Relevant bibliographies by topics / Love poetry, German

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Love poetry, German'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Love poetry, German"

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Mahlmann-Bauer, Barbara. "Sigmund von Birken, der Literaturbetrieb, Netzwerke und Werkpolitik." Scientia Poetica 24, no. 1 (2020): 1–56. http://dx.doi.org/10.1515/scipo-2020-001.

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AbstractSigmund von Birken belongs to the »Trio of poets from Nürnberg«, together with Georg Philipp Harsdörffer and Johann Klaj whose posthumous fame is mainly due to their pastoral poetry with fullsounding verses in praise of peace and love. Birken started his career with an enormous upshot as organizer of multi-media spectacles during the peace ceremony in Nürnberg in 1650. Apart from his hymns and pastoral love poems, Birken’s poetry does not belong to the canon of early modern literature in Germany. If he had lived longer, he would probably have edited later all those poems which he had w
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Samide, Irena. "Von der Nützlichkeit des Unnützen: Über den Sinn der Poesie im fremdsprachlichen Unterricht." Journal for Foreign Languages 16, no. 1 (2024): 277–90. https://doi.org/10.4312/vestnik.16.277-290.

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The article discusses the role of literature in foreign language teaching, with a specific focus on the genre of poetry. It unequivocally answers the central question of whether incorporating literary texts into foreign language classrooms is meaningful and beneficial. The article challenges the widespread notion that students must have an advanced level of language proficiency to engage with literary texts. Through three very different examples of authentic poetry, it demonstrates how literary texts can be seamlessly integrated into foreign language teaching and which competencies can be deve
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Teixeira, J. Carlos. "Tandaradei and the lovers’ bette: a translation experiment of Under der linde." Translation Matters 5, no. 2 (2023): 123–35. http://dx.doi.org/10.21747/21844585/tm5_2a8.

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This essay discusses an experimental translation class conducted as part of the 'Introduction to German Culture in the European Context' course at the University of Porto. The course focuses on medieval German lyric poetry, specifically the Minnesanggenre, exploring themes of love, honor, and power. In the 2023/2024 edition of the course, 17 students from diverse cultural backgrounds translated the initial stanza of Walther von der Vogelweide's poem Under der linden. The essay reflects on the challenges and decisions involved in translating the poem across different languages.
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Abbasova, Sevinj Zakir. "“ALI AND NINO”: BETWEEN POETRY AND REALITY." Scientific Journal of Polonia University 62, no. 1 (2024): 9–19. http://dx.doi.org/10.23856/6201.

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One of the most interesting and enigmatic works of art of the history of Azerbaijan culture in terms of a lot of problems is a novel of “Ali and Nino”. This work whose author is still unknown can be considered as the masterpiece of world literature both in artistic and aesthetic terms and also from the point of view of intellectual level. The point is that there are some examples of creativity in the world that they are covered with the secrets between the destiny and love of reader and author and become target of different opinions for a long time. Personality and tragedies of Shakespeare, co
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Noie, Saber. "Comparison of Emerson and Hafiz Based on Claudio Guillen's Comparative Literary Theory of Influence." Budapest International Research and Critics in Linguistics and Education (BirLE) Journal 2, no. 1 (2019): 12–23. http://dx.doi.org/10.33258/birle.v2i1.182.

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The poetry of Khajeh Mohammad Hafiz Shirazi has vastly influenced the poetry of Ralph Waldo Emerson, as many critics have noted but have not demonstrated. Emerson is an American poet whose work reflects the influences of Persian poets, among which that of Hafiz is remarkable. The influence of Hafiz on Emerson includes memorable images, themes and motifs. While one can argue that this influence was indirect, it is obvious from the closeness of certain similarities, from Emerson’s intimate knowledge of Hafiz’s poetry, and from his love for Persian poetry, that the influence was more direct than
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Shahar, Galili. "Goethe’s Song of Songs : Reorientation, World Literature." Prooftexts 40, no. 1 (2023): 110–39. http://dx.doi.org/10.2979/ptx.2023.a899251.

