Relevant bibliographies by topics / Love in literature. Tamil poetry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Love in literature. Tamil poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Love in literature. Tamil poetry.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Love in literature. Tamil poetry"

1

Subbulakshmi, S. "Sambandhar - A Cognoscente in the Field of Fine-Arts." Shanlax International Journal of Arts, Science and Humanities 8, no. 4 (April 1, 2021): 70–74. http://dx.doi.org/10.34293/sijash.v8i4.3630.

Full text
Abstract:
Thirugnana Sambandhar is a multifaceted personality. He is a Saint, Poet, Philosopher, Composer, Scientist, Mathematician, Musician of the 7th century. He has no parallels in the poetic world. Indian poetry has its root dating back to the Vedic times. His poetry for decades has reflected diverse spiritual traditions within India and in many Foreign Countries. He had penned down amazing poetic structures through his mystical experience. His vision, lyrical skills, technical expertise, command over Language, Vocabulary, word-play, meters, Imagery, attitude, love towards his mother tongue are uncomparable. Ultimately he is the Epitome of Tamil Literature.
APA, Harvard, Vancouver, ISO, and other styles
2

Frost, Christine Mangala, and A. Mariaselvam. "The Song of Songs and Tamil Love Poems, Poetry and Symbolism." Vetus Testamentum 41, no. 2 (April 1991): 255. http://dx.doi.org/10.2307/1518919.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Brenner, Athalya. "To See Is To Assume: Whose Love Is Celebrated in the Song of Songs?1." Biblical Interpretation 1, no. 3 (1993): 265–84. http://dx.doi.org/10.1163/156851593x00160.

Full text
Abstract:
AbstractThree characteristic features of the Song of Songs are its (a) disjointed or absent plot, (b) gynocentrism and (c) lack of theocentrism. Recognition of these features facilitates a reassessment of the book's allegorical readings, be they ancient or modern, Jewish or Christian, religious or ostensibly secular. The principal readings discussed are Rabin's reconsideration of the Song's intrinsic allegorical properties with reference to Tamil love poetry; M. Cohen's on the Song and Jewish mystical literature (the Shiur Qomah and Hekhalot Rabbati); Murphy's position of reading mutually reflected human love and divine love in the Song; Pope's identification of the Song's assumed, single female protagonist as a black goddess; and Fox's rejection of allegory because of his definitions of metaphor, metaphoric distance and meaning. In conclusion, some reflections on the (ancillary) development of the Jewish allegorical tradition and its links with the Song's cannonization are offered.
APA, Harvard, Vancouver, ISO, and other styles
4

Sathya, S., and A. Sathish. "Kurunthogai Kurinchithinaiyil Thozhi Kootril Uvamaikal." Shanlax International Journal of Tamil Research 4, no. 4 (April 1, 2020): 109–15. http://dx.doi.org/10.34293/tamil.v4i4.2411.

Full text
Abstract:
The article focuses on the Kurinichithinaiyil Thozhi Kootril Uvamial in Kurunthogai. ‘Kurunthogai’ is a classical Tamil poetic work in the second book of the “Ettuthogai” (Eight Anthologies). It is content matters were poem contains love and separation. Content matters were written by numerous authors. The ancient Sangam literature had witnessed the life style of the people in five phases of lands as Kurunji, Mullai, Neithal, Palai and Marutham. The first land surface is mountains and hills and the places is termed as ‘Kurunchi’. There are many Uvamais in Kurunthogai. This research paper explains the Uvamais found in ‘Kurunthogai Kurinji Thozhi Kottru Songs’.
APA, Harvard, Vancouver, ISO, and other styles
5

Sathya, S. "குறுந்தொகையில் முல்லை மற்றும் மருதத்திணையில் தோழி கூற்றில் உவமைகள்." Shanlax International Journal of Tamil Research 5, no. 1 (July 1, 2020): 41–49. http://dx.doi.org/10.34293/tamil.v5i1.3402.

Full text
Abstract:
The article focuses on the Mullai and Marudha Thinaiyil Thozhi Kootril Uvamial in Kurunthogai. ‘Kurunthogai’ is a classical Tamil poetic work in the second book of the “Ettuthogai” (Eight Anthologies). It is content matters were poem contains love and separation. Content matters were written by numerous authors. The ancient Sangam literature had witnessed the life style of the people in five phases of lands as Kurunji, Mullai, Neithal, Palai and Marutham. The first land surface is mountains and hills and the places is termed as ‘Kurunchi’. There are many Uvamais in Kurunthogai. This research paper explains the Uvamais found in ‘Kurunthogai Kurinji Thozhi Kottru Songs’
APA, Harvard, Vancouver, ISO, and other styles
6

M, Devi, and Balasubramaniyan S. "The work and life of Namakkal Kavignar Ramalingam through my story book." International Research Journal of Tamil 3, no. 4 (September 11, 2021): 50–57. http://dx.doi.org/10.34256/irjt2147.

