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Relevant bibliographies by topics / Love's labour's lost (Shakespeare, William)

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Academic literature on the topic 'Love's labour's lost (Shakespeare, William)'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Love's labour's lost (Shakespeare, William)"

1

Tiffany, Grace. "William Shakespeare. Love's Labour's Lost (The New Cambridge Shakespeare)." English Studies 92, no. 2 (2011): 229–30. http://dx.doi.org/10.1080/0013838x.2011.553909.

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Werstine, Paul, and H. R. Woudhuysen. "The Arden Shakespeare Love's Labour's Lost." Shakespeare Quarterly 51, no. 1 (2000): 92. http://dx.doi.org/10.2307/2902326.

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Smith, Peter J., Clare Smout, Kath Bradley, et al. "Play Reviews: Dido, Queen of Carthage, Love's Labour's Lost, a Midsummer Night's Dream, Romeo and Juliet, the Tempest, Richard II, Othello, as You like it, Twelfth Night after William Shakespeare, the Merchant of Venice, the Duchess of Malfi, Edward II, Macbeth, Love is My Sin. Sonnets de William Shakespeare, Richard III, Le Roi Lear [King Lear], Hamlet." Cahiers Élisabéthains: A Journal of English Renaissance Studies 75, no. 1 (2009): 67–101. http://dx.doi.org/10.7227/ce.75.1.10.

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Chalk, Darryl. "Eros and Etiology in Love’s Labour’s Lost." Humanities 11, no. 6 (2022): 152. http://dx.doi.org/10.3390/h11060152.

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In Love’s Labour’s Lost, the creation of an academe where study is posited as the antidote to the diseases of the mind caused by worldly desire results in an epidemic of lovesickness. Lovesickness, otherwise known as ‘erotic melancholy’ or ‘erotomania’, was treated in contemporary medical documents as a real, diagnosable illness, a contagious disease thought to infect the imagination through the eyes, which could be fatal if left untreated. Such representation of love as a communicable disease is drawn, I suggest, from a neoplatonic tradition led by the work of Marsilio Ficino, particularly hi

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Shevtsova, Maria. "Lev Dodin Directs Grossman, O'Neill, and Shakespeare." New Theatre Quarterly 25, no. 2 (2009): 137–47. http://dx.doi.org/10.1017/s0266464x09000232.

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When Lev Dodin and the Maly Drama Theatre travelled to Britain in 1988, performing Stars in the Morning Sky at the London International Festival of Theatre (LIFT), it was their first tour abroad. Since then, this repertory ensemble has had an enormous impact on audiences across the world because of its powerful artistry, sustained by the unique training methods, emotional and philosophical as much as technical, developed by Dodin and his collaborators. This article is an account of the three productions directed by Dodin since King Lear (St Petersburg, March 2006, and performed at the Barbican

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Sládeček, Ján. "Shakespearean Drama in Miloš Pietor›S Work: Between Prologue and Epilogue." Slovenske divadlo /The Slovak Theatre 66, no. 1 (2018): 23–40. http://dx.doi.org/10.2478/sd-2018-0002.

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Abstract William Shakespeare’s work has a very specific place in Miloš Pietor’s professional biography: it starts at the beginning of the artist’s creative period and then again at the end of his professional life. The study is devoted to this part of the director’s work. It analyzes the plays Merry Wives of Windsor (P. Jilemnický Theatre, 1963), Hamlet (Nová scéna Theatre 1974), comedy Love’s Labour’s Lost) (Nová scéna Theatre 1976) and presents the directorial and dramaturgical concept of Pietor’s first production after November 1989, The Merchant of Venice (1991). His planned premiere at th

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Trocha-Van Nort, Andrea F. "Delphine Lemonnier-Texier et Guillaume Winter, dir., Lectures de Love’s Labour’s Lost de William Shakespeare." XVII-XVIII, no. 72 (December 1, 2015): 319–21. http://dx.doi.org/10.4000/1718.299.

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8

Miola, Robert S. "Lesse Greeke? Homer in Jonson and Shakespeare." Ben Jonson Journal 23, no. 1 (2016): 101–26. http://dx.doi.org/10.3366/bjj.2016.0154.

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Throughout their careers both Jonson and Shakespeare often encountered Homer, who left a deep impress on their works. Jonson read Homer directly in Greek but Shakespeare did not, or if he did, he left no evidence of that reading in extant works. Both Jonson and Shakespeare encountered Homer indirectly in Latin recollections by Vergil, Horace, Ovid and others, in English translations, in handbooks and mythographies, in derivative poems and plays, in descendant traditions, and in plentiful allusions. Though their appropriations differ significantly, Jonson and Shakespeare both present comedic im

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9

Rabey, David Ian. "Shakespeare in Performance: Love's Labour's Lost.. By Miriam Gilbert. Manchester and New York: Manchester University Press, 1993. Pp. viii + 137 + illus. £29.99. - Shakespeare in Performance: Henry IV, Part Two. By Barbara Hodgdon. Manchester and New York: Manchester University Press, 1993. Pp. viii + 157 + illus. £29.95." Theatre Research International 19, no. 1 (1994): 71–73. http://dx.doi.org/10.1017/s0307883300018873.

