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Books on the topic 'Luminanza'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Yebra, Ana María Romero. Luminaria. Ediciones Torremozas, 2014.

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2

Precioso, Juan Luis López. Luminaria. Región de Murcia, Consejería de Cultura y Educación, 1998.

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3

Linda, Connor. Luminance. Woodrose Pub. in association with the Center for Photographic Art, 1994.

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4

E. luminata. Lumen, 1991.

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5

Adorno, Luisa. Arco di luminara. Sellerio, 1990.

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6

Nowicki, Józef. Luminarze polskiej teorii ekonomii XX wieku. Państwowe Wydawn. Nauk., 1991.

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7

Treado, S. J. Sky luminance and direct beam illuminance. U.S. Dept. of Commerce, National Bureau of Standards, 1986.

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8

Zarzycki, Wacław. Biskup Adam Naruszewicz luminarz polskiego Oświecenia. Redakcja Wydawnictw Katolickiego Uniwersytetu Lubelskiego, 1999.

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9

Carballido, Emilio. Luminaria: Zorros chinos ; y la prisionera : teatro. Universidad Veracruzana, 2000.

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10

Aleksander Czołowski 1865-1944: Luminarz lwowskiej kultury. "Novae Res" - Wydawn. Innowacyjne, 2011.

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11

Leinonen, Markku. Taustan valaistus näkökenttätutkimuksessa =: Background luminance in visual field testing. Turun yliopisto, 1996.

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12

Clarke, C. K. P. PAL decoding: Multi-dimensional filter design for chrominance-luminance separation. BBC, 1988.

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13

Illumination, International Commission on. Methods of characterizing illuminance meters and luminance meters: Performance, characteristics and specifications. Central Bureau of The CIE, 1987.

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14

Parry, N. R. A. Evoked potential and reaction time studies of human responses tocolour and luminance contrast. UMIST, 1992.

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15

Kane, Nicholas Mark. The effects of special frequency and luminance change upon the human visual evoked response. University of Birmingham, 1989.

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16

Venezia, Enzo. Luminaria: Corpi, luoghi e utopie di Palermo : un progetto di Enzo Venezia sulla poesia di Franco Scaldati. Electa Napoli, 2003.

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17

Gaeta, Francesco. Luminara e festeggiamenti in onore di San Ranieri in due manoscritti dei secoli 17. e 18.: Lettera ad Antonio Lupis di Venezia (1689) / Francesco Gaeta ; a cura di Silvano Burgalassi . Memoria della Luminara del 16 giugno 1723. Felici, 2000.

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18

Jingfei, Shi, Feng Mingzhu, and Xie Zhenhong, eds. Ri yue guang hua: Qing gong hua fa lang = Radiant Luminance : the painted enamelware of the Qing Imperial court. Guo li gu gong bo wu yuan, 2012.

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19

Eltit, Diamela. E. Luminata. Lumen Books/Sites Books, 1997.

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20

Anstis, Stuart. Color and Luminance. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0038.

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Color and luminance interact in many ways in the human visual system. For instance, the colors in an afterimage, which are due to adaptation of retinal cones, are especially vivid when test contours, presented after the adapting image, coincide with the blurred edges of the afterimage. A single colored adapting pattern can give rise to two differently colored afterimages, according to the position of black lines in the test field. This shows that colors seen by the low-acuity chromatic pathways will diffuse outward along, but not across, luminance contours. This is also true for real colors. F

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21

Hood, Flora Mae. One Luminaria for Antonio,. Putnam Pub Group (L), 2000.

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22

Luminaria Kit: Set of 20 Candles. Emkay Candles, 1994.

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23

Determining Average Luminance for Indoor Luminaires. Illuminating Engineering Society of North America, 1998.

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24

Mueller, Mach Regina, and Hewlett-Packard Laboratories, eds. High luminance from thin film electroluminescence devices. Hewlett-Packard Laboratories, Technical Publications Department, 1996.

