Relevant bibliographies by topics / Louvre

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
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Academic literature on the topic 'Louvre'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 March 2023

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Journal articles on the topic "Louvre"

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Astrauskas, Tomas, Pranas Baltrėnas, Tomas Januševičius, and Raimondas Grubliauskas. "Louvred Noise Barrier for Traffic Noise Reduction." Baltic Journal of Road and Bridge Engineering 16, no. 1 (March 29, 2021): 140–54. http://dx.doi.org/10.7250/bjrbe.2021-16.519.

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Environmental issues near roads become more and more important in our society daily life. One of the most critical environmental issues is traffic noise. The present paper study louvred noise barrier designed by authors. The louvred noise barrier provides sound attenuation while allowing airflow and sunlight through it. Since the airflow resistance of the barrier is low, it requires a shallow foundation compared to conventional noise barriers. The sound attenuation performance of the louvred noise barrier was tested experimentally in a sound transmission chamber. Airflow resistance simulated using a computational fluid dynamics model. The simulation and experimental study were done with different louvred noise barrier setup: change of louvre blade angle and sound-absorbing material thickness. The results showed potential for future development for the field testing. Sound attenuation was highest in 2500 Hz and 3150 Hz octave frequency bands. Depending on the louvred barrier setup, sound attenuation was up to 28 dB(A) in mentioned frequency bands. The equivalent sound pressure level reduced up to 17 dB(A). The results showed that an increase in the louvre blade angle increases sound attenuation and increases airflow resistance.
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Molinié‑Andlauer, Marie‑Alix. "Du musée du louvre au territoire Louvre ?" Géographie et cultures, no. 111 (September 1, 2019): 143–64. http://dx.doi.org/10.4000/gc.12772.

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Khidmat, Rendy Perdana, Hiroatsu Fukuda, Beta Paramita, M. Donny Koerniawan, and Kustiani Kustiani. "The optimization of louvers shading devices and room orientation under three different sky conditions." Journal of Daylighting 9, no. 2 (August 17, 2022): 137–49. http://dx.doi.org/10.15627/jd.2022.11.

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This paper presents parametric and multi-objective optimization (MOO) approach in optimizing daylight and energy consumption by incorporating louvres shading devices depicting three different sky conditions: Birmingham, UK, Jakarta, Indonesia, and Sydney, Australia. The study aims to observe the best louvre design configuration for each given context. The proposed optimization system iterates the logic of the louvre shading device as the dynamic design parameters such as overhang, blade size, spacing, and blade rotation, together with the room orientation to achieve maximum useful daylight illuminance (UDI) and the shading aperture while simultaneously reduces energy consumption. A total of 8509 simulations for three cities have been run and distributed for the purpose of this research. The results of MOO stated an improvement in UDI for Birmingham, Jakarta, and Sydney of 80%, 146.26%, and 79.48%, and cooling energy consumption of 28%, 3.26%, and 2.99% respectively.
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Leri, Jean-Marc. "Les Registres de copistes et de Salons des Archives des Musées Nationaux: une source biographique des Artistes du XIXe Siecle Ainformatiser." Art Libraries Journal 15, no. 2 (1990): 30–32. http://dx.doi.org/10.1017/s030747220000674x.

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The Archives des Musées Nationaux in the Palais du Louvre comprise the archives of the Louvre itself, and of the Direction des Musées de France including the Réunion des Musées Nationaux. The archives of the Louvre include both ‘les registres de copistes’, a record of artists who sought entry to the Louvre, to visit and to make copies, during 1821-1850, and ‘les registres des salons’, covering the years 1824-1853 when the salons were still held in the Louvre. Together these comprise an invaluable source of information on artists in the first half of the 19th century, including as they do details of particular works, and artists’ addresses. A detailed analysis of this documentation was scheduled to begin at the start of 1990.
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Dudley, Lauren. "Hubert Robert’s Louvre in ruins: an exploratory note on imagined destruction and the national museum." Sculpture Journal: Volume 31, Issue 3 31, no. 3 (September 1, 2022): 319–30. http://dx.doi.org/10.3828/sj.2022.31.3.03.

