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Relevant bibliographies by topics / Louis-Bertrand

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Academic literature on the topic 'Louis-Bertrand'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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Journal articles on the topic "Louis-Bertrand"

1

Dunwoodie, Peter. "Louis Bertrand : autopsie d’une déroute." Études françaises 57, no. 1 (2021): 85. http://dx.doi.org/10.7202/1076117ar.

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2

Bkhairia, Hassen. "Louis Bertrand, l’Orient et le militarisme." Babel, no. 38 (January 10, 2018): 115–24. http://dx.doi.org/10.4000/babel.6074.

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3

Denkowski, Maciej P. "Leonhardi Euleri Opera Omnia IVA/7: Commercium Epistolicum (Euler – French speaking scientists from Switzerland). Editors: S. Bodenmann, V. Hug, M. Ilić, A. Kleinert. Basel: Birkhäuser, 2017, XII+621 pages – A volume overview." Studia Historiae Scientiarum 19 (September 30, 2020): 545–60. http://dx.doi.org/10.4467/2543702xshs.20.017.12573.

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We give an overview of the seventh volume of series IVA of the Birkhäuser edition of Leonhard Euler’s complete works and correspondence. This volume contains Euler’s correspondence in French with ten of his Swiss countrymen: Louis Bertrand, Charles Bonnet, Marc-Michel Bousquet, Jean de Castillon, Gabriel Cramer, Philibert Cramer, Gaspard Cuentz, Albrecht von Haller, Georges-Louis Lesage and Johan Caspar Wettstein. A letter of the German Johann Michael von Loën to Euler, mentioned in the Euler-Bertrand letter exchange is also included as well as the recently rediscovered first letter of Euler to Jean le Rond d’Alembert in supplement. The letters cover a large range of topics also outside Euler’s mathematical and physical interests giving a new insight into his non-scientific activities, and thus casting also a new light on this great scientist as a person.

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Dridi, Hédi, and Antonella Mezzolani Andreose. "« Ranimer les ruines » : l’archéologie dans l’Afrique latine de Louis Bertrand." Les Nouvelles de l'archéologie, no. 128 (June 30, 2012): 10–16. http://dx.doi.org/10.4000/nda.1613.

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Oliveira, Ana Cláudia de, and Luciane Robic. "Louis Vuitton e a campanha publicitária Journey." dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda 5, no. 11 (January 24, 2012): 67. http://dx.doi.org/10.26563/dobras.v5i11.164.

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O trabalho realiza uma análise do sincretismo de linguagens da campanha Journey, primeiro filme publicitário da Louis Vuitton, marca francesa de luxo usuária frequente de mídia impressa, e utiliza como base teórica a semiótica greimasiana, por meio de uma revisão bibliográfica dos trabalhos de Oliveira, Médola, Bertrand e Floch. O filme propõe interação e entretenimento aos destinatários. Usa recursos de cinema e apresenta uma abordagem que produz efeitos de sentidos sentimentais e emocionais. Pautada nos níveis discursivo, narrativo e fundamental do percurso gerativo de sentido, a análise mostra como a marca Louis Vuitton é construída para ser vista como companheira de uma jornada reflexiva profunda de um sujeito que está em busca do autoconhecimento. Sentido de vida do usuário e sentido da marca são articulados em Journey.

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6

Felici, Isabelle. "Marseille et L'Invasion italienne vue par Louis Bertrand. « Ribattiamo il chiodo »." Babel, no. 1 (November 1, 1996): 103–31. http://dx.doi.org/10.4000/babel.2959.

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7

Hankins, Thomas L. "The Ocular Harpsichord of Louis-Bertrand Castel; Or, The Instrument That Wasn't." Osiris 9 (January 1994): 141–56. http://dx.doi.org/10.1086/368734.

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8

Sabourin, Lise. "Lectures de “Gaspard de la Nuit” de Louis («Aloysius») Bertrand, sous la direction de Steve Murphy." Studi Francesi, no. 166 (I | LVI) (April 1, 2012): 168–69. http://dx.doi.org/10.4000/studifrancesi.4741.

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9

Hess, Aurélie, and Philippe Hrodĕj. "Les marins du Plessis-Bertrand à l’époque de Louis XIV : les opportunités d’une base de données." Annales de Bretagne et des pays de l'Ouest, no. 126-1 (March 20, 2019): 53–73. http://dx.doi.org/10.4000/abpo.4358.

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10

Bondaz, Julien. "Jean Laude, Écrits sur l’art, sous la dir. de Laurence Bertrand Dorléac et Jean-Louis Paudrat." Gradhiva, no. 32 (March 24, 2021): 221–22. http://dx.doi.org/10.4000/gradhiva.5786.

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Dissertations / Theses on the topic "Louis-Bertrand"

1

Sprietsma, Cargill Bony Jacques. "Louis Bertrand dit Aloysius Bertrand : 1807-1841, une vie romantique : étude biographique d'après des documents inédits /." Cazaubon : Eurédit, 2005. http://catalogue.bnf.fr/ark:/12148/cb39995651s.

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2

Gepner, Corinna. "Le Père Castel et le clavecin oculaire : carrefour de ĺesthétique et des savoirs dans la première moitié du XVIIIe siècle." Paris 3, 1994. http://www.theses.fr/1995PA030005.

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Le but de cette these est d'etudier les textes du pere louis-bertrand castel sur le clavecin oculaire. Dans un premier temps nous montrons que l'invention de cet instrument repose sur la theorie scientifique de l'analogie entre le son et la lumiere qui permet a castel d'elaborer une gamme de couleurs fondee sur des correspondances sonores qui seraient naturelles. Nous voyons alors que le clavecin oculaire est a la fois un objet de science et d'art puisqu'il joue des airs colores scientifiquement determines. Des lors castel elabore une veritable esthetique de l'harmonie des couleurs a partir de ses presupposes scientifiques. Nous cherchons donc a definir dans les derniers chapitres la nature de l'experience esthetique permise par le clavecin oculaire en montrant que nous nous trouvons face a une variante du divertissement pascalien
The aim of this thesis is the study of father louis-bertrand castel's texts on the ocular harpsichord. First it is shown that the invention of this instrument is based on the scientific theory of an analogy between light and sound, which enables castel to elaborate a colour scale supposedly based on natural sound correspondances. Accordingly the ocular harpsichord may be described as an object of both art and science since it plays scientifically determined colored tunes. Based on this scientific principle, castel then develops an aesthetic system about the harmony of colours. Consequently in the last chapters there is an outline of the nature of the aesthetic experience resulting from the ocular harpsichord pointing out that we are dealing with a form of diversion, in the sense pascal uses it

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3

Kempf-Rochd, Jules. "Études critique et génétique de "Sud-Oranais" d'Isabelle Eberhardt." Montpellier 3, 2003. http://www.theses.fr/2003MON30014.

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Au début du XX° siècle, situation politique et économique de l'Algérie. Position de l'auteur sur l'enseignement des filles, l'affaire de Margueritte et de la pénétration au Sahara. Notice biographique, influence des séjours en Algérie en 1897 et au Sahara en 1900. Après l'exil marseillais, installation définitive en Algérie (1902). Histoire du manuscrit et sa présentation, bilan du reclassement. Analyse Notes de route et Dans l'ombre chaude de l'Islam, publiées par V. Barrucand : changements des titres, modifications du texte, de la ponctuation et des nouveaux chapitres. Analyse de la version de Sud-Oranais, dans Ecrits sur le sable, (études des modifications et des améliorations). Critique génétique : analyse des variantes imprimées, des brouillons et variantes manuscrites. Originalité du style d'I. Eberhardt par rapport à P. Loti, recherches antérieures et analyse comparative des deux styles dans six types de phrases les plus employées. Comparaison avec le Jardin de la Mort de L. Bertrand
At the start ot the twentieth century, political and economic situation in Algeria. Author's point of view on women's education, the Margueritte affair, and the entry into the Sahara. Biography, the influence of the trip to Algeria in 1897 and to the Sahara in 1900. After the exile " marseillais ", she definitively settled in Algeria (1902). Analysis of Road's Notes ( Notes de route) and In warm shade from Islam (Dans l'ombre chaude de l'Islam) published by Victor Barrucand : modification of the titles, changes to the texts, punctuation and new chapters. Analysis of the Southern Oran Region version, in Writtens over Sand (Ecrits sur le sable), (studies of changes and improvements). Genetic criticism : analysis of printed versions, drafts, and hand-written copies. Originalities of the style of I. Eberhardt compared to Pierre Loti, origins, comparative analysis of the two styles in six types of most used phrases. Comparison with Louis Bertrand's Death's garden (Le Jardin de la Mort)

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4

Whyte, Ralph Richard. ""A Light in Sound, a Sound-like Power in Light”: Light and/as Music in the History of the Color Organ." Thesis, 2019. https://doi.org/10.7916/d8-deyr-mt23.

