Relevant bibliographies by topics / Lu, Zhi, Lu, Zhi

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Lu, Zhi, Lu, Zhi'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Lu, Zhi, Lu, Zhi"

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Kuo, Li-ying. "Autour du Fojiao chuchuan nanfang zhi lu wenwu tulu." Arts asiatiques 53, no. 1 (1998): 102–11. http://dx.doi.org/10.3406/arasi.1998.1425.

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N., W. H., and Li Chien-kuo (Li Jianguo). "T'ang Wu-tai chih-kuai ch'uan-ch'i hsu-lu (Tang wu dai zhi guai chuan qi xu lu). 2v." Chinese Literature: Essays, Articles, Reviews (CLEAR) 17 (December 1995): 195. http://dx.doi.org/10.2307/495584.

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Li, Jing-Jian, Xin Liu, Bo Zhao, and Wen-Lan Li. "NPR1 gene transformation as assessed by germ cell in situ transformation pathway into Siraitia grosvenorii." Bangladesh Journal of Botany 44, no. 2 (October 13, 2018): 245–50. http://dx.doi.org/10.3329/bjb.v44i2.38513.

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NPR1 gene was transformed into Siraitia grosvenorii (Swingle) C. Jeffrey ex. A.M. Lu and Zhi Y. Zhang by germ cell in situ transformation. Ovary injection, cutting chapiter, and chapiter spreading treatments were applied in this study. The transgenic plants were selected using hygromycin screening and confirmed by PCR testing, genome integrated with NPR1 gene in transgenic plants was analyzed by Southern hybridization. Results showed that three treatments could produce transgenic plants. Some of the transgenic plants were selected for tobacco mosaic virus inoculation testing, which showed a higher level of resistance to tobacco mosaic virus than non-transgenic controls.
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Dang, Yun-hui, and Yoo-seung Jang. "A Study on the Imperial Edict(制誥文) by Lu Zhi(陸贄)." Korea Journal of Chinese Language and Literature 73 (September 30, 2018): 51–86. http://dx.doi.org/10.46612/kjcll.2018.09.73.51.

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Chin, Tamara T. "The Afro-Asian Silk Road: Chinese Experiments in Postcolonial Premodernity." PMLA/Publications of the Modern Language Association of America 136, no. 1 (January 2021): 17–38. http://dx.doi.org/10.1632/s0030812920000061.

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AbstractThis essay approaches the Silk Road as a modern narrative of China's connected past, rather than as a historical fact. The Chinese termSilk Road(sichou zhi lu; 丝绸之路) first gained currency after the 1955 Afro-Asian Conference in Bandung as part of the lexicon of anticolonial solidarity. During the Cold War, China's Afro-Asian Silk Road, different from the West's Europe-Asia Silk Road, prompted new interest in the linguistic dimension of connected history. Language contact traditionally held limited significance in European and Chinese philology because linguistic divisions were understood in terms of nation or language family. For Afro-Asian scholars and writers, however, precolonial language contact became a portent of postcolonial exchange. They shifted attention from genetic word roots to historical routes (e.g., loanwords). Within a longer history of what I call “contact philology,” China's short-lived collaborations refashioned the Orient as Afro-Asia and presented an (unfinished) critique of the tropes with which we narrate the connected past.
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Wang, Yuanfei. "Java in Discord." positions: asia critique 27, no. 4 (November 1, 2019): 623–52. http://dx.doi.org/10.1215/10679847-7726916.