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This short study considers the artist Hubert Robert’s Imaginary View of the Grande Galerie in the Louvre in Ruins and Design for the Grande Galerie in the Louvre, a pair of pendants that were exhibited at the 1796 Salon du Louvre and are now part of the national museum’s permanent collection. Robert’s thought-provoking display explored the formation of the national collection at the Louvre as part of the broad spectrum of revolutionary iconoclasm. This article examines Robert’s contribution to emerging debates about patrimoine and his professional role working as keeper for the Louvre in relation to the production and exhibition of the views representing the museum. It proposes that while various interpretations were plausible, Robert presented his views of the Louvre’s transformation from a royal palace into a republican museum as a process characterized by creation and destruction.
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Опарин, И. "Musee du Louvre." Смена, no. 1 (2008): 146–53.

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Clerget, Yves, Régis Labourdette, and Rémi Rouyer. "Promenade au Louvre." Les cahiers de médiologie 10, no. 2 (2000): 266. http://dx.doi.org/10.3917/cdm.010.0266.

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Chastel, André. "L'histoire du Louvre." Revue de l'Art 78, no. 1 (1987): 4. http://dx.doi.org/10.3406/rvart.1987.347663.

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EVERTS, SARAH. "THE LOUVRE LABORATORY." Chemical & Engineering News 86, no. 22 (June 2, 2008): 46–47. http://dx.doi.org/10.1021/cen-v086n022.p046.

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Audert, Marcel. "L‘École du Louvre." Museum International (Edition Francaise) 1, no. 1-2 (April 24, 2009): 37–39. http://dx.doi.org/10.1111/j.1755-5825.1948.tb00253.x.

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Dissertations / Theses on the topic "Louvre"

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Guigo, Michèle. "L'autre Louvre : la société du Louvre (1855-1939)." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL145.

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Les Grands Magasins du Louvre naissent en 1855 à l’ombre du Grand Hôtel du Louvre, dans un quartier en expansion suite aux travaux de Haussmann, deux ans seulement après la création du Bon Marché. Leur création est fortement liée au projet et au réseau des frères Pereire qui souhaitent développer le commerce et le tourisme de luxe à Paris. Les Grands Magasins du Louvre s’imposent rapidement comme l’un des principaux grands magasins, voire même le plus important par le chiffre d’affaires dans les années 1870-1880, ainsi que par l’espace occupé. En effet, d’abord enclavé par l’hôtel, le magasin conduit par ses deux gérants, Chauchard et Hériot, va engloutir toutes les boutiques environnantes, et s’emparer de l’hôtel en 1875. Ils adoptent ainsi le slogan les « plus vastes magasins du monde ». Ce premier pied dans l’hôtellerie va inciter ses dirigeants à poursuivre leur expansion dans ce domaine en exploitant trois hôtels supplémentaires, le Terminus Saint-Lazare, l’hôtel d’Orsay et le Crillon. Les Grands Magasins du Louvre sera donc le seul grand magasin à avoir investi dans un autre secteur que le commerce pour diversifier ses activités. A la fin du XIXème siècle, le magasin semble connaître son apogée étendant son influence sur le territoire national comme à l’étranger et s’approvisionnant en marchandises du monde entier. Mais la Première Guerre mondiale et surtout la crise économique des années 1930 lui porte un coup dur dont il ne se relèvera pas. En 1939 il dépose une première fois le bilan, avant que cette fermeture soit interrompue par la guerre. Il continuera à survivre après le Second conflit mondial, avant de disparaître définitivement en 1974
The Grands Magasins du Louvre was born in 1855 in the shadow of the Grand Hôtel du Louvre, in an expanding area following the works of Haussmann, only two years after the creation of the Bon Marché. Their creation is strongly linked to the project and the network of the Pereire brothers who wish to develop trade and luxury tourism in Paris. Louvre shops are quickly becoming one of the leading department stores, and even the most important by turnover in the 1870s and 1880s, as well as occupied space. Indeed, at first locked by the hotel, the store led by its two managers Chauchard and Hériot will engulf all the surrounding shops, as well as the hotel in 1879. They adopt the slogan of "the largest stores in the world". This first foot in the hotel industry will encourage its leaders to continue their expansion in this area by operating three additional hotels, the Terminus Saint-Lazare, the hotel d'Orsay and Crillon. The Grands Magasins du Louvre will therefore be the only department store to have invested in a sector other than commerce to diversify its activities. At the end of the nineteenth century, the store seems to know its heyday extending its influence on the national territory and abroad and sourcing goods from around the world. But the First World War and especially the economic crisis of the 1930s brought him a hard blow which he will not recover. In 1939 it first filed the balance sheet, before the closure was interrupted by the war. It will continue to survive after the Second World War, before finally disappearing in 1974
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Kobold, Sonja. "Der Louvre." Diss., lmu, 2005. http://nbn-resolving.de/urn:nbn:de:bvb:19-76358.

