancers in a three-month period and to evaluate potential predictors of injury occurrence in hip hop dancers. The participants were 129 competitive hip hop dancers (114 females, 17.95 ± 4.15 years of age). Study predictors were obtained at study baseline and included sociodemographic factors, sport-related factors, previous injury status, anthropometric and body build indices (body height, mass, body mass index, and body composition variables), and dynamic balance performance (obtained by the Star Excursion Balance Test—SEBT). The outcome was injury occurrence, which was prospectively observed once a week by the Oslo Sports Trauma Research Center Overuse Injury Questionnaire (OSTRC). During the course of the study, 101 injuries occurred, equating to an annual injury incidence of 312%. On average, each dancer suffered 0.78 injuries (95% Confidence Interval (95% CI): 0.61–0.97) across a study period of three months (0.76 (95% CI: 0.60–0.95) and 0.93 (95% CI: 0.75–1.13), in females and males, respectively; Mann Whitney Z-value: 0.68, p = 0.52). Seventeen percent of dancers suffered multiple injuries, and 49% of all injuries were time-loss injuries. The knee was the most frequently injured body location (42% of all reported injuries), followed by the back region (32%) and the ankle (15%). Previous injury was a strong predictor of injury occurrence (Odds Ratio: 3.76, 95% CI: 1.87–4.59). Lower injury risk was evidenced among those participants who achieved better scores on several SEBT variables, irrespective of gender and previous injury status; with no significant influence of anthropometric and body build variables on injury occurrence. This study highlighted a high injury rate in hip hop dancers. Dancers and coaches should be informed about the certain protective effects of dynamic balance on the prevention of musculoskeletal injury in hip hop in order to assure safe and effective practices. The usage of SEBT as a convenient and cheap testing procedure is encouraged in other dance disciplines.
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Camp, Christopher L., John M. Zajac, Dave Pearson, et al. "The Impact of Workload on the Evolution of Hip Internal and External Rotation in Professional Baseball Players Over the Course of the Season." Orthopaedic Journal of Sports Medicine 6, no. 2 (2018): 232596711775210. http://dx.doi.org/10.1177/2325967117752105.

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Background: Although restricted hip range of motion (ROM) is associated with an increased risk for injuries in baseball players, the evolution of hip ROM over the season remains undefined. Hypothesis: Hip ROM profiles would be symmetric between hips and positions (pitchers vs position players) but would decrease from preseason to postseason. Additionally, it was hypothesized that this decrease in motion would correlate with workload. Study Design: Cohort study; Level of evidence, 2. Methods: Bilateral hip ROM was assessed in 96 professional baseball players (54 pitchers, 42 position players) preseason and postseason. ROM comparisons were made between lead and trailing hips, pitchers and position players, and preseason and postseason measures. The change from preseason to postseason was correlated with player demographics and measures of workload for pitchers and position players. Results: Preseason hip ROM was symmetric between hips; however, pitchers demonstrated increased preseason lead hip internal rotation (IR) ( P = .018) and bilateral hip total ROM (TROM) ( P < .020) compared with position players. From preseason to postseason, position players lost 7° of external rotation (ER) ( P ≤ .005 ). In pitchers, the loss of IR correlated with increased pitches ( P = .016) and innings ( P = .037), while the loss of ER ( P = .005 ) and TROM ( P = .014) correlated with increasing mean fastball velocity. Workload for position players did not correlate with motion loss. Conclusion: Symmetric hip ROM profiles should be anticipated in baseball players; however, pitchers may have increased preseason IR and TROM and postseason ER and TROM relative to position players. Although loss of motion correlated with workload in pitchers, this was not the case for position players. Hip motion should be monitored over the course of the season. This is particularly true for pitchers who lose IR as workload increases, which may place them at a greater risk for injuries.
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Tjukov, Olga, Tobias Engeroff, Lutz Vogt, Winfried Banzer, and Daniel Niederer. "Injury Profile of Hip-Hop Dancers." Journal of Dance Medicine & Science 24, no. 2 (2020): 66–72. http://dx.doi.org/10.12678/1089-313x.24.2.66.

