Relevant bibliographies by topics / Love poetry, English

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Love poetry, English'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Love poetry, English"

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Hancock, Tim. "‘THESE ROMANTIC IRRITATIONS’: T. S. ELIOT AND LOVE POETRY." English 64, no. 247 (2015): 339–59. http://dx.doi.org/10.1093/english/efv028.

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Sharma, Dr Lok Raj. "Exploring Birds as Glorified in the Romantic Poetry." Global Academic Journal of Linguistics and Literature 4, no. 2 (2022): 24–27. http://dx.doi.org/10.36348/gajll.2022.v04i02.001.

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English Romantic poetry contributes profound love and genuine reverence of the poets to nature. Birds constitute a part of nature, and love for nature is one of the perpetual features and themes of the Romantic poetry. This article, which aims at exploring birds how English Romantic poets glorify them in their poetry, comprises five poems of four celebrated English Romantic poets, namely Wordsworth, Coleridge, Shelley and Keats. This article concludes that the Romantic poets glorify birds as a blithe spirit, a light-winged fairy, an ethereal minstrel, a blithe new-comer, a wandering voice, a d
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Acim, Rachid. "THE UNTRANSLATABILITY OF SHAKESPEARE’S POETRY ON LOVE." Vertimo studijos 10, no. 10 (2018): 45. http://dx.doi.org/10.15388/vertstud.2017.10.11276.

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Translating Shakespeare’s poetry has been one of the most arduous questions that has pained many translators, researchers and academics worldwide. As this poetry involves many rhetorical devices, alternating between the use of keen imagery and intertextuality, it not only lends itself to ambiguity but also to untranslatability; moreover, the use of figures of speech such as similes, synecdoche and metaphors accord this poetry a discursive power that does not recede despite the evolution of the English language and the death of the poet many centuries ago. And while this poetry addresses a whol
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Rowland, A. "Love and Masculinity in the Poetry of Carol Ann Duffy." English 50, no. 198 (2001): 199–218. http://dx.doi.org/10.1093/english/50.198.199.

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Thu, Ho Trinh Quynh, and Phan Van Hoa. "A Cultural Study on Linguistic Metaphors of Love in Poetry." Communication, Society and Media 2, no. 3 (2019): p106. http://dx.doi.org/10.22158/csm.v2n3p106.

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Language is one of the cultural factors. Love, an abstract concept is mainly interpreted by metaphors which are considered as part of culture. It is consequently inevitable that the linguistic metaphors of love are under the influence of culture. In this research, we centre on investigating cultural factors in linguistic metaphors of romantic love in Vietnamese modern poetry, and then compare them to those in English. It is shown in our findings that linguistic metaphors of romantic love are considerably influenced by lifestyles, habits and customs and geographical conditions. Therefore, there
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Nurhamidah, Idha. "Teen’s Anxiety Through Poetry: Love or Dream?" Dinamika Bahasa dan Budaya 13, no. 2 (2018): 43–51. http://dx.doi.org/10.35315/bb.v13i2.6456.

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Teens are identical with instability and anxiety for which they need to express as their individual self-actualization. So far there have been no such efforts to accommodate their needs through literary works. The current study explores the dictions employed in English poems written by the students (identified as teens) of English Letters Study Program to find about how far a poem can be as a means for teens to express their feelings. The subjects were assigned to write poems of their interests. The 32 poems were then analyzed and interpreted to find out how most students expressed their anxie
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Fan, Weina. "Love, Death and Memories: On Dennis Haskell’s Rhonda Poems." Asiatic: IIUM Journal of English Language and Literature 13, no. 2 (2020): 70–88. http://dx.doi.org/10.31436/asiatic.v13i2.1690.

