Relevant bibliographies by topics / Lutheran Church Liturgy and architecture. Church architecture / Dissertations / Theses

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Dissertations / Theses on the topic 'Lutheran Church Liturgy and architecture. Church architecture'

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Published: 4 June 2021

Last updated: 16 February 2022

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Jost, Larry A. "God's house -- what do we need? a translation of liturgy into architecture /." Theological Research Exchange Network (TREN), 1992. http://www.tren.com.

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Ding, Samuel Ming-Hooi. "Chinese-American church : a design." Thesis, Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/22389.

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Hughes, Patricia J. "A study of Built of living stones art, architecture and worship, in the light of practical theology /." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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Thesis (D. Min.)--Catholic Theological Union at Chicago, 2003.
"This study is intended for those who assist a parish in building or renovating a worship space. The context is situated in the U.S. Catholic parishes in the twenty-first century ..."--Leaf xviii. Vita. Includes abstract. Includes bibliographical references (leaves 128-136).

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Lara, James R. "Bipolar liturgical space in medieval Spain the c̲o̲r̲o̲ b̲a̲j̲o̲ and v̲i̲a̲ s̲a̲c̲r̲a̲ /." Theological Research Exchange Network (TREN), 1990. http://www.tren.com.

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Rollins, James A. "Engaging worship : gathering saints, sinners and seekers in the presence of God /." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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Wurster, John William. "Font, pulpit, table a model for liturgical preaching in the Presbyterian Church (U.S.A.) /." Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.

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Davidson, Carol Foote. "Written in stone : architecture, liturgy, and the laity in English parish churches, c. 1125 - c. 1250." Thesis, Boston Spa, U.K. : British Library Document Supply Centre, 1998. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.302112.

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Niemann, Paul Joseph. "Building a church facilitating constructive conversation in the parish community on liturgical assembly and architecture /." Theological Research Exchange Network (TREN), 1996. http://www.tren.com.

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Brasaemle, Karla Anne. "For glory and for beauty implications of the theology of beauty for creating worship space /." Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

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Gonzaga, Paul Vincent. "Sacred Threshold: An Examination of the Threshold in a Catholic Church for Hispanic Immigrants." Thesis, Virginia Tech, 1998. http://hdl.handle.net/10919/29181.

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The Book of Exodus in the Old Testament recounts the liberation and salvation of an oppressed people and their subsequent journey to and arrival at the Promised Land. In the Christian Church, this journey continues in the lives of believers. The spiritual journey begins with salvation, continues with a repeated process of suffering and redemption, and terminates with an awakening to a better understanding of God.

The spiritual journey made concrete is the concern of this project. The Christian life, grossly simplified, is a passage from one place to another. The believer is constantly passing through the threshold from this life to the next, from an old, limited understanding of the divine to a new understanding.

In the Catholic Church, this process of passage is ritualized in the journey of the believer to the church each Sunday. Upon entering the church building, the believer passes from the secular and mundane to the sacred and holy.

Where does the secular end and the sacred begin? How does one delimit a boundary between the two? How does one cross the threshold from the profane to the sacred? That is the focus of this project.
Master of Architecture

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McWilliams, Patrick Evan. "From English to Anglican use : liturgy, ceremonial, and architecture in the Church of England from 1899 to 1965." Thesis, University of York, 2015. http://etheses.whiterose.ac.uk/11672/.

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The period between 1899 and 1965 was a particularly fertile one as regards the architecture and ceremonial of the Church of England. A movement calling itself the English Use arose seeking to revive the aesthetics of the late middle ages and using the Ornaments Rubric of the Book of Common Prayer as its authority. Led by scholars such as Vernon Staley and Percy Dearmer, and supported by a host of publications, including those of the Alcuin Club, this movement brought about a transformation in the manner of performance of the ceremonies of worship according to the Prayer Book. The work of architects like Ninian Comper, Temple Moore, and Charles Nicholson and stained glass designers such as J.N.C. Bewsey contributed the appropriate visual context. Alongside this visual shift came a change in the sound-world of Anglican worship, prompted by the publication of The English Hymnal and various supplements to worship which emphasised plainchant and a revived English choral tradition. The end result of the English Use movement was to transform the worship of the Church of England, creating a distinctive approach to liturgy and art which was only eclipsed in the later 1960s when clergy such as Peter Hammond and architects such as Maguire & Murray began to question the received tradition.