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This study assessed the injury incidence, mechanisms, and associated potential risk factors for hip-hop, popping, locking, house, and breaking dance styles. Data were collected from June to November 2015. The retrospective cohort study included 146 dancers (female: N = 67; age = 20 ± 4.2 years; males: N = 79; age = 22.9 ± 5.8 years) who completed a questionnaire that collected data concerning training hours, injuries, self-reported injury causes, treatment, and recovery time over the last 5 years. For the last 5 years, 52% (N = 76) of the dancers reported 159 injuries and, in the year prior to the survey, 31.5% (N = 46) reported a total of 75 injuries. Overall, 0.61 injuries (5 years) and 1.156 injuries (1 year) per 1,000 hours exposure time occurred. For breaking, 1.286 injuries (5 years) and 2.456 injuries (1 year) per 1,000 hours exposure time were calculated, while the other dance styles accumulatively reached 0.151 injuries (5 years) and 0.318 injuries (1 year) per 1,000 hours of exposure time. Breakers reported most injuries at the upper extremities, followed by the lower extremities, trunk, and head and neck region. Most injuries in hip-hop occurred at the lower extremities, mainly affecting the knees, followed by groin and ankle. Injuries experienced by popping and locking dancers only involved the lower extremities. In house, the lower extremities were affected most frequently, followed by the trunk. A total of 65.3% of the dancers experienced time loss, with a duration of 12.7 ± 21.3 weeks. Breakers experience significantly more injuries than dancers of the other styles. Injury risk among dancers of all the styles studied can be considered low compared to soccer players, swimmers, and long-distance runners.
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Boylorn, Robin M. "Killing Me Softly or on the Miseducation of (Love and) Hip Hop." Qualitative Inquiry 22, no. 10 (2016): 785–89. http://dx.doi.org/10.1177/1077800416667685.

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In this bluesy poetic prose, the author engages poetry, personal narrative, and performance to reflect on how hip hop served as a soundtrack for her transition to womanhood in the rural south. She uses lyrics from Killing Me Softly (originated by Roberta Flack in the 70s and repopularized by The Fugees in 1996) and other songs from the 90s to tell stories about growing up, love, loss, depression, and abuse situated within her race, culture, sex, and social class. She muses how the cadences of sound and the words of songs helped her become a writer and feminist. She also reflects on how her formal and informal education has informed and been informed by her relationship to hip hop, which at times has fluctuated from fixation to disillusionment.
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Dey, Arjun, and Anoop Kumar Mukhopadhyay. "Nanoindentation Study of Phase-pure Highly Crystalline Hydroxyapatite Coatings Deposited by Microplasma Spraying." Open Biomedical Engineering Journal 9, no. 1 (2015): 65–74. http://dx.doi.org/10.2174/1874120701509010065.

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The present contribution has originated from a critical biomedical engineering issue e.g., loosening of metallic prostheses fixed with poly(methylmethylacrylate) (PMMA) bone cement especially in the case of hip joint replacement which ultimately forces the patient to undergo a revision surgery. Subsequently surgeons invented a cementless fixation technology introducing a bioactive hydroxyapatite (HAp) coating to the metallic implant surface. A wide variety of different coating methods have been developed to make the HAp coating on metallic implants more reliable; of which ultimately the plasma spraying method has been commercially accepted. However, the story was not yet finished at all, as many questions were raised regarding coating adherence, stability and bio-functionality in bothin vitroandin vivoenvironments. Moreover, it has been now realized that the conventional high power plasma spraying (i.e. conventional atmospheric plasma spraying, CAPS) coating method creates many disadvantages in terms of phase impurity; reduced porosity limiting osseointegration and residual stresses which ultimately lead to inadequate mechanical properties and delamination of the coating. Further, poor crystallinity of HAp deposited by CAPS accelerates the rate of bioresorption, which may cause poor adhesion due to quick mass loss of HAp coatings. Therefore, in the present work a very recently developed method e.g., low power microplasma spraying method was utilized to coat HAp on SS316L substrates to minimize the aforementioned problems associated with commercial CAPS HAp coatings. Surgical grade SS316L has been chosen as the substrate material because it is more cost effective than Ti6Al4V and CoCrMo alloys.
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Dissertations / Theses on the topic "Lost hip hop"

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Erixson, Jacob. "Lost in Identity : - A case study of three jewellery practices andhow they can function as codes of identity." Thesis, Konstfack, Ädellab/Metallformgivning, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-3641.

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During a major part of modernity the concept of identity was something that in many ways was predetermined for the individual. People in general remained in the same social spheres as the generations before, shared common religions and beliefs and where more or less bound to a geographic area. Identity and lifestyle was something that was adapted quite unreflected from habit and tradition. Though, during the cultural modernisation process that took place in the twentieth century, previous shared patterns of interpretation vanished and became individual.  Finding references, constructing an identity and establishing a self became individual. There was also a shift in the relationship to the objects that surround us. Instead of seeing the objects from a functionalistic view, objects and commercial goods also became representations of ourselves that sent out signals of who we wanted to be as individuals. The globalized media society that we have today gives an opportunity where we can pick up elements from different phenomena in society to create an eclectic blend of references as a way to construct our own lifestyle and unique identity. This essay deals with the question of how jewellery can function as a mark of identity. I have investigated three different jewellery practices to see what possibilities jewellery have as a potential communicator of identity. The jewellery practices that I investigated are Bling Bling jewellery within the Hip-Hop culture, jewellery in the Black Metal community and contemporary jewellery art in Sweden. What I found in common between these, at the surface very different cultural expressions, is that they mix different cultural references in a way similar to collage. By doing that they create new patterns of interpretation and codes that can be read by the ones initiated, which creates a sense of belonging and identity. Another aspect of jewellery within these practices is that the wearer or the maker charges the artefact with a meaning. To state either by making or wearing a piece of jewellery that this object stands for or talks about this and then communicate that to the surrounding. And if others accept these values it creates a common code of identity.<br><p>Upphovsrättsskyddat bildmaterial har tagits bort från orginalet.</p>
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Morris, De'Sean B. "Finding A Lost Style: Study 01_Questioning Relationships Between Black Architecture, Black Film, and Black Communities in the United States." University of Cincinnati / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1627661571907818.

