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Journal articles on the topic 'Louise May Alcott'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Bullington, Judy. "Inscriptions of Identity: May Alcott as Artist, Woman, and Myth." Prospects 27 (October 2002): 177–200. http://dx.doi.org/10.1017/s0361233300001186.

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May Alcott's identity as an artist is overshadowed by, and often confused with, that of the author Louisa May Alcott. Born in Concord, Massachusetts, in 1840, Abbie May Alcott [later Nieriker], was the youngest of the Alcott sisters. Her capricious nature and artistic aspirations served as the inspiration for the character of Amy, the “little Raphael” of the March family, in Louisa's first popular novel,Little Women. Amy's desire to “go to Rome, and do fine pictures, and be the best artist in the whole world” (Alcott, quoted in Bedell, 248) was the embodiment of May Alcott's own fervent childh

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2

Gurley, Jennifer. "Louisa May Alcott as Poet: Transcendentalism and the Female Artist." New England Quarterly 90, no. 2 (2017): 198–222. http://dx.doi.org/10.1162/tneq_a_00603.

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This essay presents Louisa May Alcott's conception of an artist, one that gives nineteenth century women access to that title. Based in her poetry, Alcott's notion of art both draws from and resists Transcendentalist theology as it counters sentimentalist cliches about women writers. Ellen Sturgis Hooper is revealed as a major influence on Alcott.

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3

Rahman, Cinda Amilia. "THE STRUGGLE OF VICTORIAN WOM EN IN NOVEL “LITTLE WOMEN” BY LOUISA MAY ALCOTT." British (Jurnal Bahasa dan Sastra Inggris) 7, no. 2 (2019): 90. http://dx.doi.org/10.31314/british.7.2.90-98.2018.

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This research discusses Louisa May Alcott’s novel, “Little Women”. It is a story about four sisters and mother in the March Family. The novel, which has a background in the Victorian Era, addresses many issues about women. The description of women at that time, positions in the Family, Education and Public work environment. Therefore this study aims to determine aspects of the struggle of women in Victorian era in terms of family, education, and Public work environment using a gynocriticism approach. The data used documentation data where data comes from novels and other supporting sources. Th

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4

Shishkova, Irina A. "The sentimental revolution and Victorian values in American literature." Vestnik of Kostroma State University, no. 2 (2019): 86–90. http://dx.doi.org/10.34216/1998-0817-2019-25-2-86-90.

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The article deals with the creative contribution of Louisa May Alcott to the Victorian period of American literature and the evolution of interpersonal relationship characteristic of the American middle class. The aim of the paper is to examine the infl uence of sentimental authors on the development of sociocultural life in the United States and their progressive interpretation of the role distribution in the family. In this regard, the article analyses the undying interest in the work of Louisa May Alcott, whose writing absorbed the ideas of sentimentalists as well as the humane impulse of t

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5

Howe, Winona. "The Louisa May Alcott Encyclopedia, and: Louisa May Alcott & Charlotte Bronte: Transatlantic Translations (review)." Lion and the Unicorn 26, no. 2 (2002): 278–83. http://dx.doi.org/10.1353/uni.2002.0023.

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6

Hirschhorn, Norbert, and Ian Greaves. "Louisa May Alcott: Her Mysterious Illness." Perspectives in Biology and Medicine 50, no. 2 (2007): 243–59. http://dx.doi.org/10.1353/pbm.2007.0019.

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7

Keyser, Elizabeth Lennox. "Louisa May Alcott: Contradictions and Continuities." Children's Literature 24, no. 1 (1996): 205–12. http://dx.doi.org/10.1353/chl.0.0289.

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8

Sneller, Judy E. "Lurid Louisa or Angelic Alcott?: Humor, Irony, and Identity in Louisa May Alcott’s Stories of the 1860s." International Journal of Literary Humanities 10, no. 3 (2013): 41–50. http://dx.doi.org/10.18848/2327-7912/cgp/v10i03/43874.

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9

Carlson, Larry A., Joel Myerson, Daniel Shealy, and Madeleine B. Stern. "The Selected Letters of Louisa May Alcott." American Literature 61, no. 4 (1989): 699. http://dx.doi.org/10.2307/2927014.

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10

Walls, Laura Dassow. "The Cosmopolitical Project of Louisa May Alcott." ESQ: A Journal of the American Renaissance 57, no. 1-2 (2011): 107–32. http://dx.doi.org/10.1353/esq.2011.0024.

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11

Doyle, Christine. "Louisa May Alcott: New Texts and Contexts." Children's Literature 27, no. 1 (1999): 211–17. http://dx.doi.org/10.1353/chl.0.0291.

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12

Howard, Anne Bail. "Louisa May Alcott on the Chautauqua Trail." Children's Literature 34, no. 1 (2006): 186–92. http://dx.doi.org/10.1353/chl.2006.0011.

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13

Deborah Stevenson. "Louisa: The Life of Louisa May Alcott (review)." Bulletin of the Center for Children's Books 63, no. 2 (2009): 75–76. http://dx.doi.org/10.1353/bcc.0.1221.