Full text
Abstract:
Various types of literature in Tamil have appeared and developed over time. Literature refines our lives. The literature that appeared in each period is able to reveal the living environment of the people of the respective period. Sangam Literature, Sangam Forgotten Literature, Devotional Literature, Folk Literature, Short Story, Novel, Renewal Poetry, Drama, Prose Literature. In this order his historical literature appears and develops. Her history is a collection of events that took place in a person's life. Traces of his historical literature can be found in the Sangam literature. When he and his friend Kopperuncholan, who was dying in the north, went to die in the north, many witnesses there asked why he had not lost his hair for so long. He has the best character wife in life, and people. He says that the Evelars who do not say what he thinks, and that the king is a good protector. And in our town live many learned, virtuous, well-meaning people with goals and principles. So I don't care. So he says I don't have gray hair. Through this, the news about Pichirantaiyar, his hometown, the witnesses in Avur, the people, the king and the evildoer are revealed. And he records through his songs that he lived a quiet contented life without any problems or interruptions. The above biographical notes are able to know the capital of his historical literature. Autobiography is written by a wide variety of writers, political leaders, scholars, and writers from all walks of life. One of the most significant of these biographies is considered to be that of the poet Ramalingam Pillai. The poet Ramalingam of this book is not only talking about the child's own life. Rather it speaks to the community as well. Because the poet Ramalingam Pillai has expressed in his works that he loved this community and what he experienced in his life. In particular, many of the events under the headings of Prayer, Thirukkural Pride, Gandhi, Nattukkummi, Feminism, Bharathidarshanam can be traced back to his works.
APA, Harvard, Vancouver, ISO, and other styles
7

Subramanian, Kumaran. "Plant Creepers in the Ancient Tamil Love Poetry." Journal of Indian Studies 6, no. 1 (July 1, 1996): 35–46. http://dx.doi.org/10.22452/jis.vol6no1.3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Ramakrishnan, E. V., and M. S. Ramaswami. "Modern Tamil Poetry." World Literature Today 64, no. 3 (1990): 528. http://dx.doi.org/10.2307/40146832.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Sivanarayanan, Anushiya, and N. T. Rajkumar. "Translating Tamil Dalit Poetry." World Literature Today 78, no. 2 (2004): 56. http://dx.doi.org/10.2307/40158413.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Chandran, K. Narayana, S. K. Sareen, and Kapil Kapoor. "South Asian Love Poetry." World Literature Today 70, no. 3 (1996): 760. http://dx.doi.org/10.2307/40042309.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Love in literature. Tamil poetry"

1

Al-Shalabi, Marwa. "Caroline love poetry and the Renaissance tradition." Thesis, Bangor University, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.331953.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Quintanilla, Octavio. "Love Poem with Exiles." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28465/.

Full text
Abstract:
Love Poem with Exiles is a collection of poems with a critical preface. The poems are varied in terms of subject matter and form. In the critical preface, I discuss my relationship with poetry as well as the idea that we inherit poems, and that if we are inspired by them, we can transform them into something new.
APA, Harvard, Vancouver, ISO, and other styles
3

Deters, Joseph Michael 1967. "Love and the postmodern: The poetry of Angel Gonzalez." Diss., The University of Arizona, 1997. http://hdl.handle.net/10150/289422.

Full text
Abstract:
This dissertation considers the discourse of love in Angel Gonzalez's poetry and the affinity that the poet's amorous verse has with a postmodern aesthetic. Beginning with his first collection and continuing through his last, the study focuses on how the amorous sentiments of the poet are manifested in his work. The evocation of love is quite varied throughout Gonzalez's poetic trajectory. In chapter one, the foundation of the study is set as the poetry of Aspero mundo (1956) is revealed to exhibit some early signs of a postmodern bent. The theoretical works of Julia Kristeva, Roland Barthes and Catherine Belsey are used in order to illustrate and support the relationship of the poetry with postmodernism. Chapter two examines Sin esperanza con convencimiento (1962) and Palabra sobre palabra (1965). Here, the manifestation of a markedly postmodern irony and the apparent fusion of love, language and poetic creation is studied. Among the critical references employed in this chapter are the ideas of Ihab Hassan, Jean Francois Lyotard, and others. Tratado de urbanismo (1967) is the focus of chapter three. Specifically, this chapter considers the use of intertextual elements and their manifestation in the love poetry of this work. The critical ideas of Kristeva, Barthes, Jonathan Culler and Mikhail Baktin form the theoretical underpinnings of this chapter. In addition, the revelation of the manner in which Gonzalez uses love poetry as a tool for social commentary is also explored as the poet assumes a more public voice within the discourse of love. Chapter four studies the next three books of the poet, Breves acotaciones (1967), Procedimientos narrativos (1972) and Muestra (1977). Here, the poet examines his ability to control the linguistic medium, parodies traditional love poetry and many times employs what Michael Riffaterre has termed "ungrammaticalities." In the fifth and final chapter of this dissertation, Prosemas o menos (1985) and Deixis en fantasma (1992) are studied. The importance of poetic ordering as well as the poet's retrospective views on his own mortality and the immortality of his amorous verse are investigated in these final works.
APA, Harvard, Vancouver, ISO, and other styles
4