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Abstract: The engagement of the German poet Johann Wolfgang von Goethe (1749–1832) with biblical Hebrew poetry already during the early stages of his career in the 1770s and later during the Divan period (1814–27) was associated with his study of Oriental literatures. Under the influence of his mentor and friend, Johann Gottfried Herder, Goethe devoted himself to studying and translating Hebrew and Arabic sources (mostly from the Latin), among them the Song of Songs, alongside chapters from the Qurʿan. In his late work his reflections on the Hebrew biblical poem were associated with his interp
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Klinck, Anne L. "Lyric Voice and the Feminine in Some Ancient and Mediaeval Frauenlieder." Florilegium 13, no. 1 (1994): 13–36. http://dx.doi.org/10.3138/flor.13.002.

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In the study of mediaeval European literature, especially that of France and Germany, the terms chanson de femme and Frauenlied have come to be conventional designations for a distinct type of poem—more broadly defined than a genre: a female-voice love-lyric in a popular rather than a courtly mode. To use the language of Pierre Bec, femininity here is “textual” rather than “genetic.” Most of these “women’s songs” are attributed to male authors, although there has been a tendency to trace the type back to preliterate songs actually composed by women. Goethe, Jakob Grimm, and others saw in the e
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Петри, Э. К. "“The Joy of Love and the Sorrow of Love”: German Folk Songs from the Liederhort collection." АКТУАЛЬНЫЕ ПРОБЛЕМЫ ВЫСШЕГО МУЗЫКАЛЬНОГО ОБРАЗОВАНИЯ, no. 1(72) (April 1, 2024): 26–35. http://dx.doi.org/10.26086/nk.2024.72.1.005.

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Классическое собрание немецких народных песен Liederhort не слишком известно в российском музыкознании. Между тем оно явилось источником вдохновения для многих композиторов эпохи романтизма и более позднего времени. Коллекцию песен начинал собирать Людвиг Эрк, а завершил и систематизировал Франц Бёме. Изданный им трехтомный труд до сих пор считается незаменимым справочником для исследования немецких народных песен. Он назван «Deutscher Liederhort» («Библиотека немецких песен»), но часто обозначается сокращённо как «Erk-Böhme» или просто – Liederhort. Его значение можно сравнить с «Волшебным
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Hon, Jan K. "Minnesang trifft Pijjut und Midrasch." Beiträge zur Geschichte der deutschen Sprache und Literatur 145, no. 4 (2023): 580–641. http://dx.doi.org/10.1515/bgsl-2023-0037.

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Abstract The essay examines the fourteenth-century Yiddish poem ›Yosef Ha-Tsadik‹ about Joseph and Potipharʼs wife. The poem, presented here in a new critical edition, is primarily based on Hebrew and Aramaic midrashic and liturgical sources but also incorporates elements derived from German courtly love poetry, mainly to express Potipharʼs wifeʼs advances toward Joseph. It can thus be read as a Jewish dialogue with Christian secular literary traditions. Drawing on a comparison with the Jewish pretexts – some of which are presented here for the first time in German translations – and a number
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Volkova, Anna G. "THE RECEPTION OF FRANCISCAN MYSTICS IN EUROPEAN POETRY OF THE 17TH CENTURY." Vestnik of Kostroma State University, no. 3 (2020): 117–21. http://dx.doi.org/10.34216/1998-0817-2020-26-3-117-121.

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European poetry of the 17th century has its own complicated metaphoric language the interpretation of which depends on understanding of different contexts. It is especially true about religious poetry that does not only use metaphors, motifs and stories from the Bible but also perceive the biblical text through some confessions and often through some directions within a confession. Such cultural and historical code is important and necessary for reception and interpretation of poetical text. Franciscans as a special direction in Roman Catholic spirituality influenced very much on European lite
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Dissertations / Theses on the topic "Love poetry, German"

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Hostert, Thomas. "L'amor cortese provenzale fra hohe Minne e dolce stil novo." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79948.

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In this thesis, a literary historic path on the development of the lyric expression of courtly love will be created. The path will take us from the Provence through Germany and Sicily, and up to the Tuscany of the thirteen's century. The poetic characteristics of the hohe Minne and dolce stil novo will be particularly highlighted in order to facilitate the comprehension of their similarities and differences. It is understood that it will not be possible to offer a complete interpretation of the two lyric expressions. Rather, this thesis wishes to offer a basis for the development of fur
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Schulz, Ulrike-Marianne. "Liebe, Ehe und Sexualität im vorreformatorischen Meistersang Texte und Untersuchungen /." Göppingen : Kümmerle, 1995. http://books.google.com/books?id=6L1bAAAAMAAJ.

