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Journal articles on the topic 'Luces de bohemia'

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Published: 4 June 2021

Last updated: 1 February 2022

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1

Holt, Marion Peter, Ramon del Valle-Inclan, Lluis Pascual, Antonio Buero-Vallejo, and Gustavo Perez Puig. "Luces de Bohemia." Performing Arts Journal 9, no. 1 (1985): 66. http://dx.doi.org/10.2307/3247816.

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2

Vargas A., Aura R. "Luces de bohemia (1)." Revista de Filología y Lingüística de la Universidad de Costa Rica 7, no. 1-2 (2006): 83. http://dx.doi.org/10.15517/rfl.v7i1-2.16067.

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Es la primera de las cuatro obras que Ramón María del Valle Inclán llamó Esperpentos. Fue escrita en 1920 y publicada en 1924. Presenta, en quince escenas, la última noche de vida del poeta ciego Max Estrella. Luces de Bohemia está más bien dividida en cuadros que se estructuran siguiendo una unidad dramática.

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3

Kim, Seon-Uk. "Reading Luces de Bohemia with Carnivalism." Iberoamérica 21, no. 2 (2019): 25–52. http://dx.doi.org/10.19058/iberoamerica.2019.12.21.2.25.

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4

Conde Guerri, María José. "Julio Burell: el otro ministro de "Luces de Bohemia"." Estudios Humanísticos. Filología, no. 7 (December 1, 1985): 31. http://dx.doi.org/10.18002/ehf.v0i7.4387.

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5

Cardona, Rodolfo. "Presentación de la película "Luces de bohemia"." Revista de Filología y Lingüística de la Universidad de Costa Rica 21 (August 30, 2015): 197. http://dx.doi.org/10.15517/rfl.v21i0.20287.

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En Luces de Bohemia Valle-Inclán presenta una serie de incidentes que el protagonista, el poeta ciego Max Estrella, encuentra en su camino, casi accidentalmente. Por medio de estos incidentes Max toma conciencia, gradualmente, de cosas que anteriormente no habían atraído su atención a causa de su continua preocupación por lo que él piensa es su propia "tragedia".

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6

Purkey, Lynn. "Luces de Bohemia expresionista: Valle y Káiser." Bulletin of Hispanic Studies 90, no. 5 (2013): 557–80. http://dx.doi.org/10.3828/bhs.2013.35.

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7

Orringer, Nelson R. "Luces de Bohemia: Inversion of Sophocles' Oedipus at Colonus." Hispanic Review 62, no. 2 (1994): 185. http://dx.doi.org/10.2307/475103.

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8

Davis González, Ana. "El campo intelectual en Luces de Bohemia y Adán Buenosayres." Philobiblion: revista de literaturas hispánicas, no. 7 (2018): 39–54. http://dx.doi.org/10.15366/philobiblion2017.7.003.

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9

Karageorgou-Bastea, Christina. "Historia y valor de la ironia en luces de bohemia." Hispanic Review 73, no. 1 (2005): 65–89. http://dx.doi.org/10.1353/hir.2005.0012.

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10

Treviño García, Blanca Estela. "Un juego de luces y sombras y otras polaridades esperpénticas en Luces de bohemia de Ramón del Valle-Inclán." Eutomia 1, no. 22 (2018): 1. http://dx.doi.org/10.19134/eutomia-v1i22p1-14.

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11

Marín-Calderón, Norman. "La representación literaria de lo monstruoso en la obra dramática de Valle-Inclán." Revista de Filología y Lingüística de la Universidad de Costa Rica 42 (October 7, 2016): 93. http://dx.doi.org/10.15517/rfl.v42i0.26467.

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El esperpento es una técnica literaria creada por Ramón del Valle-Inclán la cual se distingue por examinar una deformación sistemática de la realidad, acentuando sus atributos grotescos, feos, monstruosos e incoherentes ahí donde los animales y las cosas se humanizan mientras que los seres humanos se animalizan. También, el esperpento constituye una manera de vislumbrar el mundo y de desenmascarar la realidad. Este análisis esperpéntico se realiza tomando en cuenta las obras valleinclanesas Luces de Bohemia (1920) y Divinas palabras (1920).