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Golter, Samuel. "Women Rappers and Neoliberal Indifference: Reevaluating the Racial and Sexual Politics of Los Angeles Gangsta Rap in the Early 1990s." Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23158.

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This thesis asks why women gangsta rappers have been excluded from virtually all academic and popular discourses about the genre. While ‘positive’ and ‘empowering’ New York-based female rappers in the late 80s and 90s are often referenced by those concerned with gangsta rap’s misogynistic tendencies, women rappers in Los Angeles who performed alongside male gangsta rappers, were represented on labels managed by gangsta rappers, and were otherwise self-consciously engaging in the gangsta rap style are almost never acknowledged by either the genre’s defenders or detractors. By interrogating this discursive absence, I reevaluate the neoliberal sexual and racial politics of gangsta rap’s censorship discourse and interrogate the rhetorical and representational strategies deployed by female gangsta rappers such as Lady of Rage, Bo$$, NiNi X, Menajahtwa, H.W.A., and Yo-Yo to both contest misogyny and express coalitional affinity with their male counterparts from within the genre itself.
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Pérez, Soto Javier. "La sabrosura del barrio. Una mirada a los treinta años del movimiento hip hop en Santiago." Tesis, Universidad de Chile, 2018. http://repositorio.uchile.cl/handle/2250/150610.

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Tesis para optar al título de periodista<br>A nivel nacional como internacional el hip hop es una cultura urbana masiva donde sus cultores encuentran un punto de unión en las condiciones de marginalidad social contra las que primero se irigió el movimiento siendo heredero de otras formas de protesta social de raíces afroamericanas nacidas en la década del ´60. Así, esta memoria, a través de un reportaje, busca establecer un paralelo entre los alcances políticos de este movimiento artístico en sus expresiones estadounidenses y chilenas.
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Rodríguez, Vega Nelson. "Confrontación en la comunidad Hip hop chilena por el valor de la autenticidad : disputa entre la vieja y nueva escuela durante los '90." Tesis, Universidad de Chile, 2019. http://repositorio.uchile.cl/handle/2250/168420.

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Tesis para optar al grado de magíster en artes, mención musicología<br>Adentrarme en el estudio del comportamiento de quienes se reúnen alrededor de la música hip hop en Chile me exigía la utilización de un concepto que diera cuenta del grupo social que investigo, es decir, a los hiphoperos chilenos. Reconozco en el concepto de escena musical un referente para caracterizar a mi objeto de estudio, porque hace mención a una territorialidad en donde confluyen diferentes participantes por el agrado hacia un determinado género musical, en este caso el hip hop. No obstante, el término no es satisfactorio del todo a mis propósitos porque básicamente infiero una cierta jerarquización entre los involucrados. Tanto la industria como los músicos se encontrarían en un estadio superior en referencia a por ejemplo los seguidores, quienes incluso algunos no necesariamente se inmiscuyen en la práctica de este género. Ante esto, en el presente trabajo, prefiero utilizar el de comunidad musical, porque aun cuando los propios hiphoperos chilenos incurren en una jerarquización del tipo informal, en un primer momento todos se posicionaron desde un mismo escalafón, especialmente cuando la industria cultural aún no se relacionaba con el hip hop nacional. Esta circunstancia provocó que el sentido “comunitario y de hermandad” se convierta en la marca identitaria de este género en sus primeros años en Chile (los ’80). De este modo, puedo construir un relato en que evidencio cómo las relaciones sociales de los exponentes locales se complejizaron y se abandonó este enfoque de comunidad, facilitando así el paso a una escena musical. Una que, por cierto, hizo que este tipo de música pudiese llegar a oídos de una mayor cantidad de personas en el país.
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Moreno, Sialer Alexandra Giovanna. "Rap, hip hop y feminismo en Lima: análisis de los discursos generados desde la participación de las raperas dentro de la escena musical del hip hop en Lima en la actualidad." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2021. http://hdl.handle.net/20.500.12404/19649.