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In the late sixteenth century, thriving private maritime trade brought forth maritime trouble to the late Ming state. In times of rampant “Japanese” piracy and Hideyoshi’s invasion of Korea, Chinese literati composed unofficial histories and vernacular fiction on China’s foreign relations. Among them, Yan Congjian 嚴從簡 wrote Shuyu zhouzi lu 殊域周咨錄 (Records of Surrounding Strange Realms) (1574), He Qiaoyuan 何喬遠 compiled Wang Xiangji 王享記 (Records of the Emperors’ Tributes) (1597–1620), Luo Yuejiong 羅曰褧 penned Xianbin lu 咸賓錄 (Records of Tributary Guests) (1597), and Luo Maodeng 羅懋登 composed a vernacular novel Sanbao taijian xiyangji tongsu yanyi 三寶太監西洋記通俗演義 (Vernacular Romance of Eunuch Sanbao’s Voyages on the Indian Ocean) (1598). This article examines how the imminent maritime realities reminded the late Ming authors of one cross-border war and two genocides in Java and Sanfoqi during Yuan and early and mid-Ming times. These transgressions that violated Chinese official tributary order became memorable and made Sino-Java relations a definite point of comparison for the late Ming maritime piracy problems. This article argues that the cultural memory of Sino-Java military and diplomatic exchange enabled the authors to lament and condemn the executed pirates Wang Zhi and Chen Zuyi. The four authors imbue their narratives with personal anxieties and nationalistic sentiments. While the historical narratives tend to moralize and idealize China’s tributary world order, the vernacular fiction paints a more realistic picture of the late Ming state by involving heterogeneous voices of the “other.” Collectively, the four narratives represent various images of the Ming Empire, revealing the authors’ deep apprehension of the Mings’ identity, their political criticism of the state, and their divergent and even self-conflicted views toward maritime commerce, immigrants, and people of different races.
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Molano Toro, Juan Carlos. "Discussion of “ Design Aides for Reinforced Concrete Columns ” by Bao‐Jun Sun and Zhi‐Tao Lu (November, 1992, Vol. 118, No. 11)." Journal of Structural Engineering 120, no. 2 (February 1994): 678–79. http://dx.doi.org/10.1061/(asce)0733-9445(1994)120:2(678).

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Garver, John W. "More from the "Say No Club"Quanqiuhua yinmou xia de Zhongguo zhi lu (China's Road, under the Conspiracy of Globalization). Fang Ning , Wang Xiaodong , Song Qiang." China Journal 45 (January 2001): 151–58. http://dx.doi.org/10.2307/3182377.

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Huang, Jing‑Jia. "A Study on the Lost Essays of Zen Notes Xiaoying’s Luo Hu Ye Lu in the Song Dynasty -focus on “Chan Ben Cao” and “Pao Zhi Lun”." Journal of Chinese Studies 86 (November 30, 2018): 57–73. http://dx.doi.org/10.36493/jcs.86.3.

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Ying Kit, Chan. "Review of Qingmo Zhongri jiaoyu wenhua jiaoliu zhi yanjiu (Research on Educational and Cultural Interaction between China and Japan during the Late Qing Era). By Lu Shunchang. Beijing: Commercial Press, 2012." Journal of Cultural Interaction in East Asia 4, no. 1 (May 1, 2013): 91–95. http://dx.doi.org/10.1515/jciea-2013-040109.

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Dissertations / Theses on the topic "Lu, Zhi, Lu, Zhi"

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Chen, Kwan-ho. "Lu Shiyi (1611-1672) : his life and ideas of statecraft = Lu shi yi zhi sheng ping ji qi zhi guo si xiang /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B24702122.

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Chiu-Duke, Josephine. "To rebuild the empire Lu Chih's Confucian pragmatist approach to the mid-Tàng predicament /." Albany, N.Y. : State University of New York Press, 2000. http://www.netlibrary.com/urlapi.asp?action=summary&v=1&bookid=44217.

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Liao, Yupei. "Wo guo da xue tu shu guan xian shang gong yong mu lu shi yong zhe li yong zhi dao fang shi zhi yan jiu." Taibei Shi ; Niuyue : Han Mei tu shu you xian gong si, 1992. http://books.google.com/books?id=OuYVAAAAMAAJ.

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Lawrence, Marilyn Ann. "Wu Wei (1459-1508) and Lu Zhi (1496-1576) : the urban hermitage versus the peach blossom spring." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28101.

