Relevant bibliographies by topics / Lumière au cinéma / Books
To see the other types of publications on this topic, follow the link: Lumière au cinéma.

Books on the topic 'Lumière au cinéma'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Lumière au cinéma.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Loiseleux, Jacques. La lumière en cinéma. Paris: Cahiers du cinéma, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

1956-, Hamel Annie, ed. La Fille lumière: Roman. Paris: Presses de la Cité, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

La lumière de Souleymane Cissé: Cinéma et culture. Paris: L'Harmattan, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Cinéma dans la tête: L'esthétique du film à la lumière des neurosciences. Berne: P. Lang, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Mannoni, Laurent. Le grand art de la lumière et de l'ombre: Archéologie du cinéma. Paris: Nathan, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Borgé, Guy. Les Lumière, Antoine, Auguste, Louis et les autres: L'invention du cinéma, les autochromes. Lyon: Editions lyonnaises d'art et d'histoire, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Cinema lumiere. Belgrade: P.E.N. Club serbe, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Brancion, Laurence Chatel de. Le cinéma au siècle des Lumières. Saint-Rémy-en-L'Eau: M. Hayot, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Le cinéma au siècle des lumières. Saint-Rémy-en-l'Eau: Monelle Hayot, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Grundmann, Roy, Peter Schwartz, and Gregory Williams, eds. Labour in a Single Shot. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463722421.

Full text
Abstract:
This collection of essays offers a critical assessment of Labour in a Single Shot, a groundbreaking documentary video workshop. From 2011 to 2014, curator Antje Ehmann and film- and videomaker Harun Farocki produced an art project of truly global proportions. They travelled to fifteen cities around the world to conduct workshops inspired by cinema history’s first film, Workers Leaving the Lumière Factory, shot in 1895 by the Lumière brothers in France. While the workshop videos are in colour and the camera was not required to remain static, Ehmann and Farocki’s students were tasked with honouring the original Lumière film’s basic parameters of theme and style. The fascinating result is a collection of more than 550 short videos that have appeared in international exhibitions and on an open-access website, offering the widest possible audience the opportunity to ponder contemporary labour in multiple contexts around the world.
APA, Harvard, Vancouver, ISO, and other styles
11

Germann, Christophe. Diversité culturelle et libre-échange à la lumière du cinéma: Réflexions critiques sur le droit naissant de la diversité culturelle sous les angles du droit de l'UNESCO et de l'OMC, de la concurrence et de la propriété intellectuelle. Bâle, Switzerland: Helbing Lichtenhahn, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
12

Germann, Christophe. Diversité culturelle et libre-échange à la lumière du cinéma: Réflexions critiques sur le droit naissant de la diversité culturelle sous les angles du droit de l'UNESCO et de l'OMC, de la concurrence et de la propriété intellectuelle. Bâle, Switzerland: Helbing Lichtenhahn, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
13

d'Allonnes, Fabrice Revault. La lumière au cinéma. Paris: Editions Cahiers du cinéma, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
14

Rosalia, Del Porro, ed. Il Lumière di Pisa: Cento anni di cinema a Palazzo Agostini. Ospedaletto, Pisa: Felici, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
15

From Plato to Lumière: Narration and monstration in literature and cinema. Toronto: University of Toronto Press, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
16

Château lumière: Brindisi ed ebbrezze al cinema. Bra (Cn) [i.e. Cuneo, Italy]: Slow food, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
17

Des cinémas dans la ville: Caen, des frères Lumière au nouveau millénaire. Cabourg: Éditions Cahiers du temps, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
18

Breviario di estetica del cinema: Percorso teorico-critico dentro il linguaggio filmico da Lumière al cinema digitale. Milano: Mimesis, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
19

Rencontres cinématographiques de Beaune (2nd 1992). Sunlight ou--- lumière: Le cinéma européen. [Paris]: Lieu commun, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
20

Rittaud-Hutinet, Jacques. Les frères Lumière: L'invention du cinéma. [Paris]: Flammarion, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
21

Guarracino, Georges. La Provence dans la lumière du cinéma. [Marseille]: Editions méditerranéennes du Prado, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
22

Calzini, Mario. Cento anni di cinema al cinema: Storia dei cinematografi, dalla saletta dei Lumière ai multiplex. Roma: Gestioni editoriali Agis, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
23

Philippe, Roger. Lyon: Lumière des ombres : cent ans de cinéma. Lyon: Editions LUGD, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
24

La Ciotat, pays de Lumière, berceau du cinéma. [La Ciotat]: Association La Ciotat, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
25

Désile, Patrick. Généalogie de la lumière: Du panorama au cinéma. Paris: Harmattan, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
26

Le roman des Lumière: Le cinéma sur le vif. [Paris]: Gallimard, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
27

Pauletto, Giancarlo, and Carlo Montanaro. Prima dei lumière: Oggetti, documenti, immagini avanti e attorno al cinema dalla collezione Carlo Montanaro di Venezia. Pordenone [Italy]: Centro iniziative culturali Pordenone, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
28