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Horrigan, J. Philip. "Liturgical consultation and practical theology." Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

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Swarbrick, Elizabeth Joy. "The medieval art and architecture of Scottish collegiate churches." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/12210.

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Collegiate churches were founded for two essential aims: the augmentation of divine worship, and the salvation of souls. This thesis brings to light just how important material and aesthetic enrichments were in regards to these functions. The vast majority of collegiate churches in Scotland were substantially augmented around the time of their foundation. Patrons undertook significant building programmes and provided a variety of furnishings and ornaments to facilitate and enrich the services their body of clergy performed. Precise statutes were laid down in order to ensure that clergy were skilled singers and organists. Many founders also made provision for their burial within their collegiate churches so that they could garner the maximum spiritual benefit from the organisations that they had founded. To the author's knowledge, this is the first in-depth account of the art and architecture of Scottish medieval colleges. This thesis looks closely at the architecture, furnishings, rituals, music, imagery, and commemorative functions of the forty-nine collegiate churches founded in Scotland. A close concentration on this institutional form has meant that buildings, artworks, and practices which have hitherto not received significant scholarly attention have been carefully scrutinised. Furthermore, by looking at so many aspects of collegiate churches, the present study enriches an understanding of these institutions by providing a more holistic picture of their functions and significance. Ultimately this thesis examines why physical and aesthetic enrichment went hand in hand with the founding of a college, and what role this material culture had in regards to how collegiate churches functioned.

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Holmes, John Duncan. "Building worship facilities which integrate AV technology in their design." Theological Research Exchange Network (TREN), 1988. http://www.tren.com.

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Teteriatnikov, Natalia. "The liturgical planning of Byzantine churches in Cappadocia." Roma : Pontificio Istituto Orientale, 1996. http://books.google.com/books?id=W1xhAAAAMAAJ.

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Woydack, Tobias. "Der räumliche Gott : was sind Kirchengebäude theologisch? /." Hamburg : EB-Verlag, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014596805&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Šebela, Vojtěch. "Architektonická studie sakrálního objektu a komunitního centra Salesiánského Brno - Líšeň / druhá etapa." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2021. http://www.nusl.cz/ntk/nusl-443704.

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The topic of the diploma thesis is the design of the Roman Catholic Church of the Descent of the Holy Spirit in Brno Líšeň. The building will complement the needs of the Salesian community, which has been operating in the nearby Salesko youth house for almost 30 years and focuses on educating young people using methods from Don Bosco. The design of the church also envisages the construction of facilities for parishioners and accommodation for Salesians. It should also serve not only the current community, but also the general public. The design offers a solution how to modernize a building of these dimensions into an urban complex such as a housing estate in modern times. All this with an emphasis on minimizing the negative impacts on existing residents who use the surrounding areas for recreation. The building will consist of two functional units. The first will consist of a church building with a capacity of 300 seated and 100 standing parishioners. The second part will be a parish center with a community hall for 100 people. There will also be apartments for priests, a hobby workshop and parish offices.

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Schneider, Sylvia Crenshaw. "St. Ambrose and the architecture of the churches of northern Italy : ecclesiastical architecture as a function of liturgy /." 2008. http://digital.library.louisville.edu/cgi-bin/showfile.exe?CISOROOT=/etd&CISOPTR=810&filename=811.pdf.

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Kiprianos, Joseph. "The sacredness of space and its values in the Maronite church in Lebanon : a fusion between liturgy and place." Thesis, 2004. http://hdl.handle.net/10413/9427.

