Relevant bibliographies by topics / Love and sex in films

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Love and sex in films'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Love and sex in films"

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Arfeen, Ayesha. "Same-sex love in Muslim cultures through the lens of Hindustani Cinema." CINEJ Cinema Journal 6, no. 1 (September 14, 2017): 51–70. http://dx.doi.org/10.5195/cinej.2017.147.

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This paper tries to explore same-sex love in Muslim cultures in India as represented in Hindustani cinema. My focus will be on Muslim female same-sex love which is generally not touched upon. Female same-sex love and male same-sex love is widely discussed and debated upon. The recent film Dedh Ishqiya (Bhardwaj, 2014) is taken as a case study to examine female same-sex love in a Muslim context. Other films will be dealt in periphery. The influence of language, place and peer group is to be checked. Amradparashti or male same-sex love is discussed in comparison to female same-sex love for which no particular term in North India is used that frequently.
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Zegers, Lara DA, and Richard HC Zegers. "(Un)safe sex in James Bond films: what chance for sex education?" Scottish Medical Journal 63, no. 4 (November 2018): 113–18. http://dx.doi.org/10.1177/0036933018809601.

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Background and aims Many women in Bond films make love to James Bond (alias 007). Our objective was to quantify the practice of (un)safe sex in Bond films. Methods and results All 24 Bond films were watched together by the authors and the following data were recorded: if the women had sex with 007, whether the women consumed any alcohol before they had sex, whether contraceptives were mentioned and/or used by 007 or the women and whether the women survived the film. Bond had sexual relations with a total of 58 different women. Twenty-two percent of the women had consumed alcohol. In none of the films was any type of contraception mentioned or used. A total of 28% women did not survive the film. Conclusion If he were real, Bond outnumbers the British men at least fivefold when it comes to the number of sexual partners over a lifetime. Nevertheless, over time casual sex is becoming less frequent for 007. Sexually transmitted diseases, safe sex and (unwanted) pregnancies seem not to exist in the films. Some suggestions were made to promote safe sex in future Bond films as movies can play an important role in sex education.
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Gilbert, Nora. "“She Makes Love for the Papers”: Love, Sex, and Exploitation in Hitchcock’s Mata Hari Films." Film & History: An Interdisciplinary Journal of Film and Television Studies 41, no. 2 (2011): 6–18. http://dx.doi.org/10.1353/flm.2011.0036.

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Smith, Adrian. "The Language of Love: Swedish Sex Education in 1970s London." Film Studies 18, no. 1 (2018): 34–51. http://dx.doi.org/10.7227/fs.18.0003.

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In 1974 the British Board of Film Censors refused to grant a certificate to the Swedish documentary More About the Language of Love (Mera ur Kärlekens språk, 1970, Torgny Wickman, Sweden: Swedish Film Production), due to its explicit sexual content. Nevertheless, the Greater London Council granted the film an ‘X’ certificate so that it could be shown legally in cinemas throughout the capital. This article details the trial against the cinema manager and owners, after the film was seized by police under the charge of obscenity, and explores the impact on British arguments around film censorship, revealing a range of attitudes towards sex and pornography. Drawing on archival records of the trial, the widespread press coverage as well as participants’ subsequent reflections, the article builds upon Elisabet Björklund’s work on Swedish sex education films and Eric Schaefer’s scholarship on Sweden’s ‘sexy nation’ reputation to argue that the Swedish films’ transnational distribution complicated tensions between educational and exploitative intentions in a particularly British culture war over censorship.
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Chen, Jasmine Yu-Hsing. "“Queering” the Nation?" Prism 18, no. 1 (March 1, 2021): 49–69. http://dx.doi.org/10.1215/25783491-8922193.

