Academic literature on the topic 'Love poetry, Tamil'

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Journal articles on the topic "Love poetry, Tamil"

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Subramanian, Kumaran. "Plant Creepers in the Ancient Tamil Love Poetry." Journal of Indian Studies 6, no. 1 (1996): 35–46. http://dx.doi.org/10.22452/jis.vol6no1.3.

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Subbulakshmi, S. "Sambandhar - A Cognoscente in the Field of Fine-Arts." Shanlax International Journal of Arts, Science and Humanities 8, no. 4 (2021): 70–74. http://dx.doi.org/10.34293/sijash.v8i4.3630.

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Thirugnana Sambandhar is a multifaceted personality. He is a Saint, Poet, Philosopher, Composer, Scientist, Mathematician, Musician of the 7th century. He has no parallels in the poetic world. Indian poetry has its root dating back to the Vedic times. His poetry for decades has reflected diverse spiritual traditions within India and in many Foreign Countries. He had penned down amazing poetic structures through his mystical experience. His vision, lyrical skills, technical expertise, command over Language, Vocabulary, word-play, meters, Imagery, attitude, love towards his mother tongue are unc
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Frost, Christine Mangala, and A. Mariaselvam. "The Song of Songs and Tamil Love Poems, Poetry and Symbolism." Vetus Testamentum 41, no. 2 (1991): 255. http://dx.doi.org/10.2307/1518919.

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Selby, Martha Ann. "The Ecology of Friendship: Early Tamil Landscapes of Irony and Voice." Studies in History 33, no. 1 (2017): 26–35. http://dx.doi.org/10.1177/0257643016677444.

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This article is a brief study of four female characters—a pair of daughters and a pair of mothers—who give voice to the majority of the poems in the Aiṅkuṟunūṟu, an Old Tamil anthology of love poetry from the early decades of the third century CE. Taking cues from recent ethnographies on friendship in South Asia and from Alan Bray’s compelling study of friendship in modern Britain, I will examine the ways in which bonds between female friends are expressed in the dense natural imagery so characteristic of Old Tamil convention, most often found within the poems in double entendre and in brief,
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Brenner, Athalya. "To See Is To Assume: Whose Love Is Celebrated in the Song of Songs?1." Biblical Interpretation 1, no. 3 (1993): 265–84. http://dx.doi.org/10.1163/156851593x00160.

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AbstractThree characteristic features of the Song of Songs are its (a) disjointed or absent plot, (b) gynocentrism and (c) lack of theocentrism. Recognition of these features facilitates a reassessment of the book's allegorical readings, be they ancient or modern, Jewish or Christian, religious or ostensibly secular. The principal readings discussed are Rabin's reconsideration of the Song's intrinsic allegorical properties with reference to Tamil love poetry; M. Cohen's on the Song and Jewish mystical literature (the Shiur Qomah and Hekhalot Rabbati); Murphy's position of reading mutually refl
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Selby, Martha Ann. "Tamil Love Poetry and Poetics. By Takanobu Takahashi. Leiden: E.J. Brill, 1995. xiv, 255 pp. $95.00 (cloth)." Journal of Asian Studies 56, no. 3 (1997): 839–41. http://dx.doi.org/10.2307/2659667.

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Gaur, Albertine. "Tamil love poetry and poetics. By Takanobu Takahashi. (Brill's Indological Library, Vol. 9.) pp. xiii, 255. Leiden etc., E. J. Brill, 1995. NLG 120, US $68.75." Journal of the Royal Asiatic Society 6, no. 3 (1996): 450–51. http://dx.doi.org/10.1017/s1356186300008087.

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Tieken, Herman. "Selby, Martha Ann, Tamil Love Poetry. The Five Hundred Short Poems of the Aiṅkuṟunūṟu (New York: Columbia University Press, 2011), 256 pp., ISBN 978 0 231 15065 1 (paperback), $27.50 / £19.00; ISBN 978 0 231 15064 4 (cloth), $84.50 / £58.50." Indo-Iranian Journal 56, № 2 (2013): 191–92. http://dx.doi.org/10.1163/15728536-00000006.

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Sathya, S., and A. Sathish. "Kurunthogai Kurinchithinaiyil Thozhi Kootril Uvamaikal." Shanlax International Journal of Tamil Research 4, no. 4 (2020): 109–15. http://dx.doi.org/10.34293/tamil.v4i4.2411.