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Almeida, Pedro Paulo Palazzo de. "Belo e majestoso : Louvre : fachada oriental." reponame:Repositório Institucional da UnB, 2010. http://repositorio.unb.br/handle/10482/7670.

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Tese (doutorado)-Universidade de Brasília, Faculdade de Arquitetura e Urbanismo, 2010
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Esta tese faz uma revisão crítica dos textos históricos sobre a fachada oriental do Louvre. Preenche-se com isso uma lacuna significativa na historiografia da arquitetura clássica, construindo um instrumental metodológico de análise crítica dos relatos históricos. Propõe-se aqui a tese de que em se tratando da definição do caráter arquitetônico e da noção de grandeza do monumento, as atribuições e as representações historiográficas são construídas a partir de elementos formais diversos daqueles considerados mais importantes na época da concepção e construção da obra arquitetônica. Consideram-se três ciclos históricos na construção dos relatos sobre o Louvre: o primeiro, de 1852 até 1926, caracteriza-se por um interesse operativo em definir, a partir do exemplo histórico, critérios para a prática da arquitetura clássica; o segundo, de 1924 a 1964, é marcado por uma preocupação em determinar características culturais mais amplas a partir de valores atribuídos da arquitetura nacional; o terceiro, de 1964 até os dias atuais, aprofunda-se em pesquisas arqueológicas e documentais, deixando de lado os olhares globais lançados nos períodos anteriores. ___________________________________________________________________________________ RÉSUMÉ
Cette thèse entreprend de combler une lacune dans l’historiographie de l’architecture classique, en proposant une révision critique des récits historiques sur la façade orientale du Louvre. Nous établissons ici un cadre de référence méthodologique pour l’analyse critique des textes. Ainsi armés, nous avançons la thèse qu’à propos de la définition du caractère architectural ainsi que de la notion de grandeur du monument, les attributions et représentations historiques ont été élaborées à partir d’éléments et de données différents de ceux auxquels les contemporains de l’ouvrage attachaient le plus d’importance. Nous avons pris en compte trois cycles historiques dans la formation de récits sur le Louvre : le premier, de 1852 jusq’à 1926, présente un intérêt opératif à définir d’après le modèle historique un critère pour la pratique architecturale classique ; le deuxième, de 1924 à 1964, se préoccupe de déterminer les caractéristiques culturelles générales à partir de valeurs imprimées sur l’architecture nationale ; le troisième cycle, de 1964 à nos jours, s’approfondit sur des recherches archéologiques et documentaires, laissant de côté les regards globaux portés par les périodes précédentes.
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Law, Stella Wai-Art. "A Branding Context: The Guggenheim & The Louvre." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1212793011.

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Chairi, Elpida. "Les fragments d'architecture grecque conservés au musée du Louvre." Paris 1, 1989. http://www.theses.fr/1989PA010634.

