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1

Levi, Marco Amadio. Colloqui con la luce: Istantanee piemontesi 1900-1940. L'artistica Savigliano, 1994.

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2

Passarelli, Luigi. La guerra italiana nei documentari dell'Istituto Luce, 1940-1943. Prospettiva, 2006.

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3

Huang, Yaowu. 1944-1948, wo de zhan zheng. Chun feng wen yi chu ban she, 2010.

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4

Michele, Falzone del Barbarò, Zannier Italo, and Museo dell'automobile Carlo Biscaretti di Ruffia., eds. Fotografia : luce della modernità: Torino 1920/1950 : dal pittorialismo al modernismo. Alinari, 1991.

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5

1945-, Reteuna Dario, and Palazzo Graneri (Turin Italy), eds. Sentieri di luce: Artisti fotografi a Torino dal 1930 al 1946. Alinari, 2002.

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6

Hanot, Muriel. Histoire d'un parcours migratoire: Les ouvriers-mineurs italiens à Bois-du-luc (mai 1946-janvier 1949). Academia-Bruylant, 1996.

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7

Godard, Jean Luc. Jean-Luc Godard: Interviews. University Press of Mississippi, 1998.

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8

Purdy, Verity. As luck would have it: Adventures with the Canadian Army Show, 1943-1946. Vanwell, 2003.

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9

Noël, Eric. Lac-Saint-Charles: 1946-1996. Société historique de Lac-Saint-Charles, 1996.

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10

1930-, Godard Jean Luc, and Andrew Dudley 1945-, eds. Breathless: Jean-Luc Godard, director. Rutgers University Press, 1987.

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11

Sutter, Jean. Maximilien Luce, 1858-1941: Peintre anarchiste. Galerie des Vosges, 1986.

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12

Glišić, Nataša. Repertoar zabave i razonode: Francuska drama na sceni Narodnog pozorišta u Banjoj Luci (1930-1945). Matica Srpska, 2019.

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13

Desirò, Giuliana. "Luce significa morte": La vita quotidiana a Pozzonovo durante la seconda guerra mondiale (1943-1945). CLEUP, 2014.

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14

Bérubé, Laurent. Répertoire des naissances de Saint-Gabriel, 1873-1940, Les Hauteurs, 1918-1940, Saint-Charles-Garnier, 1937-1940, La Rédemption, 1936-1940, Sainte-Jeanne-d'Arc, 1921-1940, Trinité-des-Monts, 1939-1940, Esprit-Saint, 1937-1940, Lac-des-Aigles, 1932-1940, Biencourt, 1932-1940. Société de généalogie et d'histoire de Rimouski, 2010.

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15

Harun, Farocki, ed. Speaking about Godard. New York University Press, 1998.

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16

Sandro, Parmiggiani, and Palazzo Magnani (Reggio Emilia, Italy), eds. Stanislao Farri: Memorie di luce : fotografie 1943-2003. Skira, 2003.

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17

1852-1930, Mancini Antonio, ed. Antonio Mancini (1852-1930): La luce il colore. Ianieri editore, 2015.

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18

Resch, Raffaella. L'elica e la luce: Le futuriste : 1912-1944. Officina libraria, 2018.

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19

Schekalla, Michael. 18 Jahre "Lux-Lesebogen" 1946-1964: Das visuelle Erscheinungsbild. August Dreesbach Verlag, 2013.

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20

Dickinson, Margaret. Wish me luck. Magna, 2008.

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21

Dickinson, Margaret. Wish me luck. Pan Macmillan, 2007.

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22

Schleicher, Harald. Film-Reflexionen: Autothematische Filme von Wim Wenders, Jean-Luc Godard und Federico Fellini. Niemeyer, 1991.

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23

Lardas, Mark. USN Submarine vs IJN Aircraft Carrier. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781472862143.

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Fully illustrated, this book pits US Navy submarines against the aircraft carriers of the Imperial Japanese Navy at the height of World War II. Before World War II the world’s navies envisioned the submarine as a tool to hunt and kill cruisers and capital ships (aircraft carriers and battleships). Instead, they became best known for their abilities as commerce raiders. Yet hunting capital ships remained an important auxiliary role for the US submarine force in World War II. Featuring specially commissioned artwork and mapping alongside carefully chosen archive illustrations, this absorbing stu
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24

Rohde, Melissa. Labor and Leisure in the “Enchanted Summer Land”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037153.003.0009.

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Using industrial survey reports, this chapter shows how the entrepreneurial adaptation of Anishinaabe women at Lac Courte Oreilles and Lac du Flambeau in Wisconsin between 1900 and 1940, are vital to the economic transformation from a dependency on extractive logging resource industry to service-based tourism. Women's work within tourism, provisioning a diverse range of services and activities, usefully erodes formerly paternalistic or narrow conceptions of work and workplace. Tourism brought small freedoms by offering a new source of revenue without requiring Native women to conform to the go
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25

Hamburger, Andreas, Gerhard Schneider, Peter Bär, Timo Storck, and Karin Nitzschmann, eds. Jean-Luc Godard. Psychosozial-Verlag, 2020. http://dx.doi.org/10.30820/9783837977158.