Le cinéma des origines: Les frères Lumière et leurs opérateurs. Seyssel: Champ Vallon, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
29

Dallet, Sylvie. La Révolution française et le cinéma: De Lumière à la télévision. Paris: Lherminier, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
30

Beaulieu, Étienne. Sang et lumière: La communauté du sacré dans le cinéma québécois : essai. Québec, Québec: L'Instant même, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
31

Guidi, Umberto. Viareggio: Effetto cinema : la Versilia e il grande schermo dai fratelli Lumière ai giorni nostri. Lucca [Italy]: Maria Pacini Fazzi, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
32

L' affaire Lumière: Du mythe à l'histoire : enquête sur les origines du cinéma. Paris: Lherminier, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
33

Conreur, Gérard. Les années Lumière: 1888-1929 : de l'age de pierre à l'age d'or du cinéma en France. Paris: Editions France-Empire, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
34

Les Frères Lumières et le Cinéma. Sorbier, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
35

Edmonds, Hattie Holden. Cinema Lumiere. RedDoor Publishing Limited, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
36

Rémy, Pithon, and Jaques Pierre-Emmanuel, eds. Cinéma suisse muet: Lumières et ombres. Lausanne: Antipodes, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
37

Sunlight ou--- lumiere: Le cinema europeen. Lieu commun, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
38

Steve, Parker. The Lumiere Brothers and Cinema (Science Discoveries). Belitha Press Ltd, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
39

Pithon, Remy. Cinema suisse muet. lumieres et ombres. Antipodes, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
40

Roger, Philippe. Lyon: Lumiere des ombres : Cent ans de cinema. Editions LUGD, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
41

Casetti, Francesco. The Lumière Galaxy: Seven Key Words for the Cinema to Come. Columbia University Press, 2015.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
42

The Lumière Galaxy: Seven Key Words for the Cinema to Come. Columbia University Press, 2015.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
43

L'Immaginario Urbano Nel Cinema Delle Origini: La Veduta Lumiere. CLUEB Editrice Bologna, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
44

Un cinéma sous influence: La revue Lumières, 1987-1992, une anthologie. Montréal: L'Etincelle, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
45

La production cinematographique des freres Lumiere (Librairie du premier siecle du cinema). Diffusion, CDE, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
46

Auguste & Louis Lumiere: Pioneers In Cinema Film (Uncharted, Unexplored, and Unexplained) (Uncharted, Unexplored, and Unexplained). Mitchell Lane Publishers, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
47

Kone, Amadou. Lumieres Africaines: Nouveaux Propos Sur LA Litterature Et Le Cinema Africains (Francophone Studies). University Press of the South, Inc., 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
48

1944-, Bertetto Paolo, Pesenti Campagnoni Donata, Museo nazionale del cinema (Italy), and Società promotrice delle belle arti (Turin, Italy), eds. La magia dell'immagine: Macchine e spettacoli prima dei Lumière nelle collezioni del Museo nazionale del cinema. Milano: Electa, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
49

Jeux d'auteurs, mots d'acteurs: Scenaristes et dialoguistes du cinema francais, 1930-1945 : Actes des colloques SACD, 1992-1993 (Coedition Institut Lumiere/Actes sud). Actes sud, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
50

Andrew, Nell. Moving Modernism. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190057275.001.0001.

Full text
Abstract:
This book reenacts the simultaneous eruption of three spectacular revolutions—the development of pictorial abstraction, the first modern dance, and the birth of cinema—which together changed the artistic landscape of early twentieth-century Europe and the future of modern art. Rather than seeking dancing pictures or pictures of dancing, however, this study follows the chronology of the historical avant-garde to show how dance and pictures were engaged in a kindred exploration of the limits of art and perception that required the process of abstraction. Recovering the performances, methods, and circles of aesthetic influence of avant-garde dance pioneers and experimental filmmakers from the turn of the century to the interwar period, this book challenges modernism’s medium-specific frameworks by demonstrating the significant role played by the arts of motion in the historical avant-garde’s development of abstraction: from the turn-of-the-century dancer Loïe Fuller, who awakened in symbolist artists the possibility of prolonged vision; to cubo-futurist and neosymbolist artists who reached pure abstraction in tandem with the radical dance theory of Valentine de Saint-Point; to Sophie Taeuber’s hybrid Dadaism between art and dance; to Akarova, a prolific choreographer whose dancing Belgian constructivist pioneers called “music architecture”; and finally to the dancing images of early cinematic abstraction from the Lumière brothers to Germaine Dulac. Each chapter reveals the emergence of abstractionas an apparatus of creation, perception, and reception deployed across artistic media toward shared modernist goals. The author argues that abstraction can be worked like a muscle, a medium through which habits of reception and perception are broken and art’s viewers are engaged by the kinesthetic sensation to move and be moved.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Lumière au cinéma' for other source types:
Journal articles Dissertations / Theses
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography