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Dissertations / Theses on the topic 'Louis David'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Ciupke, David [Verfasser], and Jan [Akademischer Betreuer] Louis. "Higher-Derivative Supergravity and String Cosmology / David Ciupke. Betreuer: Jan Louis." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2016. http://d-nb.info/1113184345/34.

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2

Kraus, Heidi Elizabeth. "David, architecture, and the dichotomy of art." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/3325.

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In recent decades, the art and life of Jacques-Louis David have sparked a renewed surge of interest in the academic community. It is startling, however, that the often prevalent and imposing elements of architecture found in David's paintings have received little scholarly attention. This study fills a lacuna in David studies by providing a new perspective on his passionate engagement with architecture and its impact on his art. I begin by demonstrating that, following his trips to Rome early in his career, architecture became central to many of the artist's most celebrated compositions. Focus

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3

Latouche, Pierre-Edouard. "L' art de choisir un sujet dans la peinture d'histoire de Jacques-Louis David (1748-1825)." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26236.

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The choice of subject for a history painting, long considered motivated by dramatic considerations, appears to be also, in the light of numerous documents, the expression of the painter's craft. The following study will attempt to demonstrate this aspect in the oeuvre of Jacques-Louis David and, in particular, in The Oath of the Horatii.

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4

Gagnon, Louis-David. "La peinture comme réaction vers un équilibre des contrastes." Master's thesis, Université Laval, 2021. http://hdl.handle.net/20.500.11794/69510.

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Louis-David L.-Gagnon présente ses outils et ses techniques pour créer des contrastes au sein de ses tableaux. Issu du monde du graffiti et de la rénovation, il dévoile comment ces deux milieux l'ont influencé dans son art et met l'emphase sur le rôle du hasard et de l'assemblage dans sa pratique.<br>Louis-David L.-Gagnon presents his tools and techniques to create contrasts in his paintings. Coming from the world of graffiti and renovation, he reveals how these two environments influenced him in his art and emphasizes the role of chance and assemblage in his practice.

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5

Schmidt, Marius Alexander [Verfasser], Nicola [Gutachter] Kistler, David [Gutachter] Belius, and Louis-Pierre [Gutachter] Arguin. "Extremes of hierarchical fields / Marius Alexander Schmidt ; Gutachter: Nicola Kistler, David Belius, Louis-Pierre Arguin." Frankfurt am Main : Universitätsbibliothek Johann Christian Senckenberg, 2018. http://d-nb.info/1166181219/34.

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6

Mainz, Valerie. "History, history painting and concepts of gloire in the life and work of Jacques-Louis David." Thesis, University College London (University of London), 1992. http://discovery.ucl.ac.uk/1318041/.

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This thesis shows how Jacques-Louis David successfully manipulated the art of history painting so as to establish his own gloire. The works of David are evidence of the success of this artist's aspirations as they demonstrate that he understood processes of figurative invention and of communication. When referring to the art of Poussin, the most eminent example of a painter as grand homme in late eighteenth-century France, David did not merely copy or plagiarise motif. Qualities of open-endedness, active provocation and perpetual dynamic continue to distinguish his own history paintings. This

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7

Fendji, Kedieng Ebongue Jean Louis [Verfasser], Karl-Heinz [Akademischer Betreuer] Rödiger, and David [Akademischer Betreuer] Békollè. "Wireless Mesh Network : a rural community case / Jean Louis Fendji Kedieng Ebongue. Gutachter: David Békollè ; Karl-Heinz Rödiger. Betreuer: Karl-Heinz Rödiger." Bremen : Staats- und Universitätsbibliothek Bremen, 2015. http://d-nb.info/107706179X/34.

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8

Besson, Virgile. "L’interprétation causale de la mécanique quantique : biographie d’un programme de recherche minoritaire (1951–1964)." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE1014/document.

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L'interprétation causale de la mécanique quantique a été décrite en premier lieu par les historiens comme une conséquence de l'influence croissante du marxisme chez les physiciens des pays occidentaux. En effet, au cours des années 1950, le noyau du groupe de physiciens impliqués dans le programme causal autour de Jean-Pierre Vigier et Louis de Broglie à l'Institut Henri Poincaré est majoritairement constitué soit de membres, soit de sympathisants du PCF. Leurs travaux sont fortement influencés par les critiques soviétiques contre l'interprétation dominante de la mécanique quantique, l'interpr

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9

Newman, Melissa. "The Pictorial Stylings of Louis Raemaekers and Sir David Low: A Comparison of Anti-German Cartoons from World War I to World War II." Wittenberg University Honors Theses / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1534161003102886.

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10

Laouès, Corinne. ""Oser la grande toile" : Paris et le grand tableau d'histoire(s) XVIIe- XIXe siècles." Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H014.

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Comment Paris est-il devenu la capitale du grand format à sujets historiques ? Quelles ont été les motivations d’un cercle restreint d’artistes à produire des tableaux surdimensionnés ? Bornée entre l’époque moderne et la Troisième République, cette présente thèse relate l’histoire de ces ouvrages encombrants que les institutions muséales françaises s’intéressent aujourd’hui à présenter dans une scénographie soignée après les avoir faits restaurer. Introduite dans le foyer artistique parisien par Charles Le Brun, la pratique du grand tableau mobilier trouve, grâce à l’exécution de cartons de t

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11

Bruner, Brittany. ""This, too, was myself": Empathic Unsettlement and the Victim/Perpetrator Binary in Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde." BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6284.

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At first glance, Strange Case of Dr. Jekyll and Mr. Hyde is a tale that reinforces binaries. One of these is the self/other binary that is central to David Hume's and Adam Smith's theories of sympathy that conceive of a self imaginatively identifying and experiencing fellow-feeling for an other. However, this notion is complicated because Jekyll and Hyde are the same person. Further, many critics argue that Stevenson actually challenges binary thinking. While Hume and Smith do not challenge the self/other binary in connection with sympathy, trauma theory critics do challenge a self/other binar

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12

Dorrance, Laurel A. "Dufilho, Grandchamps, or Peyroux? The Development of Professional Pharmacy in Colonial and Early National American Louisiana." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1305.

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This paper will examine the hidden history of the New Orleans Pharmacy Museum and investigate the claims regarding the first licensed pharmacist in the United States. Drawing from legislative, church, medical, legal and institutional records, this study argues that colonial control, such as regulations governing medical practice and licensing requirements, established by continental powers in their overseas colonies, tended to recreate traditions and laws found in the home countries. For instance, the more rigorous licensing requirements for medical professionals, as practiced in France and Sp

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13

Walkowska-Boiteux, Joanna. "Auguste Couder, peintre d’histoire (1790-1873). Catalogue raisonné de l'oeuvre." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040093.

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Peintre d’histoire actif dès le début de la Restauration jusqu’au Second Empire, membre de l’Académie des beaux-arts et officier de la Légion d’honneur, Auguste Couder représente parfaitement toute une génération d’artistes reconnus de leur vivant, mais oubliés par la suite. Méconnue de nos jours, son œuvre, riche et variée, mérite pourtant d’être redécouverte. Elève fidèle de David, fortement marqué par l’enseignement de son maître, Couder se distingua en tant qu’un excellent dessinateur qui ne négligeait pas pour autant la couleur. Sollicité pour de nombreuses commandes officielles et privée

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14

DeLouche, Sean. "Face Value: The Reproducible Portrait in France, 1830-1848." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1405798734.

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15

Lecosse, Cyril. "Jean-Baptiste Isabey (1767-1855) : l'artiste et son temps." Thesis, Lyon 2, 2012. http://www.theses.fr/2012LYO20119.

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Jean-Baptiste Isabey (1767-1855) connaît une carrière exceptionnellement longue qui s’étend de la Révolution au Second Empire. Après avoir exposé ses premières œuvres au Salon de 1791, cet élève de Jacques-Louis David s’impose sur la scène artistique du Directoire comme le premier dessinateur et miniaturiste de son temps. En s'inscrivant dans un contexte favorable à la diffusion de portraits de moindre coût et de moindre format, sa réussite peu commune rend compte de l'évolution des critères de la reconnaissance artistique à la fin du XVIIIe. Elle témoigne également de la promotion du statut s

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16

Egerer, Claudia. "Fictions of (in)betweenness /." Göteborg (Sweden) : Acta universitatis Gothoburgensis, 1997. http://catalogue.bnf.fr/ark:/12148/cb37650173w.

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17

Stadler, Charlotte Louise [Verfasser]. "Langzeitergebnisse der David-Operation bei 500 konsekutiven Patienten : Erfahrungen einer herzchirurgischen Klinik / Charlotte Louise Stadler." Tübingen : Universitätsbibliothek Tübingen, 2021. http://d-nb.info/1228858217/34.

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18

Di, Segni Diana [Verfasser], Andreas [Gutachter] Speer, Loris [Gutachter] Sturlese, and David [Gutachter] Wirmer. "Moses Maimonides and the Latin Middle Ages / Diana Di Segni ; Gutachter: Andreas Speer, Loris Sturlese, David Wirmer." Köln : Universitäts- und Stadtbibliothek Köln, 2014. http://d-nb.info/1213897157/34.

