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Books on the topic 'Lotus FM (Radio station)'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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Consult the top 23 books for your research on the topic 'Lotus FM (Radio station).'

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1

), National Institute of Justice (U S. Fixed and base station FM transmitters. Washington, D.C: The Institute, 1988.

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2

National Institute of Justice (U.S.). Fixed and base station FM transmitters. Washington, D.C: The Institute, 1988.

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3

Radio days: Storie di Rock FM. Milano: Tsunami, 2011.

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4

FM, Caledonia. Caledonia FM: The caring station : [an application to the Radio Authority]. Glasgow: Caledonia FM, 1993.

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5

Gold, Doug. Fun is a serious business: The More FM story. Christchurch, N.Z: Hazard Press, 2001.

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6

Mello, Liz Antonio. A onda maldita: Como nasceu a Fluminense FM. Niterói, RJ: Arte & Cultura, 1992.

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7

Hunn, Peter. Starting and operating your own FM radio station: From license application to program management. Blue Ridge Summit, PA: Tab Books, 1988.

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8

FM: The rise and fall of rock radio. New York: Villard Books, 2001.

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9

Mello, Luiz Antonio. A onda maldita: Como nasceu a Fluminense FM. Niterói: Arte e Cultura, 1992.

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10

Limited, Yorkshire Regional Radio. Y107, a bright new sound for Yorkshire: An application by Yorkshire Regional Radio Limited to the Radio Authority for the South and West Yorkshire Regional FM Licence. Leeds: Yorkshire Regional Radio, 2001.

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11

Clem, Steve. Tulsa's KAKC radio: The big 97. Charleston, S.C: Arcadia Pub., 2013.

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12

Rádio Fluminense FM: A porta de entrada do rock brasileiro nos anos 80. Rio de Janeiro, RJ: Outras Letras, 2006.

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13

Johnson, Phylis. KJLH-FM and the Los Angeles Riots of 1992: Compton's neighborhood station in the aftermath of the Rodney King verdict. Jefferson, N.C: McFarland & Co., Publishers, 2009.

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14

KJLH-FM and the Los Angeles Riots of 1992: Compton's neighborhood station in the aftermath of the Rodney King verdict. Jefferson, N.C: McFarland & Co., Publishers, 2009.

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15

1977-, Turbide Olivier, and Laforest Marty, eds. La radio X, les médias et les citoyens: Dénigrement et confrontation sociale. Québec: Éditions Nota bene, 2008.

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16

João, Leite Filho, ed. Educadora: 25 anos da FM 107,5. Salvador: Irdeb, 2003.

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17

F M Atlas and Station Directory. FM Atlas Pub Co, 1991.

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18

Paul, Hart, Arnold David, and Classic FM, eds. Classic FM Britain's first national independent radio station, credits and titles. [U.K]: United Kingdom Independent Broadcasting, 1992.

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19

Crawley, Michael. Bring Music to Your Ears: AM & FM Radio Station Listings, States & Cities. Trafford Publishing, 2006.

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20

Neer, Richard. FM: The Rise and Fall of Rock Radio. Villard, 2001.

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21

(Foreword), Steven Van Zandt, ed. FM: The Rise and Fall of Rock Radio. Villard, 2001.

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22

Authority, Radio, and Asian Sound FM Ltd, eds. Asian Sound FM: The voice of the Asian community in Scotland : an application to the Radio Authority for a licenceto operate an independent local radio station for the Asia community in Scotland. Glasgow: Asian Sound FM Ltd, 1988.

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23

Lornell, Kip. Capital Bluegrass. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199863112.001.0001.

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This book documents the history and development of bluegrass music in and around Washington, DC. It begins with the pre-bluegrass period of country music and ends with a description of the local scene near the end of the 2010s. Capital Bluegrass details the period when this genre became recognized locally as a separate genre within country music, which occurred shortly after the Country Gentlemen formed in 1957. This music gained a wider audience during the 1960s, when WAMU-FM began broadcasting this music and the nationally recognized magazine Bluegrass Unlimited was launched in suburban Maryland. Bluegrass flourished during the 1980s with dozens of local venues offering live bluegrass weekly and the public radio station featuring forty hours a week of bluegrass programming. Although it remains a notable genre in the Washington, DC, metropolitan area, by the 1990s bluegrass began its slow decline in popularity. By 2019, the local bluegrass community remains stable, though graying. Despite the creation of both bluegrasscountry.org and the DC Bluegrass Union, it is abundantly clear that general recognition and appreciation for bluegrass locally is well below the heights it reached some thirty-five years earlier.

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