Seog, Youngjoong. "The concept of love in the poetry of Anna Axmatova." The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1342112162.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Cousins, Sandra Elizabeth. "The evolution of Pedro Salinas's attitudes to poetry and language : with special reference to the poetry of love." Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.293587.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Reno, Seth T. "Amorous Aesthetics: The Concept of Love in British Romantic Poetry and Poetics." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306247314.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Mackey, Matthew C. "When Bird and Fish Fall in Love." ScholarWorks@UNO, 2012. http://scholarworks.uno.edu/td/1596.

Full text
Abstract:
A work of poetry that offers a new method of poetics. By examining translation as a means of understanding relationships, this work offers a nuanced manner for the writing and experience of poetry. When Bird and Fish Fall in Love is a close examination of language, relationships, translation, and the intimacy of conflation.
APA, Harvard, Vancouver, ISO, and other styles
8

Rogers, Donna Ann. "Elizabeth Bishop and her women countering loss, love, and language through Bishop's homosocial continuum /." Orlando, Fla. : University of Central Florida, 2008. http://purl.fcla.edu/fcla/etd/CFE0002044.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Rogers, Donna. "ELIZABETH BISHOP AND HER WOMEN:COUNTERING LOSS, LOVE, AND LANGUAGE THROUGH BISHOP'S HOMOSOCIAL CONTINUUM." Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2992.

Full text
Abstract:
This thesis examines Elizabeth Bishop's seemingly understated and yet nuanced poetry with a specific focus on loss, love, and language through domesticity to create a poetic home. In this sense, home offers security for a displaced orphan and lesbian, moving from filial to amorous love, as well as the literary home for a poet who struggled for critical recognition. Further, juxtaposing the familiar with the strange, Bishop situates her speaker in a construction of artificial and natural boundaries that break down across her topography and represent loss through the multiple female figures that permeate her poems to convey the uncertainty one experiences with homelessness. In order to establish home, Bishop sets her female relationships on a continuum as mother, aunt, grandmother, and lovers are equitably represented with similar tropes. In essence, what draws these women together remains their collective and familiar duty as potential caretaker, which is contrasted by their unusual absence in the respective poems that figure them. Contrary to the opinion most scholars hold, Bishop's reticence was a calculated device that progressed her speaker(s) toward moments of self discovery. In an attempt to uncover her voice, her place in the literary movements, and her very identity, critics narrowly define Bishop's vision by fracturing her identity and positing reductive readings of her work. By choosing multiple dichotomies that begin with a marginalized speaker and the centered women on her continuum, the paradox of Bishop's poetry eludes some readers as they try to queer her or simply reduce her to impersonal and reticent, while a holistic approach is needed to uncover the genesis of Bishop's poetic progression. To be sure, Bishop's women conflate into the collective image of loss, absence, and abandonment on Bishop's homosocial continuum as a way to achieve catharsis. Bishop's concern with unconditional love, coupled with the continual threat of abandonment she contends with coursing through her work, gives credence to the homosocial continuum that is driven by loss and love with the perpetual need to create a language to house Bishop from the painful memories of rejection. Bishop situates her speaker(s) in the margins, since it is at the center when the pain of loss is brought into light, to allow her fluid selves release from the prison loss creates. By reading her work through the lenses of orphan, lesbian, and female poet, the progression of her homosocial continuum, as I envision it, is revealed. It is through this continuum that Bishop comes to terms with loss and abandonment, while creating a speaking subject that grows with each poem. Without her continuum of powerful female relationships, Bishop's progression as a poet would be far less revealing. Indeed, defining herself through negation, Bishop's sense of homelessness is uncovered in juxtaposition to her centered female subjects, and I delve into these contestations of space/place as well as her figurations of home/ homelessness to discern Bishop's poetic craft as she channeled the painful details of her past, thus creating her "one art."
M.A.
Department of English
Arts and Humanities
English MA
APA, Harvard, Vancouver, ISO, and other styles
10