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10

Draudt, Manfred. "29. William Shakespeare: 'Love's Labour's Lost'. A Critical Edition." English and American Studies in German 1988, no. 1 (1988). http://dx.doi.org/10.1515/east-1988-0131.

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Dissertations / Theses on the topic "Love's labour's lost (Shakespeare, William)"

1

Clarke, Barry R. "A linguistic analysis of Francis Bacon's contribution to three Shakespeare plays : The Comedy Of Errors, Love's Labour's Lost, and The Tempest." Thesis, Brunel University, 2014. http://bura.brunel.ac.uk/handle/2438/13870.

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The aim of this work is to investigate the possibility that Francis Bacon was a contributor in the writing of three Shakespeare plays: The Comedy of Errors, Love’s Labour’s Lost, and The Tempest. In order to proceed, I develop a new Rare Collocation Profiling (RCP) method using Chadwick–Healey’s Early English Books Online (EEBO) database to identify those collocations in a target text that are rare. I then list the probable sources of a target and the writers who possibly borrowed from it. In this way, I obtain a DNA-type profile in relation to the target text for all frequently occurring writ

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Books on the topic "Love's labour's lost (Shakespeare, William)"

1

Company, Royal Shakespeare. Love's labour's lost by William Shakespeare. Royal Shakespeare Company, 1990.

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Company, Royal Exchange Theatre. Love's labour's lost by William Shakespeare. Royal Exchange Theatre Company, 1992.

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Company, Royal Shakespeare. Love's labour's lost by William Shakespeare. Royal Shakespeare Company, 1993.

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Jonathan, Bate, Rasmussen Eric 1960-, and Royal Shakespeare Company, eds. Love's labour's lost. 2nd ed. Modern Library, 2008.

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5

Shakespeare, William. Love's labour's lost. Oxford University Press, 1998.

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Shakespeare, William. Love's labour's lost. ICON Classics, 2005.

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Shakespeare, William. Love's labour's lost. 2nd ed. Modern Library, 2008.

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Shakespeare, William. Love's labour's lost. Cambridge University Press, 2009.

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Shakespeare, William. Love's labour's lost. ICON Classics, 2005.

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Shakespeare, William. Love's labour's lost. Dover Publications, 2001.

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Book chapters on the topic "Love's labour's lost (Shakespeare, William)"

1

Pfister, Manfred, and Rebekka Rohleder. "Shakespeare, William: Love's Labour's Lost." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17034-1.

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"The end of learning in William Shakespeare's Love's Labour's Lost." In Teachers in Early Modern English Drama, edited by Jean Lambert. Routledge, 2019. http://dx.doi.org/10.4324/9780429028496-3.

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"REVIEW OF THE ROYAL SHAKESPEARE COMPANY (1978)." In Love's Labour's Lost. Routledge, 2015. http://dx.doi.org/10.4324/9781315864297-50.

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"SHAKESPEARE, HALF OF CREATION: REMINISCENCES OF DON ARMADO." In Love's Labour's Lost. Routledge, 2015. http://dx.doi.org/10.4324/9781315864297-62.

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"LOVE'S LABOR'S LOST AND THE EARLY SHAKESPEARE (1962)." In Love's Labour's Lost. Routledge, 2015. http://dx.doi.org/10.4324/9781315864297-29.

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"Nostalgia in Hoffman's William Shakespeare's A Midsummer Night's Dream and Branagh's Love's Labour's Lost." In Devouring Time. McGill-Queen's University Press, 2017. http://dx.doi.org/10.1515/9780773550216-015.

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7

"LOVE'S LABOUR'S LOST, FROM SHAKESPEARE: HIS MUSIC AND SONG (1915)." In Love's Labour's Lost. Routledge, 2015. http://dx.doi.org/10.4324/9781315864297-23.

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8

"LOVE'S LABOUR'S LOST, FROM THE LECTURES ON SHAKESPEARE AND MILTON (1811)." In Love's Labour's Lost. Routledge, 2015. http://dx.doi.org/10.4324/9781315864297-17.

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"LOVE'S LABOUR'S LOST: ROSALINE AGAIN." In The Women of Shakespeare. Routledge, 2015. http://dx.doi.org/10.4324/9781315638454-12.

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Holland, Peter. "Fame in London, prosperity in Stratford." In William Shakespeare. Oxford University PressOxford, 2007. http://dx.doi.org/10.1093/oso/9780199212835.003.0003.

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Abstract In December 1594 the Chamberlain’s Men performed The Comedy of Errors at Gray’s Inn. The play’s design as a classical farce based on Plautus’s Menaechmi, a play Shakespeare might well have read at school, made it especially suitable for the Christmas revels of the young gentry at one of the inns of court. In the course of the next year or so the company also performed Love’s Labour’s Lost, probably its lost sequel ‘Love’s Labour’s Won’, Richard II, Romeo and Juliet, and A Midsummer Night’s Dream, an extraordinary output that was perhaps the result of Shakespeare’s busy writing activit

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