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12

Núñez Sabarís, Xaquín. "La noche de Max Estrella: claves estéticas del esperpento en Luces de bohemia." Eutomia 1, no. 22 (2018): 201. http://dx.doi.org/10.19134/eutomia-v1i22p201-218.

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GUÉGO RIVALAN, Inés. "DISTORSIÓN RÍTMICA Y ANAMORFOSIS SENSORIAL: LA LITERARIDAD DE LUCES DE BOHEMIA DESDE EL PRISMA DE LA «PNEUMÁTICA»." Acotaciones. Revista de Investigación y Creación Teatral 45 (December 18, 2020): 15–36. http://dx.doi.org/10.32621/acotaciones.2020.45.01.

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Alain Riffaud’s works suggest a new critical reading of dra- matic prose: offering a distinct interpretation of Luces de bohemia’s prose dynamics through the prism of ‘pneumatics’ (Riffaud, 2007), the present article brings to light the existence, throughout the play, of a specific rhythm in Esperpento dramatic prose, which relates to the notion of sen- sory anamorphosis (visual and auditory), a polymorphous component that underlies the writing. Applying the notions of ‘pneumatics’ and ‘trompe-l’oreille’ (Féron, 2010) to the study of Ramón del Valle-Inclán’s dramatic prose allows to examine th

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14

Minhyun Cho. "La esté́tica esperpéntica en Luces de Bohemia de Valle Inclá́n y la tradició́n goyesca." Korean Journal of Hispanic Studies 7, no. 2 (2014): 151–74. http://dx.doi.org/10.18217/kjhs.7.2.201411.151.

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15

Smith, Alan E. "Luces de Bohemia y la figura de Cristo: Valle-Inclan, Nietzsche y los romanticos alemanes." Hispanic Review 57, no. 1 (1989): 57. http://dx.doi.org/10.2307/474226.

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16

Garrido Ardila, Juan Antonio. "The Swedish precursor of the Spanish Esperpento: Strindberg's Spöksonaten and Valle-Inclán's Luces de Bohemia." Revue de littérature comparée 343, no. 3 (2012): 283. http://dx.doi.org/10.3917/rlc.343.0283.

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17

Swansey, Bruce. "Jesús Rubio Jiménez, Valle-Inclán, caricaturista moderno. Nueva lectura de “Luces de Bohemia”. Fundamentos, Madrid, 2006." Nueva Revista de Filología Hispánica (NRFH) 58, no. 2 (2010): 776–79. http://dx.doi.org/10.24201/nrfh.v58i2.1002.

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18

Lomask, Laurie. "Leer a Vallejo desde Valle-Inclán." Archivo Vallejo 1, no. 1 (2018): 11. http://dx.doi.org/10.34092/av.v1i1.19.

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Este trabajo explorará las conexiones entre César Vallejo y Ramón María del Valle-Inclán (1866-1936), novelista, dramaturgo y poeta español. Ya se ha notado que Vallejo se inspiró en uno de los versos de Valle-Inclán para el título de su novela, Fabla salvaje (1923). Sin embargo, la conexión entre estos dos escritores es aún más profunda. Basándose en el uso del esperpento, expuesto en la obra de teatro Luces de bohemia (publicada por primera vez en 1920, y en versión definitiva en 1924), se hará una comparación con los textos teatrales de Vallejo, en particular con su obra Entre las dos orill

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19

Núñez Sabarís, Xaquín. "La enseñanza de la literatura en la formación superior plurilingüe e intercultural Mapeando Luces de bohemia, de Valle-Inclán." Revista de estudios socioeducativos : RESED, no. 5 (2017): 104–18. http://dx.doi.org/10.25267/rev_estud_socioeducativos.2017.i5.10.

