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Journal articles on the topic 'Louise 1951-'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Sarwal, Amit. "Louise Lightfoot and Rajkumar Priyagopal Singh: The First Manipuri Dance Tour of Australia, 1951." South Asian Popular Culture 12, no. 2 (May 4, 2014): 89–110. http://dx.doi.org/10.1080/14746689.2014.937082.

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2

PALMA, RICARDO L. "Confirmation of the identity of the type host of the louse Halipeurus fallacis (Phthiraptera: Philopteridae)." Zootaxa 4407, no. 1 (April 9, 2018): 135. http://dx.doi.org/10.11646/zootaxa.4407.1.10.

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Alexander (1954: 489) recorded a petrel (Aves: Procellariiformes) captured alive on board a ship in the Indian Ocean by Mr W.W.A. Phillips who, after removing some lice, liberated it the following morning. Alexander (1954) identified that petrel as the species “Pterodroma aterrima Bonaparte”, now placed in the genus Pseudobulweria. The lice were kept in the collection of the then British Museum (Natural History), now the Natural History Museum, London, England. Jouanin (1955) published a new species of petrel from the Indian Ocean as Bulweria fallax. Jouanin (1957: 19) discussed the identity of the petrel identified by Alexander (1954) as Pterodroma aterrima, stating that the descriptive data given by Alexander (1954) did not clearly fit either P. aterrima or B. fallax. However, considering the geographical coordinates where the bird was captured, Jouanin (1957) believed it was more likely Bulweria fallax.

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3

Yelvington, Kevin. "An Interview with Alvin W. Wolfe." Practicing Anthropology 25, no. 4 (September 1, 2003): 42–47. http://dx.doi.org/10.17730/praa.25.4.q661662012664551.

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Alvin W. Wolfe made a number of important contributions to applied anthropology throughout a career lasting nearly 50 years. Born in Nebraska in 1928, he joined the US Army in 1945 where he received training in Japanese language and culture, as well as participating in the armored and the airborne corps. Using the GI Bill he enrolled in the University of Nebraska where he majored in anthropology and English, graduating in 1950. He became interested in archaeology by working in a museum under the direction of archaeologist A.T. Hill. To learn more about the other fields of anthropology, he enrolled at Northwestern University where he did dissertation fieldwork among the Ngombe, of the then-Belgian Congo, in 1952-53 under the direction of Melville J. Herskovits. In 1954-55, he was the Logan Museum Teaching Fellow at Beloit College, from 1955-57 he taught at Middlebury College, 1957-61 at Lafayette College, 1961-68 at Washington University in St. Louis, and from 1968-74 at the University of Wisconsin-Milwaukee. In 1974, he joined the Department of Anthropology at the University of South Florida (USF) in Tampa, as part of the first Master's program in applied anthropology. He became the program's internship coordinator, and he participated in the establishment of the first Ph.D. in applied anthropology in 1984. In Tampa, he became active in social and medical service organizations, especially those involving the poor, children, families, and the elderly. He retired from USF as Distinguished Service Professor in May, 2003.

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4

Guimarães, Gustavo Bertoche. "Uma última ruptura: o silêncio epistemológico de Bachelard após 1953 [The last rupture: Bachelard's epistemological silence after 1953]." Princípios: Revista de Filosofia (UFRN) 25, no. 46 (January 29, 2018): 9. http://dx.doi.org/10.21680/1983-2109.2018v25n46id12051.

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Neste artigo, abordamos o problema do “silêncio epistemológico” de Gaston Bachelard (1884-1962) após 1953. Bachelard era um escritor prolífico: entre 1927 e 1953, concluiu 13 livros sobre epistemologia – cerca de um livro a cada 14 meses. Todavia, em certo momento deixou de publicar obras sobre o tema, embora tivesse continuado a escrever sobre a imaginação poética. Michel Vadée e Olival Freire notam o problema e indicam caminhos possíveis, mas deixam sua solução em aberto. Mais especificamente, Freire sugere que a questão pode estar relacionada a uma importante tomada de posição de Louis de Broglie, que, em 1952, rompe com a interpretação de Copenhagen (adotada por Bachelard), propondo uma teoria que admite uma solução não probabilista para a teoria quântica. Essa reviravolta por parte do mais importante físico francês pode ter abalado o espírito de Bachelard. Acreditamos ter encontrado, em um artigo de Bachelard publicado em 1957, elementos que permitem resolver a questão. [In this paper, we address the problem of Gaston Bachelard’s (1884-1962) “epistemological silence” after 1953. Bachelard was a prolific writer: between 1927 and 1953, he completed 13 books on epistemology ‒ about one book every 14 months. However, at one point he stopped publishing works on the subject, although he continued to write about the poetic imagination. Michel Vadée and Olival Freire note the problem and point out possible paths, but leave their solution open. More specifically, Freire suggests that the issue may be related to an important position taken by Louis de Broglie, who, in 1952, breaks with the Copenhagen interpretation (adopted by Bachelard), proposing a theory that admits a non-probabilistic solution for Quantum theory. This turnaround by the most important French physicist may have shaken Bachelard's spirit. We believe we have found, in an article by Bachelard published in 1957, elements that allow us to resolve the issue.]

