Relevant bibliographies by topics / Lourié

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Lourié'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Lourié"

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SALKOWSKI, DAVID. "Unfolding the Fan of Memory in Arthur Lourié’s Recollection of Petersburg." Twentieth-Century Music 16, no. 2 (April 30, 2019): 289–317. http://dx.doi.org/10.1017/s1478572218000348.

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AbstractThis article demonstrates how migration formed a process of memory construction in the work and thought of Russian émigré composer Arthur Lourié (1891–1966). It analyses Lourié’s song cycle Recollection of Petersburg, composed over two decades and across four countries, providing close readings of music and poetry and exploring the network of intertextual connections the cycle activates. Lourié has proven a difficult subject because of the diversity of aesthetic positions he took from decade to decade. Recollection allows us to trace a line of continuity as he passed through these incarnations, revealing an aesthetics of accumulation and arrangement with origins in Acmeist poetics. This aesthetics, in turn, served as a coping strategy for Lourié’s life in emigration, as he sought to order the voices of memory and escape the flow of time. Lourié’s case will contribute to our understanding of the profound impact of migration on music in the twentieth century.
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MÓRICZ, KLÁRA. "Shadows of the Past: Akhmatova’s Poem Without a Hero and Lourié’s Incantations." Twentieth-Century Music 5, no. 1 (March 2008): 79–108. http://dx.doi.org/10.1017/s1478572208000613.

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AbstractArthur Vincent Lourié (1891–1966), futurist, communist commissar of music, and close friend of Stravinsky in Paris in the 1920s, was an important member of avant-garde Russian artistic circles in the first three decades of the twentieth century. Yet by the 1950s he seems to have faded into obscurity. This article attempts to fill the gap left by the lack of discussion of the strange permutations of Lourié’s career after his emigration in 1922 by way of an analysis of his miniature 1961 song cycle Zaklinaniya (‘Incantations’). The cycle consists of five settings of lines from Anna Ahkmatova’s Poema bez geroya (‘Poem Without a Hero’), whose first part recalls Lourié and Akhmatova’s shared past in Russia’s Silver Age. Akhmatova (1889–1966), an intimate friend of the dandyish Lourié and at the centre of avant-garde artistic circles in pre-Revolutionary St Petersburg, describes the early 1910s as a Meyerholdian nightmarish masquerade in which the protagonists were constantly in danger of losing their identity through nihilistic role playing. Lourié’s elusive figure can be seen as the embodiment in the Poema of the frightening, superfluous shadow with ‘neither face nor name’. Rather than any unfortunate turn of political or personal history, it was Lourié’s affection for masks – for taking up exaggerated poses and concealing his real face – that provides the most compelling reason for his gradual disappearance from view in the chaos of the first half of the twentieth century.
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Levidou, Katerina. "Arthur Lourié and his conception of revolution." Muzikologija, no. 13 (2012): 79–100. http://dx.doi.org/10.2298/muz120229013l.

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Arthur Louri??s conception of revolution (political as well as cultural) is explored through his writings, with particular emphasis on its evolution from his Russian period to his Parisian and American exiles. Analyzing Louri??s Eurasianist views specifically I argue that through his association with Eurasianism and his engagement with Neoclassicism Louri? did not abandon his revolutionary disposition; the means through which his revolutionism was pursued as well as the ideals that shaped it were merely redefined, while remaining firmly grounded in the Silver Age.
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Bacher, Lutz. "« Ce soir on n’improvise pas » : conversation avec Laure Lourié." 1895, no. 34-35 (October 1, 2001): 371–76. http://dx.doi.org/10.4000/1895.207.

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MÓRICZ, KLÁRA. "Decadent truncation: liberated Eros in Arthur Vincent Lourié's The Blackamoor of Peter the Great." Cambridge Opera Journal 20, no. 2 (July 2008): 181–213. http://dx.doi.org/10.1017/s0954586709002468.