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There exists only one manuscript about ecclesiastical Maronite ecclesiastical architecture (written in the 17th century by the patriarch Stephen el Dweihi) and there is no revised or subsequent work of reference, which this thesis aims to address. To this end, these were the critical questions investigated: This thesis begins by taking stock of the extant vestiges which, with a few exceptions, are confined to Mount Lebanon and north-east Lebanon namely in Byblos, Batroun, Bcharri, Koura, Keserwan, Matn. This area is characterized by a series of spurs and mountain tops, wild deep valleys and remoteness, and the architecture is rooted in this landscape. Its resources for construction are the materials at hand, and the buildings are usually located in villages on the spurs, and one finds that the Maronite ecclesiastical architecture is indistinguishable from the general secular and residential architecture. As such it is "grows" out of the land, is modest in size and scale, and is historically without belfry, i.e. a hidden architecture. While the general disposition of Christian churches is similar, Maronite vernacular houses and churches are block-like with flat roofs, stone walls, and very often with vaulted interiors and minimal of openings. The church is thus another house, rectangular and aligned east-west and is devoid of decoration; the sanctuary is usually apsidal with a minor aperture above the apex of the dome and below the vault of the nave. The particular characteristics of the Maronite church are its east-west orientation - parallel to the spurs which characterize the littoral Lebanon - the presence of a sustainable source of water, and an evergreen tree. The church was conceived for a standing form of worship and without physical barrier between the nave and the sanctuary; and the main and possibly sole source of daylight (but the open door) is the eastern aperture. The bima platform is located in the nave to reflect the monotheistic ideology adopted by the Maronites. Over the centuries, and despite the influences from the Roman Catholic Church, with which it is in full communion, the Maronite church has preserved its identity which is austere and, in particular, free of the 'dramatic mysteries' associated especially with the Baroque churches. Having studied Dweihi's manuscript and his 11 chapters on Maronite ecclesiastical architecture, this thesis asks whether these are still relevant? How can the manuscript be updated for contemporary interpretation towards a rooted modem Maronite ecclesiastical architecture? The architecture of Lebanon has fascinated at least three authors (Ragette, Liger Belair, and Abou Sawan) whose works date from the late 20th century and have become standard references. Others have documented various works on the Maronite people and their religion, but, not since Dweihi' s manuscript of the 17th century has an attempt been made at documenting and extending Maronite concepts for ecclesiastical architecture. Interestingly, Dweihi in his time was reacting to what he saw as a contamination of the Maronite church by Roman Catholic influences; this thesis was prompted by insensitive and ignorance in contemporary Maronite ecclesiastical architecture. The thesis is thus dedicated to proper custodianship of the heritage and the informed and sensitive design of new 'houses ' for Maronite worship.
Thesis (Ph.D.)-University of KwaZulu-Natal, Durban, 2004.

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Jirsa, Prokop. "Diskuse o liturgickém prostoru v českém jazykovém prostředí - historie a současnost (II. část - Od II. vatikánského koncilu po současnost)." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-333057.

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The outcomes of the Second Vatican Council have brought essential changes into liturgy, having impacted the liturgical space as well. However, the totalitarian communist regime that was in power in Czech lands at the time allowed only a limited space for the application of the Council outcomes in practice. That is why the post-Council situation in liturgy is in many ways unique in the Czech Republic. After the Velvet Revolution there was a rapid and rapturous development that has brought not only positives, but also certain negatives stemming from the too-quickly loosening grip of bondage. The aim of this thesis is to monitor the state of the discussion on liturgical space in the period between the Second Vatican Council and the present day. The theoretical part looks at the summary of the discussion in the Czech Republic before the Second Vatican Council, then briefly presents concept of sacred space of the Second Vatican Council and at the end outlines the pre-Council and the post-Council European context. The practical part consists in the finding, researching and evaluating of materials concerning the subject. They have been assessed according to three main criteria. The first is a historical viewpoint sorting the materials by the time they came into being. The second classifies them by the...

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Řičánková, Alena. "Stodola i chrám. Německé kostely v severních Čechách kolem roku 1900." Doctoral thesis, 2018. http://www.nusl.cz/ntk/nusl-390074.