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Abstract This article explores how gendered Chineseness is represented, circulated, and received in Huangmei musical films for audiences in martial-law Taiwan. Focusing on Love Eterne (1963), the analysis examines how theatrical impersonations in the film provided a “queer” social commentary on aspects of Chinese nationalism that conflicted with the Kuomintang's military masculinities. Love Eterne features dual layers of male impersonations: diegetically, the female character Zhu Yingtai masquerades as a man to attend school with other men; nondiegetically, the actress Ling Po performs the male character Liang Shanbo, Zhu's lover. In addition to the “queer” imagination generated by Ling's cross-dressing performance, the author considers how the feminine tone of Love Eterne allowed the Taiwanese audience to escape from masculine war preparations. Although the Kuomintang promoted Ling as a model patriotic actress, it was her background, similar to many Taiwanese adopted daughters, that attracted the most attention from female audiences. This female empathy and the queer subjectivity arguably disturbed the Kuomintang's political propaganda. Hence, this study adds to the breadth of queerness in studies on the cinematic performance of same-sex subjectivities and invites new understandings of queer performance in Love Eterne as a vehicle that can inspire alternative imaginings of gendered selfhoods and nations.
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Awasthi, Indra. "How does the brain function when a person is in love?" International Journal for Research in Applied Science and Engineering Technology 9, no. 9 (September 30, 2021): 814–19. http://dx.doi.org/10.22214/ijraset.2021.37936.

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Abstract: This article identifies the nature of love and some of its conscientious and political implications. It is a question to the thinker, 'What is love?'Many problems arise. Love is an ideational noun. That is, for some people, it is a word that is not connected to reality or sensibly. For others, it shows our existence, ourselves and the world, is irreversibly affected after we "refer to love". Some are trying to analyse it, others prefer to leave it as an inefficient area But it is undeniable that love plays a huge and inevitable role in our different cultures. We see it discussed with humour and seriousness in songs, films and novels. It is a constant theme of maturity in life and a vibrant theme for young people. Philosophically, the nature of love has been at the heart of philosophy since ancient Greece, from the materialistic concept of love as a purely physical phenomenon (the animal or genetic motif that governs our behaviour) to theory. That moment Love as an intense spiritual entity, to the highest degree, allows us to come into contact with divinity. Historically, in the Western tradition, Plato's Feast presents the original text to provide us with a very influential and compelling idea that love is characterized by several levels. To love. This is also overcome by what can be explained by the theological view of love the research sends sexual attraction and reciprocity. Since then, there have been various alternative theories, including Plato’s critics and advocates of love, Plato's disciple Aristotle, and his more mundane theory of true love. It reflects what he described as "two bodies and one soul". The philosophical treatment of love covers a variety of disciplines, including epistemology, metaphysics, religion, humanity, politics and ethics. Often, for example, statements or discussions about love, its nature and, its role in human life refer to one or all of the central theories of philosophy and are compared or considered in the context of philosophical sex. And not just sex, but the body as well. It is intentional. The mission of the philosophy of love is to present relevant issues in a targeted way, based on relevant theories such as human nature, desire and morality. The research concludes that biological, mind and ideology stand significant for the analysis of love. Nonetheless, additional study is preferred for differentiating that what actually is and how this knowledge can be applied in everyday life. With the divorce rate on the rise and the idea of a changing marriage during present time community, significance for researching a theory in affection can’t be ignored. In this study, as a community, we can understand its importance for human love and survival. Keywords: Physical, Mental, affection, intercourse, divorce, serotonin, oxytocin, Oedipus complex, Electra complex, ideology, soul mate, neurotransmitter, dopamine, odour, psychosexual
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Tyler, Melissa. "Tainted love: From dirty work to abject labour in Soho’s sex shops." Human Relations 64, no. 11 (November 2011): 1477–500. http://dx.doi.org/10.1177/0018726711418849.

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This article is based on ethnographic research carried out in sex shops – retail premises selling sex toys, clothing and accessories, as well as sexually explicit books and films – located in London’s Soho. Drawing on the concept of ‘dirty work’, it explores not only the ways in which the various taints associated with dirty work – physical, social and moral – are lived and experienced, but also the allure of this particular type of work for those who perform it, and particularly of Soho as a work place. In doing so, the article extends the study of dirty work by drawing attention to two related themes that emerged from the research – first, the performance of what might be termed ‘abject labour’; that is, work that invokes a simultaneous attraction and repulsion for those who undertake it, and second, the significance of location and place in understanding the lived experience of work and the meanings with which particular types of work are imbued. The discussion concludes by arguing that teasing out the inter-relationship between these two themes – of simultaneity (of repulsion and desire) and setting – enables us to better understand interconnections between the meanings attached to particular types of work, and the specific locations in which they take place.
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Goldberg, RL. "Staging Pedagogy in Trans Masculine Porn." TSQ: Transgender Studies Quarterly 7, no. 2 (May 1, 2020): 208–21. http://dx.doi.org/10.1215/23289252-8143365.