Durham, Alexandra. "Capies, tu modo tende plagas repetition and inversion of the hunting metaphor in Roman love elegy /." Diss., Connect to the thesis, 1999. http://hdl.handle.net/10066/1478.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Love in literature. Tamil poetry"

1

Līlāvati, Ti. A critical study of Kur̲untokai: An advanced study. Madurai: Publications Division, Madurai Kamaraj University, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Kōvintan̲, Kā. Kur̲iñcik kumari. Cen̲n̲ai: Cañcīviyār Patippakam, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Kōvintan̲, Kā. Marutanila maṅkai. Cen̲n̲ai: Cañcīviyār Patippakam, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Nar̲r̲in̲ai: Text, transliteration and translations in English verse and prose. Chennai: Central Institute of Classical Tamil, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Central Institute of Classical Tamil (Chennai, India), ed. Ir̲aiyan̲ār akapporuḷ: Text, transliteration and translations in English verse and prose. Chennai: Central Institute of Classical Tamil, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Rācakōpālan̲, Caraḷā. Caṅka ilakkiyattil tōl̲i. Cen̲n̲ai: Vir̲pan̲ai urimai, Oḷippatippakam, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Cuppiramaṇiyan̲, Ca Vē. Caṅka ilakkiyam, Eṭṭuttokai: Nar̲r̲in̲ai. Citamparam: Meyyappan̲ Patippakam, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Cujātā. 401 kātal kavitaikaḷ: Kur̲untokai, ōr eḷiya ar̲imukam. Cen̲n̲ai: Uyirmai Patippakam, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Cuppiramaṇiyan̲, Ca Vē. Caṅka ilakkiyam, Eṭṭuttokai: Kalittokai. Citamparam: Meyyappan̲ Patippakam, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Cuppiramaṇiyan̲, Ca Vē. Caṅka ilakkiyam, Eṭṭuttokai: Nar̲r̲in̲ai. Citamparam: Meyyappan̲ Patippakam, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Love in literature. Tamil poetry"

1

Henderson, Diana E. "Love Poetry." In A Companion to English Renaissance Literature and Culture, 378–91. Malden, MA, USA: Blackwell Publishers Ltd, 2007. http://dx.doi.org/10.1002/9780470998731.ch34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Henderson, Diana E. "Love Poetry." In A New Companion to English Renaissance Literature and Culture, 249–63. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444319019.ch58.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Hoffman, Jill. "Love Letter." In Contemporary Poetry: A Retrospective from the "Quarterly Review of Literature", edited by Theodore Russell Weiss, 250. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400871728-081.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Lilly, Mark. "The Love Poetry of the First World War." In Gay Men’s Literature in the Twentieth Century, 64–82. London: Macmillan Education UK, 1993. http://dx.doi.org/10.1007/978-1-349-22966-6_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Cefalu, Paul. "States of Exception and Pauline Love in John Donne’s Sermons and Poetry." In English Renaissance Literature and Contemporary Theory:, 33–67. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230607491_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Birrell, Anne M. "The Dusty Mirror: Courtly Portraits of Woman in Southern Dynasties Love Poetry." In Expressions of Self in Chinese Literature, edited by Robert E. Hegel and Richard C. Hessney, 33–69. New York Chichester, West Sussex: Columbia University Press, 1985. http://dx.doi.org/10.7312/hege91090-004.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Hecht, Anthony. "Going The Rounds: A Sort Of Love Poem." In Contemporary Poetry: A Retrospective from the "Quarterly Review of Literature", edited by Theodore Russell Weiss, 398–400. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400871728-137.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Estes, Sharon. "‘The American Tennyson’ and ‘The English Longfellow’: Inverted Audiences and Popular Poetry." In Transatlantic Literature and Author Love in the Nineteenth Century, 75–98. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-32820-1_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Talattof, Kamran. "Nizami’s Unlikely Heroines: A Study of the Characterizations of Women in Classical Persian Literature." In The Poetry of Nizami Ganjavi: Knowledge, Love, and Rhetoric, 51–81. New York: Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-137-09836-8_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Cefalu, Paul. "Infinite Love and the Limits of Neo-Scholasticism in the Poetry and Prose of Thomas Traherne." In English Renaissance Literature and Contemporary Theory:, 141–79. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230607491_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Love in literature. Tamil poetry' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography