Relevant bibliographies by topics / Love poetry, European

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Love poetry, European'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Love poetry, European"

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Rebronja, Semir. "Uzrit motifs of love and love longing in Bosniak and Serbian romanticists." Zbornik radova Islamskog pedagoškog fakulteta u Zenici (Online), no. 21 (December 15, 2023): 399–421. http://dx.doi.org/10.51728/issn.2637-1480.2023.399.

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Created in the 7th century, Uzrit love poetry or desert love poetry is inspired by love. It is named after the tribe to which poet Džemil (Ğamīl), one of the most famous love poets, belonged. In these poems, a lover spends his whole life in longing and absence, yearning for his beloved one. At the end of the 19th and the beginning of the 20th century, European romanticists sang and composed songs following, among others, Uzrit poets. Thus, Heinrich Heine sang the song Der Azra, writing down the Arab tradition of the Banu ʻUzra (Banū ʻUḏra) tribe that "for love lose their heads and die when the
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Gray, Erik. "Come Be My Love: The Song of Songs, Paradise Lost, and the Tradition of the Invitation Poem." PMLA/Publications of the Modern Language Association of America 128, no. 2 (2013): 370–85. http://dx.doi.org/10.1632/pmla.2013.128.2.370.

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The invitation poem, in which the beloved is urged to come away to an idealized place, is among the most enduring genres of European love poetry. The tradition begins with the biblical Song of Songs, which sets several important precedents: a dialogic framework, a close association of lover and landscape, and a sense of love as exile. Medieval and Renaissance invitation poems follow the Song of Songs but shift its emphases toward monologue, materialism, and importunity. Milton thus inherits a dual tradition of invitational poetry, both aspects of which figure prominently in Paradise Lost. Reco
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Цебрій, Ірина Василівна, та Володимир Васильович Опенько. "КОНЦЕПЦІЯ КУРТУАЗНОСТІ ЯК СУСПІЛЬНО-КУЛЬТУРНОГО ЯВИЩА КЛАСИЧНОГО СЕРЕДНЬОВІЧЧЯ". Філософські обрії, № 35 (12 липня 2016): 89–96. https://doi.org/10.5281/zenodo.57513.

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The analysis of the concept courtesy as a social and religious phenomenon of classical Middle Ages. Through the analysis of primary sources and philosophical and cultural literature, we are able to recreate the changing model of medieval society and relationships and etiquette in the middle of aristocratic status of the population, which replaced the early medieval model. Proved that Medieval culture defined mental development of Europe until the early twentieth century. Courtly love (fr. Amour courtois) – medieval conception of love, according to which the relationship lover man and his
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Yakovlev, M. V. "Genesis and Transformation of Madonna’s Image in the Poetry of A. S. Pushkin." Russian Studies in Philology, no. 3 (2) (June 5, 2024): 96–105. https://doi.org/10.18384/2949-5008-2024-3-2-96-105.

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Aim. To reconstruct the dynamics of Pushkin’s perception and artistic reproduction of the image of the Blessed Virgin Mary.Methodology. The aesthetic function of the religious symbol and its role in the formation of the axiological system of Pushkin's late lyrics are established. The transformation of the medieval genre of visions as a source of poetic inspiration is considered. The sophological perspective of love poetry is revealed, which later formed the artistic mythology of Eternal Femininity. With the help of generative and hermeneutic analysis of Pushkin’s poems “Madonna” (1830), “There
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Volkova, Anna G. "THE RECEPTION OF FRANCISCAN MYSTICS IN EUROPEAN POETRY OF THE 17TH CENTURY." Vestnik of Kostroma State University, no. 3 (2020): 117–21. http://dx.doi.org/10.34216/1998-0817-2020-26-3-117-121.

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European poetry of the 17th century has its own complicated metaphoric language the interpretation of which depends on understanding of different contexts. It is especially true about religious poetry that does not only use metaphors, motifs and stories from the Bible but also perceive the biblical text through some confessions and often through some directions within a confession. Such cultural and historical code is important and necessary for reception and interpretation of poetical text. Franciscans as a special direction in Roman Catholic spirituality influenced very much on European lite
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Janowska, Karolina. "Amor udrí – la poesía cortesana árabe en la Península Ibérica." Forum Filologiczne Ateneum, no. 1(7)2019 (December 31, 2019): 323–42. http://dx.doi.org/10.36575/2353-2912/1(7)2019.323.

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The poetry of Arab-Andalusian poets is a bridge between Eastern and Western culture. Its roots date back to the sixth century, when the first Bedouin songs resounded in the limitless areas of the Arabian desert. His echoes resounded in the poetry of Provençal troubadours. Traces of this poetry can be found in the works of Renaissance poets, including Petrarc. Elements of Andalusian poetry were also visible in the poetry of the Spanish court since the 16th century. The characteristic poetic forms still appeared in 20th century poetry – at least one of the most outstanding Spanish poets, Federic
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Gotovtseva, Anastasia Gennad’evna Gotovtseva. "TRANSFORMATIONS OF THE SECOND ODE OF SAPPHO IN THE RUSSIAN POETRY: A TYPOLOGICAL ANALYSIS." Russkaya Literatura 2 (2024): 119–36. https://doi.org/10.31860/0131-6095-2024-2-119-136.

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Sappho’s Second ode was introduced to the europeans in the middle of the 16th century through the efforts of the French hellenist and typographer henri etienne, who had included it into his collection of the Classical texts. Since then, the ode was frmly established among the primary texts of the european culture. The prevailing translation tradition, however, had the Sapphic love triangle transformed both into the traditional ars amatoria and the other forms of romantic relationships. The article offers a typology of the russian translations of the Second ode, and analyzes their literary cont
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Kukushkina, Elena Dmitrievna. "A. P. SUMAROKOV’S DISTICHS AS AN ELEMENT OF SECULAR LEISURE IN THE 18th CENTURY." Russkaya literatura 1 (2022): 49–59. http://dx.doi.org/10.31860/0131-6095-2022-1-49-59.

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Sumarokov’s distichs — biletsy — were humorous additions to the New and Amusing Lottery Game (1764). They and the Tickets by I. S. Barkov that parodied them seem to be the only genre of Russian Classicism that did not have a Western European prototype. For his private leisure, rather than for the public use, Sumarokov had compiled Fortune-Telling Book of Love (1774) from the verses of his own tragedies. In the middle of the 19th century, the book encouraged n. A. Markevich to write a parody on the love poetry of the 18th century.
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Muhammad Khaled Alatrash. "Echoes of Al-Andalus: Unveiling the Arab Influence on Medieval European Troubadour Poetry." International Journal of Linguistics, Literature and Translation 8, no. 4 (2025): 131–37. https://doi.org/10.32996/ijllt.2025.8.4.16.

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This study meticulously examines the influence of Arab literary traditions on the troubadour poetry of medieval Europe, particularly within the regions of Occitania and Southern France. Employing a Comparative Cultural Analysis, the research highlights the thematic and stylistic intersections between these two distinct yet interconnected literary traditions. Central to the findings is the profound impact of Arab poetry's thematic depth, stylistic innovations, and conceptual contributions on the evolution of troubadour poetry. The analysis, enriched by the scholarly insights of Maria Rosa Menoc
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Dudareva, M. A., and O. Yu Rozhdestvenskaya. "THE LANGUAGE OF VADIM RABINOVICH'S POETRY: THE PHENOMENON OF WORLDWIDE RESPONSIVENESS." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 26, no. 97 (2024): 37–43. http://dx.doi.org/10.37313/2413-9645-2024-26-97-37-43.

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The object of the study is the phenomenon of global responsiveness, manifested in Russian artistic culture. The subject of the scientific work is the figurative realizations of this phenomenon in modern poetry. The material for the article is the poetry of cultural scientist, philosopher and poet Vadim Lvovich Rabinovich, namely his poetry selection from the literary and socio-political magazine "Friendship of Peoples". The hermeneutic analysis focuses on the figurative realizations of the phenomenon of global responsiveness in the poet's poetry selection, which manifests Eastern European and
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Dissertations / Theses on the topic "Love poetry, European"

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Hackett, Robert Lincoln <1982&gt. "The Bible in Medieval Love Lyrics: A Fundamental Element of European Poetry Books." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amsdottorato.unibo.it/6556/1/Hackett_Robert_Tesi.pdf.

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The focus of this study is the relationship among three different manuscripts (Modena, Bibl. Estense, MS α.R.4.4; Firenze, Bibl. Laurenziana MS Rediano 9; and London, BL, MS Harley, 2253) and the poetry they transmit. The aim of this research is to show the ways that the Bible was used in the transmission of the lyric poetry in the three literatures that they represent: Occitan (primarily through Marcabru’s songs), Italian (through the love poetry of Guittone d’Arezzo), and Middle English (through the Harley love lyrics and the MS.’s primary scribe), in a medieval European context.
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Hackett, Robert Lincoln <1982&gt. "The Bible in Medieval Love Lyrics: A Fundamental Element of European Poetry Books." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amsdottorato.unibo.it/6556/.

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The focus of this study is the relationship among three different manuscripts (Modena, Bibl. Estense, MS α.R.4.4; Firenze, Bibl. Laurenziana MS Rediano 9; and London, BL, MS Harley, 2253) and the poetry they transmit. The aim of this research is to show the ways that the Bible was used in the transmission of the lyric poetry in the three literatures that they represent: Occitan (primarily through Marcabru’s songs), Italian (through the love poetry of Guittone d’Arezzo), and Middle English (through the Harley love lyrics and the MS.’s primary scribe), in a medieval European context.
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Lipson, Daniel B. "Tradition. Passio. Poesis. Retreat: Comments around “The Gallery”." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/cmc_theses/690.

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Although Andrew Marvell wrote and published relatively little, his poetry collects from the full range of “schools” and idiosyncratic styles present in the seventeenth century: echoes of Herbert, Donne, Milton, Traherne, Herrick, Lovelace, and Jonson, among others, permeate throughout his work. Although much of his imagery seems novel, if not strange, it is clear that Marvell has a deep engagement with several important long-running traditions. His work is conversation with Ovid, Horace, and Theocritus as much as it responds directly to the poets whose lives overlapped with his own. In hi
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Books on the topic "Love poetry, European"

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Phulla, Suśīlakumāra. Viśva-premākhyāna paramparā, udbhava evaṃ vikāsa. Bhāvanā Prakāśana, 1998.

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Fulton, Helen. Dafydd ap Gwilym and the European context. University of Wales Press, 1989.

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Fischer, Carolin. Der poetische Pakt: Rolle und Funktion des poetischen Ich in der Liebeslyrik bei Ovid, Petrarca, Ronsard, Shakespeare und Baudelaire. Universitätsverlag Winter, 2007.

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Braden, Gordon. Petrarchan love and the Continental Renaissance. Yale University Press, 1999.

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Tokarev, Leonid. Li︠u︡bovʹ, chto dvizhet solnt︠s︡e: Sonety o li︠u︡bvi ėpokhi Vozrozhdenii︠a︡. ĖKSMO-Press, 1999.

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Greene, Roland Arthur. Unrequited conquests: Love and empire in the colonial Americas. University of Chicago Press, 1999.

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Kālidāsa. Meghadūtam =: Meghadutam of Kalidasa : with verse translations in twelve European languages. Edited by Bhārgava Dayānanda and Sancheti Asoo Lal 1924-. Sarvabhasakalidasiyam, 1998.

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Antipolis, Université de Nice-Sophia, and Università di Napoli, eds. La flèche dans le coeur dans la poésie amoureuse et spirituelle du Moyen Âge au XVIIe siècle: La freccia nel cuore nella poesia amorosa e spirituale dal Medioevo al Seicento. L'Harmattan, 2016.

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Rilke, Rainer Maria. Rilke's Book of hours: Love poems to God. Riverhead Books, 2005.

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Rilke, Rainer Maria. Rilke's book of hours: Love poems to God. Riverhead Books, 1996.

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Book chapters on the topic "Love poetry, European"

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Boochani, Behrouz, and Janet Galbraith. "Poetry as Love and Resistance: A Presentation by Behrouz Boochani and Janet Galbraith." In The Palgrave Handbook of European Migration in Literature and Culture. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-30784-3_28.

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Miller, Marilyn G. "Chapter 16. Fear and love in Matanzas." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxvi.16mil.

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Many of the most gripping scenes in the first-person account of life under slavery by the 19th-century Cuban poet Juan Francisco Manzano reference pleasures and punishments involving the exercise of the emotions. His works in both narrative and verse strikingly foreground emotional duress as a central and lasting product of the psychosocial and physical abuse that characterized enslavement. Denied the free expression of his own senses and emotions, his autobiographical protagonist is at the same time subject to the degraded sensory indulgences of overseers and others who force him to participa
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Hudson, Robert. "Songs of Love and Hate: the Role of the Intelligentsia, Music and Poetry in Forging Serbian Ethnic National Identity." In Why Europe? Problems of Culture and Identity. Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780333983065_13.

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"Arab Influences on European Love-Poetry." In The Legacy of Muslim Spain. BRILL, 1992. http://dx.doi.org/10.1163/9789004502598_025.

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Taylor, John. "Love According to Luca." In A Little Tour through European Poetry. Routledge, 2017. http://dx.doi.org/10.4324/9781315083391-22.

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Reynaert, J. "Hadewijch: mystic poetry and courtly love." In Medieval Dutch Literature in its European Context. Cambridge University Press, 1994. http://dx.doi.org/10.1017/cbo9780511553967.015.

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Taylor, John. "The Dark of Love: Patrizia Cavalli." In A Little Tour through European Poetry. Routledge, 2017. http://dx.doi.org/10.4324/9781315083391-11.

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Nazarian, Cynthia N. "Vulnerability and the Countersovereign Voice." In Love's Wounds. Cornell University Press, 2016. http://dx.doi.org/10.7591/cornell/9781501705229.003.0001.

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This book examines the imagery of violence in early modern European poetry. Petrarch's lyric collection, Canzoniere, has shaped the ways in which others wrote and thought about desire for three centuries and more. Among Petrarch's later imitators, love seemed to take on a curious destructiveness: early modern European poets described their feelings as torture, massacre, or wounding and their ladies as bloodthirsty tyrants or jailers. This book asks why their love poetry was more brutal than Petrarch's own work. It explores Petrarchism's emphasis on voice produced under conditions of duress as
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Maystrenko, Lyudmila. "THE ORIGINALITY OF THE MYTHOLOGY OF EROS PLATO IN THE POETRY OF VERGILIUS." In Modernization of research area: national prospects and European practices. Publishing House “Baltija Publishing”, 2022. http://dx.doi.org/10.30525/978-9934-26-221-0-26.

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Eros is one of the main themes of world literature. The theory of love, dialectically expounded by Plato in The Banquet, had a great influence on all European cultures, especially on morality, fiction, and fine arts. The experience of world literature confirms Plato’s theory, including the poetry of Virgil, his works «Bucolic», «Georgica» and «Aeneid». The purpose of the paper is to identify the characteristic features of the mythology of Eros in the works of Virgil, to clarify the nature of the eternal relevance of Plato’s philosophical discovery of earthly love and heavenly love, his vitalit
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Hawley, John Stratton. "Introduction." In The Memory of Love. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195373981.003.0001.

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Abstract Ask someone who lives in the West to name an Indian classic, and the answer is almost foreordained: the Bhagavad Gītā. This poetic work, depicting a didactic encounter between an exemplary human being and the god Krishna, has been translated into European languages hundreds of times. Yet surprisingly few inhabitants of the populous states of north India can recite more than a phrase or two of the Sanskrit original. The Krishna they know as the subject of classic poetry is apt to come from quite another source: Hindi poet-singers of the early modern period, and the greatest of these is
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Conference papers on the topic "Love poetry, European"

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Gherman, Oxana. "Ion Vatamanu: the Poetry of Vegetal Pulsations." In Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.21.

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The article proposes a hermeneutic approach to the vegetal motifs and symbols in Ion Vatamanu’s poetry. The author explores the ideational space of the great themes of the poetry of his times (love, homeland, maternal spirit, death, eternity etc.) and transposes into concrete visual or acoustic, olfactory or tactile images, man’s reactions to the greatness of divine creation, the revelation of the macrouniverse pulsating movements reflected in the microuniverse. The system of meanings of the symbolic elements of flora and the phenomenon of cyclical regeneration of living matter configure a new
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Gherman, Oxana. "Sacred and profane perspectives on eros in contemporary Bessarabian poetry." In Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/filomod.2023.17.15.

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The article studies the artistic representations of eros in contemporary Bessarabian poetry (Emilian Galaicu-Păun, Dumitru Crudu, Leo Bordeianu, Irina Nechit, Moni Stănilă, Silvia Goteanschii, Virgil Botnaru, Dan Negară, Hose Pablo, Artur Cojocaru). The author finds that the vision of love is determined either by sacred thinking, through which the erotic experience carries various spiritual meanings, restoring the primordial unity, awareness and harmonizing oppositions etc., or by profane thinking. Attributed exclusively to the physical and oriented towards sensuality, carnal voluptuousness, e
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Мир-Багирзаде, Ф. А. "Oriental symbolism of the ballet "Seven beauties" based on the poem by Nizami Ganjavi." In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.91.54.086.

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автор исследует творческие интерпретации произведения поэта-гуманиста Низами Гянджеви (XII в.) из цикла «Хамсе» «Семь красавиц». Поэт, был подлинным эрудитом, знатоком не только коранических текстов, истории, античной и мусульманской философии, но и астрономии. Данная статья – попытка проследить ориентальную символику образов Гянджеви в одной из творческих интерпретаций поэмы «Семь красавиц», через призму хореографического и сценографического искусства. Метод исследования – семиотический анализ, объект исследования – балет «Семь красавиц», объединивший достижения современной европейской хореог
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