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The article focuses on the Kurinichithinaiyil Thozhi Kootril Uvamial in Kurunthogai. ‘Kurunthogai’ is a classical Tamil poetic work in the second book of the “Ettuthogai” (Eight Anthologies). It is content matters were poem contains love and separation. Content matters were written by numerous authors. The ancient Sangam literature had witnessed the life style of the people in five phases of lands as Kurunji, Mullai, Neithal, Palai and Marutham. The first land surface is mountains and hills and the places is termed as ‘Kurunchi’. There are many Uvamais in Kurunthogai. This research paper expla
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Sathya, S. "குறுந்தொகையில் முல்லை மற்றும் மருதத்திணையில் தோழி கூற்றில் உவமைகள்". Shanlax International Journal of Tamil Research 5, № 1 (2020): 41–49. http://dx.doi.org/10.34293/tamil.v5i1.3402.

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The article focuses on the Mullai and Marudha Thinaiyil Thozhi Kootril Uvamial in Kurunthogai. ‘Kurunthogai’ is a classical Tamil poetic work in the second book of the “Ettuthogai” (Eight Anthologies). It is content matters were poem contains love and separation. Content matters were written by numerous authors. The ancient Sangam literature had witnessed the life style of the people in five phases of lands as Kurunji, Mullai, Neithal, Palai and Marutham. The first land surface is mountains and hills and the places is termed as ‘Kurunchi’. There are many Uvamais in Kurunthogai. This research p
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Dissertations / Theses on the topic "Love poetry, Tamil"

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Harris, Anthony Gardner 1973. "Obtaining grace: locating the origins of a Tamil Śaiva precept." Thesis, 2008. http://hdl.handle.net/2152/3963.

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The central term in Tamil Śaiva religious vocabulary is aruḷ, designating Śiva's fundamental principle. It is widely regarded that Śiva's aruḷ spawned the cosmos, and to a practicing Śaiva, only Śiva's aruḷ can free a soul from the cycle of samsāra or rebirth. In a Śaiva theological context, the term debuts in medieval bhakti (devotional) hymns of the nāyan̲mār (poet-saints); over the course of four centuries (ca. 6th - 9th cents CE) the theological nuances of the term became increasingly intricate. In the last major devotional work produced, the Tiruvācakam (ca. 9th cent CE), Māṇikkavācakar
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Books on the topic "Love poetry, Tamil"

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Tamil Sangam poetry love lyrics. Unistar Books, 2007.

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Takahashi, Takanobu. Tamil love poetry and poetics. E.J. Brill, 1995.

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Literary conventions in Akam poetry. Institute of Asian Studies, 1986.

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Cā, Pān̲unūrmaitīn̲ Vā. Pal̲antamil̲ akappāṭalakaḷil nilamum pol̲utum. Parvīn̲ Patippakam, 1993.

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Periyatampippiḷḷai, Ē. Pālaikkali: Ikkaṭṭuraikaḷ "Tin̲akaran̲" vāra ital̲il veḷivantavai. Pulavarmaṇi Periyatampippiḷḷai Nin̲aivuppaṇi Man̲r̲am, 1992.

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Maṇi, Ā. Kur̲untokait tir̲an̲uraikaḷ. Tamil̲an̲n̲ai Āyvakam, 2005.

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Rācakōpālan̲, Caraḷā. Kur̲untokai ōviyaṅkaḷ. Oḷip Patippakam, 1991.

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Ci, Kantaiyā Piḷḷai Na. Akanān̲ūr̲u. Amil̲tam Patippakam, 2003.

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Pukal̲ēnti, Kukai Mā. Mayilir̲aku pūtta kan̲avukaḷ. Kumaran̲ Patippakam, 2005.

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Naḷāyin̲i. Naṅkūram. Imēj & Impreṣan̲, 2005.

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Book chapters on the topic "Love poetry, Tamil"

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"Acknowledgments." In Tamil Love Poetry. Columbia University Press, 2011. http://dx.doi.org/10.7312/selb15064-001.

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"References." In Tamil Love Poetry. Columbia University Press, 2011. http://dx.doi.org/10.7312/selb15064-007.

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"Index." In Tamil Love Poetry. Columbia University Press, 2011. http://dx.doi.org/10.7312/selb15064-008.

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"Backmatter." In Tamil Love Poetry. Columbia University Press, 2011. http://dx.doi.org/10.7312/selb15064-bm.

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"Frontmatter." In Tamil Love Poetry. Columbia University Press, 2011. http://dx.doi.org/10.7312/selb15064-fm.

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"Contents." In Tamil Love Poetry. Columbia University Press, 2011. http://dx.doi.org/10.7312/selb15064-toc.

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"4. Pālai." In Tamil Love Poetry. Columbia University Press, 2011. http://dx.doi.org/10.7312/selb15064-005.

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"5. Mullai." In Tamil Love Poetry. Columbia University Press, 2011. http://dx.doi.org/10.7312/selb15064-006.

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"1. Marutam." In Tamil Love Poetry. Columbia University Press, 2011. http://dx.doi.org/10.7312/selb15064-002.

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"2. Neytal." In Tamil Love Poetry. Columbia University Press, 2011. http://dx.doi.org/10.7312/selb15064-003.

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