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AbstractRussian composer Arthur Vincent Lourié (1881/2–1966) dedicated his The Blackamoor of Peter the Great (1948–1961), an opera based on Pushkin's story about the poet's African great-grandfather, to ‘Russian culture, the Russian people and Russian history.’ Neoclassical in its subject matter, reliance on conventional musical forms, and adherence to tonality, Lourié's Blackamoor is nevertheless also an exemplary symbolist opera. This article explains three symbolist aspects of the work: the sources of its libretto (Lourié's librettist Irina Graham interspersed the libretto with symbolist texts), its multi-layered cultural associations, and Lourié's decision to liberate and embody the erotic drive of the main character Ibrahim by representing it as the figure of Eros. Eradicated during the years of Stalinist terror, the culture of Silver Age Russia thus continued to find a voice in the emigrant Lourié's last opera.
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Levidou, Katerina. "Funeral Games in Honor of Arthur Vincent Lourié. Ed. by Klára Móricz and Simon Morrison." Music and Letters 96, no. 3 (August 2015): 486–89. http://dx.doi.org/10.1093/ml/gcv048.

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Pierova, Maryna. "“CINQ PRELUDES FRAGILES” FOR PIANO BY A. LOURIÉ: THE ATTEMPT OF COMPOSITIONAL AND DRAMATURGICAL ANALYSIS." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 58, no. 58 (March 10, 2021): 53–64. http://dx.doi.org/10.34064/khnum1-58.04.

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Background. The article identifies the stylistic principles of composer’s thinking of A. Lourié on the basis of the “Cinq preludes fragiles” for piano op. 1. The musical science works of recent years, which include the articles by M. Gorodilova, L. Sitsky and D. Gojowy, deal with the problem of repressed Russian avant-garde. Objective. The purpose of the research is to reveal the specifics of individual composer style of A. Lourié on the basis of the “Cinq preludes fragiles” for piano op. 1. Methods. Achieving the goal of the research involves using the following methods: stylistic approach, genre approach and compositional approach. Results and Discussion. Exposition of the main material of the study includes the compositional, dramaturgical and stylistic analysis of the cycle, which is recognized as the first piece by A. Lourié. The analysis of the intonational dramaturgy of the cycle by A. Lourié is a necessary stage in the theoretical understanding of the composer’s artistic thinking and the stylistic features of his heritage. Prelude No. 1 (Lento, es-moll) is a kind of introduction to the holistic “plot” of the cycle, as it represents the world of the lyric hero. It can be assumed that this is the image of the Poet, which is characteristic of the romantic tradition. Prelude No. 2 (Calme, pas vite, es-moll) is also lyrical in nature, with a touch of melancholy, but more active and strong-willed. Prelude No. 3 (Tendre, pensif, B-dur) is the lyric center of the cycle. This is a musical pastoral. In this prelude, various psychological modes are combined: the union of man and nature (contemplation), the thoughts of a man alone with himself (reflection), an internal conversation with the creator (prayer). Prelude No. 4 (Affabile, F-dur) is recognized as a bright intermezzo. The miniature is imbued with states of exultation, delight, joy of being. The general mood of the prelude is supported by the author’s remark “joyeux, capricieusement” (“fun, capriciously”) and corresponds to the intermezzo compositional function. The character of Prelude No. 5 (Modéré, gis-moll) is melancholic and detached. This miniature is very close to the Prelude No. 1, with which it creates an arch of images of the dialectic of the protagonist’s soul. It seems that the hero had lost his life goals again. The dramaturgical author’s intention is realized as follows: Preludes No. 1 and No. 2 represent a double exposure, which reveals the figurative dichotomy of «melancholia – activity» as two hypostases of a lyrical hero; Prelude No. 3 shows the picture of nature and a man’s attitude to it; Prelude No. 4 is the bright culmination of the image of a dream; in Prelude No. 5, a lyrical hero returns to reality. The results of the research support the idea that the main features of A. Lourié’s individual compositional style are the semantics of “fragility”, the principle of thematic concentration and miniaturism of intellection. The semantics of “fragility” is manifested in the poetic aura of the symbolism of the “silver age”, which represented an idea of beauty as the ultimate, vanishing state. The principle of thematic concentration is manifested in the saturation of events in a unit of musical time. The miniaturism of thinking is the ability to model and reflect global ideas of human life in the performing process in a chamber chronotope. Conclusion. In the article the unity of the content and form-building levels of the cycle “Cinq preludes fragiles” for piano op. 1 is revealed. The refraction of the romantic tradition of interpreting the piano in the works of A. Lourié was studied. The role of the miniature genre in the context of the composer’s piano heritage is described. The specificity of metro-rhythm, harmonic and intonational semantics of A. Lourié’s piano works is revealed. The prospects for further researches include the necessity of in-depth study of composer heritage of A. Lourié.
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McBurney, Gerard. "The Resurrection of Roslavets." Tempo, no. 173 (June 1990): 7–9. http://dx.doi.org/10.1017/s0040298200019069.