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20

Frost, Daniel. "The garden at night: Revisiting Madrid’s public landscapes in Valle-Inclán’s Luces de Bohemia and Baroja’s Noches del Buen Retiro." International Journal of Iberian Studies 26, no. 1 (2013): 65–79. http://dx.doi.org/10.1386/ijis.26.1-2.65_1.

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21

Jurado Centurión López, Juan Ignacio. "Don Quijote y Max Estrella: dos caballeros, una misma bandera. (Elementos y argumentos para una relectura quijotesca de “Luces de bohemia”)." Eutomia 1, no. 22 (2018): 109. http://dx.doi.org/10.19134/eutomia-v1i22p109-128.

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22

Poza, José Alberto Miranda. "Valle-Inclán y la concepción esperpéntica de España como deformación de la civilización europea: Luces (de bohemia) proyectadas sobre espejos cóncavos." Eutomia 1, no. 22 (2018): 88. http://dx.doi.org/10.19134/eutomia-v1i22p88-108.

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En este breve ensayo abordamos una de las principales contribuciones artísticas de Valle-Inclán a la dramaturgia: la creación del esperpento como forma de representación de una realidad (mímesis), España, que en los años 20 caminaba, tras el desastre del 98, hacia la Guerra Civil, fruto de una apariencia fatua, de un aislamiento ideológico con relación a Europa y sin más referencias que la corrupción administrativa y las fatuas e inanes diatribas de los intelectuales. La propuesta de Valle pasa por definir la realidad como la grotesca imagen que proyectan los espejos cóncavos del Callejón del

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23

Muñoz Sobrino, Mónica, and Carmen Pereira Domínguez. "Bohemian Rhapsody." Padres y Maestros / Journal of Parents and Teachers, no. 379 (September 17, 2019): 52–55. http://dx.doi.org/10.14422/pym.i379.y2019.009.

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Es el momento en que la banda Queen inicia su intervención en el memorable concierto de rock Live Aid para combatir el hambre en Etiopía, celebrado el 13 de julio de 1985, en el estadio Wembley de Londres; recital considerado como el mejor hasta la fecha y la actuación de Queen, con un Mercury glorioso, ante un espléndido escenario, calificada como la actuación más brillante de la historia del rock. Un flashback nos remonta a los orígenes del grupo y nos guía por la trayectoria vital de su líder, Freddie Mercury.Como dicen los protagonistas, Queen es un grupo de inadaptados que toca para inada

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24

Guadalupe del Río, M., Analía A. Lanteri, and Jerson V. C. Guedes. "Taxonomic revision and cladistic analysis of Teratopactus Heller (Coleoptera:Curculionidae)." Invertebrate Systematics 20, no. 5 (2006): 585. http://dx.doi.org/10.1071/is05047.

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Teratopactus Heller (Entiminae : Naupactini) is a broad-nosed weevil genus widespread in South America. This first taxonomic revision of the genus includes seven species: T. capucinus (Perty) (type species; syn. T. senex (Boheman)); T. elegans (Lucas), comb.nov.; T. gibbicollis (Boheman); T. nodicollis (Boheman) (syn. T. angulicollis (Lucas), T. paulanus (Fonseca & Autuori), T. serripes (Boheman), and T. perpastus (Boheman), syn. nov.); T. retusus (Boheman); T. tuberculatus (Arrow); and T. vittatus (Mannerheim), comb.nov. All species except T. tuberculatus have a strong ovipositor lacking

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25

Korba, J., J. Šillerová, F. Paprštein, J. Sedlák, E. Prokinová, and P. Hošková. "Evaluation of susceptibility level of pear cultivars to fire blight (Erwinia amylovora) in the Czech Republic." Horticultural Science 40, No. 2 (2013): 58–64. http://dx.doi.org/10.17221/289/2012-hortsci.