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Dennis Haskell’s Rhonda poems are undoubtedly the most brilliant and important part of his poetry in the sense that he wrote passionately about love, death and memories in relation to Rhonda in them. As Haskell’s wife and lifelong love, Rhonda not only played a central part in his life and writing, but shaped and deepened his perception of humanity and human relationships. Despite the great impact of Modernism on modern and contemporary English poetry, Haskell’s poetry is strikingly personal, accessible and lyrical. In his work, Haskell seeks to present the approximately genuine pictures
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Ketaren, Serefina Veronika, and Emma Martina Br. Pakpahan. "METAPHORICAL EXPRESSION USED IN POETRY IN ENGLISH TEXTBOOK ENTITLED "PATHWAY TO ENGLISH"." PROJECT (Professional Journal of English Education) 4, no. 3 (2021): 469. http://dx.doi.org/10.22460/project.v4i3.p469-479.

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The aims of this research are to find out the types and meaning of metaphor in poetry in English textbook entitled “Pathway to English”. The main data of this research are 9 poetry in the English textbook entitled “The Seasons”, “The Little Rose Tree”, “Alpine Glow”, “From Alcuin”, “A Man Young and Old: Human Dignity”, “Love and Friendship”, “Mountain”, “My Star”, and “I Wandered Lonely as a Cloud”. In this research the researcher applied descriptive qualitative method to analyze the data. The researcher used theory of Parera to classify the types of metaphor and also used the metaphor identif
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Talavira, N. M. "Verbalization of love in modern English poetry: constructional approach." Literature and Culture of Polissya 95, no. 12f (2019): 142–49. http://dx.doi.org/10.31654/2520-6966-2019-12f-95-142-149.

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Orsini, Francesca. "From Eastern Love to Eastern Song: Re-translating Asian Poetry." Comparative Critical Studies 17, no. 2 (2020): 183–203. http://dx.doi.org/10.3366/ccs.2020.0358.

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This essay explores the loop of translations and re-translations of ‘Eastern poetry’ from Asia into Europe and back into (South) Asia at the hands of ‘Oriental translators’, translators of poetry who typically used existing translations as their original texts for their ambitious and voluminous enterprises. If ‘Eastern’ stood in all cases for a kind of exotic (in the etymological sense of ‘from the outside’) poetic exploration, for Adolphe Thalasso in French and E. Powys Mathers in English, Eastern love poetry could shade into prurient ethno-eroticism. For the Urdu poet and translator Miraji,
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Dissertations / Theses on the topic "Love poetry, English"

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Zapoluch, Katie. "Love and Failure in the Flyover States." OpenSIUC, 2011. https://opensiuc.lib.siu.edu/theses/580.

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Clarke, Joseph Kelly. "The Praeceptor Amoris in English Renaissance Lyric Poetry: One Aspect of the Poet's Voice." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc331007/.

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This study focuses on the praeceptor amoris, or teacher of love, as that persona appears in English poetry between 1500 and 1660. Some attention is given to the background, especially Ovid and his Art of Love. A study of the medieval praeceptor indicates that ideas of love took three main courses: a bawdy strain most evident in Goliardic verse and later in the libertine poetry of Donne and the Cavaliers; a short-lived strain of mutual affection important in England principally with Spenser; and the love known as courtly love, which is traced to England through Dante and Petrarch and which is
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Cook, Méira. "Speaking in tongues, contemporary Canadian love poetry by women." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0025/NQ31971.pdf.

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McCarthy, Penny. "Muses, mistresses and patrons : the direction and indirection of English renaissance love poetry." Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361359.

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Kohlhepp, Adam John. ""Tis nature's law to change" : the Earl of Rochester in the hands of his readers /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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Murray, Ellen J. "“How Silence Best Can Speak”: The Distrust of Speech in George Meredith's Modern Love." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/94.

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The scarcity of speech in George Meredith’s Modern Love creates a deeply psychological narrative, reflecting a distrust of speech and the effectiveness of language in general. The narrator of the poem exists in a space of ambiguity, both blaming and yearning for speech; in his confusion, he remains largely silent. His silence does not only emphasize the distance between husband and wife but also between language and meaning. Furthermore, the narrator’s distrust of language ultimately exposes a breakdown in his certainty of self and truth.
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Vergara, Cynthia P. "Gypsie." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/83.

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Many of these poems deal with childhood, love, art, and the search for meaning. Most of the poems have a female voice that is hopeful and acceptant. The format of the thesis goes from adulthood to childhood and works as a return to the familial.
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Grodd, Elizabeth Stafford. "The Love Poems of John Clare and John Keats: A Comparative Study." PDXScholar, 1995. https://pdxscholar.library.pdx.edu/open_access_etds/4907.