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Jean-Luc Godard hat mit seinem Œuvre das Kino revolutioniert. Was er als Kritiker in der Filmzeitschrift Cahiers du cinéma vom französischen Kino forderte, setzte er später als Hauptvertreter der Nouvelle Vague in seinen Werken praktisch um. In Außer Atem (1960) verwendet er als erster Regisseur den Jump-Cut, in Die Verachtung (1963) bricht er immer wieder mit der Realität, indem er seine Schauspieler*innen aus der Rolle fallen lässt und sich selbst in der Rolle des Bildschöpfers mit einbringt. Das reflexive Moment wird zum Charakteristikum seiner Arbeiten. Die Dekonstruktion illusionistischer
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26

Walker, William O. III. The Rise and Decline of the American Century. Cornell University Press, 2018. http://dx.doi.org/10.7591/cornell/9781501726132.001.0001.

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This book discusses how U.S. officials, influenced by publisher Henry R. Luce in an essay in Life magazine in 1941, strove to create an American Century at the close of World War II, and beyond. The United States, Luce held, must seek comprehensive leadership, that is, global hegemony. The advent of the Cold War hastened that undertaking. Communist victory in China’s civil war in 1949 and the start of the Korean War in June 1950 made the Cold War international. U.S. officials implemented the dual strategy of global containment and multilateralism in trade and finance in order to counter Soviet
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27

Lucy In The Mind Of Lennon. Oxford University Press Inc, 2013.

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28

Kasser, Tim. Lucy in the Mind of Lennon. Oxford University Press, Incorporated, 2013.

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29

Nordling, Klaus. LADY LUCK Volume Four -- All Her Stories from Lady Luck #86-87 (1949-1950). Independently Published, 2019.

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30

Buard, Jean-Luc, and Maurice Level. Maniaque et Autres Contes de l'Auto 1904-1910 PRéface et Bibliographie Par Jean-Luc Buard. Lulu Press, Inc., 2018.

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31

Kline, T. Jefferson, and Tom Conley. Companion to Jean-Luc Godard. Wiley & Sons, Limited, John, 2014.

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32

Kline, T. Jefferson, and Tom Conley. Companion to Jean-Luc Godard. Wiley & Sons, Limited, John, 2014.

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33

Kline, T. Jefferson, and Tom Conley. Companion to Jean-Luc Godard. Wiley & Sons, Limited, John, 2014.

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34

Morrey, Douglas. Jean-Luc Godard (French Film Directors). Manchester University Press, 2005.

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35

Kline, T. Jefferson, and Tom Conley. Companion to Jean-Luc Godard. Wiley & Sons, Incorporated, John, 2014.

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36

Dixon, Wheeler Winston. Films of Jean-Luc Godard. University of Cambridge ESOL Examinations, 2000.

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37

Dixon, Wheeler Winston. Films of Jean-Luc Godard. University of Cambridge ESOL Examinations, 2000.

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38

(Editor), Michael Temple, and James S. Williams (Editor), eds. Godard and the Word (British Film Institute). British Film Inst, 1997.

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39

Locke, Maryel, Anne-Marie Mieville, Warren Charles, and Jean Luc Godard. Jean-Luc Godard's Hail Mary: Women and the Sacred in Film. Ebsco Publishing, 1993.

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40

Publishing, RH Value. Buddy Clark Columbia Years 2 L. Random House Value Publishing, 1987.

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41

Guex, Sébastien. La politique monétaire et financière de la Confédération suisse. 1900-1920. 2nd ed. Editions Antipodes, 1993. http://dx.doi.org/10.33056/antipodes.19434.

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Entre 1900 et 1920, la Confédération helvétique a franchi une étape déterminante de son histoire. Le rachat des chemins de fer au tournant du siècle, la création de la Banque nationale en 1907, la Première Guerre mondiale et l'énorme défi financier qu'elle a posé sont autant de jalons qui ont profondément modifié la Suisse pour lui donner son visage actuel: celui d'une place bancaire internationale dans laquelle la conduite des affaires monétaires et financières est devenu le centre nerveux de la politique. Ce livre jette un regard neuf sur l'histoire suisse du XXe siècle, tout en apportant un
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42

Emmelhainz, Irmgard. Jean-Luc Godard’s Political Filmmaking. Palgrave Macmillan, 2019.

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43

Roud, Richard. Godard. British Film Institute, 2010.

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44

Legacies of Jean-Luc Godard. Wilfrid Laurier University Press, 2014.

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45

Morrey, Douglas, Nicole Côté, and Christina Stojanova. Legacies of Jean-Luc Godard. Wilfrid Laurier University Press, 2014.

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46

Morrey, Douglas, Nicole Côté, and Christina Stojanova. Legacies of Jean-Luc Godard. Wilfrid Laurier University Press, 2013.

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47

Jean-Luc Godard (French Film Directors). Manchester University Press, 2005.

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48

Jean-Luc Godard (BFI Silver). British Film Institute, 2010.

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49

White, Jerry. Two Bicycles: The Work of Jean-Luc Godard and Anne-Marie Mieville. Wilfrid Laurier University Press, 2013.

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50

A Companion To Jeanluc Godard. John Wiley and Sons Ltd, 2014.

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