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Este documento busca indagar sobre la participación de las raperas en la escena musical del hip hop en Lima. Atravesando el contexto del desarrollo del feminismo en el Perú y en Latinoamérica —en el sentido de hablar de la existencia de un rap femenino latinoamericano— se busca analizar la participación de las mujeres en el movimiento hip hop. Tomando en cuenta también la interacción entre el arte, las luchas sociales y el feminismo, es que finalmente se busca identificar los discursos feministas generados desde el contenido lírico de las canciones de raperas feministas limeñas. Desde el trabajo de campo, recolección de información en eventos y material fonográfico, hasta las entrevistas a cuatro raperas destacadas dentro de la escena limeña del hip-hop es que se busca retratar la realidad del papel de la mujer en el movimiento hip hop. Así mismo se indaga en la probabilidad de la generación de consciencia y empoderamiento de la mujer desde estos espacios, los cuales en sus inicios eran totalmente masculinizados. Con esta investigación también se busca generar nuevos cuestionamientos y motivar más investigaciones al respecto de la participación de las mujeres en las escenas e industrias musicales peruanas, promoviendo la reflexión sobre el rol de las mujeres en la música. Finalmente, esta investigación busca determinar si la participación de las mujeres en el movimiento hip hop en Lima generan un impacto desde la música y el arte, a través de sus producciones musicales y de eventos, para promover espacios justos, seguros y libres de discriminación creando una conciencia feminista en sus oyentes.
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Wilkinson, Jeremy Mark. "Pathogenesis and prevention of aseptic loosening after total hip arthroplasty." Thesis, University of Sheffield, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.247254.

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Alvarez, Jaimes Javier. "Contrapunteo entre los discursos sobre violencia en El Tiempo, crónicas independientes, y el hip hop de la comuna 13 de Medellín, 2002-2012." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/55663.

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Since 2002, the San Javier district known as Comuna 13 in Medellín, Colombia, has occupied a space in the imagination of Colombians as a violent and dangerous area. Comuna 13, a marginalized neighborhood in the city’s urban sprawl, had been receiving for decades the displaced victims of the violence of the armed conflict in the countryside as well as people from other towns and rural areas attracted by Medellín’s reputation as a progressive and developed city. This thesis analyzes the news articles referring to Comuna 13 in El Tiempo, a widely circulated newspaper in Colombia and a powerful tool of manufacturing public consent, articles which persistently associate the area with violence in the public perception as a result of military operations Mariscal and Orión, launched by the government to disband groups of urban guerrillas that had taken hold in this segregated area of Medellín. Key discussions of the place, including Comuna 13: Crónica de una guerra urbana (2007) by Ricardo Aricapa and Crónicas en el barrio El Salado by Albeiro Ospina dialogue with the discourse of the press, while giving voice to the residents who account for their own versions of violence. These narratives are contrasted with the political actions of youth movements through hip hop which empowers them to create their own poetics of space. The four elements of hip hop (rap, graffiti, breakdance and DJing), practiced by young residents, who have taken to the streets occupying them with sounds, movements and images, become tools in the production of space, reconfiguring in epic dimensions their own perception of Comuna 13.<br>Arts, Faculty of<br>French, Hispanic, and Italian Studies, Department of<br>Graduate
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Vasquez, Medico Andrea Victoria. "Estudio de la interrelación entre el lenguaje corporal del bailarín de Hip Hop y los principios del movimiento en la técnica Flying Low." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2021. http://hdl.handle.net/20.500.12404/19675.

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El presente estudio se centra en el proceso de investigación de la interrelación corporal entre bailarines de Hip Hop y la técnica Flying low, a través de un laboratorio práctico. Con este objetivo se busca diseñar una metodología que plantee vías eficientes y saludables para ingresar al suelo desde la apropiación de principios del Flying low por bailarines de Hip Hop. Asimismo, se propone un diálogo recíproco entre ambos lenguajes de movimiento para un intercambio equitativo, integrando patrones del Hip Hop en la técnica Flying low. Finalmente, se comparte reflexiones con base a los descubrimientos en el proceso y a su tentativa por aportar al bien común de la danza nacional.<br>The present study focuses on the research process about the corporal interrelationship between Hip Hop dancers and the Flying low technique, passing trought a practical laboratory. With this objective, it seeks to design a methodology that proposes efficient and healthy ways to enter into the ground from the appropriation of the Flying low principles by Hip Hop dancers. Likewise a reciprocal dialogue between both languages of movement is proposed for an equitable exchange, integranting Hip Hop patterns in the Flying low technique. Finally, reflections are shared base on the discoveries in the process and their attempt to contribute to the common wellness of national dance.
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Sánchez, Villegas Rodrigo Ignacio. "La influencia de los arreglos y las técnicas de producción de hip hop en el desarrollo de propuestas musicales norteamericanas de mainstream pop (2010-2019)." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/655917.