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Thirty-three pear cultivars and selections of potential interest to pear producers and plant breeders in the Czech Republic were tested for relative field susceptibility to the fire blight (Erwinia amylovora) over five years. Level of fire blight susceptibility was evaluated according to the extent of lesion development on the shoot tips after artificial inoculation in experimental plots under insect proof nets. Old cvs Alexander Lucas (as resistant standard), Conference (as moderately resistant standard) and Beurr&eacute; Bosc (as susceptible standard) were included in the tests. The 33 p

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26

Brown, Christopher Boyd. "Art and the Artist in the Lutheran Reformation: Johannes Mathesius and Joachimsthal." Church History 86, no. 4 (2017): 1081–120. http://dx.doi.org/10.1017/s0009640717002062.

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Luther's student Johann Mathesius, longtime pastor in the Bohemian mining town of Joachimsthal, provides a lens for seeing early modern art and artists through Lutheran eyes, challenging modern interpretations of the dire consequences of the Reformation for the visual arts.1For Mathesius, pre-Reformation art provided not only evidence of old idolatry but also testimony to the preservation of Evangelical faith under the papacy. After the Reformation, Joachimsthal's Lutherans were active in commissioning new works of art to fill the first newly built Protestant church, including an altarpiece fr

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27

STÜBEN, PETER E., and JONAS J. ASTRIN. "Molecular phylogeny of the weevil genus Kyklioacalles Stüben, with descriptions of a new subgenus Glaberacalles and two new species (Curculionidae: Cryptorhynchinae)." Zootaxa 2662, no. 1 (2010): 28. http://dx.doi.org/10.11646/zootaxa.2662.1.2.

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A molecular phylogeny of the western Palearctic weevil genus Kyklioacalles Stüben, 1999 is presented, combining two mitochondrial genes (CO1 and 16S) in a Bayesian analysis. Based on molecular data, the validity of the subspecies Kyklioacalles punctaticollis punctaticollis (Lucas, 1849) and Kyklioacalles punctaticollis meteoricus (Meyer, 1909) is discussed and the morphological differentiation of the endophalli and known distributions of both subspecies are verified. Glaberacalles subg. n. (formerly Kyklioacalles punctaticollis-group) and two new species are described, Kyklioacalles atlasicus

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28

Sadjadi, Bakhtiar, and Bahareh Nilfrushan. "Post-Aural Story-Telling and the Iranian Flaneurs: A Benjaminian Reading of Sina Dadkhah’s Yousef Abad, Street 33." International Journal of Applied Linguistics and English Literature 8, no. 4 (2019): 1. http://dx.doi.org/10.7575/aiac.ijalel.v.8n.4p.1.

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The city has fascinated the street wanderer as the contemplation of modern life. Walter Benjamin’s conception of ‘flâneur,’ originally borrowed from Charles Baudelaire, could be taken as the true legacy of such fascination. There is always a sense of nostalgia being revealed through the flânerie of the city stroller passing through the metropolis, its shopping centers, and boulevards nourishing the mind of the bohemic storyteller with tales of post-aural experience and memory. Adapting Walter Benjamin’s concept of ‘flânerie’ in the streets of Paris to those of Tehran, the present paper attempt

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29

SÆTHER, OLEG A. "The chironomids (Diptera, Chironomidae) described by Lundstr m (1915) from arctic Siberia, with a redescription of Derotanypus sibiricus (Kruglova & Chernovskii)." Zootaxa 595, no. 1 (2004): 1. http://dx.doi.org/10.11646/zootaxa.595.1.1.

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The chironomid material described by Lundstr m (1915) from the Russian polar expedition in the years 1900 1903 is analysed. Derotanypus limbatus (Lundstr m, 1915) (as Ablabesmyia) is a senior synonym of Ablabesmyia quadrinotata Lundstr m, 1915; Orthocladius pubitarsis sensu Lundstr m, not Zetterstedt, 1838, is identical to Psectrocladius (Psectrocladius) sokolovae Zelentsov & Makarchenko, 1988; Orthocladius cinereipennis sensu Lundstr m, 1915, is a junior synonym of Heterotrissocladius subpilosus (Kieffer 1911); Orthocladius alpicola sensu Lundstr m, not Zetterstedt, 1850, is identical to

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30

Lejman, Beata. "O niebezpiecznych związkach sztuki i polityki na przykładzie „żywotów równoległych” Michaela Willmanna i Philipa Bentuma." Porta Aurea, no. 19 (December 22, 2020): 114–34. http://dx.doi.org/10.26881/porta.2020.19.05.