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Les fragments d'architecture grecque conservés au Louvre sont caractérises par une grande variété aussi bien de par leur provenance que par le type d'élément architectonique et par la période à laquelle ils ont été crées. La majeure partie du matériel provient des fouilles et prospections réalisées par les missions françaises, organisées au cours du XIXe siècle. Les fragments ont été découverts en Grèce continentale et en Asie mineure ; ils appartiennent à d'édifices d'importance inégale, tels les temples d'Assos, d'Artemis leucophryène de Magnésie du Méandre, d’Apollon de Didymes, d'Athéna de Priène, d'Apollon de Délos, de Zeus d’Olympie, d'Apollon de Bassai, ou bien a de monuments publics (Milet, Phocée, Pella, Eleusis). Certains proviennent d'édifices inconnus une partie du matériel est publiée, mais les publications sont incomplètes, datent de l'époque de découverte des fragments et n'ont pas été reprises récemment. L'intérêt de l'étude consiste à démontrer que le matériel mérite d'être connu plus globalement pour obtenir sa vraie mise en valeur.
The fragments of Greek architecture, which are conserved in the Louvre Museum are very various. They come from different sites and monuments, represent different architectural types of elements and date between the archaic and the late Hellenistic period. Discovered during the surveys and excavations of numerous French missions, organized during the 19th century, in Greece and Asia minor, they come from different types of monuments : temples (like Assos, Artemis leucophryene at Magnesia on Maeander, Apollon of Didyma, Athena of Priene, Apollon of Delos and Bassai, Zeus of Olympia), public buildings (Miletus, Phocaea, Pella, Eleusis), or palaces, like vergina. Several fragments come from unknown buildings. They are partly published but these publications are ancient and non complete and have not been revised recently. The interest of these fragments must be proved because they have to be better known and valorised
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Molinié-Andlauer, Marie-Alix. "Musée et pouvoir symbolique. Regard géographique sur le Louvre." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL148.

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Le pouvoir symbolique du Louvre se traduit dans le nouveau modèle territorial qu’il propose. Instrument de la diplomatie française, il incarne le rayonnement culturel français par excellence qui sert autant une région française en régénérescence urbaine (Hauts de France) que des pays en re-structuration politique et économique (Émirats arabes unis, Iran). Dans un contexte de mondialisations (Ghorra-Gobin, 2005), la réputation liée aux représentations du Louvre génère un désir de lieux. Les représentations analysées montrent que ce géosymbole (Bonnemaison, 1981) inscrit dans l’imaginaire commun participe à multi-situer le Louvre. Le musée du Louvre, le Louvre-Atlanta, le Louvre-Lens, le Louvre Abu Dhabi puis le Louvre Téhéran, auxquels s’ajoutent les réseaux professionnels, les partenariats, la circulation des œuvres, sont des éléments qui permettent de faire émerger plus qu’un réseau, un territoire Louvre qui peut se comprendre par les temporalités (Braudel). Pourtant, la transposition d’un Louvre interpelle puisque le musée se définit par sa part sacrée, c’est-à-dire sa collection. On se demande dans cette thèse comment (à partir de cette part sacrée) le Louvre participe à une mise en relation de lieux dans un contexte de mondialisations et comment il créé in fine un territoire à part entière ? Les références mobilisées pour penser le territoire sont les travaux de Guy Di Méo sur la territorialité et d’Yves Lacoste et de Claude Raffestin en géographie politique sur les relations asymétriques et les enjeux de pouvoirs. Les résultats de cette thèse amènent à réfléchir à l’évolution et l’impact d’un territoire Louvre en archipel ou multi-situé
The symbolic force of the Louvre expresses itself through its latest territorial model. Instrumental to the French diplomacy, The Louvre embodies the French cultural influence on a French region in urban reconstruction (Hauts de France) or in countries in economical or political re-structuration (Émirats arabes unis, Iran). In a mondialisations context (Ghorra-Gobin, 2005), this reputation linked to the Louvre representations favours a locus desire. Our analysis of these representations emphasizes the fact that this géosymbol (Bonnemaison, 1981), present in the collective imaginary, is instrumental in the multiplication of the Louvre sites. The Louvre museum, the Louvre-Atlanta, the Louvre-Lens, the Louvre Abu Dhabi and the Louvre Téhéran, plus the professional networks, partnerships, works of art circulation are as many aspects that facilitate the emergence of something superior to a network: the notion of a Louvre territory that can be understood by its temporalities (Braudel). Most importantly, the propagation of the Louvre (as a model) raises various questions as the museum itself is defined by its sacred part (i.e. its collections). This research work is an attempt to answer a crucial question: how (with this sacred part as a starting point), can the Louvre be an actor to the linkage of various loci (places) in a mondialisations context and how can the Louvre in fine initiate the creation of a territory. To conclude with, this research is an invitation to think about the impact (and evolution) of a Louvre territory in terms of an archipelago or of multi-situated territory. Our references to approach the territory concept are Guy Di Méo’s on territoriality and Yves Lacoste and Claude Raffestin’s in political geography on asymetrical relationships and power issues
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Caseti, Greta. "Il discorso al Louvre di Emmanuel Macron nella stampa italiana." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2019.