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This thesis focuses on two early and middle Ming (1368-1580) artists and deals with the role of Chinese historiography in the perpetuation of the dichotomy between the so-called "professional" and the so-called "scholar-amateur" artist. While traditional Chinese historical and biographical sources are an invaluable tool for the sinologist, including the Chinese art historian, the convention adopted by Chinese historians of casting subjects into standard characterized roles has contributed to this dichotomy and resulted in the ongoing debate over the value of the professional artist in China. Historically, Chinese critics and collectors have made a distinction between professional and amateur artists. The traditional Chinese critical bias has been in favour of the scholar-amateur artist. In fact, in much critical literature there is a stigma attached to professionalism in painting. The major initial Western studies of Chinese painting represented a continuation of the traditional Chinese dichotomies. More recently, various kinds of positions have been taken up by Western scholars. James Cahill suggests that a correlation can be made between an artist's painting style and social and economic factors (such as lifestyle, formal training, means of livelihood, demands of patrons, and so on). Richard Barnhart instead defends the professional artist: He believes that Cahill perpetuates the bias in favour of the amateur artist, and that a correlation between an artist's style and social and economic factors is not useful, being too restrictive and general. Their debate was taken up in a series of letters, and this debate has continued down to the present. Some of the most recent Western interpretations attempt to try to break down the earlier dichotomies, and my research supports this interpretive trend. In this context the thesis examines the life and works of two relatively minor artists of the Ming dynasty, the "professional" artist Wu Wei (1459-1508) and the "scholar-amateur" artist Lu Zhi (1496-1576). I discuss the Chinese biographical tradition and have translated the appropriate texts and biographies. Then by examining the paintings themselves in the context of the two artists' environments — Wu Wei in Beijing and Nanjing and Lu Zhi in Suzhou — I show that both of these artists enjoyed the freedom of working in a wide variety of different painting traditions. Early and middle Ming painting criticism is also examined, in addition to the influence of Late Ming (1580-1644) painting criticism and its effect on our perception of Chinese artists. In terms of style, aesthetics, and intellectual outlook, Wu Wei and Lu Zhi may, at first, appear to stand at opposite poles. However, my study of the life circumstances of Wu Wei and Lu Zhi reveals that they share surprisingly similar backgrounds, concerns, and views on their artwork. In addition, an examination of the works of these two artists suggests that a greater fluidity of style and of subject matter existed in the early and middle Ming period than one would expect from the theories based on Late Ming criticism. In other words, the distinction between professional and scholar-amateur artists is overdrawn: Wu Wei and Lu Zhi do not fit neatly into the later understandings of accepted categories or roles, nor do their paintings entirely accord with the theories originating in the Late Ming Period.
Arts, Faculty of
Art History, Visual Art and Theory, Department of
Graduate
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Xiao, Yunqi. "Ren shi guang gao bei hou de wen hua jia zhi guan : yi nei rong fen xi tan tao Zhongguo da lu ji Xianggang de hu fu / hua zhuang pin za zhi guang gao zhong biao da de "yang hua" jia zhi /." click here to view the abstract and table of contents, 2005. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b19816315a.pdf.

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Āryaśūra, Tropper Kurt. "Die Jātaka-Inschriften im skor lam chen mo des Klosters Zha lu : Einführung, textkritische Studie, Edition der Paneele 1-8 mit Sanskritparallelen und deutscher Übersetzung /." Wien : Arbeitskreis für tibetische und buddhistische Studien, Universität Wien, 2005. http://catalogue.bnf.fr/ark:/12148/cb40038623b.

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Texte remanié de: Dissertation--Wien--Universität Wien, 2001.
Ouvrage en allemand qui comprend aussi l'édition du texte en tibétain translittéré, avec en parallèle le texte en sanscrit translittéré et la traduction en allemand. Bibliogr. p. 15-31.
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Lou, Chi-kuan. "A study of Europeanized linguistic features in the writings of Lu Xun (1881-1936) = Lu Xun (1881-1936) ou hua wen zi yan jiu /." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25100609.

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Zhou, Shuzhen. "Zhongguo qing nian dang zai Da lu he Taiwan." Beijing : Zhongguo ren min da xue chu ban she, 1993.

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Zhu, Lu [Verfasser]. "Context-specific subcellular localization prediction: Leveraging protein interaction networks and scientific texts / Lu Zhu." Bielefeld : Universitätsbibliothek Bielefeld, 2018. http://d-nb.info/1169314589/34.