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Books on the topic "Love poetry, German"

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Fried, Erich. Love poems. Calder Publications Limited, 1991.

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Stefan, Knödler, ed. Deutsche Renaissancelyrik. Edition Tenschert bei Hanser, 2008.

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Fried, Erich. Love poems. Calder, 1991.

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Almut, Hille, ed. Treasury of German love: Poems, quotations & proverbs in German and English. Hippocrene Books, 1995.

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Matthias, Kussmann, ed. Die Liebesgedichte. Wissenschaftliche Buchgesellschaft, 2002.

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Danielle, Buschinger, and Fourquet Jean, eds. Poésie d'amour du Moyen Age allemand. Presses du "Centre d'Études Médiévales", Université de Picardie-Jules Verne, 2001.

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1951-, Bonnen Rupert, ed. Abstriche: Gedichte um Liebe. Verlag Im Wind, 1985.

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Treichel, Hans Ulrich. Neue Liebesgedichte. Insel Verlag, 2008.

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Prätorius, Bernd. Liebe hat es so befohlen: Die Liebe im Lied der Frühen Neuzeit. Böhlau, 2004.

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1943-, Mareiner Michael, ed. "Liebesfreuden und -leiden": Eine mittelhochdeutsche Minnerede : Edition und Übersetzung. P. Lang, 1985.

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Book chapters on the topic "Love poetry, German"

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Tietz, Manfred. "El teatro del Siglo de Oro y su paulatina presencia en la cultura y la literatura teatrales en los países de habla alemana durante los siglos XVII y XVIII." In Studi e saggi. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.7.

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The presence of the theatre of the Spanish Siglo de Oro in the theatre and literary culture of Germany (or the German-speaking countries) in the 17th and 18th centuries is a multifaceted one, and was influenced by many factors. We have to take in account that in the second half of the 17th century and in a large part of the 18th century Spain had been a terra incognita for the Germanic world. This long lack of basic knowledge led to a decontextualization of the Golden Age theatre and sometimes to an unconditional enthusiasm that was not based on historical realities. The protagonists of the ‘c
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van Elferen, Isabella. "Chapter Three: Affective Expression in Poetry and Music." In Mystical Love in the German Baroque. Rowman & Littlefield Publishers, 2008. https://doi.org/10.5771/9780810862210-71.

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van Elferen, Isabella. "Chapter Two: Petrarchan Poetry and the Madrigal in Seventeenth-Century Germany." In Mystical Love in the German Baroque. Rowman & Littlefield Publishers, 2008. https://doi.org/10.5771/9780810862210-25.

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"3 Ausonius’ Bissula: A German puella." In Non-Elegiac Latin Love Poetry of Late Antiquity. De Gruyter, 2025. https://doi.org/10.1515/9783111709871-003.

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van Elferen, Isabella. "Chapter Five: Mystical Love in Seventeenthand Eighteenth-Century Lutheran Poetry and Theology." In Mystical Love in the German Baroque. Rowman & Littlefield Publishers, 2008. https://doi.org/10.5771/9780810862210-151.

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Bohlman, Philip V. "Singing the Sacred Body." In Song Loves the Masses. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520234949.003.0006.

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With his three-chapter book, Lieder der Liebe (Songs of Love), Herder not only contributed to the long tradition of translating the biblical Song of Songs (Hebrew, Shir ha-shirim), but published critical new perspectives on the confluence of religion and literature with an aesthetic formed from embodiment and sexuality. Herder combines earlier translations, especially those in the Middle High German repertories of medieval minnesingers and from the sixteenth-century Martin Luther Bible, and weaves his own paraphrases of the songs into them, emphasizing the beauty and sensuality of the biblical
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Fuchs, Renata. "The Philosophical Letter and German Women Writers in Romanticism." In The Oxford Handbook of Nineteenth-Century Women Philosophers in the German Tradition. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780190066239.013.31.