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Este trabajo de investigación, mediante el uso de un profundo análisis histórico y musical, pretende determinar el papel del hip hop dentro de la música popular norteamericana. Para esto, se estudiará la historia del hip hop desde su surgimiento durante los años setenta, siguiendo su evolución y analizando a sus principales representantes, con el objetivo de descubrir cuál era la forma de trabajo de cada uno de ellos, pudiendo así, rescatar técnicas importantes que son fundamentales para el desarrollo del género, para finalmente, generar un concepto general de lo que significa el hip hop, musicalmente hablando. Posteriormente, se realizará un estudio similar con el mainstream pop norteamericano, centrándose especialmente en el aspecto musical, tomando como punto de partida sus influencias principales. A partir de los conceptos adquiridos durante este proceso, también se creará un concepto general, que envuelva, no solo los aspectos formales/musicales, sino también, los criterios estéticos que puedan ser útiles para finalmente comparar al mainstream pop con el hip hop. El resultado de esta investigación, revelará de la forma más profunda posible, la relación entre la música pop y el hip hop, una forma musical que durante mucho tiempo fue considerada de ghetto. Evidenciando, no solo la constante evolución de la música popular en el tiempo, sino la trascendencia de la música urbana afroamericana en la cultura popular de Estados Unidos y el mundo occidental.<br>This investigation, via the use of deep historical and musical analysis, has the objective of deciding the role of hip hop in today’s north american popular music. For this matter, we will study hip hop’s history, since it’s first appearance during the 70’s, following it’s evolution and getting to know it’s main representatives, attempting to discover their workflows, whilst rescuing fundamental techniques for the gender’s developement, finally coming to a general concept that wraps up everything hip hop means, musically speaking. Afterwards, an equally thourough studie will be made for mainstream pop, focusing specially on the musical side of it; taking its roots and influences as the main starting point. By these means, we will attempt to create a general concept that wraps up, not only the musical/formal aspects, but the aesthetic criteria that we may find useful to make a final comparison between hip hop and masintream pop. The result of this investigation will reveal in the thougroughest way posible, the relationship between north american popular music with a musical form that for a long time was considered “of the ghettos”. Proving, not only the constant evolution of the USA’s popular culture, but the transcendence of urban afro-american music in North America’s and all western world’s popular culture.<br>Trabajo de investigación
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Books on the topic "Lost hip hop"

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Williams, Saul. The dead emcee scrolls: The lost teachings of hip-hop and connected writings. MTV Books/Pocket Books, 2006.

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The dead emcee scrolls: The lost teachings of hip-hop and connected writings. MTV Books/Pocket Books, 2006.

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José, Casasbuenas Ortiz María, ed. Nos-otros los jóvenes: Polisemias de las culturas y los territorios musicales en Medellín. Universidad de Medellín, 2005.

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Karapetkova, Holly. Danza =: Dance. Rourke Pub., 2010.

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Karapetkova, Holly. Danza =: Dance. Rourke Pub., 2009.

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Lingyan, Ma, ed. Wo yao yi shuang ming xing tui. Guangxi ke xue ji shu chu ban she, 2009.

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Williams, Bruce. Rollin' with Dre: The unauthorized account : an insider's tale of the rise, fall, and rebirth of West Coast hip hop. One World, 2008.

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HIV/AIDS: Loss, grief, challenge, and hope. Taylor & Francis, 1996.

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Xuan, Huang, ed. Bai bai xia ban shen fei pang. Hua wei guo ji, 2012.

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Williams, Bruce. Rollin' with Dre. Random House Publishing Group, 2008.

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Book chapters on the topic "Lost hip hop"

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Bailey, Julius. "Lost in the City and Lost in the Self: Sin and Solipsism in Hip-Hop’s Dystopia; St. Augustine, Toni Morrison, and Paul Tillich." In Philosophy and Hip-Hop. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137429940_6.

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Kline, Kip. "You Better Lose Yourself!" In See You at the Crossroads: Hip Hop Scholarship at the Intersections. SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-674-5_5.

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Longjohn, Donald B., and Lawrence D. Dorr. "Bone Stock Loss and Allografting: Femur." In Revision Total Hip Arthroplasty. Springer New York, 1999. http://dx.doi.org/10.1007/978-1-4612-1406-9_10.

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Westrich, Geoffrey H. "Bone Stock Loss and Allografting: Trochanter." In Revision Total Hip Arthroplasty. Springer New York, 1999. http://dx.doi.org/10.1007/978-1-4612-1406-9_11.

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Paprosky, Wayne G., Michael S. Bradford, and Todd D. Sekundiak. "Bone Stock Loss and Allografting: Acetabulum." In Revision Total Hip Arthroplasty. Springer New York, 1999. http://dx.doi.org/10.1007/978-1-4612-1406-9_9.

