Academic literature on the topic 'Love's labour's lost'

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Journal articles on the topic "Love's labour's lost"

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Orlowski, Maria B., William Shakespeare, and Paul Giovanni. "Love's Labour's Lost." Theatre Journal 41, no. 4 (December 1989): 554. http://dx.doi.org/10.2307/3208027.

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Eastwood, Robin. "Love's labour's lost?" Lancet 353, no. 9147 (January 1999): 160. http://dx.doi.org/10.1016/s0140-6736(05)76209-7.

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Tomlinson, Sophie. "Love's Labour's Lost." Shakespeare Bulletin 35, no. 2 (2017): 346–48. http://dx.doi.org/10.1353/shb.2017.0024.

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McAughey, D. "Love's labour's lost." Practical Diabetes International 21, no. 6 (July 2004): 231–33. http://dx.doi.org/10.1002/pdi.660.

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Hale, John K. "Shakespeare's Love's Labour's Lost." Explicator 56, no. 1 (January 1997): 9–12. http://dx.doi.org/10.1080/00144949709595237.

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Maguin, J. M. "Review: Play: Love's Labour's Lost." Cahiers Élisabéthains: A Journal of English Renaissance Studies 39, no. 1 (April 1991): 87–89. http://dx.doi.org/10.1177/018476789103900119.

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Smith, Peter J. "Play Reviews: Love's Labour's Lost." Cahiers Élisabéthains: A Journal of English Renaissance Studies 88, no. 1 (October 2015): 182–84. http://dx.doi.org/10.1177/018476781508800113.

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Jackson, Russell. "The Theatre: Love's Labour's Lost." Cahiers Élisabéthains: A Journal of English Renaissance Studies 28, no. 1 (October 1985): 89–92. http://dx.doi.org/10.1177/018476788502800120.

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Carroll, William C. "(Re-)Staging Love's Labour's Lost." Shakespeare Bulletin 25, no. 2 (2007): 1–11. http://dx.doi.org/10.1353/shb.2007.0024.

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Carroll, William C. "Love's Labour's Lost in Afghanistan." Shakespeare Bulletin 28, no. 4 (2010): 443–58. http://dx.doi.org/10.1353/shb.2010.0027.

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Dissertations / Theses on the topic "Love's labour's lost"

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Clarke, Barry R. "A linguistic analysis of Francis Bacon's contribution to three Shakespeare plays : The Comedy Of Errors, Love's Labour's Lost, and The Tempest." Thesis, Brunel University, 2014. http://bura.brunel.ac.uk/handle/2438/13870.

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The aim of this work is to investigate the possibility that Francis Bacon was a contributor in the writing of three Shakespeare plays: The Comedy of Errors, Love’s Labour’s Lost, and The Tempest. In order to proceed, I develop a new Rare Collocation Profiling (RCP) method using Chadwick–Healey’s Early English Books Online (EEBO) database to identify those collocations in a target text that are rare. I then list the probable sources of a target and the writers who possibly borrowed from it. In this way, I obtain a DNA-type profile in relation to the target text for all frequently occurring writers that are returned by the searches. However, while collocation analysis is traditionally confined to a database of known dramatists, I widen the search to include all fully searchable texts in EEBO. My test case is the long poem A Funeral Elegye (1612), and my method supports Brian Vickers’ conclusion that John Ford is a better authorial candidate than William Shakespeare. I also analyse two previously unattributed pamphlets: the Gesta Grayorum (1688), an account of the 1594–5 Gray’s Inn revels; and the True Declaration (1610), a Virginia Company propaganda pamphlet, and I conclude from my method that Francis Bacon is the only candidate for having compiled the former and that he was a major contributor to the latter. Two of the Shakespeare plays, The Comedy of Errors and Love’s Labour’s Lost have previously been associated with the 1594–5 Gray’s Inn revels. I analyse the three volumes of Nelson and Elliott’s Records of Early English Drama: Inns of Court (NE) to find that the number of professional companies that played at the Inns of Court (one of which is Gray’s Inn) before 1606 has been overestimated. A document shows that Shakespeare’s company, the Lord Chamberlain’s Men, were playing at Greenwich on 28 December 1594 when, as the Gesta Grayorum reports, The Comedy of Errors was performed at Gray’s Inn, and the circumstances do not allow Shakespeare to have been present. The evidence suggests that the play was first enacted by Inns of Court players rather than the Lord Chamberlain’s Men. Inns of Court plays were often based on translations of classical works and usually commented on the succession question. I argue that The Comedy of Errors displays both of these characteristics and so was likely written with the revels in mind. Also, due to certain rare parallels between Francis Bacon’s speeches at the revels and Love’s Labour’s Lost, I claim that the play was intended for performance there but cancelled. Referring to the results of RCP, I suggest that Francis Bacon not only compiled the Gesta Grayorum but also contributed to the writing of these two plays. I also show that my new method identifies two non-members of the Inns of Court, Thomas Heywood and Thomas Dekker, as later revisers of these plays. In the final chapters, I improve on the dating evidence for The Tempest by showing that Caliban’s speech on edible items relies on knowledge of the Bermudan cahow, a bird whose behaviour was unknown in England before September 1610. The application of RCP to The Tempest confirms that William Strachey’s ‘True Reportory’, a 20,000-word secret report sent back from the Virginia colony to the London Virginia Company, was beyond reasonable doubt a source for the play. RCP also reveals Francis Bacon as a contributor to the writing of the play. I also apply the new method to the Virginia Company’s True Declaration, a pamphlet that almost certainly relied on ‘True Reportory’, and reveal Bacon as a contributor. This means that he must have inspected Strachey’s ‘True Reportory’, a source for The Tempest. I give strong reasons why Shakespeare would have been prohibited from gaining access to Strachey’s restricted company report. Finally, I suggest that The Tempest was used as a political tool to promote England’s influence in the New World, and although Strachey’s ‘True Reportory’ could not have been released for inspection, the Virginia Company must have cooperated in supplying information for the writing of the play.
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Books on the topic "Love's labour's lost"

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Shakespeare, William. Love's labour's lost. Cambridge: Cambridge University Press, 2009.