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This dissertation examines the history of the relationship between light/color as an artistic medium and music. Looking at four artist-inventors from the eighteenth through to the mid-twentieth centuries, I consider how new arts of light and color arose from music, relied on music, and also distanced themselves from it. Drawing chiefly on published and unpublished primary sources, this dissertation compares artists’ and inventors’ conceptions of what this new art should be as it was continuously reimagined and reconstituted in their works, discourses, and technologies. I suggest a running tension throughout this history between the aspiration for a new and even autonomous art and its reliance on the music. In Chapter 1, I investigate the work of the eighteenth-century French Jesuit monk Louis Bertrand Castel, who in 1725 proposed the first ever instrument for color music, his clavecin oculaire or ocular harpsichord. I note conflicting tendencies in his thought as he suggested two different avenues for color music: as a form of multimedia, and as a separate, silent medium capable of giving pleasure on its own. The next chapter turns to the color organ and color music of the late nineteenth-century inventor and artist Alexander Wallace Rimington. Drawing on contemporaneous theories of color, reception of Rimington’s performances, and the inventor’s own writings, I locate Rimington’s organ at the intersection of a continuing tradition of analogizing music and color and late nineteenth-century attempts to theorize color independently and systematically. I then demonstrate how Rimington’s desire to use color music as means of improving color perception can be understood as part of a larger debates about sensing color and color education around the turn of the twentieth century. Chapters 3 considers Mary Hallock Greenewalt’s instrument, the sarabet, and her art form, nourathar¸ while the final chapter looks at Thomas Wilfred’s (usually silent) light art, lumia. I suggest that Greenewalt and Wilfred’s relationship to music is a source of tension in their work, as they attempted to extricate and purify light art into an autonomous art form but display various forms of musical influence.

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Books on the topic "Louis-Bertrand"

1

Le piano des lumières: Le grand œuvre de Louis-Bertrand Castel. Paris: L'Harmattan, 2012.

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2

Louis Bertrand à l'Isle Verte, 1811-1871: Propriété foncière et exploitation des ressources. Québec: Presses de l'Université du Québec, 2012.

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3

La statue de Bertrand-François Mahé de la Bourdonnais: Chef-d'œuvre mondial méconnu sur la Place d'Armes à Port-Louis, île Maurice. [Riche-Terre, île Maurice: s.n., 2009.

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4

Regards sur la vie et l'œuvre de Louis Bertrand (1866-1941): Actes de la journée d'études, Paris, Université Panthéon-Assas (Paris II), 14 décembre 1991. Versailles: Via romana, 2015.

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5

Chef de file --homme d'actualité: Rév. père Hector Louis Bertrand, S. J. Laval, Qué: Fondation Bertrand, 1986.

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Book chapters on the topic "Louis-Bertrand"

1

Shubik, Martin. "Joseph Louis François Bertrand." In Game Theory, 68–69. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20181-5_3.

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2

Bodenmann, Siegfried, Vanja Hug, Mirjana Ilić, and Andreas Kleinert. "Correspondance D’euler Avec Louis Bertrand." In Correspondance de Leonhard Euler avec des savants suisses en langue française, 9–44. Basel: Birkhäuser Basel, 2017. http://dx.doi.org/10.1007/978-3-0346-0653-0_2.

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3

Shubik, Martin. "Bertrand, Joseph Louis François (1822–1900)." In The New Palgrave Dictionary of Economics, 1. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1057/978-1-349-95121-5_115-1.

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4

Shubik, Martin. "Bertrand, Joseph Louis François (1822–1900)." In The New Palgrave Dictionary of Economics, 1–2. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_115-2.

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5

Shubik, Martin. "Bertrand, Joseph Louis François (1822–1900)." In The New Palgrave Dictionary of Economics, 922–23. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_115.

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6

Delmas, Sophie. "Bernard de la Tour, louis d'Anjou l'habit fait-il le frère ? Enquête autour de Louis d'Anjou, évêque de Toulouse d'après un sermon de Bertrand de la Tour." In Textes et Etudes du Moyen Âge, 107–16. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.tema-eb.4.000316.

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7

Thorel, Sylvie. "Louis Bertrand ou « l’art total » en 1830." In Littérature comparée et correspondance des arts, 371–83. Presses universitaires de Strasbourg, 2014. http://dx.doi.org/10.4000/books.pus.3224.

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8

Alexandropoulos, Jacques. "De Louis Bertrand à Pierre Hubac : images de l’Afrique antique." In La Tunisie mosaïque, 457–78. Presses universitaires du Midi, 2000. http://dx.doi.org/10.4000/books.pumi.5069.

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9

Durand, Jean-François. "Deux regards d’Occident : le Maghreb de Louis Bertrand et d’André Chevrillon." In Les discours de voyages, 71. Editions Karthala, 2009. http://dx.doi.org/10.3917/kart.fonko.2009.01.0071.

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10

Dusserre, Aurélia. "L’image des étrangers à Marseille dans L’Invasion de Louis Bertrand (1907)." In Les batailles de Marseille, 15–27. Presses universitaires de Provence, 2013. http://dx.doi.org/10.4000/books.pup.14713.

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