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This study addresses lesser known works of romantic poets John Clare and John Keats--Clare's Child Harold and Keats's poems to Fanny Brawne--which I refer to as their love poems because the works are informed by intense feelings the poets had for women they loved. Although these works have been the brunt of negative criticism because Clare was considered insane at the time of the composition of Child Harold and Keats was accused of using the poems to give vent to his personal sufferings, nonetheless I argue that the love poems are significant for several reasons. They are a reflection of the p
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Connolly, Margaret. "An edition of 'Contemplations of the dread and love of God'." Thesis, University of St Andrews, 1991. http://hdl.handle.net/10023/2786.

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This thesis presents an edition of Contemplations of the Dread and Love of God, a late Middle English devotional prose text for which no critical edition is currently available. I have transcribed and collated the text from all sixteen extant manuscripts and the 1506 printed edition. An investigation of the errors and variants according to the classical method of textual criticism has yielded little in the way of conclusive results, and it has therefore not proved possible to construct a stemma of manuscripts from the corpus of evidence as it now exists. My edition therefore uses one manuscrip
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Guenther, Ben. "oPPOSITE dAY." Ohio University Art and Sciences Honors Theses / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ouashonors1265385993.

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Books on the topic "Love poetry, English"

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Company, Perfection Form, ed. Classic love poetry. Perfection Form Co., 1991.

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Emile, Capouya, ed. Classic English love poems. Hippocrene Books, 1998.

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K, Sareen S., and Kapoor Kapil, eds. South Asian love poetry. Affiliated East-West Press, 1994.

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Greenhalgh, Margaret A. Love and inspiration: Sentimental poetry. Rosebud Publications, 2003.

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Browning, Elizabeth Barrett. Love sonnets. Barnes & Noble Books, 1993.

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Griffiths, Steve. Late love poems. Cinnamon Press, 2015.

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Gillian, Beer, ed. Modern love. Syrens, 1995.

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George, Meredith. Modern love. Penguin, 1995.

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George, Meredith. Modern love. Daisy, 1988.

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Mahmood, Karimi-Hakak, ed. Love emergencies: Poems in English and Persian. Cross-Cultural Communications, 2010.

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Book chapters on the topic "Love poetry, English"

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Henderson, Diana E. "Love Poetry." In A Companion to English Renaissance Literature and Culture. Blackwell Publishers Ltd, 2007. http://dx.doi.org/10.1002/9780470998731.ch34.

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Henderson, Diana E. "Love Poetry." In A New Companion to English Renaissance Literature and Culture. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444319019.ch58.

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Evans, Malcolm. "‘In Love with Curious Words’: Signification and Sexuality in English Petrarchism." In Jacobean Poetry and Prose. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19590-9_8.

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Sareen, Shruti. "Food, Love and the Self in Indian Women’s Poetry in English." In Food Culture Studies in India. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-5254-0_6.

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Estes, Sharon. "‘The American Tennyson’ and ‘The English Longfellow’: Inverted Audiences and Popular Poetry." In Transatlantic Literature and Author Love in the Nineteenth Century. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-32820-1_4.

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Cefalu, Paul. "States of Exception and Pauline Love in John Donne’s Sermons and Poetry." In English Renaissance Literature and Contemporary Theory:. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230607491_2.

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Cefalu, Paul. "Infinite Love and the Limits of Neo-Scholasticism in the Poetry and Prose of Thomas Traherne." In English Renaissance Literature and Contemporary Theory:. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230607491_5.

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Critten, Rory G. "Love Visions and Love Poetry." In The Oxford History of Poetry in English. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198839682.003.0017.