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It can hardly have escaped the reader's attention that certain changes have taken place in Eastern Europe and beyond. In December 1980, when Lewis Foreman published his comments about Nikolai Roslavets in Tempo No. 135, discussion of the Russian modernists, of composers such as Roslavets, Lourié and Mossolov, was still largely impossible in the Soviet Union. It followed that it was extremely hard to find out what music had in fact survived in archives public and private, and even harder to get that music performed.
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Berman, Sidney. "Reginald Spencer Lourie, M.D. (1908–1988)." Journal of the American Academy of Child & Adolescent Psychiatry 28, no. 1 (January 1989): 146–47. http://dx.doi.org/10.1097/00004583-198901000-00041.

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Silva, Maria Aparecida Oliveira da. "Louros a Esparta." Revista do Museu de Arqueologia e Etnologia, no. 29 (December 30, 2017): 105–11. http://dx.doi.org/10.11606/issn.2448-1750.revmae.2017.154961.

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Dissertations / Theses on the topic "Lourié"

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Gojowy, Detlef. "Weiteres zu Arthur Lourié." Musikgeschichte in Mittel- und Osteuropa ; 5 (1999), S. 99-110, 1999. https://ul.qucosa.de/id/qucosa%3A15626.

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Werk und Person von Arthur Lourié (189..-1966) hatten im Bild der Nachwelt ihr eigentümliches Schicksal. Der Komponist, dessen Schaffensweg die scheinbar widersprüchlichsten Stationen durchlief - von einem radikalen Avantgardismus der frühen Jahre über einen skeptischen Neoklassizismus, einem frühminimalistischen Neo- Melodismus zur einer retrovertierten Rußland-Mystik - war schon für seine Mitwelt schwer ins Bild der Neuen Musik einzuordnen und zu akzeptieren.
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Gojowy, Detlef. "Weiteres zu Arthur Lourié." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-224614.

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Werk und Person von Arthur Lourié (189..-1966) hatten im Bild der Nachwelt ihr eigentümliches Schicksal. Der Komponist, dessen Schaffensweg die scheinbar widersprüchlichsten Stationen durchlief - von einem radikalen Avantgardismus der frühen Jahre über einen skeptischen Neoklassizismus, einem frühminimalistischen Neo- Melodismus zur einer retrovertierten Rußland-Mystik - war schon für seine Mitwelt schwer ins Bild der Neuen Musik einzuordnen und zu akzeptieren.
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Poldjaeva, Jelena. "Arthur Lourié und Pierre Suvčinskij im Kontext der russischen Musiker-Emigration." Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 1999. https://ul.qucosa.de/id/qucosa%3A15629.

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Arthur Lourié war auch in den letzten zehn Jahren noch eine legendäre Person - dank erschienener Publikationen aber weniger geheimnisvoll. Bis zum heutigen Tage erweckt er Interesse eher durch die Farbigkeit seiner Biographie als durch die künstlerische Bedeutung seines Vermächtnisses. ... Man hat den Eindruck, daß Lourié kein Interesse am russischen musikalischen und kulturellen Leben in Berlin hatte, das 1922 bereits relativ weit entwickelt war. Sein Name taucht in der russischsprachigen Presse nicht auf, und er knüpfte keine Kontakte zu in Berlin lebenden Landsleuten. Die wahrscheinlich einzige Ausnahme war Pierre Suvčinskij.
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Poldjaeva, Jelena. "Arthur Lourié und Pierre Suvčinskij im Kontext der russischen Musiker-Emigration." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-224623.