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Although the North Bohemian region is mainly associated with the industrial rise of the second half of the nineteenth century, which altered the local scenery and cities irreversibly, there were also far more traditional constructions being built around 1900, such churches. Between their solid-state and period concept is blended the influence of the authentic architectural progression, individual impress of architects, furthermore liturgical requirements of particular beliefs and concrete visions of owner-builders. Back then the ideal image of a church was seen as the root of discussion and polemic when many theoretical texts and building regulations were originated. The submitted work observes mainly the use of modern architectonic components following authentically traditional church architecture type. It is done pre-eminently, based on written theory and architectural practices confrontation. The given discussion I pursue with Catholics, Old-Catholics and mainly with Evangelical Confessions, whose base of theoretical text is the widest and newly build churches the most numerous. The subject given is closely related to national questions, situation and purpose of the German inhabitants resided in the territory of North Bohemia. As well as to fundamental influences that were coming here from neighboring...

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Musodza, Archford. "An investigation of the process of indigenisation in the Anglican Diocese of Mashonaland, (1891 - 1981), with special emphasis on the ministry of indigenous Christians." Thesis, 2008. http://hdl.handle.net/10500/1323.

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This study considered indigenisation to involve a process of making the local people `feel at home' in their Church. The ministry of early catechists such as Bernard Mizeki and Frank Ziqubu was crucial in showing the fact that the Anglican Church was not necessarily a church for Europeans only, but for the indigenous people as well. After this first generation of catechists there were numerous indigenous catechists who also ministered in the Diocese of Mashonaland by way of preparing people for the different sacraments found in the Anglican Church. On the other hand the training of the indigenous people for the ordained ministry was also another significant step in the process of indigenisation in the Diocese of Mashonaland. In this regard theological institutions such as St Augustine's Seminary in Penhalonga Manicaland, St Peter's Seminary Rossettenville in Johannesburg and St John's Seminary in Lusaka provided the much needed training. This study also revealed that although the Diocese of Mashonaland had an indigenous person at its helm in 1981, it remained European in several facets of its life. Although translations as a form of indigenisation started from the beginning of the Diocese of Mashonaland and continued right up to 1981, it seems it actually crippled the local indigenous peoples' innovativeness and ingenuity. In addition indigenous musical instruments also took sometime before they could be accepted in divine worship. On the other hand local art and décor as well as local architectural expressions took time to be incorporated into the Diocese of Mashonaland. However few early European missionaries such as Arthur Shirley Cripps and Edgar Lloyd tried to implement local architecture and décor in their churches in Daramombe and Rusape respectively. This study has also established that although the Anglican Diocese of Mashonaland got indigenous leadership by 1981, its liturgy, theology as well as its Acts and Canons remained European.
Christian Spirituality, Church History and Missiology
D. Div. (Church History)

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Booth, Caroline Rosine Claude Christiane Chislaine. "A historical archaeological inverstigation into two recent households of the Motse, Botshabelo Mission Station, Middelburg, Mpumalanga, South Africa." Diss., 2017. http://hdl.handle.net/10500/22696.

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The archaeological research was conducted at Botshabelo, a nineteenth century Berlin Mission Society station located outside Middelburg, Mpumalanga. It focuses primarily on the collection of residential houses and homesteads in the area known as the Motse, meaning “village” in Sotho. This is where the mission station’s African residents lived. This research seeks to use archaeology, specifically the study of the associated material culture, in order to refine the chronology of changes to settlement in this area, and to explore the ways in which the inhabitants interacted with other sectors of the mission station community and the then wider Transvaal society. Although the mission station and its settlement dates from 1865, the material culture excavated and analysed in this project is primarily from the twentieth century. It is through the careful analysis of these houses and their architecture, together with the associated material culture that the social and cultural values of the people who built and used them can be explored. To date there has been a copious amount of research done on these mission stations in southern Africa, flowing mainly from the disciplines of history and anthropology (Comaroff and Comaroff 1991; Delius 1981; Japha et al 1993; Kirkaldy 2005; Vernal 2009). In contrast, however, there has been relatively little archaeological research carried out on the various mission stations within southern Africa (but see Ashley 2010; Boshoff 2004; Clift 2001; Jeppson 2005; Reid et al 1997). This research project is based in archaeology, and in particular in the discipline of historical archaeology, which can provide the methodologies and approaches that can be used to make sense of the history of the Botshabelo Mission Station and the Motse. This research therefore intends to contribute to the currently under researched field of mission archaeology within South Africa.
Anthropology and Archaeology
M.A. (Archaeology)

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