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Abstract This chapter surveys developments in fifteenth-century love poetry. It shows how poetry in this form invites contemplation of women’s experiences of love, evinces frustration with traditional expressions of male desire, and seeks to develop new modes of writing that are capable of encompassing women’s wants, including the possibility of women’s same-sex desire. It assesses the influence of Gower’s Confessio amantis on the development of these attitudes, and examines Lydgate’s Complaint of a Black Knight and Temple of Glass; the Kingis Quair; Richard Roos’s translation of Alain Chartier’s Belle dame sans merci; the Isle of Ladies; the Flower and the Leaf; and the Assembly of Ladies. The final part of the chapter considers the variety of shorter love lyrics and the invention of the amorous verse sequence in Charles d’Orléans’s English Book of Love and the Fairfax Sequence. Throughout the innovative aspects, fifteenth-century love poetry are stressed.
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Hyman, Wendy Beth. "Poetry and Matter in the English Renaissance." In Impossible Desire and the Limits of Knowledge in Renaissance Poetry. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198837510.003.0001.

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Chapter 1, “Poetry and Matter in the English Renaissance” traces the crucial relationship between poetics and philosophical materialism in the early modern period, explaining why erotic verse so readily lent itself to confronting questions about the nature of being and of knowledge. This chapter shows that for Renaissance poets—informed by Lucretius’ great analogy between atoms and alphabetic letters—there is poetic form in elemental matter. The writing of poetry was therefore often understood as a physical practice, while poetry itself was understood as ontologically complex and efficacious. As terms such as “figuration” reveal, poetic making has both metaphorical and literal elements, which come especially to the fore in the ubiquitous blazons depicting the face of the beloved. Within the syntax of materialist poetics, foretelling the decay of the love object is therefore tantamount to a kind of deconstruction or unmaking—making poetry actually “do” the work of time. Multiple traditions, from Aristotelian hylomorphism to idealizing Petrarchism, had prepared the way for the female body to function as a proxy for embodied matter which poets could “figure,” “make,” or “undo.” This chapter presents the object of erotic poetry becoming just that: a fictional construct subjected to the recombinatory shaping of the godlike poet. As later chapters will develop, the paradoxical loneliness of the carpe diem invitation emerges from this troubling strategy, for it is an invitational form addressed to an entity it has forever exiled as metaphysically other. This chapter thus provides both a theoretical framework and historical background for the project’s larger claims.
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Miller, Nina. "“Our Younger Negro (Women) Artists’’ Gwendolyn Bennett and Helene Johnson." In Making Love Modern. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195116045.003.0009.

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Abstract In introducing her valuable 1989 anthology, Shadowed Dreams: Women’s Poetry of the Harlem Renaissance, Maureen Honey explores the reasons for Romantic poetry’s evident aptness to the literary expression of African American women in the 1920s. After noting the largely forgotten fact that nearly as many poems by women as by men appeared in Crisis and Opportunity in the renaissance years-and to good critical response-Honey asserts that women’s embrace of an apparently white-identified aesthetics, and of such apolitical subjects as love and nature, was, in fact, a conscious refutation of black inferiority. Taking inspiration from the English Roman­ tics, renaissance women saw nature as a source of value in an acquisitive and industrialized white world, and the passion of love as elevating-in particular, as defying the slave-holding society’s assault on black emotional bonds. Drawing simultaneously on their peculiarly modernist faith in the power of art, women poets (like their male counterparts) believed that art would bridge the divided races and force a recognition of black worth.’ Gloria T. Hull’s Color, Sex, and Poetry-the 1987 study that launched the current wave of interest in renaissance women writers-takes a more materialist approach to this question of genre. Hull points out that “lyric poetry has long been considered the proper genre for women,” and, accordingly, the women of the renaissance “both kept themselves and were kept in their lyric sphere.”2
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Conference papers on the topic "Love poetry, English"

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Dimitrakopoulou, Georgia. "WILLIAM BLAKE�S AESTHETICS IN THE MYTH OF THE ANCIENT BRITONS." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.16.

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William Blake�s aesthetic vision of the secular world is based on divine inspiration. In the myth of The Ancient Britons, he discusses the three aesthetic categories of the sublime, the beautiful and the ugly. These establish his theory of art, which is based on Jesus the Imagination. The sublime, the beautiful and the ugly are forms indicative of gradations of divine influx in every individual. In this sense, the myth explicitly describes and distinguishes the three aesthetic categories that shape the secular and eternal human existence. It also concerns art and the role of the artist. Art is
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