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Khlopas, Anton, Linsen T. Samuel, and Atul F. Kamath. "Surgical Management of Femoral Bone Loss." In Advances in Specialist Hip Surgery. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-61830-8_22.

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Wroblewski, B. M. "Loss of Bone Stock." In Revision Surgery in Total Hip Arthroplasty. Springer London, 1990. http://dx.doi.org/10.1007/978-1-4471-1788-9_24.

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Fisher, John. "Wear of Hard-on-Hard Bearings in the Hip: The Influence of Loss of Conformity Under Edge Loading." In Total Hip Arthroplasty. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-35653-7_17.

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Taggart, Declan. "Introduction." In How Thor Lost His Thunder. Routledge, 2017. http://dx.doi.org/10.4324/9781315164465-1.

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Taggart, Declan. "Sources." In How Thor Lost His Thunder. Routledge, 2017. http://dx.doi.org/10.4324/9781315164465-2.

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Conference papers on the topic "Lost hip hop"

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Tien, J. K., B. C. Hendrix, J. C. Borofka, and T. Abe. "Hot Isostatic Pressing (HIP) Densification Of Oxide Superconductors." In 1988 Los Angeles Symposium--O-E/LASE '88, edited by James A. Ionson and Roy Nichols. SPIE, 1988. http://dx.doi.org/10.1117/12.943994.

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Hedner, U., T. Mätzsch, D. Berggvist, H. Fredin, and P. Østergaard. "SAFE DOSING OF LMW HEPARIN IN HIP SURGERY." In XIth International Congress on Thrombosis and Haemostasis. Schattauer GmbH, 1987. http://dx.doi.org/10.1055/s-0038-1644194.

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An enzymatically degraded low molecular weight heparin (mean mol wt 4900 dalton, LOGIPARIN, NOVO In-dustri, Denmark) was given s.c. in a dose of 35 Xal u/kg b.w. once daily to 10 patients undergoing elective hip surgery in order to study the plasma levels of Xal and Hal activity and with special regard to safety. The Xal activity in plasma was ≤ 0.24 Xal u/ml and the Hal activity ≤ 0.043 Hal u/ml. No bleeding complications were observed, and no increase in per- and postoperative blood loss was seen in the present study. It is therefore postulated that plasma levels of the Xal and Hal activities within the range obtained are safe with regard to bleeding complications for the LMW heparin used and in the dose administered. No accumulation was seen, which may contribute to the safety. No phlebographically verified thrombi were registered but the antithrombotic efficacy of the dose regimen used remains to be demonstrated in a larger number of patients under controlled conditions, a study that is well under way.
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Sommer, J. P., C. Gunner, P. Uhlig, R. Kulke, and B. Michel. "Design of Low Loss Beam Forming Networks - supported by numerical simulations and material characterisation." In High Density Packaging (ICEPT-HDP). IEEE, 2010. http://dx.doi.org/10.1109/icept.2010.5582367.

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Jianxin, Qiu, and He Feng. "Study on Pitch Deviation for Coupling Loss in Fiber Collimator Packing." In 2005 Conference on High Density Microsystem Design and Packaging and Component Failure Analysis. IEEE, 2005. http://dx.doi.org/10.1109/hdp.2005.251446.

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Khanoki, Sajad Arabnejad, and Damiano Pasini. "Multiscale Design and Multiobjective Optimization of Orthopaedic Cellular Hip Implants." In ASME 2011 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2011. http://dx.doi.org/10.1115/detc2011-47487.

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A multiscale design and multiobjective optimization procedure is developed to design a new type of graded cellular hip implant. We assume that the prosthesis design domain is occupied by a unit cell representing the building block of the implant. An optimization strategy seeks the best geometric parameters of the unit cell to minimize bone resorption and interface failure, two conflicting objective functions. Using the asymptotic homogenization method, the microstructure of the implant is replaced by a homogeneous medium with an effective constitutive tensor. This tensor is used to construct the stiffness matrix for the finite element modeling (FEM) solver that calculates the value of each objective function at each iteration. As an example, a 2D finite element model of a left implanted femur is developed. The relative density of the lattice material is the variable of the multiobjective optimization, which is solved through the non-dominated sorting genetic algorithm II (NSGA-II). The set of optimum relative density distributions is determined to minimize concurrently interface stress distribution and bone loss mass. The results show that the amount of bone resorption and the maximum value of interface stress can be reduced by over 70% and 50%, respectively, when compared to current fully dense titanium stem.
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Gerhart, T., H. Yett, A. Donovan, M. A. Lee, M. Smith, and E. W. Salzman. "ORGANON 10172 VS. WARFARINTO PREVENT VENOUS THROMBOSIS AFTER HIP FRACTURE." In XIth International Congress on Thrombosis and Haemostasis. Schattauer GmbH, 1987. http://dx.doi.org/10.1055/s-0038-1643686.

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Deep venous thrombosis (DVT) remains a serious and frequent complication after fracture of the hip, and even the mostefficacious prophylactic agents, e.g., warfarin, may fail to prevent DVT in up to 2056 of cases. There is evidence that low molecular weight heparin or heparin-like agents may have advantages in antithrombotic prophylaxis with reduced hemorrhagic sideeffects in patients at risk of DVT. We are engaged in a randomized prospective trial comparing the antithrombotic effect ofwarfarin (PT 1.5x control)with that of Organon 10172, a mixture ofsulfated low molecular weight glycosamioglycans (750 anti-Xa u b.i.d. sc., begunpreop and continued 9 days, followe by warfarin). Diagnosis is by 125-1 fibrinogen scan and impedence plethysmography with confirmatory phlebography. At present71 patients have been admitted, and patient groups are comparable in age, sex, type of fracture, and all other significant respects. DVT has been diagnosed in 7of 36 patients given warfarin an in 1 of35 patients who received Organon10172. Pulmonary embolism has not beenencountered. GI bleeding has occurred twice on warfarin and once on Organon 10172 There has been no difference in estimated operative blood loss, transfusion requirements, or other major bleeding complications.One patient on warfarin died ofmyocardial infarction and pneumonia. There were no other adverse reactions.The study is still in progress. The present trend in the results suggests that the heparinoid Organon 10172 may be a promising new agent to prevent DVT in high risk patients, such as those with fractures of the hip.
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Scheibel, John R., Rajeev Aluru, and Hans van Esch. "Mechanical Properties in GTD-111 Alloy in Heavy Frame Gas Turbines." In ASME Turbo Expo 2018: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/gt2018-75432.

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Nickel-based superalloys are extensively used in manufacturing hot gas path components in industrial gas turbines used for power generation. Specifically, GTD-111 DS is one of the widely used alloys used in manufacturing the hot gas path rotating components. These components are subjected to extreme operating environments resulting in creep, oxidation, and fatigue of the components during operation. After continued operation, these damage modes need to be repaired and the components go through extensive repair processes, which include several heat treatments to recover the mechanical properties of the base material (GTD-111 DS) lost during operation. The heat treatments used during repair by the different repair vendors can vary widely in terms of temperature, time and the sequence as well. This study focuses on understanding the differences in the effects of the heat treatments (partial solution, full solution, HIP and full solution) to the base material in terms of microstructure-mechanical property relationships. Results indicate that HIP and full solution resulted in refined microstructures and improved mechanical properties compared to the heat treatments involving partial solution or full solution only. Microstructuremechanical property relationships suggest that components that need to be repaired beyond OEM recommended repair intervals benefit from the HIP and full solution heat treatments.
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Li, Kristina Kangqiao, and Emily Geist. "Numerical Correction of Error in a Computer-Aided Mechanical Navigation System for Arthroscopic Hip Surgery." In ASME 2013 Conference on Frontiers in Medical Devices: Applications of Computer Modeling and Simulation. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/fmd2013-16116.

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Computer-Aided techniques have been deployed more commonly in recent years to assist with surgical procedures, particularly in the case of minimally invasive surgeries. Arthroscopy, as one of the most prevailing minimally invasive surgical procedures, increases surgical complexity due to the loss of joint visibility, but has many advantages. More obstacles are encountered during hip arthroscopy, given the tight socket-joint hip anatomy. Therefore, computer-aided techniques could be used to ease such difficulties during hip arthroscopy.
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Vyas, Mitul Y., Sanjeev Sabharwal, and Noshir A. Langrana. "Alterations in Stresses due to Various Femoral Deformities Across the Hip Joint: FEA Analysis." In ASME 2008 Summer Bioengineering Conference. American Society of Mechanical Engineers, 2008. http://dx.doi.org/10.1115/sbc2008-192469.

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The manifestation of osteoarthrosis by an abnormality such as hip dysplasia, slipped capital femoral epiphysis (SCFE), coxa vara and Legg-Calve-Perthes disease is one of the leading causes of chronic orthopaedic disability, resulting in billions of dollars in treatment and indirect costs, such as lost wages for the patient [1]. Additionally, these conditions are severely painful, inducing a reduction in range of motion, abnormal gait and consequently, poor quality of life. In patients with SCFE, the proximal femur collapses as a result of epiphyseal displacement, resulting in femoroacetabular impingement and acetabular erosion [1, 2]. Patients with developmental coxa vara (DCV), a pediatric hip disorder, exhibit triplanar deformity of the proximal femur. The abnormal neck–shaft angle and associated change in the articulo-trochanteric distance (ATD) alter the biomechanics of the hip adversely, and is often accompanied by limb length discrepancies [3].
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Zeng, Ziqian, Xin Liu, and Yangqiu Song. "Biased Random Walk based Social Regularization for Word Embeddings." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/634.