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25

Dervishi, Sokol. Sky Radiance and Luminance Models: The Boundary Conditions. Nova Science Publishers, Incorporated, 2019.

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26

Romanova, Mariya A. Air Survey of Sand Deposits by Spectral Luminance. Springer, 2012.

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27

Geier, János, and Mariann Hudák. Changing the Chevreul Illusion by a Background Luminance Ramp. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0044.

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The Chevreul illusion comprises adjacent homogeneous grey bands of different luminance, which are perceived as inhomogeneous. It is generally explained by lateral inhibition. When the Chevreul staircase is placed in a luminance ramp background, the illusion noticeably changes. Since all conditions of the lateral inhibition account are untouched within the staircase, lateral inhibition (which is a local model) fails to model these perceptual changes. Another ramp was placed around the staircase, whose direction was opposite to that of the original, larger ramp. The result here is that though th

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28

Institute of Electrical and Electronics Engineers., IEEE Broadcast Technology Society. Audio and Visual Techniques Committee., IEEE Standards Association, IEEE Standards Board, and American National Standards Institute, eds. IEEE standard on television: Measurement of luminance signal levels. Institute of Electrical and Electronics Engineers, 2001.

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29

Illuminating Engineering Society of North America., ed. IESNA guide for determination of average luminance for indoor luminaires. Illuminating Engineering Society of North America, 1997.

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30

Illuminating Engineering Society of North America. Subcommittee on Photometry of Indoor Luminaires., ed. IESNA guide for determination of average luminance of indoor luminaires. The Society, 1997.

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31

Hamburger, Kai, Thorsten Hansen, and Karl R. Gegenfurtner. Geometric-Optical Illusions Under Isoluminance? Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0018.

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This chapter briefly introduces nine classical geometric-optical illusions. These include the Delboeuf illusion, the Ebbinghaus illusion, the Judd illusion, the Müller-Lyer illusion, the Ponzo illusion, the vertical illusion, the Hering illusion, the Poggendorff illusion, and the Zoellner illusion. It then demonstrates that they persist under different luminance conditions and under isoluminance. The empirical findings show that our conscious percept is similarly affected by luminance conditions and isoluminance, suggesting that joint contour processing (chromatic and luminance) may extend wel

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32

Aldo, Badano, and National Institute of Standards and Technology (U.S.), eds. Characterization of luminance probe for accurate contrast measurements in medical displays. U.S. Dept. of Commerce, Technology Administration, National Institute of Standards and Technology, 2003.

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33

Roncato, Sergio. Geometrical Errors Are the Cost of Maintaining the Luminance Contrast Polarity. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0032.

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The visual completion is the result of the integration of fragmented contours. The contrast polarity (or contrast sign) may affect this interpolation by strengthening the completion in a direction where the contrast polarity is preserved. This chapter illustrates some manifestations of these phenomena: the alteration of the alignment of the visual units and the illusory tilt of more complex visual organization. The occurrence of basic distorting effects underlying classic illusions—such as the Frazer illusion—is discussed. It is noted that the role of the contrast polarity rule in representing

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34

Zavagno, Daniele, and Olga Daneyko. The Glare Effect. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0061.

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The glare effect consists in a strong brightness enhancement of a bright region determined solely by the presence of linear luminance gradients organized in such a way that the bright ends of the gradients delimit the bright region. The effect is obtained with both achromatic and chromatic gradients. In its achromatic version, the illusion has been employed to study the perception of luminosity and the effects of brightness on lightness in simultaneous contrast configurations. The role of photometric gradients and their distribution in space are discussed, with demos showing how luminance grad

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35

Tann, Hilary. Psalm 136: Luminaria Magna: For Mixed Choir (Satb) and Organ (Oxford Choral Music). Oxford University Press, 2003.

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36

Lu, Zhong-Lin, and George Sperling. Second-Order Mach Bands, Chevreul, and Craik-O’Brien-Cornsweet Illusions. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0053.