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Abstract This article considers the ways in which pedagogy is formally represented in trans masculine porn, specifically in three films that stage scenes of learning: Linda/Les and Annie: A Female-to-Male Transsexual Love Story, Phineas Slipped, and Sex Education. Focusing on pedagogical scenes that dramatize failure, the article asks, Why, in trans porn, do we see extrageneric claims to educate? What kinds of pedagogical fantasies do trans porn, and porn-adjacent film, render about bodies and pleasures? The author offers a close reading of these films as rooted not in pornographic fantasy but in the fantasies of pedagogy. By directly incorporating pedagogy into the formal content of trans masculine porn films, these films distance themselves from the pedagogical functions of porn—porn as encounter, porn as learning about trans “difference”—and instead point to fantasies of efficacious pedagogy. The author suggests that these films do more than educate viewers on transgender; rather, they portray the pedagogical encounter itself as one way in which performers work through their own fantasies of successful pedagogy.
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Smith, Paul Julian. "Screenings." Film Quarterly 71, no. 1 (2017): 73–79. http://dx.doi.org/10.1525/fq.2017.71.1.73.

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By happy coincidence, Mexico in 2016 yielded two expert and moving documentaries on women, sex, and aging: María José Cuevas's Bellas de noche (Beauties of the Night) and Maya Goded's Plaza de la Soledad (Solitude Square). Both are first-time features by female directors. And both are attempts to reclaim previously neglected subjects: showgirls of the 1970s and sex workers in their seventies, respectively. Moreover, lengthy production processes in which the filmmakers cohabitated with their subjects have resulted in films that are clearly love letters to their protagonists. Widely shown at festivals and beyond, Bellas de noche won best documentary at Morelia, Mexico's key festival for the genre, and was picked up by Netflix in the United States and other territories. Plaza de la Soledad, meanwhile, earned plaudits at Sundance and a theatrical release in its home country in May 2017, a rare opportunity for a documentary. Complex and contradictory, these twin films celebrate women whose lives may be limited by circumstances cruelly beyond their control but who are vital, still, in their quest for friendship and freedom.
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Gökçem Akyıldız, Selen. "Disgraced of the West, Deserted of the East: Men in the Films Shame and Issız Adam (Alone)." CINEJ Cinema Journal 9, no. 1 (July 14, 2021): 424–55. http://dx.doi.org/10.5195/cinej.2021.359.

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Apart from being shot in almost the same decades, Shame (Steve McQueen, 2011) and Issız Adam (Çağan Irmak, 2008) have other analogies that require to study on. Even though both men live in different cultures and have different relationship models, they struggle in life concurrently. While Steve McQueen’s Shame focuses on uncompromising sex addiction that overthrows a man’s life, Çağan Irmak’s Issız Adam takes it on a romantic level and presents a lonely man who cannot attach women. Though it seems an ordinary attachment problem on the surface, both men have deep social, sexual, familial problems that force them to be left alone. In consideration of adult romantic attachment theory of Hazan and Shaver (1987), both male characters will be examined under the topics of adult loneliness and love, romantic incest and sex addiction to analyze the reasons and the results of the bond that both male characters cannot have built.
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Dissertations / Theses on the topic "Love and sex in films"

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Åhman, Alexander. "Making Love : En socialkonstruktivistisk analys av relationen mellan kärlek och sex." Thesis, Uppsala universitet, Sociologiska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-201102.