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Nowadays, people publish a lot of natural language texts on social media. Socialized word embeddings (SWE) has been proposed to deal with two phenomena of language use: everyone has his/her own personal characteristics of language use and socially connected users are likely to use language in similar ways. We observe that the spread of language use is transitive. Namely, one user can affect his/her friends and the friends can also affect their friends. However, SWE modeled the transitivity implicitly. The social regularization in SWE only applies to one-hop neighbors and thus users outside the one-hop social circle will not be affected directly. In this work, we adopt random walk methods to generate paths on the social graph to model the transitivity explicitly. Each user on a path will be affected by his/her adjacent user(s) on the path. Moreover, according to the update mechanism of SWE, fewer friends a user has, fewer update opportunities he/she can get. Hence, we propose a biased random walk method to provide these users with more update opportunities. Experiments show that our random walk based social regularizations perform better on sentiment classification.
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Reports on the topic "Lost hip hop"

1

Zhang S. Y. BEAM LOSS ISSUES FOR AGS HIGH INTENSITY HEP. Office of Scientific and Technical Information (OSTI), 1996. http://dx.doi.org/10.2172/1151335.

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Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.621671.

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The French composer Francis Poulenc had a profound admiration and empathy for the writings of the Spanish poet Federico García Lorca. That empathy was rooted in shared aspects of the artistic temperament of the two figures but was also undoubtedly reinforced by Poulenc’s fellow-feeling on a human level. As someone who wrestled with his own homosexuality and who kept his orientation and his relationships apart from his public persona, Poulenc would have felt an instinctive affinity for a figure who endured similar internal conflicts but who, especially in his later life and poetry, was more open about his sexuality. Lorca paid a heavy price for this refusal to dissimulate; his arrest in August 1936 and his assassination the following day, probably by Nationalist militia, was accompanied by taunts from his killers about his sexuality. Everything about the Spanish poet’s life, his artistic affinities, his personal predilections and even the relationship between these and his death made him someone to whom Poulenc would be naturally drawn and whose untimely demise he would feel keenly and might wish to commemorate musically. Starting with the death of both his parents while he was still in his teens, reinforced by the sudden loss in 1930 of an especially close friend, confidante and kindred spirit, and continuing throughout the remainder of his life with the periodic loss of close friends, companions and fellow-artists, Poulenc’s life was marked by a succession of bereavements. Significantly, many of the dedications that head up his compositions are ‘to the memory of’ the individual named. As Poulenc grew older, and the list of those whom he had outlived lengthened inexorably, his natural tendency towards the nostalgic and the elegiac fused with a growing sense of what might be termed a ‘survivor’s anguish’, part of which he sublimated into his musical works. It should therefore come as no surprise that, during the 1940s, and in fulfilment of a desire that he had felt since the poet’s death, he should turn to Lorca for inspiration and, in the process, attempt his own act of homage in two separate works: the Violin Sonata and the ‘Trois Chansons de Federico García Lorca’. This exposition attempts to unfold aspects of the two men’s aesthetic pre-occupations and to show how the parallels uncovered cast reciprocal light upon their respective approaches to the creative process. It also examines the network of enfolded associations, musical and autobiographical, which link Poulenc’s two compositions commemorating Lorca, not only to one another but also to a wider circle of the composer’s works, especially his cycle setting poems of Guillaume Apollinaire: ‘Calligrammes’. Composed a year after the ‘Trois Chansons de Federico García Lorca’, this intricately wrought collection of seven mélodies, which Poulenc saw as the culmination of an intensive phase in his activity in this genre, revisits some of ‘unheard voices’ and ‘unseen shadows’ enfolded in its predecessor. It may be viewed, in part, as an attempt to bring to fuller resolution the veiled but keenly-felt anguish invoked by these paradoxical properties.
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Fazzari, Steven, and Ella Needler. US Employment Inequality in the Great Recession and the COVID-19 Pandemic. Institute for New Economic Thinking Working Paper Series, 2021. http://dx.doi.org/10.36687/inetwp154.

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This article compares inequality in US employment across social groups in the Great Recession and the COVID-19 pandemic. We develop an inequality measure that captures both how much employment declines during a recession and the persistence of those declines. The results show a significant shift of job loss from men in the Great Recession to women in the COVID-19 lockdown. White workers fare better than other racial/ethnic groups in both recessions. Black and Hispanic women are hit especially hard in the COVID-19 pandemic. With our job loss measure, less educated workers had modestly worse outcomes in the Great Recession. However, during COVID-19, less educated workers suffer much more severe employment consequences than more educated groups. We discuss long-term effects of employment inequality and how these findings are relevant to debates about policy responses.
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