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Arthur Lourié war auch in den letzten zehn Jahren noch eine legendäre Person - dank erschienener Publikationen aber weniger geheimnisvoll. Bis zum heutigen Tage erweckt er Interesse eher durch die Farbigkeit seiner Biographie als durch die künstlerische Bedeutung seines Vermächtnisses. ... Man hat den Eindruck, daß Lourié kein Interesse am russischen musikalischen und kulturellen Leben in Berlin hatte, das 1922 bereits relativ weit entwickelt war. Sein Name taucht in der russischsprachigen Presse nicht auf, und er knüpfte keine Kontakte zu in Berlin lebenden Landsleuten. Die wahrscheinlich einzige Ausnahme war Pierre Suvčinskij.
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Bernard, Hélène. "Bioindication des métaux lourds (Plomb, mercure, cadmium et thallium) par les basidiomycètes sauvages." Bordeaux 2, 1996. http://www.theses.fr/1996BOR2P026.

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Louis, Sandrine Rahbé Yvan. "Diversité structurale et d'activité biologique des Albumines entomotoxiques de type 1b des graines de Légumineuses." Villeurbanne : Doc'INSA, 2004. http://docinsa.insa-lyon.fr/these/pont.php?id=louis.

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Thèse doctorat : Analyse et Modélisation des Systèmes Biologiques : INSA LYON : 2004.
Conclusions générales et perspectives, liste des figures et des tableaux en français et en anglais. Titre provenant de l'écran-titre. Bibliogr. p. 215-247.
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Schillinger, Jean. "Les pamphlétaires allemands et la France de Louis XIV /." Bern ; Berlin ; Paris [etc.] : P. Lang, 1999. http://catalogue.bnf.fr/ark:/12148/cb37119335c.

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Khalfallah, Farid. "Spectroscopie de noyaux très lourds en vue de l'étude des noyaux super-lourds." Phd thesis, Université Louis Pasteur - Strasbourg I, 2007. http://tel.archives-ouvertes.fr/tel-00391854.

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Grâce aux avancées techniques de ces dernières années, l'étude des orbitales nucléoniques des noyaux très lourds (VHE) est devenue aujourd'hui possible et nous permet, par le biais de la déformation, de nous renseigner sur la structure nucléaire des noyaux superlourds (SHE). Ce travail de thèse a précisément pour objectif l'étude spectroscopique des noyaux lourds et très lourds. Les difficultés expérimentales liées à ce type de mesures, nous ont amenés dans le cadre de cette thèse, à mener une étude détaillée d'optimisation et prospection dans la région VHE. Ainsi, on a cherché à optimiser l'épaisseur de cible pour une productiondétection maximale en tenant compte des différents paramètres entrant en jeu : la section efficace, l'intensité de faisceau, l'ouverture angulaire des séparateurs et le straggling angulaire dans la cible, dû à l'évaporation de neutrons et aux déflections Coulombienne du noyau de recul. Une vaste étude de prospection dans la région VHE a également été réalisée sur la base de sections efficaces publiées ou non, et de simulations effectuées à l'aide du code statistique HIVAP. En parallèle à ce travail, l'extension possible du domaine de validité d'un jeu de paramètres HIVAP a été étudiée. Ce travail nous a permis de dégager une liste d'expériences d'intérêt pour la production des noyaux VHE. On s'est notamment consacré à l'étude des noyaux 256No et 256Rf pour lesquels deux propositions d'expériences ont été acceptées. La déformation octupolaire prédite dans la région des actinides est abordée dans une autre partie de cette thèse, consacrée à la spectroscopie gamma du Protactinium 223. Les résultats de cette nouvelle expérience réalisée auprès de JUROGAM sont analysés et comparés aux résultats antérieurs confirmant ainsi la structure octupolaire de ce noyau
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Khalfallah, Farid Gall Benoît Dorvaux Olivier. "Spectroscopie de noyaux très lourds en vue de l'étude des noyaux super-lourds." Strasbourg : Université Louis Pasteur, 2008. http://eprints-scd-ulp.u-strasbg.fr:8080/905/01/KHALFALLAH_Farid_2007.pdf.

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Ravel, Agnès. "Le « parti dévot » à la cour de France sous Louis XIV, Louis XV et Louis XVI." Paris, EHESS, 2010. http://www.theses.fr/2010EHES0043.