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Shakespeare, William. Love's labour's lost. London: British Broadcasting Corporation, 1986.

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Shakespeare, William. Love's labour's lost. San Diego, CA: ICON Classics, 2005.

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Granville-Barker, Harley. Love's labour's lost. Portsmouth, NH: Heinemann, 1995.

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Shakespeare, William. Love's labour's lost. Oxford [England]: Oxford University Press, 1994.

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Shakespeare, William. Love's labour's lost. 2nd ed. New York: Modern Library, 2008.

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Shakespeare, William. Love's labour's lost. San Diego, CA: ICON Classics, 2005.

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Company, Royal Shakespeare. Love's labour's lost. [Stratford-upon-Avon]: RoyalShakespeare Company, 1985.

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Shakespeare, William. Love's labour's lost. Oxford [England]: Oxford University Press, 1998.

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Shakespeare, William. Love's labour's lost. Oxford: Clarendon Press, 1990.

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Book chapters on the topic "Love's labour's lost"

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Pfister, Manfred, and Rebekka Rohleder. "Shakespeare, William: Love's Labour's Lost." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17034-1.

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Goodland, Katharine, and John O’Connor. "Love’s Labour’s Lost." In A Directory of Shakespeare in Performance Since 1991, 114–28. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1007/978-1-349-58788-9_16.

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Goodland, Katharine, and John O’Connor. "Love’s Labour’s Lost." In A Directory of Shakespeare in Performance Since 1991, 993–1030. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1007/978-1-349-58788-9_55.

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Goodland, Katharine, and John O’Connor. "Love’s Labour’s Lost." In A Directory of Shakespeare in Performance, 1970–1990, 108–16. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-1-349-60041-0_16.

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Goodland, Katharine, and John O’Connor. "Love’s Labour’s Lost." In A Directory of Shakespeare in Performance, 1970–1990, 843–83. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-1-349-60041-0_56.

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Bate, Jonathan, and Eric Rasmussen. "Love’s Labour’s Lost." In Love’s Labour’s Lost, 21–106. London: Macmillan Education UK, 2008. http://dx.doi.org/10.1007/978-1-137-00438-3_4.

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Clarke, Barry R. "Love’s Labour’s Lost." In Francis Bacon’s Contribution to Shakespeare, 130–43. New York, NY: Routledge, 2019. | Series: Routledge studies in Shakespeare; 35: Routledge, 2019. http://dx.doi.org/10.4324/9780429028540-9.

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"Love's Labour's Lost." In Shakespeare's Comedy of Love, 79–104. Routledge, 2013. http://dx.doi.org/10.4324/9781315018225-12.

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"CONTRIBUTORS OF NEW MATERIAL TO THIS VOLUME." In Love's Labour's Lost, 493–94. Routledge, 2015. http://dx.doi.org/10.4324/9781315864297-66.

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"IMITATIONS: THE STUDENTS, 1762 (1904)." In Love's Labour's Lost, 371–74. Routledge, 2015. http://dx.doi.org/10.4324/9781315864297-43.

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Conference papers on the topic "Love's labour's lost"

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Ermilova, Anna V., and Ilvis Abelkalns. "The Impact of Traumatism on the Professional Aging: The Case of Elite Sports." In 79th International Scientific Conference of University of Latvia. University of Latvia, 2021. http://dx.doi.org/10.22364/htqe.2021.89.

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The article outlines the problem of traumatism, which is analyzed from the viewpoint of the socio-medical aspect. The peculiarities of the impact of traumatism on the professional sports career were revealed through the analysis of the elite athletes’ biographies (n = 296 respondents). The research was carried out applying the qualitative research design (biographical research). The assessment of life narratives of high-performance athletes performing on the world arena was carried out applying the criterion of traumatism and its impact on the athletes’ lives ( the athletes’ biographies are accessible through open-source Internet resources). The data obtained in the research framework revealed the possible trajectories of the impact of traumatism on the course of the professional sporting career: the process of career stagnation, professional success, the process of completion/ termination of a sporting career. The career stagnation was observed among all the respondents, which is predetermined by the rehabilitation process they had to go through. Based on the data obtained in the research framework, the conclusion can be drawn that reintegration into elite sports is primarily based on the resource potential of the athlete: the resources of the family/ the loved ones, the athlete’s own capacity, as well as the state support provision. The possible trajectories of professional aging were identified, namely, high resource capacity, the reduction/loss of resource capacity (disability), zeroing of resource capacity (lethal outcome). In addition, the data showed that the potential trajectory for the reintegration was usually identified within the two directions: firstly, sports and physical culture; secondly, other professional spheres. It should also be highlighted that professional aging puts forward the issues related to social security of high-performance athletes worldwide. Therefore, the issue of reviewing the reintegration criteria into the education system or professional and labour market upon the completion of the sporting career is of highest topicality provided that it would positively impact both the positive capacity of the population group and the prestige of high-performance sports worldwide. The research results allow drawing the conclusion that the accumulated resources in the course of building and implementing a professional sports career have a positive impact on the duration of the professional age of a representative of elite sports, in its turn, providing the possibility to easily adjust to the new life upon the completion of the sports career.
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Reports on the topic "Love's labour's lost"

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Dunphy, Alexander. Love?s Labour's Lost: A History of the Question ?Why is there No Socialism in the United States?? Portland State University Library, January 2014. http://dx.doi.org/10.15760/honors.93.

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