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Il presente elaborato analizza le modalità con cui la stampa italiana ha presentato il discorso pronunciato la sera del 7 maggio 2017 da Emmanuel Macron ad un pubblico di lingua e cultura diversa rispetto a quella francese. Attraverso lo studio delle proposte di traduzione pubblicate sul Corriere della Sera, La Repubblica e La Stampa, l'elaborato mostra le varie tecniche di resa e di traduzione utilizzate nella produzione dell’informazione internazionale.
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Abu-Zour, Asaad Matar. "Small-scale absorption air-conditioning driven by solar louvre collector." Thesis, University of Nottingham, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.430308.

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Barbotin, Christophe. "Les statues égyptiennes du Nouvel Empire au Louvre : une synthèse." Thesis, Strasbourg, 2017. http://www.theses.fr/2017STRAG015/document.

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Le musée du Louvre conserve 302 statues égyptiennes du Nouvel Empire, une collection suffisamment riche pour obtenir certains résultats susceptibles d’être extrapolés à l’ensemble de la statuaire de la période. Le présent travail aborde cet ensemble sous un double aspect. Analyse quantitative et qualitative d’après les critères modernes d’abord, essai d’analyse selon les critères égyptiens antiques explicites et implicites ensuite. Ces derniers se déduisent notamment des rapports entretenus entre les images en deux dimensions, qui procèdent directement de l’écriture, avec leur transcription en volume que constitue la statuaire. On découvre alors que la construction de la statuaire repose sur les aspects fondamentaux de mobilité et d’immobilité, d’action ou d’inaction, et qu’elle obéit d’une manière générale aux règles aspectives propres à la pensée égyptienne, avec la manifestation fréquente du point de vue perspectif qui se surimpose à ces règles de base
The Louvre Museum keeps 302 Egyptian statues of the New Kingdom. Such a collection is rich enough to obtain some results which should be transposable to the complete Egyptian statuary of the period. The present work is dealing with this corpus from two angles. First, quantitative and qualitative analysis according to modern criteria. Second, attempt of analysis according to ancient Egyptian criteria, explicits and implicits. These last ones can particularly be deduced from the relations between two dimensional images, which are issued from the writing, and their transcription in volume, in other words the statuary. Then it is found that the conception of statuary is based on fundamental aspects of mobility and immobility, of action and inaction and, generally speaking, that it corresponds to aspective rules so characteristic of Egyptian thought, with the frequent manifestation of the perspective point of view which is superimposed to these basic rules
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ZIEGLER, JOUAN CHRISTIANE. "Les collections egyptiennes du musee du louvre : problematiques de recherche." Paris 4, 1992. http://www.theses.fr/1992PA040109.

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Les collections egyptiennes du musee du louvre comportent plus de 50 000 objets. On a tente d'y appliquer une volonte unificatrice, dans ses moyens comme dans ses strategies, et dont les articulations majeures illustrent trois etapes de la recherche au musee: en un premier temps retrouver une certaine identite de collections artificiellement rassemblees, a travers l'etude des inventaires et des documents d'archives. Puis analyser le travail de classement et d'enregistrement des oeuvres, la constitution de dossiers documentaires et mettre en lumiere les problemes de methode impliques par l'enregistrement des oeuvres, les liens dialectiques qui se tissent entre la connaissance et l'elaboration, puis l'application des systemes descriptifs des objets. Enfin presenter trois exemples de travaux personnels illustrant la richesse du materiel conserve et la multiplicite des approches: recherches de musicologie pharaonique, etude des arts du metal dans l'egypte ancienne, enquete sur la naissance de l'ecriture
The egyptian collections of the louvre museum include more than 50 000 objects, very different, most of them without known provenience. Nevertheless, it is possible to give an unity to this heterogeneous collection by the means and by the purposes of specifical research, whose major steps are studied here: first of all, find the identity of the pieces, studying archives and history of the collections. Then, analyse methods of classification, registration and documentation, focusing on the dialectical links between egyptological knolewdge and elaboration of analysing patterns for the objects. This two steps are necessary to begin more conventional research. To illustrate this last kind of work, three exemples of personnal research applicated to the collections of the louvre museum are presented : studies on pharaonic musicology, on metal work (technical problems, jewellery, statuary) and research on the beginning of writing in the nile valley
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Books on the topic "Louvre"

1

Valerie, Mettais. Louvre: The pocket Louvre. Paris: Musee du Louvre, 2006.

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Quoniam, Pierre. Louvre. Paris: Ministère de la culture, de la communication, des grands travaux et du Bicentenaire, 1989.

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Archimbaud, Nicholas d'. Louvre. Paris: Laffont, 1997.

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Quoniam, Pierre. Louvre. Paris: Ministère de la culture, de la communication, des grands travaux et du Bicentenaire, 1989.

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Quoniam, Pierre. Louvre. Paris: Ministère de la culture, de la communication, des grands travaux et du Bicentenaire, 1989.

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The Louvre. Paris: Editions Scala, 1994.

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Louvre, Musée du, and Pierre Quoniam. The Louvre. Paris: Editions de la Réunion des musées nationaux, 1985.

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The Louvre. San Diego, Calif: Blackbirch Press, 2005.

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Bonfante-Warren, Alexandra. The Louvre. [S.l]: Beaux Arts Editions, 2000.

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The Louvre. London: Scala Books, 1991.

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Book chapters on the topic "Louvre"

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Watts, Andrew. "Louvre screens." In Modern Construction Envelopes, 64–73. Vienna: Springer Vienna, 2011. http://dx.doi.org/10.1007/978-3-7091-0258-9_6.

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Beyer, Andreas. "Der Louvre." In Europäische Erinnerungsorte 2, edited by Pim den Boer, Heinz Duchhardt, Georg Kreis, and Wolfgang Schmale, 161–66. München: OLDENBOURG WISSENSCHAFTSVERLAG, 2012. http://dx.doi.org/10.1524/9783486704211-017.

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Hanks, Laura Hourston. "Louvre-Lens, Lens, France." In New Museum Design, 125–38. Abingdon, Oxon ; New York : Routledge, 2020.: Routledge, 2021. http://dx.doi.org/10.4324/9780429435591-7.

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Tadgell, Christopher. "Prologue Medieval Legacy." In The Louvre and Versailles, 2–20. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.1201/9780429243936-1.

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Tadgell, Christopher. "Inception." In The Louvre and Versailles, 21–62. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.1201/9780429243936-3.

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Tadgell, Christopher. "Expansion." In The Louvre and Versailles, 63–106. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.1201/9780429243936-4.

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Tadgell, Christopher. "Resolution." In The Louvre and Versailles, 107–59. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.1201/9780429243936-5.

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Tadgell, Christopher. "Inception and Development for Louis XIV." In The Louvre and Versailles, 161–244. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.1201/9780429243936-7.

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Tadgell, Christopher. "Reformation and Refinement for Louis XV." In The Louvre and Versailles, 245–317. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.1201/9780429243936-8.