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14

Edelstein, Sari. "Louisa May Alcott's Age." American Literature 87, no. 3 (2015): 517–45. http://dx.doi.org/10.1215/00029831-3149357.

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15

Carlson, L. "Louisa May Alcott and Charlotte Bronte: Transatlantic Translations." American Literature 74, no. 1 (2002): 151–52. http://dx.doi.org/10.1215/00029831-74-1-151.

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16

Vallone, Lynne, and Christine Doyle. "Louisa May Alcott and Charlotte Bronte: Transatlantic Translations." New England Quarterly 75, no. 1 (2002): 162. http://dx.doi.org/10.2307/1559895.

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17

Shealy, Daniel. "The author-publisher relationships of Louisa May Alcott." Book Research Quarterly 3, no. 1 (1987): 63–74. http://dx.doi.org/10.1007/bf02683750.

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18

Matteson, John. "Finding Private Suhre: On the Trail of Louisa May Alcott's “Prince of Patients”." New England Quarterly 88, no. 1 (2015): 104–25. http://dx.doi.org/10.1162/tneq_a_00437.

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John Suhre, whom Louisa May Alcott called the “hero” of her Hospital Sketches, strongly influenced her thinking and writing. However, almost nothing has been known about him. This article identifies Suhre and reconstructs his final months, from his enlistment in the 133rd Pennsylvania Volunteers to his death in an army hospital.

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19

Carpenter, Mary Wilson, Daniel Shealy, Madeleine B. Stern, and Joel Myerson. "Freaks of Genius: Unknown Thrillers of Louisa May Alcott." American Literature 64, no. 2 (1992): 379. http://dx.doi.org/10.2307/2927850.

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20

Carpenter, Stephanie. "Marching On: Rereading Little Women and Louisa May Alcott." Missouri Review 43, no. 1 (2020): 191–203. http://dx.doi.org/10.1353/mis.2020.0014.

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21

Trites, Roberta Seelinger. "Little Women: An Annotated Edition by Louisa May Alcott." Children's Literature Association Quarterly 39, no. 1 (2014): 156–58. http://dx.doi.org/10.1353/chq.2014.0007.

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22

Carpenter, Mary Wilson, and Elizabeth Lennox Keyser. "Whispers in the Dark: The Fiction of Louisa May Alcott." American Literature 68, no. 3 (1996): 646. http://dx.doi.org/10.2307/2928253.

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23

DOLAN. "Her Daily Bread: Food and Labor in Louisa May Alcott." American Literary Realism 48, no. 1 (2015): 40. http://dx.doi.org/10.5406/amerlitereal.48.1.0040.

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24

Rigsby, Mary Bortnyk, and Elizabeth Lennox Keyser. "Whispers in the Dark: The Fiction of Louisa May Alcott." Tulsa Studies in Women's Literature 15, no. 1 (1996): 157. http://dx.doi.org/10.2307/463982.

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25

Bassil, Veronica. "The Artist at Home: The Domestication of Louisa May Alcott." Studies in American Fiction 15, no. 2 (1987): 187–97. http://dx.doi.org/10.1353/saf.1987.0014.

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26

Winn, Harbour. "Echoes of Literary Sisterhood: Louisa May Alcott and Kate Chopin." Studies in American Fiction 20, no. 2 (1992): 205–8. http://dx.doi.org/10.1353/saf.1992.0000.

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27

Cotugno, Clare. "Whispers in the Dark: The Fiction of Louisa May Alcott." Studies in American Fiction 24, no. 2 (1996): 240–41. http://dx.doi.org/10.1353/saf.1996.0005.

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28

Lane, Ann J., and Sarah Elbert. "A Hunger for Home: Louisa May Alcott and Little Women." American Historical Review 90, no. 4 (1985): 1014. http://dx.doi.org/10.2307/1859007.

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29

Simons, Judy. "The Afterlives of Louisa May Alcott: Greta Gerwig’s Little Women." Adaptation 13, no. 2 (2020): 279–81. http://dx.doi.org/10.1093/adaptation/apaa014.

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30

Bush, Elizabeth. "A Hopeful Heart: Louisa May Alcott Before by Deborah Noyes." Bulletin of the Center for Children's Books 74, no. 2 (2020): 95–96. http://dx.doi.org/10.1353/bcc.2020.0695.

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31

Elbert, Monika M. (Monika Maria). "Everything You Always Wanted to Know about Louisa May Alcott. .." Children's Literature 31, no. 1 (2003): 201–5. http://dx.doi.org/10.1353/chl.2003.0006.

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32

Galeano, Marlowe Daly. "Louisa May Alcott's Unruly Medical Women." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 74, no. 4 (2018): 61–86. http://dx.doi.org/10.1353/arq.2018.0022.

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33

Williams, Susan S. "Family and Fortune: Louisa May Alcott, Inheritance, and the Legacy of Aunts." New England Quarterly 93, no. 1 (2020): 48–73. http://dx.doi.org/10.1162/tneq_a_00793.