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Second-order texture illusions, corresponding to Mach bands, Chevreul, and Craik-O’Brien-Cornsweet illusions in brightness perception, are generated by replacing luminance modulations in the classic stimuli with modulations of texture contrast. Whereas the classic (first-order) illusions exhibit changes in lightness or darkness near boundaries, the second-order stimuli exhibit analogous perceptual effects that are increases or decreases in apparent texture contrast with no concomitant change in apparent brightness. The magnitudes of the second-order texture-contrast changes are comparable to b

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37

Shapiro, Arthur G. Contrast Asynchronies. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0112.

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Contrast asynchronies juxtapose color and color contrast information. The basic configuration of a contrast asynchrony consists of two identical disks whose luminance levels change in time from light to dark and back again; one disk is surrounded by a bright field and the other by a dark field; at 1Hz, observers report seeing the disks modulating in antiphase, yet also becoming light and dark at the same time. While such a configuration may look like a dynamic brightness illusion, the actual effect occurs because the visual system separates the in-phase luminance information from the antiphase

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38

Ltd, ICON Group. LUMINANT WORLDWIDE CORP: International Competitive Benchmarks and Financial Gap Analysis (Financial Performance Series). 2nd ed. Icon Group International, Inc., 2000.

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39

Ltd, ICON Group. LUMINANT WORLDWIDE CORP: Labor Productivity Benchmarks and International Gap Analysis (Labor Productivity Series). 2nd ed. Icon Group International, Inc., 2000.

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40

C, Hayes B., and George C. Marshall Space Flight Center., eds. Illuminance and luminance distributions of a prototype ambient illumination system for Space Station Freedom. National Aeronautics and Space Administration, George C. Marshall Space Flight Center, 1991.

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41

McCarthy, James E. Luminance- and flicker-domain stimuli as potential sources of motion information in peripheral vision. 1989.

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42

McCarthy, James E. Luminance- and flicker-domain stimuli as potential sources of motion information in peripheral vision. 1989.

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43

E, Boehmer, and United States. National Aeronautics and Space Administration., eds. Micro-optic color separation technology for efficient projection displays: Final report, contract no. NAS2-14041. Rockwell Science Center, 1997.

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44

E, Boehmer, and United States. National Aeronautics and Space Administration., eds. Micro-optic color separation technology for efficient projection displays: Final report, contract no. NAS2-14041. Rockwell Science Center, 1997.

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45

E, Boehmer, and United States. National Aeronautics and Space Administration., eds. Micro-optic color separation technology for efficient projection displays: Final report, contract no. NAS2-14041. Rockwell Science Center, 1997.

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46

E, Boehmer, and United States. National Aeronautics and Space Administration., eds. Micro-optic color separation technology for efficient projection displays: Final report, contract no. NAS2-14041. Rockwell Science Center, 1997.

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47

Paper Illuminated: 15 Projects for Making Handcrafted Luminaria, Lanterns, Screens, Lamp Shades and Window Treatments. Storey Publishing, LLC, 2001.

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48

Gilad-Gutnick, Sharon, Rohan Varma, and Pawan Sinha. The Bogart Effect. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0089.

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While a geometry-based eye-gaze estimation strategy has been the basis of many theories regarding the direction of one’s gaze, such a strategy relies on relatively detailed curvature information and therefore functions suboptimally under low-resolution viewing conditions. Partly in response to this concern, the past decade has seen the rise of luminance-based theories of eye-gaze estimation. The idea of luminance-based estimation of gaze direction arose from the observation that contrast negation affects eye-gaze perception, and an early demonstration and possible explanation for this phenomen

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49

1921-, Burgalassi Silvano, and Noferi Marco, eds. Luminara e festeggiamenti in onore di San Ranieri in due manoscritti dei secoli XVII e XVIII. Felici, 2000.

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50

Luminara e festeggiamenti in onore di San Ranieri in due manoscritti dei secoli XVII e XVIII. Felici, 2000.

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