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Tadgell, Christopher. "Epilogue Les Siecles De Louis XIV." In The Louvre and Versailles, 318–61. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.1201/9780429243936-9.

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Conference papers on the topic "Louvre"

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Oliveira, Marcelo Iury S., and Bernadette Farias Lóscio. "Louvre." In SBSI'19: XV Brazilian Symposium on Information Systems. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3330204.3330248.

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Lee, Kevin C., Michael Le, Jerome Harri, and Mario Gerla. "LOUVRE: Landmark Overlays for Urban Vehicular Routing Environments." In 2008 IEEE 68th Vehicular Technology Conference (VTC 2008-Fall). IEEE, 2008. http://dx.doi.org/10.1109/vetecf.2008.447.

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Effiom Ephraim, Philip. "LOUVRE ABU DHABI: SOCIAL MEDIA IN MARKETING CULTURE." In World Conference on Media and Mass Communication. The International Institute of Knowledge Management (TIIKM), 2019. http://dx.doi.org/10.17501/24246778.2019.5105.

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Vaughan-Shaw, Matthew, Paul Brenton, and Tim Pullen. "Architecture and Wave Defence, the Louvre Abu Dhabi." In ICE Coasts, Marine Structures and Breakwaters. ICE Publishing, 2018. http://dx.doi.org/10.1680/cmsb.63174.0839.

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Borina, Elena, and Ivan Paunović. "THE CASE OF LOUVRE-LENS: REGIONAL REGENERATION THROUGH CULTURAL INNOVATION." In Sitcon 2015. Belgrade, Serbia: Singidunum University, 2015. http://dx.doi.org/10.15308/sitcon-2015-248-251.

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Chemisana, Daniel, J. Marín-Sáez, A. Riverola, A. Moreno, J. Atencia, and M. V. Collados. "Holographic Photovoltaic-Thermal Module for Window Louvre Integration: Design and Simulation." In EuroSun2016. Freiburg, Germany: International Solar Energy Society, 2016. http://dx.doi.org/10.18086/eurosun.2016.08.03.

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Lawson, Michael J., Paul Sanders, and Karen A. Thole. "Computational and Experimental Comparison of Tube Wall Heat Transfer Augmented by Winglets in Louvered Fin Heat Exchangers." In ASME 2006 International Mechanical Engineering Congress and Exposition. ASMEDC, 2006. http://dx.doi.org/10.1115/imece2006-14452.

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Louvered fins are used in compact heat exchangers to increase heat transfer by interrupting thermal boundary layer growth thereby increasing the convective heat transfer coefficients and reducing the air side resistance. Recently, it has been experimentally shown that heat transfer along the tube wall can be augmented by the placement of delta winglets on the louvers at an angle to the flow. The focus of this combined experimental and computational study is to determine the effect of realistic winglets on tube wall heat transfer. Comparisons of the computational simulations were made to the experimental results, which were obtained using a twenty times scaled model. Winglet performance characteristics were studied on solid louvers and pierced louvers whereby the latter simulates what would occur for a manufactured louver having a winglet. For a solid louver having a winglet, the tube wall heat transfer augmentation was found to be as high as 5.4%. Pierced louver cases were observed to produce slightly higher heat transfer augmentations than solid louver cases. Computational results suggest that the mechanism behind tube wall heat transfer augmentation is flow redirection and not winglet induced vortices.
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"BRÉSILIENS AU LOUVRE : Observation des pratiques, Connaissance des publics et Réflexivité des Acteurs." In Nov. 12-14, 2019 Paris (France). Higher Education And Innovation Group, 2019. http://dx.doi.org/10.17758/heaig6.h1119446.

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Khan, Tariq Amin, Wei Li, Yan Xiaolong, and Zhuo Yang. "Experimental Study on the Thermal-Hydraulic Performance of Louvered Fin and Flat Tube Heat Exchangers." In ASME 2020 Heat Transfer Summer Conference collocated with the ASME 2020 Fluids Engineering Division Summer Meeting and the ASME 2020 18th International Conference on Nanochannels, Microchannels, and Minichannels. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/ht2020-8990.

