Relevant bibliographies by topics / Lucrezia Tornabuoni

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Lucrezia Tornabuoni'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Lucrezia Tornabuoni"

1

Hinlicky, Sarah, and Jane Tylus. "Sacred Narratives: Lucrezia Tornabuoni de' Medici." Sixteenth Century Journal 34, no. 1 (April 1, 2003): 272. http://dx.doi.org/10.2307/20061389.

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Tomas, Natalie. "Lucrezia Tornabuoni de' Medici and the Medici Family in the Fifteenth Century (review)." Parergon 24, no. 1 (2007): 224–26. http://dx.doi.org/10.1353/pgn.2007.0058.

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Wainwright, Anna. "Teaching Widowed Women, Community, and Devotion in Quattrocento Florence with Lucrezia Tornabuoni and Antonia Tanini Pulci." Religions 9, no. 3 (March 9, 2018): 76. http://dx.doi.org/10.3390/rel9030076.

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Tylus, Jane. "Women, Patronage, and Salvation in Renaissance Florence: Lucrezia Tornabuoni and the Chapel of the Medici Palace by Stefanie Solum." Early Modern Women 10, no. 2 (2016): 182–85. http://dx.doi.org/10.1353/emw.2016.0019.

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Bancroft, Luke. "Women, Patronage, and Salvation in Renaissance Florence: Lucrezia Tornabuoni and the Chapel of the Medici Palace by Stefanie Solum." Parergon 32, no. 2 (2015): 362–63. http://dx.doi.org/10.1353/pgn.2015.0130.

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Piña, Liza. "Aproximaciones iconográficas en torno al díptico «Historias de Judit» de Sandro Botticelli en relación con las stanzas sobre Judit de Lucrezia Tornabuoni di Medici." Aisthesis, no. 50 (December 2011): 127–56. http://dx.doi.org/10.4067/s0718-71812011000200007.

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Tomas, Natalie. "Stefanie Solum: Women, Patronage, and Salvation in Renaissance Florence: Lucrezia Tornabuoni and the Chapel of the Medici Palace. Farnham and Burlington, VT: Ashgate Publishing, 2015; pp. xvii + 288." Journal of Religious History 40, no. 2 (June 2016): 297–98. http://dx.doi.org/10.1111/1467-9809.12350.

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8

DePrano, Maria. "Women, Patronage, and Salvation in Renaissance Florence: Lucrezia Tornabuoni and the Chapel of the Medici Palace. Stefanie Solum. Visual Culture in Early Modernity. Farnham: Ashgate, 2015. xviii + 288 pp. $119.95." Renaissance Quarterly 69, no. 2 (2016): 659–61. http://dx.doi.org/10.1086/687631.

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9

Romaniello, Matthew P. "Lucrezia Tornabuoni de’ Medici and the Medici Family in the Fifteenth Century. By Maria Grazia Pernis and Laurie Schneider Adams. (New York, N.Y.: Peter Lang, 1996. Pp. xiii, 181. $66.95.)." Historian 70, no. 2 (June 1, 2008): 389–90. http://dx.doi.org/10.1111/j.1540-6563.2008.00213_62.x.

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10

"Lucrezia Tornabuoni de' Medici: sacred narratives." Choice Reviews Online 39, no. 04 (December 1, 2001): 39–2088. http://dx.doi.org/10.5860/choice.39-2088.

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Dissertations / Theses on the topic "Lucrezia Tornabuoni"

1

Blomström, André. "Renässansens "Power Couple" : Det äktenskapliga mecenatskapet mellan Piero di Cosimo de’ Medici och Lucrezia Tornabuoni." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-387417.

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The purpose of this study is to investigate the patronage of Piero de’ Medici and Lucrezia Tornabuoni. My aim is to discuss and place the patronage in the complex field of the renaissance as an active conjugal partnership between the two. The study is divided in three main chapters, the introduction part where an overview of the main issues in the field of renaissance patronage and a background of the people involved; one chapter where the two religious rooms are introduced and the specific patronage described; and finally a chapter where the different procedures are discussed, compared and combined into one joint conjugal patronage for the both of them. The evidence uncovered supporting the conjugal patronage is partly the similarities between the altar paintings in the rooms. They are both made of Fra Filipo Lippi and both are portraying the Adoration of Infant Jesus. The presence of the coat of arms of both the noble houses at the Camaldoli adoration and a series of lettres between Piero and one of his painters, Benezzo Gozzoli.
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2

Piña, Rubio Liza Nereyda. "Un instrumento de piedad para Lucrezia Tornabuoni — estudio iconográfico e torno a las historias de Judit de Sandro Botticelli." Tesis, Universidad de Chile, 2011. http://www.repositorio.uchile.cl/handle/2250/101319.

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Books on the topic "Lucrezia Tornabuoni"

1

Laurie, Adams, ed. Lucrezia Tornabuoni de' Medici and the Medici family in the fifteenth century. New York: Peter Lang, 2005.

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2

Solum, Stefanie. Women, Patronage, and Salvation in Renaissance Florence: Lucrezia Tornabuoni and the Chapel of the Medici Palace. Taylor & Francis Group, 2019.

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3

Women, Patronage, and Salvation in Renaissance Florence: Lucrezia Tornabuoni and the Chapel of the Medici Palace. Taylor & Francis Group, 2016.

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Book chapters on the topic "Lucrezia Tornabuoni"

1

Maguire, Yvonne. "Lucrezia Tornabuoni." In The Women of the Medici, 60–126. Routledge, 2019. http://dx.doi.org/10.4324/9780429292453-5.

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2

"Le narrazioni bibliche di Lucrezia Tornabuoni." In Donne interpreti della Bibbia nell’Italia della prima età moderna, 59–78. Turnhout, Belgium: Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.er-eb.5.122712.

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3

Terry-Fritsch, Allie. "Staging Gendered Authority: Donatello’s Judith, Lucrezia Tornabuoni de’Medici’s sacra storia, and the Somaesthetics of Justice." In Somaesthetic Experience and the Viewer in Medicean Florence. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463722216_ch03.

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Chapter Three analyzes Donatello’s bronze sculpture of Judith, located in the garden of Palazzo Medici between the mid-1460s to the early 1490s, in relation to a sacred narrative of the Jewish heroine written by Lucrezia Tornabuoni de’Medici in the early 1470s. Considering the performative interplay between the matron’s words and the sculpture’s form, the chapter investigates the strategies by which Lucrezia’s text enlivens Donatello’s Judith as the sacred heroine of her story and somaesthetically situates her audience as “eye-witnesses” to a demonstration of justice. Ultimately, the chapter analyzes how the theatricality of viewing the sculpture in the garden simulated communal punishment rituals and contributed to a reaffirmation of Florentine values that bound the audience and author together.
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4

"Sainted Mother, Magnificent Son: Lucrezia Tornabuoni and Lorenzo de’ Medici." In Late Medieval and Early Modern Studies, 67–104. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.lmems-eb.4.000139.

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5

"3. Staging Gendered Authority : Donatello’s Judith, Lucrezia Tornabuoni de’Medici’s sacra storia, and the Somaesthetics of Justice." In Somaesthetic Experience and the Viewer in Medicean Florence, 115–60. Amsterdam University Press, 2020. http://dx.doi.org/10.1515/9789048544240-006.

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6

"8. Embodied temporality: Lucrezia Tornabuoni de’ Medici’s sacra storia, Donatello’s Judith, and the performance of gendered authority in Palazzo Medici, Florence." In Gendered Temporalities in the Early Modern World, 187–212. Amsterdam University Press, 2018. http://dx.doi.org/10.1515/9789048535262-009.

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