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De Libera, Alain. "La philosophie au tournant des années 1940 : Étienne Gilson." Revue de Synthèse 141, no. 3-4 (March 16, 2021): 239–301. http://dx.doi.org/10.1163/19552343-14000035.

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Résumé L’article est consacré à l’histoire des chaires de philosophie du Collège entre 1921 et 1951, considérée à partir du double échec subi en 1941 par le médiéviste Etienne Gilson, au moment de repourvoir la chaire de « Philosophie » définie pour Édouard Le Roy en 1921 après le départ de Henri Bergson. Sur la base d’un arbre généalogique de la philosophie au Collège de France depuis 1542, l’article restitue les enjeux des deux phases du duel entre Gilson et son principal opposant Mario Roques : a) le maintien de l’intitulé de Édouard Le Roy contre la proposition gilsonienne : Histoire des idées philosophiques dans la France moderne, b) l’élection du spiritualiste Louis Lavelle contre le philosophe psychologue Maurice Pradines, à la chaire de philosophie. L’article analyse les différents biais (statut de la philosophie à l’université, dans les lycées et collèges, laïcité, statut de la métaphysique, situation politique), affectant l’affrontement entre philosophie et histoire de la philosophie, lieu commun rhétorique des débats idéologiques depuis 1874.

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Ofcansky, Thomas P. "L.S.B. Leakey: A Biobibliographical Study." History in Africa 12 (1985): 211–24. http://dx.doi.org/10.2307/3171721.

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Louis Seymour Bazett Leakey (1903-72) was a man of immense ability and variety. Apart from his numerous activities in the fields of paleontology, archeology, and anthropology, he achieved prominence as a naturalist, historian, political analyst, handwriting expert, and administrator. His writings not only reflect these interests but also serve as an important focal point for future research about East Africa.Especially valuable are Leakey's often overlooked contributions to newspapers such as The East African Standard (Nairobi), Kenya Weekly News (Nakuru), and The Times (London). In addition to expanding on the topics mentioned above these items, which included feature articles as well as letters to the editor, outlined Leakey's views on everything from the price of maize to the activities of Kenya's dalmation club.Because of his intimate knowledge of the Kikuyu people, Leakey rendered useful service to the British colonial government during the Mau Mau revolt. His experiences were reflected in his Mau Mau and the Kikuyu (1952), Defeating Mau Mau (1954), First Lessons in Kikuyu (1959), and Kenya: Contrasts and Problems (1966). Related articles in the Manchester Guardian (Manchester) and The Observer (London) also provided essential material for understanding Leakey's attitude towards the emergency.After Kenya gained its independence in 1963, Leakey continued to use newspapers as a forum for his political beliefs. In The East African Standard, for example, “Congratulations on Model Democracy” and “Controversial Report on Kenya Answered” defended the performance of the country's new government. His autobiography, By the Evidence: Memoirs, 1932-1951 also contained a great deal of information about Leakey's position toward Kenya's political and social evolution.

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7

De Koninck, Thomas. "Être, essence et substance chez Platon et Aristote." Études Ricoeuriennes / Ricoeur Studies 2, no. 1 (May 25, 2011): 198–203. http://dx.doi.org/10.5195/errs.2011.65.

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Book Review of Paul Ricœur, Être, essence et substance chez Platon et Aristote. Cours professé à l’université de Strasbourg en 1953-1954. Texte vérifié et annoté par Jean-Louis Schlegel, (Paris: Éditions du Seuil, 2011), 348 pp.

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8

Lokke, Geoffrey. "The Muslims Present Orgena." TDR/The Drama Review 62, no. 2 (June 2018): 78–96. http://dx.doi.org/10.1162/dram_a_00749.

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The Trial (1956), a black nationalist play by Louis X (Louis Farrakhan), was expanded into a musical pageant called Orgena (1959) and performed in major venues by “The Muslims” of Boston’s Mosque No. 11, including two nights at Carnegie Hall. The history of The Trial and its development into Orgena generate discussion of the theology, politics, and cultural legacy of the Nation of Islam.

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9

GUSTAFSSON, DANIEL R., and URBAN OLSSON. "The “Very Thankless Task”: Revision of Lunaceps Clay and Meinertzhagen, 1939 (Insecta: Phthiraptera: Ischnocera: Philopteridae), with descriptions of six new species and one new subspecies." Zootaxa 3377, no. 1 (July 4, 2012): 1. http://dx.doi.org/10.11646/zootaxa.3377.1.1.