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Michael Lucas Leopold Willmann (1630–1706) was born in Königsberg (now Kalinin grad in Russia), where his first teacher was Christian Peter, a well -off guild painter. After years of journeys of apprenticeship and learning in the Netherlands, the young artist returned to his homeland, after Matthias Czwiczek’s death in 1654 probably hoping for the position of the painter at the court of Great Elector Frederick William (1620–1688).What served to draw the ruler’s attention to himself was probably the lost painting, described by Johann Joachim von Sandrart as follows: ‘the Vulcan with his cyclops

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31

Santiago Nogales, Rocío. "Luces de bohemia y El señor de Pigmalión: crítica social y drama existencial mediante desrealización." Alfinge. Revista de Filología, February 15, 2019. http://dx.doi.org/10.21071/arf.v30i0.11107.

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Resumen: Ramón del Valle-Inclán y Jacinto Grau destacaron por Luces de Bohemia y El señor de Pigmalión, respectivamente. A pesar de ser obras bien diferentes, vamos a llevar a cabo un estudio comparatista y relacional entre ellas. Esta investigación pretende demostrar que los dos autores recurren a la desrealización para crear obras no miméticas que, sin embargo, dan como resultado una crítica de la propia sociedad y retoman la eterna preocupación existencial del ser humano. De este modo, lo que aparentemente es insólito se convierte en un reflejo de la esencia humana y social.

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32

Martínez Carro, Elena, and Teresa Santa María. "Biblioteca Electrónica Textual del teatro español (1868-1936) e investigación con grafos." Revista de Humanidades Digitales 3 (March 14, 2019). http://dx.doi.org/10.5944/rhd.vol.3.2019.23144.

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Este artículo presenta, en primer lugar, el proceso de trabajo para la construcción de la Biblioteca Electrónica Textual del Teatro en Español (1868-1936) del Grupo de Humanidades y Edición Digital (GHEDI). Dentro de las decisiones y labores realizadas hasta la fecha encontramos: la elección de los autores, el proceso de trabajo de las obras que se han editado con lenguaje de marcado XML-TEI, la construcción de metadatos y la utilización posterior de grafos para el análisis de las piezas dramáticas. En segundo lugar, encontramos una reflexión sobre el valor del uso de los grafos y el alcance d

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33

Leite, Adriana Caroline, Nathalia Torres Assay, Fabio Augusto Ito, Heliton Gustavo de Lima, and Ademar Takahama Junior. "Descoberta de carcinoma de células escamosas em lesão previamente diagnosticada como líquen plano oral: malignização ou erro de diagnóstico inicial?" ARCHIVES OF HEALTH INVESTIGATION 8, no. 4 (2019). http://dx.doi.org/10.21270/archi.v8i4.3296.

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O Líquen Plano Oral (LPO) é uma doença crônica imunologicamente mediada com potencial de malignização incerto. O objetivo desse artigo é relatar um caso de Carcinoma de Células Escamosas (CCE) diagnosticado em paciente com diagnóstico prévio de LPO. Paciente do sexo feminino, 69 anos, foi atendida durante uma campanha de diagnóstico precoce de câncer de boca realizada na cidade de Londrina/PR, sendo detectada uma lesão eritroplásica em língua e encaminhada para uma melhor avaliação. Na anamnese a paciente relatou que há 2 anos atrás foi diagnosticada com LPO através de biópsia em língua, não s

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34

Elliott, Susie. "Irrational Economics and Regional Cultural Life." M/C Journal 22, no. 3 (2019). http://dx.doi.org/10.5204/mcj.1524.