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陳少娟. "呂碧城及其 曉珠詞 研究 = A study of Lu Bicheng and Xiao Zhu Ci." Thesis, University of Macau, 2006. http://umaclib3.umac.mo/record=b1636166.

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Books on the topic "Lu, Zhi, Lu, Zhi"

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Guangxi min zu bo wu guan, ed. Zhen zhu zhi lu: Zhenzhi zhi lu. Nanning Shi: Guangxi ren min chu ban she, 2014.

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Jian zai zhi lu. Beijing: Di zhen chu ban she, 2011.

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Zhe ren zhi lu. Hangzhou: Zhejiang ren min chu ban she, 2002.

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Zhu Lu zhi bian: Zhu Xi Lu Jiuyuan zhe xue bi jiao yan jiu = Zhu Lu zhi bian. Beijing: Ren min chu ban she, 2002.

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Di qiu chu ban she. Bian ji bu, ed. Lu Zhi. Taibei Shi: Di qiu chu ban she, 1992.

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Gui yi zhi lu: Guiyi zhi lu. Shanghai: Dong fang chu ban zhong xin, 1997.

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Zhi guo zhi lu. Nanchang Shi: Jiangxi ren min chu ban she, 2001.

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Jian she zhi ku zhi lu: Jianshe zhiku zhi lu. Beijing Shi: Ren min chu ban she, 2014.

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Zhongguo min zhu zhi lu. Taibei Shi: Xin xue lin chu ban gu fen you xian gong si, 2013.

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Kai tuo zhe zhi lu. Changsha Shi: Hunan ren min chu ban she, 1985.

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Book chapters on the topic "Lu, Zhi, Lu, Zhi"

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Tillman, Hoyt Cleveland. "Zhu Xi and his Contemporaries: Zhang Shi, Lü Zuqian, Chen Liang, and Lu Jiuyuan." In Dao Companion to ZHU Xi’s Philosophy, 169–94. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-29175-4_9.

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"Lu Zhi, first wife of founder of the Western Han dynasty." In Notable Women of China, 73–74. Routledge, 2016. http://dx.doi.org/10.4324/9781315702063-18.

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"China’s potential on display: the sequel documentary Fuxing zhi lu (The Road to Revival)." In Documentary, World History, and National Power in the PRC, 105–44. Routledge, 2013. http://dx.doi.org/10.4324/9780203069929-8.

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"ZI LU." In Analectas, 99–104. Herder, 2020. http://dx.doi.org/10.2307/j.ctvzsmc1g.16.

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"Marriage with Zhu An." In The True Story of Lu Xun, 55–68. The Chinese University of Hong Kong Press, 2021. http://dx.doi.org/10.2307/j.ctv1cftj8r.10.

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Taber, Douglass F. "Construction of Alkylated Stereogenic Centers: The Zhu Synthesis of (−)-Rhazinilam." In Organic Synthesis. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190646165.003.0038.

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Zheng Huang of the Shanghai Institute of Organic Chemistry (J. Am. Chem. Soc. 2014, 136, 15501) and Zhan Lu of Zhejiang University (Org. Lett. 2014, 16, 6452) effected enantioselective hydroboration of α-alkyl styrenes, as illustrated by the conversion of 1 to 2. Stephen L. Buchwald of MIT devised (J. Am. Chem. Soc. 2014, 136, 15913) a Cu catalyst for the anti-Markovnikov hydroamination of 3 with 4 to give 5. John F. Hartwig of the University of California, Berkeley developed (Angew. Chem. Int. Ed. 2014, 53, 8691, 12172) an Ir catalyst for the enantioselective coupling of 6 with 7 to give 8.
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Jaguścik, Justyna. "In Search of Spaces of Their Own: Woolf, Feminism and Women’s Poetry From China." In The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature, 314–31. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474448475.003.0018.