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The louse genus Lunaceps Clay and Meinertzhagen, 1939, parasitic on shorebirds (Charadriiformes: Scolopacidae) is re-vised. Six new species and one new subspecies of Lunaceps Clay and Meinertzhagen, 1939 parasitic on shorebirds (Char-adriiformes, Scolopacidae) are described. They are L. enigmaticus sp. nov. from Stilt Sandpiper Micropalama himantopus(Bonaparte, 1826), L. kukri sp. nov. from Long-billed Curlew Numenius americanus Bechstein, 1812, L. mintoni sp. nov.from Great Knot Calidris tenuirostris (Horsfield, 1821), L. rothkoi sp. nov. from Buff-breasted Sandpiper Tryngites sub-ruficollis (Vieillot, 1819), L. schismatus sp. nov. from Dunlin Calidris alpina (Linnaeus, 1758), L. superciliosus fromSharp-tailed Sandpiper Calidris acuminata (Horsfield, 1821) and Long-toed Stint Calidris subminuta (Middendorff,1853), and L. numenii madagascariensis ssp. nov. from Far Eastern Curlew Numenius madagascariensis (Linnaeus,1766). Furthermore, the species L. cabanisi Timmermann, 1954, and L. pusillus are placed as new junior synonyms of L.incoenis (Kellogg and Chapman, 1899); the species L. haematopi Timmermann, 1954, L. oliveri Timmermann, 1954, andL. husainii Ansari, 1956, are placed as new junior synonyms of L. numenii numenii (Denny, 1842), L. numenii phaeopi(Denny, 1842), and L. falcinellus Timmermann, 1954, respectively, and the subspecies L. holophaeus timmermanniBechet, 1968, is regarded as a new junior synonym of L. falcinellus Timmermann, 1954. Lunaceps limosella limosaBechet, 1968, which was previously considered a junior synonym of L limosella Timmermann, 1954, is resurrected as avalid species. Lunaceps wilsoni Carriker, 1956, is considered a nomen dubium, and L. parabolicus Eichler (in Nietham-mer), 1953, is removed to the genus Quadraceps Clay and Meinertzhagen, 1939 as Quadraceps parabolicus comb. nov.,although its status in Quadraceps needs further attention. All species and subspecies of Lunaceps are illustrated and rede-scribed, and a key is provided for their identification. Three populations, from which only poor or limited data are available, are placed as incerta sedis.

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10

Major, Mark David. "‘Excavating’ Pruitt-Igoe using space syntax." Architectural Research Quarterly 25, no. 1 (March 2021): 55–68. http://dx.doi.org/10.1017/s1359135521000130.

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Pruitt-Igoe, in St Louis, Missouri, United States, was one of the most notorious social housing projects of the twentieth century. Charles Jencks argued opening his book The Language of Post-Modern Architecture, ‘Modern Architecture died in St Louis, Missouri on July 15, 1972 at 3.32 pm (or thereabouts) when the infamous Pruitt-Igoe scheme, or rather several of its slab blocks, were given the final coup de grâce by dynamite.’ However, the magazine Architectural Forum had heralded the project as ‘the best high apartment’ of the year in 1951. Indeed, one of its first residents in 1957 described Pruitt-Igoe as ‘like an oasis in a desert, all of this newness’. But a later resident derided the housing project as ‘Hell on Earth’ in 1967. Only eighteen years after opening, the St Louis Public Housing Authority (PHA) began demolishing Pruitt-Igoe in 1972 [1]. It remains commonly cited for the failures of modernist design and planning.

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11

SYCHRA, OLDÃICH, IVAN LITERÁK, M. CAPEK, and MARTIN HAVLCEK. "Chewing lice (Phthiraptera) from typical antbirds and ground ant-birds (Passeriformes: Thamnophilidae, Formicariidae) from Costa Rica, with descriptions of three new species of the genera Formicaphagus and Myrsidea." Zootaxa 1206, no. 1 (May 18, 2006): 47. http://dx.doi.org/10.11646/zootaxa.1206.1.3.

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Descriptions and illustrations are given for one new species of Formicaphagus Carriker, 1957 and two new species of Myrsidea Waterston, 1915 from typical antbirds and ground antbirds from Costa Rica. They and their type hosts are: Formicaphagus tyrannina ex Cercomacra tyrannina (Thamnophilidae), Myrsidea mcleannani ex Phaenostictus mcleannani (Thamnophilidae) and Myrsidea klimesi ex Formicarius analis (Formicariidae). These are the first records of Myrsidea from members of the passerine families Thamnophilidae and Formicariidae. Records of two other known louse species, one of Formicaphagus and one of Machaerilaemus Harrison, 1915, both from thamnophilid hosts, are also discussed.

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12

Bushby, Kate, Jacques S. Beckmann, and Jean-Claude Kaplan. "Louise Anderson (1953–2005)." Neuromuscular Disorders 15, no. 11 (November 2005): 819–20. http://dx.doi.org/10.1016/j.nmd.2005.09.001.

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13

Polan, Dana. "The Michael Snow Project Publication Series: Visual Art, 1951-1993: Exploring Plane and Contour . Dennis Reid, Philip Monk, Louise Dompierre. ; Music/Sound, 1948-1993 . Michael Snow. ; The Collected Writings of Michael Snow . Michael Snow." Film Quarterly 49, no. 3 (April 1996): 55–57. http://dx.doi.org/10.1525/fq.1996.49.3.04a00110.

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Mumcuoglu, Kosta Y., Naama Sukenik, and Guy Bar-Oz. "Polyplax brachyrrhyncha (Anoplura: Polyplacidae) and Rhipicephalus turanicus (Ixodidae: Rhipicephalinae) in an Ancient Louse Comb." Journal of Medical Entomology 57, no. 4 (February 4, 2020): 1021–24. http://dx.doi.org/10.1093/jme/tjaa007.

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Abstract A fine-toothed comb found in the Judean Desert and resembling an ancient louse comb was examined. Based on radiocarbon dating, it ranged between 1660 AD and 1950 AD. From the material accumulated between the teeth, an oribatid mite, a pseudoscorpion, exuviae of beetle larvae, a sucking louse (Polyplax brachyrrhyncha Cummings, 1915), as well as a fully engorged larva and a nymph of the ixodid tick Rhipicephalus turanicus Pomerantzev, 1936 were recorded. Additionally, the comb included numerous hairs of a spiny mouse (Acomys sp.). Although finding mites, beetle larvae, and a pseudoscorpion on a louse comb could be regarded as contamination, the findings of P. brachyrrhyncha, as well as of a larva and nymph of R. turanicus, are noteworthy. We hypothesize that the presence of animal lice and ticks could indicate some sort of pet grooming.

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Picard, Nicolas. "Les biographies animales: Histoires naturelles, histoires personnelles // Animal Biographies: Natural Stories, Personal Stories // Biografías animales: Historias naturales, historias personales." Ecozon@: European Journal of Literature, Culture and Environment 8, no. 1 (April 27, 2017): 178–88. http://dx.doi.org/10.37536/ecozona.2017.8.1.1230.

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Résumé Cet article aborde la question des biographies animales dans la littérature de langue française. Alors qu’elle intéresse depuis peu l’éthologie, la philosophie, l’histoire, elle a toujours passionné les écrivains, en particulier les auteurs d’inspiration naturaliste soucieux de décrire les vies des bêtes observées, et les écrivains « animaliers » fascinés par des bêtes dont ils partagent les vies ou dont ils fréquentent quotidiennement les mondes. A partir des oeuvres de Maurice Maeterlinck (1862-1949), Jacques Delamain (1874-1953), Louis Pergaud (1882-1915) et Maurice Genevoix (1890-1980), j’examine dans quelle mesure ce corpus littéraire individualise et personnalise les existences animales, c’est-à-dire représente leurs vécus. On comprend en dernière analyse combien la question des biographies personnelles des bêtes est lourde d’enjeux. Abstract This paper addresses the issue of animal biographies in French-language literature. While ethology, philosophy and history have only been recently interested in it, this issue has always fascinated writers, especially authors of naturalistic inspiration desirous of describing the lives of the animals they were observing, and « animalistic » writers fascinated by the animals whose lives they share or whose worlds they dwell in. I examine the works of Maurice Maeterlinck (1862-1949), Jacques Delamain (1874-1953), Louis Pergaud (1882-1915) and Maurice Genevoix (1890-1980), to highlight to what extent this literary corpus individualizes and personalizes animal existences, that is to s ay, represents their lived experiences. In the end, we come to understand how important the issue of personal biographies of animals is. Resumen En este artículo se aborda el tema de las biografías animales en la literatura en lengua francesa. Mientras que la etología, la filosofía y la historia las estudian desde hace poco, siempre fascinaron a los escritores, especialmente a los escritores naturalistas deseosos de describir la vida de los animales observados, y a los escritores “animalistas” apasionados por los animales con los que coexisten o interaccionan en sus propios mundos. Examino las obras de Maurice Maeterlinck (1862-1949), Jacques Delamain (1874-1953), Louis Pergaud (1882-1915) y Maurice Genevoix (1890-1980), para mostrar cómo este corpus literario individualiza y personaliza las existencias animales, es decir, representa sus vivencias. Se destaca y se valora a fin de cuentas la importancia del tema de las biografías personales de los animales.

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Brown, Laurie M. "Valentine Louis Telegdi. 11 January 1922 — 8 April 2006." Biographical Memoirs of Fellows of the Royal Society 55 (January 2009): 291–304. http://dx.doi.org/10.1098/rsbm.2009.0012.

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Valentine Telegdi was an outstandingly original experimental physicist who contributed greatly to our understanding of the weak and electromagnetic interactions of elementary particles. Outspoken and colourful in expression, Telegdi (usually called ‘Val’) had the reputation of being a ‘conscience of physics’, known for his incisive and sometimes acerbic wit. In this respect he was reminiscent of Wolfgang Pauli, one of his teachers, whom he greatly admired. However, Val could be warm and caring to friends, professional associates and students. After receiving his doctorate from the Swiss Federal Institute of Technology (ETH) in Zurich in 1950, he began his academic career at the University of Chicago in 1951, and his reputation grew rapidly. In 1968 he was elected to the National Academy of Sciences. In 1972 the University of Chicago appointed him as the first Enrico Fermi Distinguished Service Professor of Physics.

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17

Wallach, Amei. "Towering Louise Bourgeois (1911–2010)." American Art 24, no. 3 (October 2010): 126–29. http://dx.doi.org/10.1086/658213.

