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Relevant bibliographies by topics / Luigi Vittorini

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Academic literature on the topic 'Luigi Vittorini'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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Journal articles on the topic "Luigi Vittorini"

1

Desole, Angelo Pietro. "Conversazione illustrata in Sicilia (1953): una controversia fra Vittorini e Crocenzi." Rivista di studi di fotografia. Journal of Studies in Photography 5, no. 10 (December 14, 2020): 82–99. http://dx.doi.org/10.36253/rsf-12247.

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Originally published in 1941, Elio Vittorini’s Conversazione in Sicilia – probably his most important novel – was republished in 1953 with the inclusion of 169 photographs commissioned to Luigi Crocenzi three years earlier. This new publication was followed by a harsh controversy between the writer and the photographer regarding the authorship of the book. This essay recontructs the dispute – a crucial moment in the definition of Italian photographic culture – through the correspondence held in Vittorini’s and Crocenzi’s personal archives and the ensuing comments published in the media.

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2

Vargas Novoa, Teresa. "Cassandra (Gnecchi/Illica, 1905): una ópera en la sombra." Epos : Revista de filología, no. 33 (August 23, 2018): 17. http://dx.doi.org/10.5944/epos.33.2017.22444.

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Análisis literario de la ópera Cassandra (1905), obra de Luigi Illica, como autor de libreto, y de Vittorio Gnecchi, de la partitura. El estudio se enmarca en el ámbito de de la Recepción Clásica.Literary analysis of the opera Cassandra, work of Luigi Illica as libretist and Vittorio Gnecchi as composer. The study belongs to the field of the Classical Reception.

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3

Di Franco, Andrea. "Geografia, storia, architettura: Vittorio Gregotti e Luigi Snozzi." TERRITORIO, no. 75 (January 2016): 86–87. http://dx.doi.org/10.3280/tr2015-075010.

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4

Di Franco, Andrea. "Vittorio Gregotti, Luigi Snozzi. La costruzione delle idee." TERRITORIO, no. 75 (January 2016): 88–97. http://dx.doi.org/10.3280/tr2015-075011.

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5

Zambon, Patrizia. "VITTORIA AGANOOR E LUIGI PIRANDELLO: DITTICO DI PROSE." Forum Italicum: A Journal of Italian Studies 34, no. 1 (March 2000): 162–72. http://dx.doi.org/10.1177/001458580003400110.

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6

Pugliese, Olga Zorzi. "Beautifying the City: 1960s Artistic Mosaics by Italian Canadians in Toronto." Quaderni d'italianistica 28, no. 1 (January 1, 2007): 93–113. http://dx.doi.org/10.33137/q.i..v28i1.8551.

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Italian Canadian craftsmen deserve recognition for their contribution to the aesthetics of Toronto's architectural environment through their role in the production of mosaic artworks. After an early period in the 1930s (which witnessed the ROM and Foster Memorial projects) there was a second phase of activity in the 1960s, in part as a result of the efforts of the entrepreneur Remo De Carli. Major works in churches (e.g. Our Lady of Sorrows Church), business establishments, banquet halls, and private homes were designed by Italian-trained artists in Canada, especially Vittorio Corsaletti, Luigi Nasato, and Vincenzo Vanin.

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7

Gieri, Manuela. "From Motherhood to Fatherhood: The Eclipse of Reason in the Taviani Brothers’ Tu ridi." Quaderni d'italianistica 39, no. 2 (November 6, 2019): 21–34. http://dx.doi.org/10.33137/q.i..v39i2.33259.

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The paper presents an in-depth analysis of Tu ridi, a free adaptation of some of Luigi Pirandello’s short stories, realized by Paolo and Vittorio Taviani in 1998. Within a filmography largely characterized by an attention to the historical, social, and political transformations that Italy experienced over the second half of the twentieth century, special attention should be paid to the films the Tavianis made in a close dialogue with literature, a closeness that has always been particularly fortunate for both art forms. Over the decades, they have recurrently practised the art of adaptation bringing to the screen, among other literary texts, several of Luigi Pirandello’s short stories in films such as Tu ridi, and Kaos (1984). Unquestionably, literature has often been instrumental for the Tavianis’ investigation of reality, and my analysis will place in a close dialogue Tu ridi, their 1982 film La notte di San Lorenzo and, last but not least, Kaos, since in all tthree works the Tavianis’ agenda seems to be the same: to interrogate and overturn official historical discourse in order to unveil the complex and multifaceted truth that lies under the surface of things, and thus to rewrite the very narration about Neorealism and its overcoming.

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8

Dercks, Ute. "Ulrich Middeldorf prior to emigration: The Photothek of the Kunsthistorisches Institut in Florenz (1928-1935)." Art Libraries Journal 38, no. 4 (2013): 29–36. http://dx.doi.org/10.1017/s0307472200018770.

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When Ulrich Middeldorf departed Florence in November 1935 to teach art history at the University of Chicago, he left behind at the Kunsthistorisches Institut in Florenz the ‘Photo collection – the special pride of our Institute’ in the structure that has characterised it up to the present day. Middeldorf was 25 when he first came to the Institute as a scholar. In the following years he turned the Photothek into a modern research instrument, re-organising its classification system and its card indexes as the main finding aid. His contribution to the growth of the collection was enormous, not only thanks to his own donations, but also through the relationship he fostered with the main patron of the collection, Luigi Vittorio Fossati Bellani.

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9

ZUCCOLI, MARINA, and FRANCESCO BARBIERI. "PER UN ARCHIVIO DELLA CORRISPONDENZA DEGLI SCIENZIATI ITALIANI." Nuncius 6, no. 2 (1991): 145–55. http://dx.doi.org/10.1163/182539191x00803.

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Abstract<title> SUMMARY </title>Geminiano Rondelli (1652-1739), an important hydraulic engineer, was for many years professor of mathematics at University of Bologna. He held an important position at a time of crisis at the University of Bologna. The nine letters written by Rondelli to Luigi Ferdinando Marsili, here published, go back to the years 1701-1702, in which Marsili was considering the possibility of building an astronomical observatory and founding a research institute. This was to become the Istituto delle Scienze, of which Rondelli was the first librarian. Marsili, for the realization of this projects, looked for valuable collaborators and Rondelli suggested the name of two promising young mathematicians, Vittorio Stancari and Gabriele Manfredi, brother of the well-known Eustachio Manfredi.

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10

Stefanelli, Diego. "La Sardegna dei linguisti e la Sardegna per i turisti: consonanze e dissonanze discorsive a inizio Novecento." Italianistica Debreceniensis 24 (December 1, 2018): 10–29. http://dx.doi.org/10.34102/italdeb/2018/4658.

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The aim of this contribution is to tackle an already highly researched subject by adopting a fairly unprecedented perspective. I would like to concentrate on the representation of Sardinia in one of the most important historical moments for the construction of the image of the island in a modern perspective: the first decades of the twentieth century. I will try to make two apparently distant text types interact: tourist guides and travel reports written by linguists. I will focus on two prototype examples: on one hand the Reisebilder aus Sardinien by Max Leopold Wagner; on the other, the Touring Club Guide dedicated to Sardinia, written by Luigi Vittorio Bertarelli. My intent is to trace the similarities and differences of the two textual typologies in presenting a region at the time universally imagined (and narrated) as different, atypical and in any case "peculiar". In doing so, I will also try to highlight continuity and discontinuity with respect to the nineteenth-century representative methods.

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Dissertations / Theses on the topic "Luigi Vittorini"

1

Piller, Maike Charlotte. "Kultur und Literatur : Sizilienbilder in Luigi Pirandellos "Novelle per un anno" und Elio Vittorinis "Conversazione in Sicilia" /." kostenfrei, 2009. http://media.obvsg.at/AC07677974-2001.

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Books on the topic "Luigi Vittorini"

1

Simonelli, Luciano. Dieci giornalisti e un editore: Il racconto della vita di Gaetano Baldacci, Luigi Barzini, Arrigo Benedetti, Vittorio Beonio ... Milano: Simonelli, 1997.

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2

Accademia nazionale d'arte drammatica "Silvio d'Amico.", ed. Silvio D'Amico & co., 1943-1955: Allievi e maestri dell'Accademia d'arte drammatica di Roma : Vittorio Gasmann, Luigi Squarzina, Orazio Costa, Guido Salvini, Sergio Tòfano,--. Roma: Bulzoni, 2005.

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3

Aetas mutationis: Annibel Cunoldi, Vittorio Messina, Luigi Stoisa, Gilberto Zorio. Skira, 1996.

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4

Aetas mutationis: Annibel Cunoldi, Vittorio Messina, Luigi Stoisa, Gilberto Zorio. Berlin: Neue Nationalgalerie, 1996.

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5

Labeo; rassegna di diritto romano & Centro "Vincenzo Arangio-Ruiz"; indice delle fonti citate in P. Frezza, Scritti (2000): A cura di Luigi Migliaccio e Vittoria Silvestri. Naples: Editore Jovene Napoli, 2002.

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6

Maritain, Institut international Jacques, Istituto "Luigi Sturzo ", and Istituto Paolo VI, eds. Vittorino Veronese dal dopoguerra al Concilio: Un laico nella Chiesa e nel mondo : atti del Convegno di studi promosso da l'Istituto internazionale J. Maritain, l'Istituto Luigi Sturzo e l'Istituto Paolo VI di Roma : Roma, 7-8 maggio 1993. Roma: A.V.E., 1994.

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7

Sergio, Iván. Prensa étnica italiana en Chile. Estudio cultural acerca de los discursos literarios, periodísticos y consulares (1890-1943). Universidad Autónoma de Chile, 2019. http://dx.doi.org/10.32457/20.500.12728/87532019dh10.

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En el último cuarto del siglo XIX se consolidó la comunidad italiana en Chile que hasta aquel entonces estaba dividida en pequeñas realidades aisladas sin un centro unificador; de hecho, las primeras dos instituciones italianas con sede en Valparaíso se fundaron en 1856 y 1858 -respectivamente la Sociedad mutuo socorro Unión Italiana y la Compañía de bomberos Cristoforo Colombo. Los primeros periódicos italianos en Chile datan de 1890 en el mismo periodo que se fundaron las instituciones italianas en Santiago como la Sociedad Mutuo Socorro “Italia” (1880), la Escuela Italiana de Santiago (1891), la Escuela Dante Alighieri (1902), entre otras. Si bien los periódicos italianos empiezan a publicarse a finales del siglo XIX, hemos encontrado la noticia de un periódico publicado en el año 1862, en el libro de Vittorio Briani1: se trata del Corriere d’Italia2 que fue presumiblemente publicado en Valparaíso y fue dirigido por Luigi Pagnani que, además, fue cónsul de Italia en Valparaíso. En todo caso, la prensa étnica italiana en Chile empezó a desarrollarse en la segunda mitad del siglo XIX.En 1890, entonces, con la fundación de L’Eco d’Italia y de L’Italia empezó a desarrollarse en Chile una primera forma de prensa étnica italiana. Con el término prensa étnica la historiografía se refiere a todas las publicaciones periódicas publicadas fuera del territorio nacional, en nuestro caso específico fuera de Italia. Esta prensa es distinta a la nacional en cuanto a sus características peculiares, como, por ejemplo, el tipo de público al que se dirige y el contenido tratado en sus periódicos. Es precisamente en este periodo cuando empezaron a circular en Santiago y Valparaíso los primeros discursos italianos a través de la difusión y de la publicación de dicha prensa; resulta necesario, a la hora de analizar los discursos que serán objeto de nuestra investigación, subrayar que éstos se desarrollaron en la prensa étnica y, por consiguiente,tuvieron el doble objetivo de mantener los lazos con la patria nativa y de reforzar los vínculos internos en la comunidad italiana recién formada, como se lee en las mismas fuentes.3 El estudio de los discursos periodísticos y literarios es parte de una problemática más amplia que aborda el tema de la formación de una imagen de la colectividad italiana en Chile, a través de la prensa étnica que se publicó en Santiago y Valparaíso desde el final del siglo XIX hasta la mitad del siglo pasado. Por lo tanto, la tesis tiene como objeto de estudio los discursos periodísticos y literarios italianos analizados, por un lado, a partir de la prensa étnica que se publicó en Santiago y Valparaíso desde el año 1890 hasta el año 1943; y por el otro, examinando los documentos consulares enviados al Ministero degli Affari Esteri en Roma.

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Book chapters on the topic "Luigi Vittorini"

1

"A Cornucopia of Italian Poetry (Camillo Sbarbaro, Vittorio Sereni, Andrea Zanzotto, Luciano Erba, Bartolo Cattafi, Lucio Mariani, Luigi Fontanella)." In Into the Heart of European Poetry, 59–77. Routledge, 2017. http://dx.doi.org/10.4324/9780203788233-14.

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