Academic literature on the topic 'Luhansk Regional Academic Ukrainian Music and Drama Theater'

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Journal articles on the topic "Luhansk Regional Academic Ukrainian Music and Drama Theater"

1

Nechaenko, Tetiana, Serhii Plutalov, and Alyona Dorofeeva. "Specificity of Director's Creativity of Volodymir Moskovchenko in the Dynamics of the Theater Culture Development in Luhansk Region." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 3, no. 2 (2020): 180–92. https://doi.org/10.31866/2616-759x.3.2.2020.219281.

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The purpose of the article is to analyze the historical-analytical and art-scientific analysis of the contemporary directing practices formation of the Lugansk Regional Academic Music and Drama Theater on the example of creativity of one of its leading representatives, Vladimir Yurievich Moskovchenko. The methodology of the research is based on a comprehensive scientific approach and synthesis of the following methods: historical and analytical in the study of the directing art of V.Yu. Moskovchenko in the context of the theater culture in Ukraine as a whole; “Biographical
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ULANOVA, Svitlana, Cyril MAYKUT, and Starikova KARYNA. "Choreography and plastic as an expressive element in performances of Luhansk regional academic Ukrainian music and drama theater." Humanities science current issues 3, no. 44 (2021): 58–64. http://dx.doi.org/10.24919/2308-4863/44-3-9.

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3

Holubtsova, Liubov, and Serhii Plutalov. "The Formation Stages of Yurii Yevsiukov's Creative Activity." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 4, no. 2 (2021): 142–52. https://doi.org/10.31866/2616-759X.4.2.2021.243242.

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The purpose of the article is to consider and analyse the creative heritage of theatre and film actor Yurii Yevsiukov. Research methodology. Historical and biographical methods are used to determine the main stages of creative growth of the actor Yu. Yevsiukov; the chronological method is applied to reveal the sequence of coverage of the artist’s creative achievements in scientific sources; the analytical method is used to study the features of the acting style of Yu. Yevsiukov in theatrical performances and films of different periods. The scientific novelty lies
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4

Mykhailyk, Arthur. "Vinnytsia period of the Khmelnytskyi regional academic music and drama theater named after Mykhailo Starytskyi (1934-1937)." Scientific Papers of the Kamianets-Podilskyi National Ivan Ohiienko University. History 39 (April 6, 2023): 231–43. http://dx.doi.org/10.32626/2309-2254.2023-39.231-243.

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The purpose of the article. To investigate the history of the Khmelnytskyi Regional Academic Music and Drama Th eater named aft er Mykhailo Starytskyi during its stay in Vinnytsia (1934-1937), to study the creative progress of the team against the background of the era, to fi nd out the peculiarities of its economic life and everyday life. Research methods: the article uses general scientifi c and specifi c-historical research methods, which made it possible to achieve its goal and fulfi ll the set tasks. Th e main thing is the use of the method of analysis and synthesis, which made it possibl
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5

Hordieiev, Serhiy. "Viacheslav Khim’iak’s acting and pedagogical creativity in the context of the developing the Ukrainian theater music and drama school." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 69, no. 69 (2023): 123–58. http://dx.doi.org/10.34064/khnum1-69.06.

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Statement of the problem. Viacheslav Antonovych Khim’iak (born in 1949) is among the renowned artists of Ternopil region. His name associates with an exceptionally fruitful period in the activity of leading theaters and theatrical universities, including the Н. Petrovsky Khmelnitsky Music and Drama Theater (now – M. Starytsky Khmelnitsky Academic Regional Music and Drama Theater), T. Shevchenko Ternopil Academic Drama Theater, S. Krushelnytska Ternopil Music School (now – S. Krushelnytska Ternopil Art Vocational College), and the Department of Theatrical Art of V. Hnatiuk Ternopil National Ped
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Golubtsova, Liubov, Serhii Plutalov, and Maryna Musienko. "The Theater Art of Mariupol: Pages of History and Modern Realities." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 3, no. 1 (2020): 66–77. https://doi.org/10.31866/2616-759x.3.1.2020.204359.

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The purpose of the research is to review the history of Mariupol's performing arts and to characterize the acting arts technologies (traditional and innovative), which the staff of the Mariupol Drama Theater relies on in its activity. Research methodology. The following methods have been used to achieve the goal of the research: historical is (to study the stages of the theatrical art formation of Donetsk region); analytical is (to identify the basic principles of the acting school as a result of its historical evolution); cultural studies is (to consider the acting school tradit
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7

Khliebnikov, P. "National Elements of Musical Culture of Cherkashchyna at the End of the XX – The Beginning of the XXI Century." Culture of Ukraine, no. 80 (June 30, 2023): 65–75. http://dx.doi.org/10.31516/2410-5325.080.08.

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The concept of “musical culture of Cherkashchyna” is characterized as a complex system that includes musical values, types of activities related to them, a set of subjects, institutions and social institutes of this type of activity. The musical culture of Cherkashchyna is presented as an integral part of the spiritual culture of Ukraine and the musical culture of Ukraine.
 The purpose of the article is to study the current state of the musical culture of Cherkashchyna, to determine the elements of the national level in its structure, to define the level of national significance of contem
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8

Швець, Ірина, Людмила Василевська-Скупа, Наталія Кравцова та Тетяна Белінська. "КУЛЬТУРНО-МИСТЕЦЬКИЙ ПРОСТІР ВІННИЧЧИНИ: НОВІ ФОРМАТИ ВЗАЄМОДІЇ З АУДИТОРІЄЮ В РЕАЛІЯХ ВОЄННОГО СТАНУ". Мистецтво в культурі сучасності: теорія та практика навчання, № 3 (27 грудня 2024). https://doi.org/10.31652/3041-1017-2024(3)-04.

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The article, based on theoretical research, analyzes the current situation and directions of the development of culture and art of Vinnytsia region in the realities of martial law. The specificity of the war in Ukraine as a phenomenon that occurs not only in the physical, but also in the cultural and artistic space is determined. It is noted that the cultural and artistic space is an effective tool in the war, because the ability to influence the audience, inspire Victory, and help to feel complicity in historical events is integrated into the music, song, and theatrical art itself. The articl
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