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Syftet med uppsatsen är att analysera hur det moderna samhället i västvärlden ser på och pratar om sex och kärlek. Jag tittar på hur de kombineras i den så kallade kärleksideologin. Objektet för min analys är filmen Crazy, stupid, love från 2011. Jag använder exempel från filmen för att observera vissa kulturella aspekter som vi har i västvärlden kring kärlek och sex. Den teoretiska utgångspunkten för uppsatsen är det socialkonstruktivistiska perspektivet (Barlebo Wenneberg 2001) och modern filmteori (Andersson och Hedling 1995).   Resultatet visar bland annat att fiktiva verk, som filmen jag använder i uppsatsen, kan ta en plats i den kulturella diskursen. Filmen behåller legitimitet då den harmoniserar med många av västvärldens förhoppningar kring relationer och romantik. Kärleksidealet fortsätter att vara dominant idag trots att det uppstår konflikter mellan kärleksidealets mer traditionella konstruktion och det postmoderna samhällets andra normer.
The purpose of the thesis is to analyze how the modern west society looks upon and talks about sex and love. I am looking at how they are combined in the so called romantic ideology. The object of my analyzes is the movie Crazy, stupid love from 2011. I will observe certain cultural aspects of western society considering love and sex by using examples from the movie. My theoretical platform for the thesis will be the social constructive perspective (Barlebo Wenneberg 2001) an modern film theory (Andersson och Hedling 1995).   The result show amongst other things that works of fiction, like the movie I use in the thesis, can in fact take a position in the cultural discourse. The movie keeps its legitimacy by harmoniesing with many of the beliefs and hopes that we in the west have about relationships and romance. The romantic ideology keeps being dominant today even though there are conflicts between the romantic ideology’s more traditional construction and the post modern society’s other norms.
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Popa, Ana. "Sex, Love and Dignity." Thesis, Mittuniversitetet, Avdelningen för design, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-31161.

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Sex and disability is a subject which is poorly discussed in today's society. Sex as pleasure for disabled is widely ignored and recommended to be avoided since society believes that people with disabilities are vulnerable to sexual abuse. In contrast, studies show that the vulnerability is a result of disabled dis-empowerment. Accordingly, in today's market, there are few sex products intended to people with disabilities. Can disable people who don't have feeling below the waist trigger the sexual pleasure using other senses? With millions of specific tactile receptors located all over the body, people are sensitive to pressure, temperature, limb position, pain, and vibration. Depending on the number of receptors the sensitivity increases. Therefore there are more erogenous zones than genitals. As a result, it was designed Solo, an inclusive sexual toy for exploring and stimulating erogenous body areas. Solo uses warm and cold impulses, smooth air pressure and vibration. It is coordinated by an app, where the user can change intensities and connect with a partner. Solo was inspired by people with disabilities, by the need of receiving and giving love and the difficulty to do it in the traditional way. It was created with the aim to provide a sexual experience where the disability is not a problem but a resource.
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Bilbro, Kathryn Gray. "Comparing Relationships: Same-Sex Friendships, Cross-Sex Friendships, and Romantic Love." W&M ScholarWorks, 1992. https://scholarworks.wm.edu/etd/1539625774.

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Hayward, Claire Louise. "Representations of same-sex love in public history." Thesis, Kingston University, 2015. http://eprints.kingston.ac.uk/35048/.

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This thesis analyses the ways in which histories of same-sex love are presented to the public. It provides an original overview of the themes, strengths and limitations encountered in representations of same-sex love across multiple institutions and examples of public history. This thesis argues that positively, there have been many developments in archives, museums, historic houses, monuments and digital public history that make histories of same-sex love more accessible to the public, and that these forms of public history have evolved to be participatory and inclusive of margnialised communities and histories. It highlights ways that Lesbian, Gay, Bisexual, Trans*, Queer (LGBTQ) communities have contributed to public histories of same-sex love and thus argues that public history can play a significant role in the formation of personal and group identities. It also argues that despite this progression, there are many ways in which histories of same-sex love remain excluded from, or are represented with significant limitations, in public history. This thesis shows that the themes of balancing trauma and celebration, limited intersectionality, complex terminology, shared authority and the ghettoisation of same-sex love have emerged across a variety of public history types and institutions. It discusses examples of successful and limited representations of same-sex love in order to suggest ways that public history can move forward and better represent such histories.
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Chasan, Elis. "Women's accounts of 'Sex and Love Addicts Anonymous'." Thesis, University of East London, 2016. http://roar.uel.ac.uk/5870/.