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Abstract This chapter discusses German Romantic women writers’ contributions to Romantic philosophy in the context of dialogical networks of love. Their personal, fictionalized, and literary letters not only represent dialogue in writing (an extension to salon conversations) but also reinvent and retheorize the Romantic notions of sociability, symphilosophy, and sympoetry (as theorized by men) as well as retheorizing the concepts of love. Dorothea Mendelssohn Veit Schlegel, Rahel Levin Varnhagen, and Bettina Brentano von Arnim suggested a new vision for an emancipated community of women that d
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Schimmel, Annemarie. "1993." In The Life of Learning. Oxford University Press, 1994. http://dx.doi.org/10.1093/oso/9780195083392.003.0014.

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Once upon a time there lived a little girl in Erfurt, a beautiful town in central Germany—a town that boasted a number of Gothic cathedrals and was a center of horticulture. The great medieval mystic Meister Eckhart had preached there; Luther had taken his vow to become a monk there and spent years in the Augustine monastery in its walls; and Goethe had met Napoleon in Erfurt, for the town’s distance from the centers of classical German literature, Weimar and Jena, was only a few hours by horseback or coach. The little girl loved reading and drawing but hated outdoor activities. As she was the
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Ehrenfeld, David. "The Technology of Destruction." In Beginning Again. Oxford University PressNew York, NY, 1993. http://dx.doi.org/10.1093/oso/9780195078121.003.0012.

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Abstract Edward Teller was born in Budapest in 1908, the son of successful, nonobservant Jewish parents. Showing an early talent for mathematics, he was trained in that subject and in chemical engineering, but eventually gravitated toward theoretical physics. In 1931 he became a part of the celebrated Gottingen group of physicists and mathematicians, which included such names as Werner Heisenberg, David Hilbert, James Franck, Enrico Fermi, Niels Bohr, George Gamow, and a youthful pair who roomed at the same villa, Paul Dirac and J. Robert Oppenheimer. Driven from Germany by the rise of Hitler
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Sapra, Rahul. "Dutt, Guru (1925–1964)." In Routledge Encyclopedia of Modernism. Routledge, 2020. http://dx.doi.org/10.4324/9781135000356-rem2103-1.

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Guru Dutt, original name Vasanth Kumar Shivsankar Padukone, was a highly influential actor, writer, producer, and director of the Hindi film industry based in Bombay. Stylistically, Dutt’s films were influenced by Western Modernism, particularly German Expressionism, the play of light and shadow, the use of deep focus, and self-reflexive camera movements. These stylistic features of his films were used to express the alienation of the modern self and to address larger questions about the meaning and purpose of life. By exposing class differences, the victimisation of women, unemployment, and b
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Conference papers on the topic "Love poetry, German"

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Андреев, Дмитрий Андреевич, and Андрей Евгеньевич Крашенинников. "THE CREATIVE PATH OF TILL LINDEMANN." In Сборник избранных статей по материалам научных конференций ГНИИ «Нацразвитие» (Санкт-Петербург, Май 2021). Crossref, 2021. http://dx.doi.org/10.37539/may316.2021.87.93.005.

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В статье рассматривается становление немецкого рокмена Тилля Линдеманна как творческой личности. Он входит в число известных немецких музыкантов, но не всем известно, что Т. Линдеманн еще и поэт. Его произведения написаны в традиционном для Германии стиле экспрессионизма. В своих стихотворениях Т. Линдеманн поднимает темы любви, творчества, жизни и смерти. Чувства у Т. Линдманна обычно преподносятся от лица лирического героя, носят характер исповеди и наполнены трагизмом. The article examines the formation of the German rockman Till Lindemann as a creative person. He is one of the famous Germa
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Bregadze, Konstantine. "The Theme of War in German and Georgian Baroque Literature." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9024.

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The fierce Thirty Years' War in 17th century Germany (1618-1648) and the internal political chaos in 18th century Georgia (political fragmen­tation), the foreign aggression of the Ottoman Empire and the Kingdom of Iran against Georgia became the subject of poetic creativity, in particular, in the works of the famous German Baroque writer Andreas Gryphius (1616-1664) and the poem "Davitiani" by the representative of Georgian Baroque, Davit Guramishvili (1705-1792). War is considered here as an apocalyptic event that not only destroys the homeland politically and economically but also war is reg
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