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Abstract In this study, the air side heat transfer and pressure drop characteristics of flat tube with louvered fins compact heat exchangers have been experimentally investigated. Three samples of heat exchangers, i.e., one without fins, one with flat louver fins and one with corrugated louver fins are studied. The louvers in the present samples have small louver pitch (Lp = 0.8mm) and high louver angle (θl = 37°) due to the space constraints in automotive applications. The performance tests were conducted in a high standard test facility which are composed of an evaporator chamber, condenser chamber and auxiliary units. In our study, only evaporators are tested and hence the condenser section is the same during the tests. Experimental results under the wet surface conditions show that the cooling capacity and pressure drop performances of evaporator with flat louver fins (HX2) is higher than the one with corrugated louver fins (HX3) while the evaporator without fins has the minimum heat transfer due to no interruptions. This can be due to higher number of tubes in the case of HX2 having small tube pitch. However, the overall performance (ratio of heat transfer per unit volume to pressure drop per unit volume) of HX2 is better than HX3 which signifies the importance of corrugated louver fins.
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Smith, K. O., and A. Fahme. "Experimental Assessment of the Emissions Benefits of a Ceramic Gas Turbine Combustor." In ASME 1996 International Gas Turbine and Aeroengine Congress and Exhibition. American Society of Mechanical Engineers, 1996. http://dx.doi.org/10.1115/96-gt-318.

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Three subscale, cylindrical combustors were rig tested on natural gas at typical industrial gas turbine operating conditions. The intent of the testing was to determine the effect of combustor liner cooling on NOx and CO emissions. In order of decreasing liner cooling, a metal louvre-cooled combustor, a metal effusion-cooled combustor, and a backside-cooled ceramic (CFCC) combustor were evaluated. The three combustors were tested using the same lean-premixed fuel injector. Testing showed that reduced liner cooling produced lower CO emissions as reaction quenching near the liner wall was reduced. A reduction in CO emissions allows a reoptimization of the combustor air flow distribution to yield lower NOx emissions.
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Reports on the topic "Louvre"

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Khajavi, S. Energy efficient louver and blind. Final technical progress report. Office of Scientific and Technical Information (OSTI), October 1996. http://dx.doi.org/10.2172/471465.

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Thompson, R. I., and P. D. Lewis. Geology, Louise Island, British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1990. http://dx.doi.org/10.4095/131494.

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Walsh, Michael R., Donald E. Garfield, James S. Morse, Kurt V. Knuth, and Nathan D. Mulherin. Icing of Turbine Intake Louvers. Fort Belvoir, VA: Defense Technical Information Center, April 1993. http://dx.doi.org/10.21236/ada265714.

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Haggart, J. W. Geology, Louise Island, British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2002. http://dx.doi.org/10.4095/213676.

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Khajavi, S. Energy efficient louver and blind. Final technical progress report, third quarter 1996. Office of Scientific and Technical Information (OSTI), October 1996. http://dx.doi.org/10.2172/399705.

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Khajavi, S. Energy efficient louver and blind. Technical progress report for Quarter 1, 1996. Office of Scientific and Technical Information (OSTI), April 1996. http://dx.doi.org/10.2172/224268.

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Khajavi, S. Energy efficient louver and blind. Technical progress report for Quarter 2, 1996. Office of Scientific and Technical Information (OSTI), July 1996. http://dx.doi.org/10.2172/269035.

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Brooks, G. R., and A. Grenier. Late Holocene pollen stratigraphy of Lake Louise, Manitoba. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2001. http://dx.doi.org/10.4095/212115.

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Schiffbänker, Helene, and Birgit Woitech. Begleitende Evaluierung der IT-Lounge und des IKT-Programms. Joanneum Research, September 2002. http://dx.doi.org/10.22163/fteval.2002.243.

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Peek, Joe, and Eric Rosengren. Determinants of the Japan Premium: Actions Speak Louder Than Words. Cambridge, MA: National Bureau of Economic Research, July 1999. http://dx.doi.org/10.3386/w7251.

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