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This article examines Louisa May Alcott's The Inheritance and Little Women in the context of mid-nineteenth century inheritance laws and Alcott's biography. Focusing in particular on Alcott's depiction of widowed aunts, it argues that these works expand definitions of family while also advocating using wealth for social good within and across generations.

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34

Hendler, Glenn. "The Limits of Sympathy: Louisa May Alcott and the Sentimental Novel." American Literary History 3, no. 4 (1991): 685–706. http://dx.doi.org/10.1093/alh/3.4.685.

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35

Foote, Stephanie. "Resentful Little Women : Gender and Class Feeling in Louisa May Alcott." College Literature 32, no. 1 (2005): 63–85. http://dx.doi.org/10.1353/lit.2005.0005.

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36

Griffis, Rachel B. "Stories for “Good Young Girls”: Louisa May Alcott, Gender, and Realism." Women's Studies 45, no. 3 (2016): 263–74. http://dx.doi.org/10.1080/00497878.2016.1149032.

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37

Rostenberg, Leona. "The Discovery of Louisa May Alcott's Pseudonym." Primary Sources & Original Works 4, no. 3-4 (1997): 193–96. http://dx.doi.org/10.1300/j269v04n03_03.

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38

Eiselein, Gregory. "Modernity and Louisa May Alcott's Jo's Boys." Children's Literature 34, no. 1 (2006): 83–108. http://dx.doi.org/10.1353/chl.2006.0006.

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39

Carlson, Larry A., and Charles Strickland. "Victorian Domesticity: Families in the Life and Art of Louisa May Alcott." American Literature 58, no. 4 (1986): 635. http://dx.doi.org/10.2307/2926455.

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40

Halttunen, Karen, and Charles Strickland. "Victorian Domesticity: Families in the Life and Art of Louisa May Alcott." History of Education Quarterly 26, no. 4 (1986): 633. http://dx.doi.org/10.2307/369031.

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41

Lahey. "Honeybees and Discontented Workers: A Critique of Labor in Louisa May Alcott." American Literary Realism 44, no. 2 (2012): 133. http://dx.doi.org/10.5406/amerlitereal.44.2.0133.

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42

Elbert, Sarah, Robert Coles, and Charles Strickland. "Victorian Domesticity: Families in the Life and Art of Louisa May Alcott." American Historical Review 92, no. 2 (1987): 497. http://dx.doi.org/10.2307/1866790.

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43

Dalke, Anne French, and Charles Strickland. "Victorian Domesticity: Families in the Life and Art of Louisa May Alcott." South Atlantic Review 51, no. 4 (1986): 146. http://dx.doi.org/10.2307/3199771.

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44

Nelson, Claudia. "Family Circle or Vicious Circle?: Anti-Paternal Undercurrents in Louisa May Alcott." Children's Literature Association Quarterly 1988, no. 1 (1988): 70–76. http://dx.doi.org/10.1353/chq.1988.0003.

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45

Hicks, David. "'Abundant Evidence of an Extraordinary Life": The Letters of Louisa May Alcott." Children's Literature Association Quarterly 15, no. 3 (1990): 155–57. http://dx.doi.org/10.1353/chq.0.0827.

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46

Shealy, Daniel. "“Wedding Marches”: Louisa May Alcott, Marriage, and the Newness of Little Women." Women's Studies 48, no. 4 (2019): 366–78. http://dx.doi.org/10.1080/00497878.2019.1614869.

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47

Le Brun, Claire. "De Little Women de Louisa May Alcott aux Quatre filles du docteur March." Meta 48, no. 1-2 (2003): 47–67. http://dx.doi.org/10.7202/006957ar.

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Résumé L’article examine sept traductions et adaptations françaises de Little Women de Louisa May Alcott (1868), actuellement accessibles aux jeunes lectrices en librairie ou en bibliothèque. Afin d’observer les représentations de la féminité qui y sont données à lire au lectorat francophone, l’analyse se centre sur le personnage de Jo, l’héroïne anti-conformiste qui n’hésite pas à exprimer ouvertement son refus des limitations imposées à la condition féminine. Il apparaît que la description physique et psychologique, les prises de parole et les actes du personnage ont subi, dans la plupart de

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48

Deese, Helen R. "Louisa May Alcott's "Moods": A New Archival Discovery." New England Quarterly 76, no. 3 (2003): 439. http://dx.doi.org/10.2307/1559810.

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49

Shealy, Daniel. "Louisa May Alcott's Juvenilia: Blueprints for the Future." Children's Literature Association Quarterly 17, no. 4 (1992): 15–18. http://dx.doi.org/10.1353/chq.0.1028.

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50

Smith, Andrew, and Gary Scharnhorst. "Louisa May Alcott's Last Week: A Valedictory Letter." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 13, no. 1 (2000): 21–23. http://dx.doi.org/10.1080/08957690009598086.

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