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own discourses as well as those of seven women who attend SLAA meetings in London. It intends to contribute to the understanding of the employment of a Twelve Steps programme for the regulation of emotions and women’s current difficulties in relationships. The thesis provides a historical account of what has been considered ‘excessive’ in women’s intimate relationships and thus deemed to require regulation. It demonstrates how, despite historical changes in social perceptions of excess in sex and love, continuous preoccupation with the irrationality of love nonetheless still exists, which has been more directly linked to femininity. SLAA’s origins are examined, including their adoption of the Alcoholics Anonymous (AA) Twelve Steps programme. This programme aims at the avoidance of alcohol consumption, and it has been adapted to the field of regulating relationships. The constitutive problems this causes will be examined. This thesis demonstrates how the infiltration of therapeutic discourse in SLAA has transformed the programme from a spiritual to a hybrid one: spiritual and therapeutic. From a psychoanalytic perspective, the thesis discusses themes of love and phantasy and looks at the different positions women can occupy in relationships. I argue that the loss of faith in the narrative of patriarchal power has led to a crisis, in which the bearer of the phallus is no longer self-evident. I explore how this crisis has been associated with the decline of the paternal metaphor in Lacanian psychoanalysis, which as a consequence has altered the organisation of desire and has contributed to uncertainties in relationships, which I argue that SLAA is a symptom of. My methodological approach is influenced by different theoretical frameworks, including the use of thematic analysis to organise data and narrative analysis to inform the interview approach. The analysis of themes is informed by Lacanian psychoanalytic and sociological theories. The findings are organised in themes that clearly reflect the participants’ absorption of SLAA’s discourse and show how they have negotiated SLAA’s operations and strategies. A strong commonality was found in the participants’ accounts of their difficulties, indicating how problems in relationships are conceptualised in SLAA. There was also some evident ambivalence characterising the ways in which participants reported traditional feminine positions. The discourse of sex and love addiction signals the difficulties in women’s ability to relate whilst keeping a sense of autonomy; it frames the inherent difficulties of love as addictions and promotes a discourse of self-sufficiency and independence, echoing the discourse of narcissism. Overall, there are clear shortcomings in the programme related to the legacy of the twelve-step framework (which promotes avoidance) and of its therapeutic discourse that encourages autonomy, in ways that are incompatible with the experience of love. This discourse does not offer any original solutions for the new challenges of relationships; however, it does provide an excellent temporary space for containment and reflection for women who are undergoing emotional crises.
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Cody, Suzanne Marie. "Love. Sex. Shoes. A collection of performance essays." Thesis, University of Iowa, 2014. https://ir.uiowa.edu/etd/4596.

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The essay is an exploration of a thought, an idea, an experience. To essay is simply to attempt. A conclusion is not always reached, a solution is not always found, but the writer is compelled to attempt to contain the thought, the idea, the experience, in words on the page. The performance essay makes the same attempt. But where the written essay is complete on the page, the performance essay is subject to constant transformation by the necessity of the physical body to the finished work. Not the body of the writer, but the body of the performer who stretches and bends the writer-shaped space of the essay to make it fit, completing the work in the creation of this new shape. This is the excitement for the writer of the performance essay. To surrender control of the work to another artist and see what they will make of it.
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Sternik, Maria. "Back to the Garden of Eden the role of erotic love in the process of restoration /." Theological Research Exchange Network (TREN), 1995. http://www.tren.com.

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Coleman, Julie Margaret. "Love, sex and marriage : an historical study of English vocabulary." Thesis, King's College London (University of London), 1992. https://kclpure.kcl.ac.uk/portal/en/theses/love-sex-and-marriage--an-historical-study-of-english-vocabulary(8cfc9358-8293-4c85-97c9-4e1849693b79).html.

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Hull, Kathleen E. "Same-sex marriage : the cultural politics of love and law /." Cambridge : Cambridge university press, 2006. http://catalogue.bnf.fr/ark:/12148/cb40117896m.

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Powell, Anastasia. "Generation Y : re-writing the rules on sex,love and consent /." Connect to thesis, 2007. http://eprints.unimelb.edu.au/archive/00004035.

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Books on the topic "Love and sex in films"

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Hirsch, Foster. Love, sex, death & the meaning of life: The films of Woody Allen. New York: Limelight Editions, 1990.

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Love, sex, death & the meaning of life: The films of Woody Allen. Cambridge, MA: Da Capo Press, 2001.

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Hirsch, Foster. Love, sex, death & the meaning of life: The films of Woody Allen. New York: Limelight Editions, 1990.

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Davis, Rowan. The sex files: Your zodiac guide to love & lust. Woodbury, Minn: Llewellyn Publications, 2009.

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Woods, Vanessa. It's every monkey for themselves: A true story of sex, love and lies in the jungle. Crows Nest, N.S.W: Allen & Unwin, 2007.