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Storey, J. W. V., and D. J. Faulker. "Betty Louise Turtle, 1941–1990." Publications of the Astronomical Society of Australia 9, no. 1 (1991): 6–7. http://dx.doi.org/10.1017/s1323358000024759.

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Goldberger, Paul. "Ada Louise Huxtable (1921–2013)." Journal of the Society of Architectural Historians 72, no. 2 (June 1, 2013): 130–33. http://dx.doi.org/10.1525/jsah.2013.72.2.130.

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20

Generoso, Cláudia Maria. "O funcionamento da linguagem na esquizofrenia: um estudo lacaniano." Ágora: Estudos em Teoria Psicanalítica 11, no. 2 (December 2008): 267–81. http://dx.doi.org/10.1590/s1516-14982008000200007.

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Visando caracterizar a especificidade do funcionamento da linguagem na esquizofrenia, serão feitos mapeamento e análise de elementos teórico-clínicos encontrados em textos de Freud e Lacan. O fio condutor dessa investigação se baseará em noções freudianas de 1915 sobre "a palavra como coisa" e a "linguagem de órgão", bem como a concepção lacaniana de 1954 sobre "o simbólico como real" e a idéia dos anos 1970 sobre a exterioridade do esquizofrênico em relação ao laço social. Tais elementos serão exemplificados com vinhetas clínicas e o relato do esquizofrênico Louis Wolfson.

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LEI, LUJIA, XINGZHI CHU, BILAL DIK, FASHENG ZOU, HAITAO WANG, and DANIEL R. GUSTAFSSON. "Four new species of Myrsidea (Phthiraptera: Amblycera: Menoponidae) from Chinese babblers (Passeriformes: Leiothrichidae, Paradoxornithidae, Timaliidae)." Zootaxa 4878, no. 1 (November 12, 2020): 103–28. http://dx.doi.org/10.11646/zootaxa.4878.1.4.

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Four new species of amblyceran chewing lice of the genus Myrsidea Waterston, 1915 are described from hosts of the babbler families Leiothrichidae, Paradoxornithidae and Timaliidae in China. They are: Myrsidea attenuata n. sp. from Garrulax maesi maesi (Oustalet, 1890), Myrsidea zhangae n. sp. from Ianthocincla berthemyi (Oustalet, 1876), Myrsidea liopari n. sp. from Lioparus chrysotis amoenus (Mayr, 1941) and L. chrysotis swinhoii (Verreaux, 1871), and Myrsidea suthorae n. sp. from Suthora verreauxi verreauxi Sharpe, 1883. A checklist of host-louse associations for identified and unidentified Myrsidea species known from babblers is provided.

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Cestaro, Lucas Ricardo. "A SAGMACS e o estudo da "aglomeração paulistana"." URBANA: Revista Eletrônica do Centro Interdisciplinar de Estudos sobre a Cidade 5, no. 1 (July 10, 2013): 6. http://dx.doi.org/10.20396/urbana.v5i1.8635085.

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Este trabalho visa situar a contribuição dada pelo padre Louis-Joseph Lebret e a Sociedade para Análises Gráficas e Mecanográficas Aplicadas aos Complexos Sociais – SAGMACS, à formação do quadro do urbanismo no Brasil, a partir do trabalho realizado pela equipe em 1957 para a Prefeitura de São Paulo: o estudo da “Estrutura Urbana da Aglomeração Paulistana”. Pretendemos assim, discutir as ideias defendidas e difundidas pela SAGMACS nos anos 1950 e 1960 para o desenvolvimento econômico e o planejamento urbano e regional brasileiro, em plena formação e que ressoava diretamente sobre a cidade de São Paulo, que no período tornava-se a maior do Brasil e principal sede da produção econômica industrial.

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BAYCROFT, T. P. "FRANCE AND MODERNITY." Historical Journal 40, no. 2 (June 1997): 551–55. http://dx.doi.org/10.1017/s0018246x97007292.

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The French Republic, 1879–1992. By Maurice Agulhon. Translated by Antonia Nevill. Oxford: Blackwell, 1993. Pp. 500. £45.00.The republic of De Gaulle, 1958–1969. By Serge Berstein. Translated by Peter Morris. Cambridge: Cambridge University Press, 1993. Pp. 281. £30.00.Louis Loucheur and the shaping of modern France, 1916–1931. By Stephen D. Carls. Baton Rouge and London: Louisiana State University Press, 1993. Pp. 416. £42.75.The French secret services. By Martyn Cornick and Peter Morris. New Brunswick and London: Transaction Publishers, 1993. Pp. 136. £31.50.De Gaulle and twentieth-century France. Edited by Hugh Gough and John Horne. London: Edward Arnold, 1994. Pp. 192. £13.99 pbk.

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24

Héran, François. "Louis Roussel (1921-2011)." Population (english edition) 65, no. 4 (2010): 527. http://dx.doi.org/10.3917/pope.1004.0527.

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Héran, François. "Louis Roussel (1921-2011)." Population 65, no. 4 (2010): 621. http://dx.doi.org/10.3917/popu.1004.0621.

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Toffin, Gérard. "Louis Dumont (1911-1998)." L'Homme 39, no. 150 (1999): 7–13. http://dx.doi.org/10.3406/hom.1999.453563.

