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Relevant bibliographies by topics / Love in poetry

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Journal articles

Academic literature on the topic 'Love in poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 March 2023

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Journal articles on the topic "Love in poetry"

1

Purwaningsih, Yuni Ratna. "Semiotic Analysis of the Poetry “I Want” by Sapardi Djoko Damono." Journal on Education 5, no. 3 (2023): 9678–81. http://dx.doi.org/10.31004/joe.v5i3.1847.

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The aim of this research was to analyze the poetry by Sapardi Djoko Damono on the title “I Want” with a semiotic method. The type of this research was descriptive qualitative and took the data by note of the poetry. The data was collected and analyzed by taking several phrases of the poetry. The results of the semiotic analysis of the poem "I Want" which was written in 1989 has the theme of love and was written by Sapardi Djoko Damono. Written with the meaning of a love that is really simple, knowing the true meaning using the semiotic method, along with the discussion. Therefore it could be c

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2

Purwaningsih, Yuni Ratna. "Figurative Language Analysis of the Poetry “I Want” by Sapardi Djoko Damono." Journal on Education 5, no. 3 (2023): 9488–91. http://dx.doi.org/10.31004/joe.v5i3.1819.

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Abstract:

The aim of this research was to analyze the poetry by Sapardi Djoko Damono on the title “I Want” with a figurative language method. The type of this research was descriptive qualitative and took the data by note of the poetry. The data was collected and analyzed by taking several phrases of the poetry. The results of the figurative language analysis of the poem "I Want" which was written in 1989 has the theme of love and was written by Sapardi Djoko Damono. Written with the meaning of a love that is really simple, knowing the true meaning using the figurative language method, along with the di

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3

Armani, David, and Louise Gormley. "Persian Love Poetry." American Journal of Islam and Society 25, no. 1 (2008): 136–38. http://dx.doi.org/10.35632/ajis.v25i1.1503.

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This little book is a beguiling collection of Persian love poems drawn fromboth classical and modern poetry, but united by the theme of love in its myriadinterpretations. Included are poems that explore the spiritual lovebetween humans and God, the magical love between lovers or spouses, theaffectionate love between family members and between friends, and eventhe patriotic love for one’s homeland. Each poem is accompanied with a preciousPersian chef d’oeuvre from the British Museum and, in particular, numerous illustrations of Persian miniatures. The editors come to this subjectwith vast exper

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4

ATIYA, Ali Hussein Hteem. "INTERPRETATION OF CULTURAL METHODS IN THE IRAQI FAMILIES AND ITS EFFECTS ON THE CULTURE OF THE CHILD (A SOCIAL ANTHROPOLOGICAL STUDY)." RIMAK International Journal of Humanities and Social Sciences 04, no. 04 (2022): 373–91. http://dx.doi.org/10.47832/2717-8293.18.24.

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The pure spiritual experience affected by the spirit of Islam and its purity appeared in the poet Qurashi hermit, modernist, jurist, and preacher, and he was Urwa bin Uthaina. Madinah, he was in good contact with the Umayyads and the supporters of Abdullah bin Al-Zubayr, he chose not to play with politics or play with it, because he had a clear commitment to poetry, especially what was from it in spinning. He did not only say poetry, but he was making melodies and dissolving them for others to sing, and at the same time he was composing and arranging the sung poetry, as far as we know that the

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5

AL-KHATIB, Qusay Fadel. "PURITY OF THE SPIRITUAL EXPERIENCE IN THE POEM URWA BIN UTHAINA." RIMAK International Journal of Humanities and Social Sciences 04, no. 04 (2022): 363–72. http://dx.doi.org/10.47832/2717-8293.18.23.

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The pure spiritual experience affected by the spirit of Islam and its purity appeared in the poet Qurashi hermit, modernist, jurist, and preacher, and he was Urwa bin Uthaina. Madinah, he was in good contact with the Umayyads and the supporters of Abdullah bin Al-Zubayr, he chose not to play with politics or play with it, because he had a clear commitment to poetry, especially what was from it in spinning. He did not only say poetry, but he was making melodies and dissolving them for others to sing, and at the same time he was composing and arranging the sung poetry, as far as we know that the

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6

AVDYLI, Merxhan Nazmi. "Erotical Signs in The Poetry of Ismail Kadare." PRIZREN SOCIAL SCIENCE JOURNAL 3, no. 2 (2019): 27. http://dx.doi.org/10.32936/pssj.v3i2.90.

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The motive of love, not only Kadare's poetry, but generally throughout the contemporary Albanian and world poetry, is one of the fundamental, general and extremely universal motifs. Such a motive has also prompted the poet Kadare to write poems that propose the aesthetics of one of the most general motives of man - the motive of love. The first and the first love in the verses of Kadare is described and emerges as a part of human life and as such comes out of special dimensions. Kadare, being a good builder of a full and complete poetry, would say, even if his poetry, if we can say erotic, we

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7

Bond, William. "Love the Live Oak." Nineteenth-Century Literature 76, no. 4 (2022): 427–54. http://dx.doi.org/10.1525/ncl.2022.76.4.427.

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William Bond, “Love the Live Oak: Sidney Lanier’s Ecopoetics and the Critique of Mediation” (pp. 427–454) Sidney Lanier’s poetry has long been read as an exercise in the poetics of pure sound (and as either an escape from or an affront to a poetics of subjective lyric expression). As this essay shows, in an early phase of Lanier’s poetic career, his poetics of pure sound is tied to a late-Romantic form of nature poetry, which anticipates the new materialist ecotheory of the twenty-first century: specifically, in the 1872 essay “Nature-Metaphors,” Lanier lays out a model of nature poetry founde

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8

Acim, Rachid. "THE UNTRANSLATABILITY OF SHAKESPEARE’S POETRY ON LOVE." Vertimo studijos 10, no. 10 (2018): 45. http://dx.doi.org/10.15388/vertstud.2017.10.11276.

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Translating Shakespeare’s poetry has been one of the most arduous questions that has pained many translators, researchers and academics worldwide. As this poetry involves many rhetorical devices, alternating between the use of keen imagery and intertextuality, it not only lends itself to ambiguity but also to untranslatability; moreover, the use of figures of speech such as similes, synecdoche and metaphors accord this poetry a discursive power that does not recede despite the evolution of the English language and the death of the poet many centuries ago. And while this poetry addresses a whol

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9

Risden, E. L., and John Cherry. "Medieval Love Poetry." Sixteenth Century Journal 38, no. 3 (2007): 836. http://dx.doi.org/10.2307/20478544.

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10

Vali-Zadeh, Mahdieh. "The Aesthetic of Desire and the Feminine Path of Individuation." Anthropology of the Middle East 16, no. 2 (2021): 110–27. http://dx.doi.org/10.3167/ame.2021.160206.

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Abstract Much has been said about the influential role of Forough Farrokhzad (1934–1967) in developing a feminine language in modern Iranian love poetry. Despite this, scholars have not systematically or theoretically examined what I call ‘the poetics of individuation’ in Forough's lyrics. The present article analyses Forough's poetic and individual paths of development as two inevitably parallel and intertwined routes. The article theorises that by removing a pre-imposed patriarchal sense of sin with regard to feminine love, Forough deconstructed the masculine narrative of good poetry in five

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