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Amour fou: Die Erzählung der Amour fou in Literatur, Oper, Film : zum Verhältnis von Liebe, Diskurs und Gesellschaft im Zeichen ihrer sexuellen Infragestellung. Tübingen: Francke, 2004.

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Sex & sensibility: The adventures of a Jane Austen addict : a novel. New York: Saint Books, 2005.

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Wolke 9: Über Liebe und Sex im Alter ; [Buch zum Film von Andreas Dresen]. Stuttgart: Gatzanis, 2008.

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Bound to bond: Gender, genre, and the Hollywood romantic comedy. Westport, Conn: Praeger, 2001.

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The Why files: when can I start dating?: Questions about love, sex and a cure for zits. St. Louis: Concordia Publishing House, 2000.

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Book chapters on the topic "Love and sex in films"

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Morris, Meggie. "Blood and Bravado: Violence, Sex, and Spain in Pedro Almodóvar’s film Matador." In Screening the Dark Side of Love, 159–67. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137096630_11.

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Brittain, Victoria. "“Let the Arabs See”: 33 Days (2007)." In Love and Resistance in the Films of Mai Masri, 101–10. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-37522-5_9.

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Diaz-Guerrero, Rogelio, and Lorand B. Szalay. "Love, Sex." In Understanding Mexicans and Americans, 93–108. Boston, MA: Springer US, 1991. http://dx.doi.org/10.1007/978-1-4899-0733-2_7.

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Wilson, John. "Sex." In Love between Equals, 126–42. London: Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-24253-5_7.

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Fugère, Madeleine A., Jennifer P. Leszczynski, and Alita J. Cousins. "Sex and Love." In The Social Psychology of Attraction and Romantic Relationships, 160–85. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-32483-2_8.

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Campbell, Cate. "Sex." In Love and Sex in a New Relationship, 159–69. 1 Edition. | New York : Routledge, [2018]: Routledge, 2018. http://dx.doi.org/10.4324/9781351213622-12.

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Wilson, John. "Being a Sex Object." In Learning to Love, 55–76. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780333982990_3.

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Wilson, John. "Sex, Fantasy and Exploration." In Learning to Love, 136–63. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780333982990_6.

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Burchardt, Marian. "Having Sex, Making Love." In Faith in the Time of AIDS, 98–123. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137477774_5.

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Petersen, Alan. "Love, Intimacy, and Sex." In Engendering Emotions, 89–124. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230512610_4.

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Conference papers on the topic "Love and sex in films"

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Savchenko, Galina. "The new ethics. Love, sex, and relationships in the fourth dimension." In Psychoanalysis and the Virtual: ethics, metapsychology and clinical experience of the remote practice. N-DSA-N, 2021. http://dx.doi.org/10.32437/pvemcerpdppp0007.

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Wang, Li-jun, Jian-sheng Liu, and Shi-tang He. "Humidity sensing by love wave detectors coated with different polymeric films." In 2014 Symposium on Piezoelectricity,Acoustic Waves, and Device Applications (SPAWDA). IEEE, 2014. http://dx.doi.org/10.1109/spawda.2014.6998522.

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Valencia, Miechel, and Ahmad Junaidi. "Representation of Beauty Standards in Films Imperfect: Career, Love & Scales." In International Conference on Economics, Business, Social, and Humanities (ICEBSH 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210805.122.

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Ruiz, Rafael O., Marcelo H. Di Liscia, Sergio Di´az, and Luis Medina. "Experimental Measurement of a Three Lobe Air Bearing Rotordynamic Coefficients." In ASME Turbo Expo 2006: Power for Land, Sea, and Air. ASMEDC, 2006. http://dx.doi.org/10.1115/gt2006-91068.

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This work presents direct experimental measurements of air film rotordynamic coefficients on a three lobe bearing. The test rig uses two magnetic bearing actuators to impose desired test orbits to the journal. Tests are conducted at several rotating speeds up to 12,000rpm. Journal whirling excitation is independent of the rotating speed, thus allowing asynchronous excitations. One-dimensional orbits in the horizontal and vertical axes are applied as excitations at each rotating speed. The experimental results show the behavior of the rotordynamic coefficients of the air film bearing under synchronous and asynchronous excitation. The synchronous experimental results are compared to numerical estimation of the bearing force coefficients through solution of the isotropic ideal gas journal bearing Reynolds equation coupled with the pressure drop through the feeding holes. The results of this work prove the suitability of the rig to identify both the synchronous and nonsynchronous response of air fluid film bearings.
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5

Ruiz, Rafael O., Marcelo H. Di Liscia, Luis Medina, and Sergio Di´az. "Asynchronous Dynamic Coefficients of a Three Lobe Air Bearing." In ASME Turbo Expo 2007: Power for Land, Sea, and Air. ASMEDC, 2007. http://dx.doi.org/10.1115/gt2007-27919.

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The study of dynamic whirl behavior of air bearings is fundamental for an adequate rotordynamic analysis and future validation of numerical predictions. This work shows the dynamic response of the air film on a three lobe bearing under non-synchronous whirl motion. One-dimensional multifrequency orbits are used to characterize the bearing rotordynamic coefficients. The test rig uses two magnetic bearing actuators to impose any given orbits to the journal. The dynamic forces are measured on the test bearing housing by three load cells. Journal whirling excitation is independent of the rotating speed, thus allowing asynchronous excitations. The multi frequency excitation is applied at each rotating speed up to 11000rpm allowing the non-synchronous characterization of the air film. The experimental procedure requires two linearly independent excitation sets. Thus, vertical and horizontal one-dimensional multi-frequency orbits are applied as perturbations. Results show the synchronous and asynchronous dynamic coefficients of the air bearing. Asynchronous experimental results are compared to numerical estimation of the bearing force coefficients through solution of the isotropic ideal gas journal bearing Reynolds equation. Numerical dynamic coefficients are obtained as the effective coefficient values of the bearing when subject to a given orbit. A full characterization of the non-synchronous rotordynamics coefficients of the bearing is presented in three dimensional maps.
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6

Wang, Yangjing. "“Yellow-White Sex and Love” Writing of Chinese Female Writers in the Late 20th Century ——Taking The Lost Daughter of Happiness and K: The Art of Love as examples." In Proceedings of the 4th International Conference on Humanities Science, Management and Education Technology (HSMET 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/hsmet-19.2019.22.

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7

Zimmermann, C., D. Rebiere, C. Dejous, and J. Pistre. "P2J-1 Love-Wave Characterization Platform for Micro and Nano Processed Thin Films." In 2006 IEEE Ultrasonics Symposium. IEEE, 2006. http://dx.doi.org/10.1109/ultsym.2006.455.

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8

Popova, Gergana. "SEXUALITY IN THE COMMUNIST FAMILY UNION – CONCEPTS ABOUT LOVE, SEX AND MARRIAGE DURING THE EARLY COMMUNIST REGIME IN BULGARIA." In 42nd International Academic Conference, Rome. International Institute of Social and Economic Sciences, 2018. http://dx.doi.org/10.20472/iac.2018.042.038.

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9

Inouem, M., Y. Tsuboi, N. Yokokawa, and T. Fujii. "Love-type magneto-surface-acoustic-wave in multilayered highly magnetostrictive films separated by insulating layers." In International Conference on Magnetics. IEEE, 1990. http://dx.doi.org/10.1109/intmag.1990.734095.

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10

San Andre´s, Luis, and Oscar C. De Santiago. "Identification of Bearing Force Coefficients From Measurements of Imbalance Response of a Flexible Rotor." In ASME Turbo Expo 2004: Power for Land, Sea, and Air. ASMEDC, 2004. http://dx.doi.org/10.1115/gt2004-54160.

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Field identification of fluid film bearing parameters is critical for adequate interpretation of rotating machinery performance and necessary to validate or calibrate predictions from restrictive computational fluid film bearing models. This paper presents a simple method for estimating bearing support force coefficients in flexible rotor-bearing systems. The method requires two independent tests with known mass imbalance distributions and the measurement of the rotor motion (amplitude and phase) at locations close to the supports. The procedure relies on the modeling of the rotor structure and finds the bearing transmitted forces as a function of observable quantities (rotor vibrations at bearing locations). Imbalance response measurements conducted with a two-disk flexible rotor supported on two-lobe fluid film bearings allow validation of the identification method estimations. Predicted (linearized) bearing force coefficients agree reasonably well with the parameters derived from the test data. The method advanced neither adds mathematical complexity nor requires additional instrumentation beyond that already available in most high performance turbomachinery.
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