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GABORIEAU, M. "Louis Dumont (1911-1998)." Journal Asiatique 287, no. 1 (April 14, 2005): 1–3. http://dx.doi.org/10.2143/ja.287.1.556485.

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Prost, Antoine, and Francine Best. "Louis Legrand (1921-2015)." Revue française de pédagogie, no. 191 (June 30, 2015): 101–4. http://dx.doi.org/10.4000/rfp.4767.

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29

Agranoff, Bernard W. "Louis Sokoloff (1921-2015)." Journal of Neurochemistry 137, no. 3 (April 8, 2016): 472–73. http://dx.doi.org/10.1111/jnc.13591.

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30

Renaut, Alain. "Louis Dumont (1911-1998)." Hermès 23-24, no. 1 (1999): 343. http://dx.doi.org/10.4267/2042/14754.

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Huard, Raymond, and Philippe Gut. "Louis Girard 1911-20031." Revue d'histoire du XIXe siècle, no. 26-27 (December 1, 2003): 445–46. http://dx.doi.org/10.4000/rh19.806.

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Koide, Emi. "RUMORES DE MITOLOGIAS – BARTHES E A COLONIZAÇÃO." Revista Criação & Crítica, spe (December 30, 2015): 143. http://dx.doi.org/10.11606/issn.1984-1124.v0ispep143-147.

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<p>Proponho apresentar uma análise do vídeo <em>Vita Nova</em> (2009) do artista Vincent Meessen, que parte de uma fotografia que figura como capa da revista <em>Paris Match</em> de 1955 analisada por Roland Barthes no texto “O mito, hoje” de <em>Mitologias </em>(1957) – de um jovem negro saudando a bandeira francesa – decifrada como “álibi da colonização” (BARTHES, 1957, p. 203). Em sua investigação, o filme revela algo inesperado: o fato de que o avô de Barthes, Louis-Gustave Binger, havia sido um explorador colonial que governou o território correspondente à Costa do Marfim atual. O filme se apropria de textos de Barthes, em reviravoltas que criam novos sentidos e significados. Procuro identificar algumas inflexões, deslocamentos e outras reflexões dos textos de Barthes na presente obra, levando em consideração temas como mito, poder, colonização e história.</p>

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García Rubio, Rubén, and Eduardo Delgado Orusco. "Metamorfosis en 3 actos. La transformación romana de Louis I. Kahn a través de sus dibujos." EGA Revista de Expresión Gráfica Arquitectónica 25, no. 39 (July 22, 2020): 98. http://dx.doi.org/10.4995/ega.2020.12021.

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<p>Los apenas tres meses –del 1 de diciembre de 1950 al 5 de marzo de 1951- que Kahn pasó en la capital italiana aparecen como un momento crucial en su trayectoria. Su condición de Arquitecto Residente en la Academia de su país (RAAR) le ofreció un alto grado de libertad, que fue aprovechado para viajar por la península Itálica y por el Mediterráneo. Las impresiones de esta estancia y de los viajes asociados fueron recogidas en una serie memorable de dibujos.</p><p>Sin embargo, todavía está pendiente una lectura crítica de estos dibujos a la luz de sus objetos de interés y de las técnicas asociadas. El objetivo de este texto es contribuir a ese análisis a través de tres dibujos precisos que ofrecen una aproximación a la mirada del maestro americano sobre la arquitectura clásica mediterránea.</p>

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Baradaran Jamili, Leila, and Ziba Roshanzamir. "Traumatized Construction of Male and Female Identities in Virginia Woolf’s The Waves." Advances in Language and Literary Studies 9, no. 4 (August 31, 2018): 68. http://dx.doi.org/10.7575/aiac.alls.v.9n.4p.68.

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This paper regards traumatized formation of characters’ identities in Virginia Woolf’s (1882-1941) The Waves (1931). Trauma is considered as a devastating phenomenon which has horribly and dreadfully some effects on an individual’s self and identity. The aftereffects of a shocking and traumatic event on one’s sense of self contribute extremely to the collapse of the construction of his or her identity. Undoubtedly, the different sorts of trauma, like individual and historical trauma, have incorporated Woolf’s life. Actually, Woolf’s disoriented self is defined based on the affective representation of her traumatized identity through her painful experiences over her lifetime. This paperfocuses on Cathy Caruth’s (1955-) critical views concerning the concept of trauma. Caruth believes that trauma is a mental wound associated with the latency, referring to the return of the traumatic experiences after a period of delay or deja vuin the form of repeated flashbacks, nightmares, and so forth. In The Waves, the male and female characters like Bernard, Neville, Louis, Rhoda, Jinny, and Susan are traumatized due to a number of traumatic events, so that the construction of their identities can be trapped in some kind of post-traumatic stress disorders as the effects of their traumas. Through presentingthe characters, in the novel, Woolf delineates the traumatized selves and identities involved in some sort of psychic fragmentation and disintegration that haunt inevitably their lives and respondtraumatically to their traumas, pain, and suffering in different ways.

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35

Armour, Leslie. "LAVELLE, Louis, L’existence et la valeur, leçon inaugurale et résumes des cours au Collège de France (1941-1951)." Laval théologique et philosophique 49, no. 2 (1993): 371. http://dx.doi.org/10.7202/400778ar.

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Passfield, Robert W. "Philip Louis Pratley (1884-1958): bridge design engineer." Canadian Journal of Civil Engineering 34, no. 5 (May 1, 2007): 637–50. http://dx.doi.org/10.1139/l06-130.

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During his career as a consulting engineer, Philip Louis Pratley of Montréal, Quebec, was responsible for the design and erection of many of Canada's most outstanding long-span highway bridges. Among them are the Jacques Cartier Bridge (1930) at Montréal; the Île d'Orléans Bridge (1935) at Québec City, Quebec; the Lions' Gate Bridge (1938) at Vancouver, British Columbia; the Angus L. Macdonald Bridge (1955) at Halifax, Nova Scotia; and the Burlington Bay Skyway Bridge (1958) at Hamilton, Ontario. For over 40 years Pratley was at the forefront of his profession in Canada in designing and supervising the erection of bridge structures that embodied the latest state-of-the-art advances in design theory, construction technologies, and structural materials; his published technical writings conveyed the latest developments in bridge design and construction practice. Two of his structures; namely, the Jacques Cartier Bridge and the Lions' Gate Bridge, have attained a symbolic importance as national icons. The present article provides an overview of his outstanding career as a bridge design engineer. Key words: Philip Pratley, Monsarrat & Pratley, bridge design, suspension bridges, cantilever bridges.

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McCarter, Robert. "Aldo van Eyck and Louis I. Kahn: Parallels in the Other Tradition of Modern Architecture." ZARCH, no. 10 (July 19, 2018): 44–61. http://dx.doi.org/10.26754/ojs_zarch/zarch.2018102929.

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In September 1959, at the invitation of Alison and Peter Smithson, the American architect Louis I. Kahn (1901-1974) attended the 11th and last Congrés Internationaux d’Architecture Moderne (CIAM) conference held at Henry van de Velde’s Kroller-Muller Museum in Otterlo, the Netherlands. There he met the Dutch architect Aldo van Eyck (1918-1999), founding member of Team 10, the successor of CIAM that emerged at the end of this conference. The paths of these two architects – the Second-Generation modernist Kahn, then 58 years old, and the Third-Generation modernist Van Eyck, then 40 years old – parallel in so astonishingly many ways, crossed here for the first time, deeply affecting them both at a time of critical transition in their respective practices and thought.

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SHIMADA, MEGUMI, and KAZUNORI YOSHIZAWA. "A revision of Strigiphilus (Insecta: Phthiraptera: Philopteridae) from Japan." Zootaxa 4779, no. 4 (May 21, 2020): 501–21. http://dx.doi.org/10.11646/zootaxa.4779.4.3.

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The Japanese species of the genus Strigiphilus Mjöberg, 1910 (Insecta: Phthiraptera: Philopteridae) are revised. Six species are recorded, including a new species belonging to the cursitans species-group: Strigiphilus stenocephalus new species, described from the type host Otus bakkamoena semitorques and based on specimens originally identified and reported by Uchida (1949) as Strigiphilus rostratus (Burmeister, 1838). A lectotype for Strigiphilus laticephalus (Uchida, 1949) (type host: Strix aluco yamadae) is designated and redescribed, and this louse species is synonymized under Strigiphilus cursor (Burmeister, 1838). Strigiphilus ceblebrachys (Denny, 1842), S. heterogenitalis Emerson & Elbel, 1957 and S. tuleskovi Balát, 1958 are recorded for the first time in Japan. Also, Strix uralensis and Otus sunia japonicus are recorded as new hosts for Strigiphilus heterogenitalis and S. tuleskovi respectively.

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Valladares, Licia. "Louis-Joseph Lebret et les favelas de Rio de Janeiro (1957-1959) : enquêter pour l'action." Genèses 60, no. 3 (2005): 31. http://dx.doi.org/10.3917/gen.060.0031.

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Poeze, Harry. "Korte signaleringen." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 168, no. 1 (2012): 161–71. http://dx.doi.org/10.1163/22134379-90003575.

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Menno Witteveen, Antonio van Diemen: De opkomst van de VOC in Azië. Hans Straver, Vensters op de Molukse geschiedenis, 1450-1950. Marjolein van den Dries en Arnold Carmiggelt, Delfshaven: een VOC-werf opgegraven. P.H.J.I. Ploegaert, Rotterdam Stadtswerf: Archeologisch onderzoek op het VOC-terrein te Delfshaven, Rotterdam. Otto van den Muijzenberg en Dinette Wijnen, De Mahnes: Familie in beweging 1750-1950. Jan de Lang, Dienaar van koloniaal Nederland: Biografie van Frederik Christiaan Hendrik Hirschmann (1870-1935). Herman van Bergeijk, Berlage en Nederlands-Indië: ‘Een innerlijke drang naar het schoone land’. Herman Smit, Landvoogd tussen twee vuren: Jonkheer Mr. A.C.D. de Graeff, gouverneur-generaal van Nederlands-Indië 1926-1931. Gerard Aalders, Bernhard zakenprins: Zijn connecties met wapenhandelaren, louche zakenlieden en dubieuze bankiers. Pierre Heijboer, De eer en de ellende: Nieuw-Guinea 1962. Nieuw-Guinea 1949-1962. Twee DVD’s (56’, 75’).

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Csicsila. "Louis J. Budd (1921-2010)." American Literary Realism 45, no. 1 (2012): 3. http://dx.doi.org/10.5406/amerlitereal.45.1.0003.

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MESSENT, PETER. "Louis J. Budd (1921–2010)." Journal of American Studies 45, no. 3 (August 2011): 599–602. http://dx.doi.org/10.1017/s0021875811000843.

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43

Bonnain, Rolande. "Jean-Louis Flandrin, 1931–2001." History of the Family 7, no. 1 (January 2002): 1–2. http://dx.doi.org/10.1016/s1081-602x(01)00091-4.

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Swiggers, Pierre. "Louis Théophile Lefort (1879–1959)." Historiographia Linguistica 13, no. 1 (January 1, 1986): 131–35. http://dx.doi.org/10.1075/hl.13.1.12swi.

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Anderson, Jock R. "John Louis Dillon (1931-2001)." Australian Journal of Agricultural and Resource Economics 46, no. 1 (March 2002): 115–18. http://dx.doi.org/10.1111/1467-8489.00170.

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de Lamberterie, Charles. "Jean-Louis Perpillou (1931-2020)." Revue de philologie, de littérature et d'histoire anciennes Tome XCIII, no. 1 (May 7, 2021): 13–15. http://dx.doi.org/10.3917/phil.931.0013.

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Weathersby, Claude, and Yolanda Weathersby. "Branch School Buildings in the St. Louis Public Schools District: Tools to Support the Segregative Neighborhood School Policy of the St. Louis Board of Education." Journal of Urban History 45, no. 3 (June 10, 2017): 483–99. http://dx.doi.org/10.1177/0096144217712929.

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During and after World War II, large numbers of African Americans from the former Confederate States migrated to St. Louis, Missouri. The pace of this migration placed a strain on the St. Louis Public Schools district. The district responded to the facilities shortage by constructing small branch school buildings in its compliance with de jure segregation laws in Missouri before 1954, and after 1954, in its efforts to covertly maintain a pseudo-integrated public school district’s neighborhood school policy.

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Gillis, Alan. "‘Any Dark Saying’: Louis MacNeice in the Nineteen Fifties." Irish University Review 42, no. 1 (May 2012): 105–23. http://dx.doi.org/10.3366/iur.2012.0011.

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The contours of Louis MacNeice's career are rarely contested: from the high point of his nineteen thirties work, reaching a crescendo with Autumn Journal (1939), he drifted into a slump, reaching a nadir with two collections from the early nineteen fifties, Ten Burnt Offerings (1952) and Autumn Sequel (1954), before reviving to develop a startling new style at the end of the decade. The historical moment clearly demanded stylistic renegotiation, both for poets living in Ireland and those outside it, but in comparison with the new styles developed coterminously by Clarke and Kavanagh, MacNeice's late work is stark, suggestive of nightmarish solipsism and a breakdown of social cohesion. If the failure of his volumes from the early Fifties suggested a symbolic break between self and society, his subsequent inward turn affirms the self as the ground of lyric poetry. MacNeice's late work should be understood as symptomatic of an encroaching dissolution of communality that would profoundly affect the cultures of both islands as the twentieth century progressed. This essay explores MacNeice's stylistic evolution at mid century and considers the extent to which these developments were an essential foundation for the creation of his remarkable late style.

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Lisanti, Luís. "Resenha do livro "U.S.A. Essai de Mythologie Américaine"." Revista de História 18, no. 38 (November 16, 2015): 485. http://dx.doi.org/10.11606/issn.2316-9141.rh.1959.107509.

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Hill, Richard J., and Laura Eidam. "From Braemar to Hollywood: The American Appropriation of Robert Louis Stevenson’s Pirates." Humanities 9, no. 1 (January 11, 2020): 10. http://dx.doi.org/10.3390/h9010010.

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The pirate tropes that pervade popular culture today can be traced in large part to Robert Louis Stevenson’s 1883 novel, Treasure Island. However, it is the novel’s afterlife on film that has generated fictional pirates as we now understand them. By tracing the transformation of the author’s pirate captain, Long John Silver, from N. C. Wyeth’s illustrations (1911) through the cinematic performances of Wallace Beery (1934) and Robert Newton (1950), this paper demonstrates that the films have created a quintessentially “American pirate”—a figure that has necessarily evolved in response to differences in medium, the performances of the leading actors, and filmgoers’ expectations. Comparing depictions of Silver’s dress, physique, and speech patterns, his role vis-à-vis Jim Hawkins, each adaptation’s narrative point of view, and Silver’s departure at the end of the films reveals that while the Silver of the silver screen may appear to represent a significant departure from the text, he embodies a nuanced reworking of and testament to the author’s original.

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