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IntroductionAustralia is at a particular point in its history where there is a noticeable diaspora of artists and creative practitioners away from the major capitals of Sydney and Melbourne (in particular), driven in no small part by ballooning house prices of the last eight years. This has meant big changes for some regional spaces, and in turn, for the face of Australian cultural life. Regional cultural precincts are forming with tourist flows, funding attention and cultural economies. Likewise, there appears to be growing consciousness in the ‘art centres’ of Melbourne and Sydney of interes

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35

Hall, Michelle. "Anchoring and Exposing in the Third Place: Regular Identification at the Boundaries of Social Realms." M/C Journal 14, no. 5 (2011). http://dx.doi.org/10.5204/mcj.422.

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I was at Harry’s last night, ostensibly for a quick glass of wine. Instead it turned into a few over many hours and a rare experience of the “regular” identity. It was relatively quiet when I arrived and none of the owners were there. David [a regular] was DJing; we only vaguely acknowledged each other. He was playing great music though, and I was enjoying being there by myself for the first time in a while—looking about at other customers and trying to categorise them, and occasionally chatting to the girl next to me. My friend Angie came to join me about an hour later, and then Paul, a regul

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Laaß, Michael, Sophie Kretschmer, Angelika Leipner, and Norbert Hauschke. "Annales Societatis Geologorum Poloniae Journal Content Search Search Scope Browse By Issue By Author By Title Other Journals User Username Password Home About Login Register Search Current Archives Announcements Submissions In press Home > In press Annales Societatis Geologorum Poloniae Polish Geological Society Annales Societatis Geologorum Poloniae is included in the Science Citation Index Expanded Journal of Citation Reports ®2009 IF 2019 = 1.025, 5-year IF = 1.508 ISI Journal of Citation Reports© Ranking: 32/47 (Geology) Score of Polish Ministry of Science and Higher Education (2019): 70 In press Articles Trace fossils from the Mississippian of the Piaskowa Góra section (the Intra-Sudetic Basin, SW Poland) Jolanta Muszer Annales Societatis Geologorum Poloniae In press doi: 10.14241/asgp.2020.06 PDF Triassic palaeogeography of NE Bohemian Massif based on sedimentological record in the Wleń Graben and the Krzeszów Brachysyncline (SW Poland) Aleksander Kowalski Annales Societatis Geologorum Poloniae In press doi: 10.14241/asgp.2020.09 PDF First Upper Cretaceous dinosaur track assemblage from Jordan (Middle East) – preliminary results Hendrik Klein, Gerard Gierliński, Jens N. Lallensack, Abdalla Abu Hamad, Habes Al-Mashakbeh, Ikhlas Alhejoj, Marcin Konopka, Marcin Błoński Annales Societatis Geologorum Poloniae In press doi: 10.14241/asgp.2020.10 PDF Synaptichnium tracks from the middle Muschelkalk (Middle Triassic, Anisian) Bernburg site (Saxony-Anhalt, Germany) Lorenzo Marchetti, Hendrik Klein, Daniel Falk, Oliver Wings Annales Societatis Geologorum Poloniae In press doi: 10.14241/asgp.2020.12 PDF Palaeoenvironmental interpretation of the Late Cretaceous Idzików Conglomerate Member (SW Poland, Sudetes, Idzików Quarry) based on analysis of trace fossils Alina Chrząstek Annales Societatis Geologorum Poloniae In press doi: 10.14241/asgp.2020.08 PDF Footprints of the earliest reptiles: Notalacerta missouriensis – Ichnotaxonomy, potential trackmakers, biostratigraphy, palaeobiogeography and palaeoecology Lorenzo Marchetti, Sebastian Voigt, Spencer G. Lucas, Matthew R. Stimson, Olivia A. King, John H. Calder Annales Societatis Geologorum Poloniae In press doi: 10.14241/asgp.2020.13 PDF First evidence of arthropod herbivory in calamitalean stems from the Pennsylvanian of Germany." Annales Societatis Geologorum Poloniae, 2020. http://dx.doi.org/10.14241/asgp.2020.14.

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