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Comment s'organiser pour influencer les décisions du monarque absolu? À travers l'étude du «parti dévot », ce travail analyse la mutation d’une forme de parti à la Cour de France. Sous le règne de Louis XIV et dans la première moitié de celui de Louis XV, le « parti dévot » était une faction (forme de parti structuré autour de familles et d'amitiés héréditaires). Il défendait le catholicisme d'Etat, dans la lignée du cardinal de Richelieu. Parlementaires, l'avènement des Lumières et l'émergence de l'individu bouleversèrent le «parti dévot », qui devint un proto-parti absolutiste et antiparlementaire. La prise de parti ne dépendait plus des fidélités sociales, mais des idées défendues par des individus. Cependant, l’usure du pouvoir et les querelles internes provoquèrent la dissolution du proto-parti, sous Louis XVI
How did people influence the decisions of the absolute King? This work analyses the mutation of the "devout party" configuration at the Court of France, under King Louis XIV, King Louis XV and King Louis XVI. The first part of this thesis shows that the "devout party" represented a royal catholic faction in the XVII century and at the beginning of the XVIII century. This kind of organized party was based on patronages and families that defended State Catholicism ideas in the same vein as cardinal de Richelieu. A second part deals with the change of the royal catholic faction into a proto-party which was supporting absolutism against Parliaments. Progressively, people entering this party were mostly defending ideas rather than being loyal ta social conventions. Since 1769, the "devout party" was confronted in the government to the wearing down of the power and to internal quarrel. At the beginning of 1780, the "devout party" had lost its political weight
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Books on the topic "Lourié"

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Funeral games in honor of Arthur Vincent Lourié. New York: Oxford University Press, 2014.

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Papangelou, Roēs. Louria. Athēna: Diogenēs, 1990.

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Hinrichs, Jan Paul. Verbannte Muse: Zehn Essays über russische Lyriker der Emigration : A. Nesmelov, G. Ivanov, V. Lebedev, D. Knut, V. Lourié, B. Poplavskij, A. Štejger, V. Perelešin, N. Moršen, I. Elagin. München: O. Sagner in Kommission, 1992.

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Nayak, R. S. Lourga. Ahmedabad: B.R. Anada, 1985.

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Milcé, Jean-Euphèle. Louvri tan. Haiti]: Éditions d l'Île, 1999.

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Lemieux, Gilles. Eau lourde. Trois-Rivieres: Ecrits des Forges, 1992.

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Lemieux, Gilles. Eau lourde. Trois-Rivières [Québec]: Écrits des Forges, 1992.

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Louxia Cun. Beijing: Qing hua da xue chu ban she, 2007.

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Louvil, 1604-1803. Lesquin: Editions Deffrennes, 1985.

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Howard, Miller. The Louvin Brothers. Henagar, Ala: Louvin Brothers Music Park, 1986.

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Book chapters on the topic "Lourié"

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Gojowy, Detlef. "Das amerikanische Exil der Komponisten Arthur Lourié und Joseph Schillinger." In Emigrierte Komponisten in der Medienlandschaft des Exils 1933–1945, 101–10. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-04278-1_7.

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Robbins, Jeffrey W. "Louis Armstrong." In The Counter-Narratives of Radical Theology and Popular Music, 81–94. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137394118_7.

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Wild, Gerhard. "Aragon, Louis." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2416-1.

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Berkemeier, Christian. "Begley, Louis." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4884-1.

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Butter, Michael. "L'Amour, Louis." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5652-1.

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Nievers, Knut. "Louis Aragon." In Kindler Kompakt Französische Literatur 20. Jahrhundert, 77–79. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05533-0_11.

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Khoury, Raif Georges. "Cheikho, Louis." In Theologen, 85–86. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02948-5_56.

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Siriwat, Penthai, and Sonia Tiedt. "Louis Leakey." In Encyclopedia of Animal Cognition and Behavior, 1–3. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-47829-6_983-1.

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Arditi, Benjamin. "Louis Althusser." In Palgrave Advances in Continental Political Thought, 182–95. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230501676_13.

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Benton, Ted. "Louis Althusser." In Key Sociological Thinkers, 201–17. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-349-93166-8_13.

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Conference papers on the topic "Lourié"

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Unknown. "Louis." In ACM SIGGRAPH 2004 Computer animation festival. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1186015.1186078.