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19

Ma, Wing-man Marina. "The plural subject in The woman warrior "Pangs of Love" and "Phoenix Eyes" /." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B31627614.

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20

Zamora, Maria C. "Nation, race & history in Asian American literature re-membering the body." New York, NY Washington, DC Baltimore, Md. Bern Frankfurt, M. Berlin Brussels Vienna Oxford Lang, 2008. http://d-nb.info/990413780/04.

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21

Boulan, Muriel. "La Symphonie française entre 1830 et 1870." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040107.

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Lorsque l’on évoque la symphonie en France au milieu du XIXe siècle, on ne retient généralement que le nom de Berlioz et l’on insiste sur une désaffection du genre tant de la part des compositeurs que du public. Pourtant, malgré un recul des créations, malgré le défi posé par l’héritage beethovénien et alors même que le contexte musical favorise principalement la scène lyrique, une soixantaine de compositeurs continuent à s’intéresser au domaine exclusivement instrumental de la symphonie et assurent le maintien d’un genre entre 1830 et la génération franckiste. Au-delà de son aspect historique

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22

Varnauskas, Jacob. "Homoerotisk sensibilitet : Byggandet av homosexuell identitet genom konsthistorien." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-432918.

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The question of homoerotic sensibility is, in the purpose of this thesis, a matter of visual language connected to the portrayal of male bodies. By identifying this sensibility throughout the western art canon the essay seeks to understand its origins, development and function in relation to expressions of power. With the introduction of theorists such as Alois Riegl, Laura Mulvey, Abigail Solomon-Godeau and Raewyn Connell, the aim is to deconstruct homosexual masculinity. Adapting formal analysis and parts of visual semiotics, the focus lies on the visual expression of power through the homoe

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23

Dupuis, Patrik. "L'influence caravagesque dans l'art de Jacques-Louis David." Thèse, 2013. http://hdl.handle.net/1866/10297.

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Ce mémoire de maîtrise est consacré à un aspect peu étudié de l'art de Jacques-Louis David, c'est-à-dire l'influence caravagesque dans les œuvres de l'artiste. Les différentes périodes de la production de l'artiste sont étudiées en fonction d'identifier cette influence et la façon dont elle s'est manifestée. Cette influence est apparue à partir de la deuxième moitié du 18e siècle dans la peinture française pendant une période de réforme de l'art pictural. Jacques-Louis David n'est pas le seul artiste à s'être intéressé au caravagisme. L'intérêt pour Caravage et ses suiveurs coïncidait aussi av

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24

Bardata, Kornelius Supranoto. "A descriptive assessment of sacraments as language events in Louis- Marie Chauvet and David Noel Power." Master's thesis, 2017. http://hdl.handle.net/10400.14/22755.

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This paper is entitled: A Descriptive Assessment of Sacraments as Language Events in Louis-Marie Chauvet and David Noel Power. What motivates the author to proceed with this topic is that the author feels the need of finding a new and creative approach to the sacraments. The author is determined to discuss this topic using the methodology of library reading. The two theologians whose theologies are being presented in this paper, namely, Louis-Marie Chauvet and David Noel Power, are the main sources. In addition to reading the works of Chauvet and Power, the author also gets into discussions wi

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25

Cummings, Tracey A. ""For such as he there is no death" : Louisa May Alcott's rewritings of Thoreau /." Diss., 2005. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3188495.

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26

Martin, Kristi Lynn. "Creating "Concord:" making a literary tourist town, 1825 -1910." Thesis, 2019. https://hdl.handle.net/2144/34933.

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This dissertation examines how Concord, Massachusetts became a heritage town in the nineteenth and early twentieth centuries. Concord-based authors (including Ralph Waldo Emerson, Nathaniel Hawthorne, Henry David Thoreau, and Louisa May Alcott) at once contributed to Concord’s attractiveness as a location and took advantage of the growing reputation and popularity of the town as a tourist site. Their writings, rooted in Concord, drew attention to the town and to themselves as authors within it, while also elevating the stature of American literature. Linking literature and site-building, Conc

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27

Chira-Pascanut, Constantin. "The Schuman plan: vision, power and persuasion." Thesis, 2012. http://hdl.handle.net/1828/4314.

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The origins of European integration and the factors that made it possible in the post-1945 era have been examined from different perspectives and interpreted in various ways. While federalists argue that the concept of European unity had been developed over centuries by different intellectual movements, the realist approaches of Milward and Dinan stress the importance of economic, political and security motives. Referring to the factors that contributed to the implementation of the Schuman Plan, both the federalist and realist approaches highlight the chief importance of states and their repre

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