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Books on the topic 'Love poetry, Urdu'

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1

Aḥmad, Z̤amīruddīn. K̲h̲āt̲ir-i maʻṣum: Urdū shāʻirī men̲ maḥbūb kī jinsiyyat kā mut̲ālaʻah. Karācī: Taqsīmkunandgān, Aḥsan Mat̤būʻāt, 1990.

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2

Ḥasan, Sayyid Muḥammad. Urdū men̲ ʻishqiyah shāʻirī, taṣavvurāt aur rivāyāt: K̲h̲usrau Dihlavī se Sirāj Aurangābādī tak. Lakhnaʾū: Nasīm Bukḍipo, 1987.

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3

K̲h̲āt̲ir-i maʻṣum: Urdū shāʻirī men̲ maḥbūb kī jinsiyyat kā mut̲ālaʻah. Karācī: Taqsīmkunandgān, Aḥsan Mat̤būʻāt, 1990.

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4

Urdū men̲ ʻishqiyah shāʻirī, taṣavvurāt aur rivāyāt: K̲h̲usrau Dihlavī se Sirāj Aurangābādī tak. Lakhnaʼū: Nasīm Bukḍipo, 1987.

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5

K̲h̲āt̤ir-i maʻṣūm: Urdū shāʻirī men̲ maḥbūb kī jinsiyyat kā mut̤ālaʻah. 2nd ed. Karācī: Shahrzād, 2010.

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6

Gorakhpūrī, Firāq. Urdū kī ʻishqiyah shāʻirī. 2nd ed. Allahābād: Rām Narāʼin Lāl Arun Kumār, 1997.

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7

Kālidāsa. Meghadūtam: Dvādaśa bhāṣā-padyānuvāda-vibhūṣitam (Tamila. Telagu, Kannaḍa, Malayālama, Bāṅglā, Uṛiyā, Āsāmī, Maṇipurī, Sindhī, Urdu, Panjābī, Kāśmīrī). Jodhapura: Sarvabhāṣākālidāsīyam, 1999.

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8

Suvorova, A. A. Indiĭskai͡a︡ li͡u︡bovnai͡a︡ poėma: Masnavi. Moskva: "Nauka", 1992.

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9

Ghalib's love poems. 2nd ed. Calcutta: Writers Workshop, 1996.

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10

Tum. Lāhaur: Madīḥah Pablīkeshanz, 1986.

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11

1949-, Niazi Sarfaraz, ed. Love sonnets of Ghalib. New Delhi, India: Rupa Co., 2002.

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12

Ḥusain, Jamāl. Mashriq men̲ ʻishqiyah shāʻirī: Majmūʻah maqālāt-i simīnār munʻaqidah 26-27 Navambar 2005. ʻAlīʹgaṛh: Shuʻbah-yi Urdū, ʻAlīgaṛh Muslim Yūnīvarsiṭī, 2007.

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13

Kyla, Pasha, and Hashmi Salima, eds. Two loves: Faiz's letters from jail. Lahore: Sang-e-Meel Publications, 2011.

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14

Lafẓ lafẓ guhar: ʻaẓīm ak̲h̲lāqī shahpārah "Kurul" kā Urdū tarjamah. Krishnagrī: Z̲ikr va Fikr, 2001.

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15

Kugle, Scott A. When Sun Meets Moon: Gender, Eros, and Ecstasy in Urdu Poetry. University of North Carolina Press, 2016.

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16

When Sun Meets Moon: Gender, Eros, and Ecstasy in Urdu Poetry. University of North Carolina Press, 2016.

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17

Kugle, Scott. When Sun Meets Moon: Gender, Eros, and Ecstasy in Urdu Poetry. University of North Carolina Press, 2016.

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18

1956-, Petievich Carla, ed. When men speak as women: Vocal masquerade in Indo-Muslim poetry. New Delhi: Oxford Univ. Press, 2007.

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19

Ghalib, Mirza Asadullah Khan. Love Sonnets of Ghalib. Rupa & Co., 2006.

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20

Narang, Gopi Chand. The Urdu Ghazal. Translated by Surinder Deol. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190120795.001.0001.

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Abstract:
The Urdu ghazal is a marvel of the magnetic dynamism of husn o i’shq filled with innovative imagery. It is a celebration of life and love in an ambiance of pure ecstasy. It has a profound capacity for joy as well as pain. It is the soul of Urdu verse and the play of creativity at its peak. No other poetic genre is as innately musical as the ghazal. The book presents unique flowering of the Urdu ghazal as a by-product of India’s composite culture that evolved from intermixing of Indian and foreign value systems. This never-before narrated story of the evolution of the Urdu ghazal is documented in eight chapters divided into three parts. It explores a variety of influences, including Sufism, Bhakti movement, and infusion of Rekhta and Persian languages and culture. The book explains classical ghazal forms that blossomed from the seeds sown by Amir Khusrau in the fourteenth century to great heights of literary excellence achieved during the next 300, notably in the works of great poets like Mir and Ghalib. Different socio-political and cultural demands of changing times are expounded towards the end, primarily how the ghazal provided new creative models to deal with literary movements like progressivism, modernism, and postmodernism. This book includes samples of works of thematically related poets. It also covers works of twentieth-century pioneering innovators like Firaq Gorakhpuri and Faiz Ahmed Faiz, and postmoderns like Gulzar and Javed Akhtar.
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