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Seybold, Daniel, Stefan Wesner, and Jörg Domaschka. "King louie." In SAC '20: The 35th ACM/SIGAPP Symposium on Applied Computing. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3341105.3373968.

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Leung, Ka yu. "@Louis' shoes." In SIGGRAPH '21: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3446562.3452380.

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Li, YanYan. "The work of Louis Nirenberg." In Proceedings of the International Congress of Mathematicians 2010 (ICM 2010). Published by Hindustan Book Agency (HBA), India. WSPC Distribute for All Markets Except in India, 2011. http://dx.doi.org/10.1142/9789814324359_0007.

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ZAK, J. "PROFESSOR LOUIS MICHEL (1923-1999)." In Proceedings of the Sixth's International School of Theoretical Physics. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812811479_0001.

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KIM, J. S. "IN MEMORY OF LOUIS MICHEL." In Proceedings of the Sixth's International School of Theoretical Physics. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812811479_0002.

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Immemschuh, William. "The Spirit of St. Louis design." In Aircraft Design, Systems, and Operations Meeting. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1993. http://dx.doi.org/10.2514/6.1993-3936.

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ZHILINSKII, BORIS. "SYMMETRY, PERTURBATION THEORY, AND LOUIS MICHEL." In Proceedings of the International Conference. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812794543_0030.

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SONG, Yue, Ahmed BENAMAR, Salim MEZAZIGH, and Huaqing WANG. "Extraction de métaux lourds des sédiments par méthode électrocinétique." In Journées Nationales Génie Côtier - Génie Civil. Editions Paralia, 2014. http://dx.doi.org/10.5150/jngcgc.2014.116.

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McCrary, Susan M., and Michael T. Buechter. "St. Louis MSD Green Infrastructure Pilot Program." In World Environmental and Water Resources Congress 2014. Reston, VA: American Society of Civil Engineers, 2014. http://dx.doi.org/10.1061/9780784413548.008.

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Reports on the topic "Lourié"

1

none,. St. Louis Airport site environmental report for calendar year 1989, St. Louis, Missouri. Office of Scientific and Technical Information (OSTI), May 1990. http://dx.doi.org/10.2172/6401975.

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Picel, M. H., H. M. Hartmann, M. R. Nimmagadda, and M. J. Williams. Engineering evaluation/cost analysis for decontamination at the St. Louis Downtown Site, St. Louis, Missouri. Office of Scientific and Technical Information (OSTI), May 1991. http://dx.doi.org/10.2172/5720159.

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Maurice, Y. T. Géochimie des minéraux lourds, région de l'Estrie-Beauce, Québec. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1989. http://dx.doi.org/10.4095/130582.

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Schilk, A. J., C. W. Hubbard, T. W. Bowyer, and R. T. Reiman. Uranium characterization at the St. Louis Airport Site. Office of Scientific and Technical Information (OSTI), May 1995. http://dx.doi.org/10.2172/70728.

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Pike, Christopher. Peer Review of Louis Lukaczyk by Chris Pike. Office of Scientific and Technical Information (OSTI), August 2015. http://dx.doi.org/10.2172/1213127.

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Bednarski, J. M. Surficial geology, Louis Creek (west half), British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2010. http://dx.doi.org/10.4095/261688.

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Author, Not Given. St. Louis airport site: Annual site environmental report, St. Louis, Missouri, Calendar Year 1988: Formerly Utilized Sites Remedial Action Program (FUSRAP). Office of Scientific and Technical Information (OSTI), April 1989. http://dx.doi.org/10.2172/6172022.

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Groth, Karen. Louis de Potter and the Belgian Revolution of 1830. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.3128.

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Anderson, Richard G., and Robert H. Rasche. A Revised Measure of the St. Louis Adjusted Monetary Base. Federal Reserve Bank of St. Louis, 1996. http://dx.doi.org/10.20955/wp.1996.004.

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Rodriguez, R. E., D. A. Witt, W. D. Cottrell, and R. F. Carrier. Results of mobile gamma scanning activities in St. Louis, Missouri. Office of Scientific and Technical Information (OSTI), June 1991. http://dx.doi.org/10.2172/5382900.

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