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This chapter discusses the traveling of Woolf's writing, especially A Room of One's Own, into twentieth-century China. It argues, that since 1928, when this text had first been discussed by Xu Zhimo, A Room has remained an important point of reference in the Chinese-language feminist theory and literature. Particularly in post-Mao China, many female authors have been inspired by Woolf's spatial metaphoric and her reflections on female authorship. This chapter proposes close readings of poems and essays by Chinese contemporary female poets, such as Lu Yimin, Wang Xiaoni, Zhai Yongming and Zhang Zhen. It demonstrates that Woolf’s ideas have reverberated throughout works by the most innovative avant-garde female poets of the post-Mao era.
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"Misbehaviour and punishment in a paper inscription at Zha lu monastery: a preliminary report." In Tibetan Inscriptions, 107–38. BRILL, 2013. http://dx.doi.org/10.1163/9789004252417_004.

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"7. Similarities and Differences Between Zhu Xi and Lu Xiangshan: The Social Significance of the Division in New Confucianism." In The Religious Ethic and Mercantile Spirit in Early Modern China, 100–110. Columbia University Press, 2021. http://dx.doi.org/10.7312/yu-20042-010.

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Taber, Douglass F. "Enantioselective Preparation of Alcohols and Amines:The Suh Synthesis of (-)-Macrosphelide J." In Organic Synthesis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oso/9780199965724.003.0035.

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Keiji Maruoka of Kyoto University (J. Am. Chem. Soc. 2009, 131, 3450) and Yujiro Hayashi of the Tokyo University of Science (Chem. Commun. 2009, 3083) independently developed organocatalysts for the enantioselective α-benzoylation of aliphatic aldehydes such as 1. The product 3 can be readily carried on to, inter alia, either enantiomer of the epoxide. Chengjian Zhu of Nanjing University designed (Adv. Synth. Cat. 2009, 351, 920) a chiral salen complex that mediated the enantioselective opening of both cyclohexene oxide (4) and cyclopentene oxide. This reagent combination might also engage just one of the two enantiomers of a racemic cycloalkene epoxide. Lin Pu of the University of Virginia established (Organic Lett. 2009, 11, 2441) a BINOL catalyst for the addition of ethyl propiolate 7 to an aliphatic aldehyde 6 to give the alcohol 8 in high ee. In a complementary approach, Do Hyun Ryu of Sungkyunkwan University found (Angew. Chem. Int. Ed. 2009, 48, 4398) that an oxazaborolidinium salt catalyzed the addition of 7 to 9 to give 10 with high ee and high geometric control. Jianliang Xiao of the University of Liverpool devised (J. Am. Chem. Soc. 2009, 131, 6967) an Ir catalyst for the enantioselective reductive amination of a ketone 11 to the amine 13 . Karl B. Hansen, Yi Hsiao. and Feng Xu, then all at Merck/Rahway, showed (J. Am. Chem. Soc. 2009, 131, 8798) that it was possible to hydrogenate a vinylogous primary amide 14 to the amine 15 with high enantiocontrol. Takashi Ooi of Nagoya University designed (J. Am. Chem. Soc. 2009, 131, 7242) a chiral P-spiro tetraaminophosphonium catalyst that mediated the enantioselective addition of anilines to nitroalkenes such as 16. The product 18 could be carried on to the 1,2-diamine, or to the α-amino acid. Masahiro Terada of Tohoku University devised (Angew. Chem. Int. Ed. 2009, 48, 2553) a BINOL-derived phosphonic acid to catalyze the enantioselective 1,2-addition of the enamide 20 to the imine derived from 19. Yixin Lu of the National University of Singapore found (Organic Lett. 2009, 11, 1721) that a cinchona alkaloid-derived thiourea effectively catalyzed the enantioselective conjugate addition of nitroalkanes such as 22 to the acceptor 23.
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Conference papers on the topic "Lu, Zhi, Lu, Zhi"

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Wu, Yongmei. "Discussion on Development of Lu Zhe Chengni Inkstone." In 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.94.

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Yue, Yuansheng. "A Study of the Tombs of Zhu Yihai, King of Lu, in Southern Ming Dynasty at Kinmen County." In Proceedings of the 2018 International Workshop on Education Reform and Social Sciences (ERSS 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/erss-18.2019.16.

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